Difference between revisions of "ATD 557-587"
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+ | |||
+ | ==Page 557== | ||
+ | |||
+ | '''Viktor Mulciber'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''bespoke'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Basil Zaharoff'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''trains of history... run'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Balkan ''komitadji'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''waybill'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''metamorphosed into an American Negro'''<br> | ||
+ | Cf honorary Negro (Frank above). | ||
+ | |||
+ | '''Nipponese'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Hertzian'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 558== | ||
+ | |||
+ | '''scalar part'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''baritone in a barbershop quartet'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''viola in a string quartet'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Further Term'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''laterite'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Inner Boulevards'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Gare du Midi'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Edouard Gevaert'''<br> | ||
+ | (No ligature?) | ||
+ | |||
+ | ==Page 559== | ||
+ | |||
+ | '''Krupp field-piece'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''vaguely glandular'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''ostinato'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''poleaxed'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''lost to silence'''<br> | ||
+ | (Not silent, or very?) | ||
+ | |||
+ | ==Page 560== | ||
+ | |||
+ | '''Estacade'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''mousmée... mouchard'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''always lead an irregular life'''<br> | ||
+ | Cf GR. | ||
+ | |||
+ | '''Maria Bayley Hamilton'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''council meeting'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 561== | ||
+ | |||
+ | '''Brougham Bridge'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''pulls a knife'''<br> | ||
+ | (Folklore, really later?) | ||
+ | |||
+ | '''on the stone'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Pentecostal'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''official Mischief Opportunity'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''absinthe spoons'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''cravats'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''"four-door farce"'''<br> | ||
+ | (See eg Bogdanovich's "What's Up, Doc?") | ||
+ | |||
+ | ==Page 562== | ||
+ | |||
+ | '''Minque'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''carillons... carilloneur'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Hanseatic'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''burghers'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''silted up'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Damme and Sluis'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 563== | ||
+ | |||
+ | '''trusted his intuitiveness'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''"Jou moerskont!"''... Afrikaans'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 564== | ||
+ | |||
+ | '''immense choir'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''Voetsak'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''starers'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''tobacco-stricken'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''half-silvering'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''four cusps... index-surface'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''co-conscious'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 565== | ||
+ | |||
+ | '''true icosahedron'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''12+8... pyrites'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Riemann sphere'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Felix Klein'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''ebonite'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Ohmic Drift'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''speed of the earth... kinetic energy'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Recently Lorentz's paper'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Lord Rayleigh'''<br> | ||
+ | ??? | ||
+ | |||
==Page 566== | ==Page 566== | ||
+ | |||
+ | '''In a dream...'''<br> | ||
This passage, describing Kit's dream of Umeki and the message it conveys, pulls together many of the main themes of ''Against the Day'', tying things together in a way that Pynchon seldom does, almost as if he's providing a rather large piece of the puzzle to help the reader understand the novel: | This passage, describing Kit's dream of Umeki and the message it conveys, pulls together many of the main themes of ''Against the Day'', tying things together in a way that Pynchon seldom does, almost as if he's providing a rather large piece of the puzzle to help the reader understand the novel: | ||
:"Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim's guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist." | :"Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim's guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist." | ||
+ | |||
+ | '''analogies'''<br> | ||
+ | (Pynchonian heuristics.) | ||
+ | |||
+ | '''nameless Station'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''lightless uncreated'''<br> | ||
+ | (Gnostic heresy?) | ||
+ | |||
+ | '''stuffed sinus'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''Konichiwa'''''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 567== | ||
+ | |||
+ | '''new Puccini opera'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Borel-Clerc... "La Matchiche"'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''western anchor'''<br> | ||
+ | What about France, Spain, Portugal? | ||
+ | |||
+ | '''Compaignie Internationale des Wagons-Lits'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''two hundred francs'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''theory of sets'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Bruges Canal'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 568== | ||
+ | |||
+ | '''vaporetto'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Grand Canal'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''San Marco end'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Piazzetta'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''San Giorgio Maggiore'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''spreading... cloak'''<br> | ||
+ | Cliche/allusion? | ||
+ | |||
+ | '''live here forever'''<br> | ||
+ | Pynchon special-pleading that Dally isn't just another tourist. | ||
+ | |||
+ | ==Page 569== | ||
+ | |||
+ | '''Malibran... Polo's house'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''"pincette"'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''profondes'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Vincenzo Miserere'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''train to Trieste'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Svegli'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''shark leather'''<br> | ||
+ | Different from sharkskin? | ||
+ | |||
+ | '''''Specchiere'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''glassmakers on Murano'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 570== | ||
+ | |||
+ | '''another one of his stories'''<br> | ||
+ | (Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.) | ||
+ | |||
+ | '''TERAPIA'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''San Servolo'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Palazzo Ducale'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''manicomio'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''uterine vellum'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''pitch, rouge'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 571== | ||
+ | |||
+ | '''La Doppiatrice'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Ettore Sananzolo'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Maskelyne cabinet'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 572== | ||
+ | |||
+ | '''smoke back into a cigar'''<br> | ||
+ | Time's arrow/ entropy motif. | ||
+ | |||
+ | '''hard-as-a-rock black cigar'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''thumping'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''salso'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''sandoli'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''trains pulling in'''<br> | ||
+ | Famous early film. | ||
+ | |||
+ | ==Page 573== | ||
+ | |||
+ | '''Cannareggio'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 574== | ||
+ | |||
+ | '''thirty years older'''<br> | ||
+ | About 65yo? | ||
+ | |||
+ | '''that day'''<br> | ||
+ | In NYC when Dally showed up. | ||
+ | |||
+ | '''when she was born'''<br> | ||
+ | Cf Pretenders/Chryssie Hynde. | ||
+ | |||
+ | '''Stronzo'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''In bocc' al lupo!'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''campielli'''''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 575== | ||
+ | |||
+ | '''Riva'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''middy blouses'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''not yet been rebuilt'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''lucciole'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''fondamenta'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''ombreta'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''light's good here'''<br> | ||
+ | Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else. | ||
+ | |||
+ | '''microcosm'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 576== | ||
+ | |||
+ | '''twelve soldi'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''franc... ten francs'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Canaletto'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Beppo'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''pitch'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Bauer-Grünwald'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 577== | ||
+ | |||
+ | ''''Safe''''<br> | ||
+ | Recent art-movie title? | ||
+ | |||
+ | '''Castello'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Evening Gun'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''importunate'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Dr. Grace'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 578== | ||
+ | |||
+ | '''Dorsoduro'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''pensione'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''La Calcina'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Zattere'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''cimici'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''bora'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 579== | ||
+ | |||
+ | '''Tintoretto's ''Abduction...'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Accademia'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Titian'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Infancy Gospel of Thomas'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 580== | ||
+ | |||
+ | '''Pentecost story in Acts'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Galilean dialect'''<br> | ||
+ | Of Aramaic. | ||
+ | |||
+ | '''''rii'''''<br> | ||
+ | Plural of ''rio''. | ||
+ | |||
+ | ==Page 581== | ||
+ | |||
+ | '''''sotopòrteghi'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Bodeo 10.4 mm'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 582== | ||
+ | |||
+ | '''''foschetta'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''masègni'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''patrone'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''wine trains up from Puglia'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Winter'''<br> | ||
+ | 1904-1905? | ||
+ | |||
+ | '''Principessa Spongiatosta'''<br> | ||
+ | Is Pugnax's book from p6 at all relevant here? | ||
+ | |||
+ | '''Ca''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Roman Composite order'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''japonica'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 583== | ||
+ | |||
+ | '''Iron Bridge'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Le Havre'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''''ma via'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''third eyes touching'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 584== | ||
+ | |||
+ | '''"Swiss insurance salesman. Wolf. No, Putzi."'''<br> | ||
+ | Bria's had so many beaux she gets them confused? | ||
+ | |||
+ | '''''topo'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Dogana'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Andrea Tancredi'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Seurat and Signac'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Divisionism'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Marinetti'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''"Futurists"'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''brutalism'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Torcello'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''primitivo'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 585== | ||
+ | |||
+ | '''green-and-lavender'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''sirocco'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''San Michele'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''futuristic vehicle'''<br> | ||
+ | P155. | ||
+ | |||
+ | '''''Preliminary Studies...'''''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 586== | ||
+ | |||
+ | '''Always with us.'''<br> | ||
+ | Gospel of ?. | ||
+ | |||
+ | '''''vero'''''<br> | ||
+ | Cf 'verdad'. | ||
+ | |||
+ | '''orpiment yellow'''<br> | ||
+ | ??? | ||
+ | |||
+ | '''Nürnberg violet'''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Page 587== | ||
+ | |||
+ | '''''nebbia, nebbietta, foschia, caligo, sfumato'''''<br> | ||
+ | ??? | ||
+ | |||
+ | '''speed of sound'''<br> | ||
+ | Air temperature is more important that density. | ||
+ | |||
+ | '''''La Velocità del Suono'''''<br> | ||
+ | ??? | ||
+ | |||
+ | ==Annotation Index== | ||
+ | {{ATD PbP}} |
Revision as of 10:28, 20 December 2006
Contents
- 1 Page 557
- 2 Page 558
- 3 Page 559
- 4 Page 560
- 5 Page 561
- 6 Page 562
- 7 Page 563
- 8 Page 564
- 9 Page 565
- 10 Page 566
- 11 Page 567
- 12 Page 568
- 13 Page 569
- 14 Page 570
- 15 Page 571
- 16 Page 572
- 17 Page 573
- 18 Page 574
- 19 Page 575
- 20 Page 576
- 21 Page 577
- 22 Page 578
- 23 Page 579
- 24 Page 580
- 25 Page 581
- 26 Page 582
- 27 Page 583
- 28 Page 584
- 29 Page 585
- 30 Page 586
- 31 Page 587
- 32 Annotation Index
Page 557
Viktor Mulciber
???
bespoke
???
Basil Zaharoff
???
trains of history... run
???
Balkan komitadji
???
waybill
???
metamorphosed into an American Negro
Cf honorary Negro (Frank above).
Nipponese
???
Hertzian
???
Page 558
scalar part
???
baritone in a barbershop quartet
???
viola in a string quartet
???
Further Term
???
laterite
???
Inner Boulevards
???
Gare du Midi
???
Edouard Gevaert
(No ligature?)
Page 559
Krupp field-piece
???
vaguely glandular
???
ostinato
???
poleaxed
???
lost to silence
(Not silent, or very?)
Page 560
Estacade
???
mousmée... mouchard
???
always lead an irregular life
Cf GR.
Maria Bayley Hamilton
???
council meeting
???
Page 561
Brougham Bridge
???
pulls a knife
(Folklore, really later?)
on the stone
???
Pentecostal
???
official Mischief Opportunity
???
absinthe spoons
???
cravats
???
"four-door farce"
(See eg Bogdanovich's "What's Up, Doc?")
Page 562
Minque
???
carillons... carilloneur
???
Hanseatic
???
burghers
???
silted up
???
Damme and Sluis
???
Page 563
trusted his intuitiveness
???
"Jou moerskont!"... Afrikaans
???
Page 564
immense choir
???
Voetsak
???
starers
???
tobacco-stricken
???
half-silvering
???
four cusps... index-surface
???
co-conscious
???
Page 565
true icosahedron
???
12+8... pyrites
???
Riemann sphere
???
Felix Klein
???
ebonite
???
Ohmic Drift
???
speed of the earth... kinetic energy
???
Recently Lorentz's paper
???
Lord Rayleigh
???
Page 566
In a dream...
This passage, describing Kit's dream of Umeki and the message it conveys, pulls together many of the main themes of Against the Day, tying things together in a way that Pynchon seldom does, almost as if he's providing a rather large piece of the puzzle to help the reader understand the novel:
- "Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim's guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist."
analogies
(Pynchonian heuristics.)
nameless Station
???
lightless uncreated
(Gnostic heresy?)
stuffed sinus
???
Konichiwa
???
Page 567
new Puccini opera
???
Borel-Clerc... "La Matchiche"
???
western anchor
What about France, Spain, Portugal?
Compaignie Internationale des Wagons-Lits
???
two hundred francs
???
theory of sets
???
Bruges Canal
???
Page 568
vaporetto
???
Grand Canal
???
San Marco end
???
Piazzetta
???
San Giorgio Maggiore
???
spreading... cloak
Cliche/allusion?
live here forever
Pynchon special-pleading that Dally isn't just another tourist.
Page 569
Malibran... Polo's house
???
"pincette"
???
profondes
???
Vincenzo Miserere
???
train to Trieste
???
Svegli
???
shark leather
Different from sharkskin?
Specchiere
???
glassmakers on Murano
???
Page 570
another one of his stories
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)
TERAPIA
???
San Servolo
???
Palazzo Ducale
???
manicomio
???
uterine vellum
???
pitch, rouge
???
Page 571
La Doppiatrice
???
Ettore Sananzolo
???
Maskelyne cabinet
???
Page 572
smoke back into a cigar
Time's arrow/ entropy motif.
hard-as-a-rock black cigar
???
thumping
???
salso
???
sandoli
???
trains pulling in
Famous early film.
Page 573
Cannareggio
???
Page 574
thirty years older
About 65yo?
that day
In NYC when Dally showed up.
when she was born
Cf Pretenders/Chryssie Hynde.
Stronzo
???
In bocc' al lupo!
???
campielli
???
Page 575
Riva
???
middy blouses
???
not yet been rebuilt
???
lucciole
???
fondamenta
???
ombreta
???
light's good here
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.
microcosm
???
Page 576
twelve soldi
???
franc... ten francs
???
Canaletto
???
Beppo
???
pitch
???
Bauer-Grünwald
???
Page 577
'Safe'
Recent art-movie title?
Castello
???
Evening Gun
???
importunate
???
Dr. Grace
???
Page 578
Dorsoduro
???
pensione
???
La Calcina
???
Zattere
???
cimici
???
bora
???
Page 579
Tintoretto's Abduction...
???
Accademia
???
Titian
???
Infancy Gospel of Thomas
???
Page 580
Pentecost story in Acts
???
Galilean dialect
Of Aramaic.
rii
Plural of rio.
Page 581
sotopòrteghi
???
Bodeo 10.4 mm
???
Page 582
foschetta
???
masègni
???
patrone
???
wine trains up from Puglia
???
Winter
1904-1905?
Principessa Spongiatosta
Is Pugnax's book from p6 at all relevant here?
Ca'
???
Roman Composite order
???
japonica
???
Page 583
Iron Bridge
???
Le Havre
???
ma via
???
third eyes touching
???
Page 584
"Swiss insurance salesman. Wolf. No, Putzi."
Bria's had so many beaux she gets them confused?
topo
???
Dogana
???
Andrea Tancredi
???
Seurat and Signac
???
Divisionism
???
Marinetti
???
"Futurists"
???
brutalism
???
Torcello
???
primitivo
???
Page 585
green-and-lavender
???
sirocco
???
San Michele
???
futuristic vehicle
P155.
Preliminary Studies...
???
Page 586
Always with us.
Gospel of ?.
vero
Cf 'verdad'.
orpiment yellow
???
Nürnberg violet
???
Page 587
nebbia, nebbietta, foschia, caligo, sfumato
???
speed of sound
Air temperature is more important that density.
La Velocità del Suono
???
Annotation Index
Part One: The Light Over the Ranges |
|
---|---|
Part Two: Iceland Spar |
119-148, 149-170, 171-198, 199-218, 219-242, 243-272, 273-295, 296-317, 318-335, 336-357, 358-373, 374-396, 397-428 |
Part Three: Bilocations |
429-459, 460-488, 489-524, 525-556, 557-587, 588-614, 615-643, 644-677, 678-694 |
Part Four: Against the Day |
695-723, 724-747, 748-767, 768-791, 792-820, 821-848, 849-863, 864-891, 892-918, 919-945, 946-975, 976-999, 1000-1017, 1018-1039, 1040-1062 |
Part Five: Rue du Départ |