ATD 644-677

Revision as of 10:52, 28 December 2006 by Bean (Talk | contribs) (PAGE 647)

Page 644

Page 645

Page 646

Page 647

For really it was the sidekick who presented the problem. Restless type. Fair hair, hat back on his head so the big brim sort of haloed his face, shiny eyes and low-set, pointed ears like an elf's...

Who is this? Some sort of strange tommyknocker, mine-sprite, or brownie? Or an oblique reference to a named character whose identity I can't discern? remy 10:52, 28 December 2006 (PST)

Page 648

Page 649

Page 650

Page 651

Page 652

Page 653

Page 654

Page 655

Page 656

Page 657

Page 658

Page 659

Page 660

Page 661

Page 662

Page 663

Page 664

Page 665

Page 666

Reader, she bit him.
Reef has failed, both literally and figuratively, to screw the pooch.

Page 667

Page 668

Page 669

Page 670

Page 671

Page 672

Page 673

Page 674

Page 675

As light began to steep in...

Like on page 566, this dream-passage seems to contain a top-down examination of Kit's progress; of his motives and awareness of complicity in the Traverse vengeance-quest against the Vibes. Similar to Kit's earlier dream(s?), it's a thematic reduction and feels like a significant 'clue':

As light began to steep in around the edges of the window blinds, Kit fell asleep again and dreamed of a bullet en route to the heart of an enemy, traveling for many years and many miles, hitting something now and then and ricocheting off at a different angle but continuing its journey as if conscious of where it must go, and he understood that this zigzagging around through four-dimensional space-time might be expressed as a vector in five dimensions. Whatever the number of n dimensions it inhabited, an observer would need one extra, n + 1, to see it and connect the end points to make a single result.

In addition to the broad narrative summary, there appears to be a metatextual implication here. Regarding the reader in Pynchon's overall 'Against The Day' scheme: the novel n must be observed from an n +1 perspective (that is: dimensionally distinct) to connect end-points and weave a single result, to engage and correlate strands and twines into a coherent narrative whole. Without an overarching consciousness there's apparent anarchy: with said consciousness there's meaning and vector.

remy 10:52, 28 December 2006 (PST)

Page 676

Page 677