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		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
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&lt;div&gt;&#039;&#039;&#039;Sabine&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1007; Stray&#039;s neighbor in the tent city&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;St. Barbara&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
81; According to legend, Saint Barbara was the extremely beautiful daughter of a wealthy heathen named Dioscorus, who lived near Nicomedia in Asia Minor, in the 4th Century AD. Because of her singular beauty and fearful that she be demanded in marriage and taken away from him, he jealously shut her up in a tower to protect her from the outside world. When Barbara converted to Christianity, her enraged father killed her and was subsequently struck down by lightening. St. Barbara was venerated as early as the seventh century. The legend of the lightning bolt which struck down her father caused her to be regarded as the patron saint in time of danger from thunderstorms, fires and sudden death. When gunpowder made its appearance in the Western world, Saint Barbara was invoked for aid against accidents resulting from explosions &amp;amp;#151; since some of the earlier artillery pieces often blew up instead of firing their projectile, Saint Barbara became the patroness of the artillerymen.[http://sill-www.army.mil/pao/pabarbar.htm From this website.] According to Codex Vaticanos 866 ([http://www.bergbaumuseum.at/Barbaralegende.htm german translation]) and the [http://www.aug.edu/augusta/iconography/goldenLegend/barbara.htm Golden Legend], St. Barbara, when fleeing her father prayed and &amp;quot;marvellously&amp;quot; a stone/rock took her in and released her on top of a mountain. That^s probably why she is patroness of miners, too. The [http://www.wilsonsalmanac.com/book/dec4.html wilsonalmanac] lists some interesting facts about St. Barbara customs around the world. There seems to be a special icelandic St. Barbara legend but all i could find out is that [http://scandinavian.wisc.edu/wolf/index.html Kirsten Wolf] edited a book called &amp;quot;The Old Norse-Icelandic Legend of Saint Barbara&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;St. Cosmo, Randolph&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
24; Ship Commander of &#039;&#039;The Inconvenience&#039;&#039;; Historically, there are two versions St. Cosmo (aka St. Cosmas): the &amp;quot;randy&amp;quot; St. Cosmos, aka the &amp;quot;modern Priapus,&amp;quot; and the saintly martyred St. Cosmos of Catholic/Church lore. Pynchon, it seems, is connecting Randolph St. Cosmo to the former. &amp;quot;Randy,&amp;quot; as astute observers will note, is an adjective which means, well, &amp;quot;horny.&amp;quot; There&#039;s a distinct sexual thread woven throughout &#039;&#039;Against the Day&#039;&#039; [[Basnight%2C_Lewis_%28%22Lew%22%29|(See the &#039;&#039;beginnings&#039;&#039; of exploring this angle...]]) &amp;amp;#151; a-and Heartsease, St. Cosmo&#039;s skymate, is the first to get pregnant! &amp;amp;#151; so this seems to fit right in. [[St. Cosmo|Read more about the historical St. Cosmo...]]; and [http://en.wikipedia.org/wiki/Sts._Cosmas_and_Damian Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;St. Masque&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
108; Indian Ocean island; volcano, 109;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;St. Paul&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
107; Indian Ocean island&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Saint-Sa&amp;amp;euml;ns, Camille&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
27; his &amp;quot;wonderful &#039;Bacchanale&#039;&amp;quot;; from his opera &amp;quot;Samson and Delila which premiered in Weimar, Germany on December 2, 1877; [http://en.wikipedia.org/wiki/Camille_Saint-Sa%C3%ABns Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Saksaul&#039;&#039;, H.M.S.F.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
425; The &#039;&#039;saksaul&#039;&#039; is a plant/tree native to the deserts of Central Asia, particularly the Gobi desert where some believe Shambhala lies underground; it has a very hard wood and is covered with knobs [http://en.wikipedia.org/wiki/Saxaul Wikipedia] [http://www.pbase.com/william_sokolenko/image/68724037 pic]; &amp;quot;subdesertine craft&amp;quot; 432; 434; attacked, 444;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Salas, Jos&amp;amp;eacute; Gonz&amp;amp;aacute;lez&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
983; &amp;quot;former fencing coach&amp;quot; and &amp;quot;Madero&#039;s war minister&amp;quot; put in campaign against Orozco;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Salazar Jos&amp;amp;eacute; In&amp;amp;eacute;s, General&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
983; &amp;quot;former Magonista ... raising a small army&amp;quot; in Casas Grandes, and Frank Traverse joins up&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Salisbury, Lord (1830-1903)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
58; Robert Arthur Talbot Gascoyne-Cecil, 3rd Marquess of Salisbury, known as Lord Robert Cecil before 1865 and as Viscount Cranborne from 1865 until 1868, was a British statesman and Prime Minister on three occasions, for a total of over 13 years; [http://en.wikipedia.org/wiki/Robert_Gascoyne-Cecil%2C_3rd_Marquess_of_Salisbury Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sananzolo, Ettore&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
571; engineer at mirror factory in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sanatorium B&amp;amp;ouml;fli-Spazzoletta&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
692; &amp;quot;Bright red private hostel stamp&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sand-fleas&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
440; aka &#039;&#039;Chong pir&#039;&#039; (&amp;quot;big lice&amp;quot;), live under the desert and feed on human blood; &#039;&#039;Pulex&#039;&#039;;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sands, Captain&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
444; aka Inspector at Whitehall in London; 607; &amp;quot;Inspector Sands&amp;quot; is a code phrase used on the London Underground to alert authorities of a potential emergency without causing panic amongst travellers. [http://en.wikipedia.org/wiki/Inspector_Sands Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Miguel County&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
80; where Merle Rideout and Dally lived, in Colorado&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont, Monsieur&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
529; 576;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sap-head&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
7; a fool: a person who lacks good judgment&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Saracens&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
436; [http://en.wikipedia.org/wiki/Saracen Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Saratoga chips&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
39; Potato chips; [http://en.wikipedia.org/wiki/Saratoga_chips Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Satan&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;some ruler of some underworld,&amp;quot; 231; &amp;quot;the Evil One,&amp;quot; 333; Darby&#039;s and Chick&#039;s faith that Dr. Zoot &amp;quot;will prove not altogether diabolical,&amp;quot; 403; [http://en.wikipedia.org/wiki/Satan Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scarlet Pimpernel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
846; &#039;&#039;The Scarlet Pimpernel&#039;&#039; is a classic play and adventure novel by Baroness Emmuska Orczy, set during the French Revolution. It first opened on 15 October 1903 at Nottingham’s Theatre Royal, in London; the character is an anonymous hero who, through a combination of courage and daring, has rescued many French aristocrats from the guillotine and brought them safely to England. [http://en.wikipedia.org/wiki/The_Scarlet_Pimpernel Wikipedia entry]; Double Identity:  Sir Percy Blakeney, a British nobelman, is masked by various disguises as The Scarlet Pimpernel who seeks to undermine the Reign of Terror after the French Revolution.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scent&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See [[#smell|Smell]], below.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Schicksal, das&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
635; german: fate, destiny&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Schiff, Jacob Henry&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
131; banker [http://en.wikipedia.org/wiki/Jacob_Schiff Wikipedia Entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Schleppingsdorff&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
914; Royal advisor in &#039;&#039;The Burgher King&#039;&#039;; the name is reminiscent of the German actor Max Schlepzig in [http://gravitys-rainbow.pynchonwiki.com/wiki &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]; a &amp;quot;schlep&amp;quot; is Yiddish slang for a stupid person, a loser.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Schmidt, Chief&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
59; Cleveland cop&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Schw&amp;amp;auml;rmer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
613; gas pressure;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Schwartz&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
511; mathematician at University of Berlin&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scioto&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
66;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scorcher cap&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
42; &amp;quot;In […]1892 [… a] bicyclist to be considered genuine had to be dressed in bicycle clothes. A man had to wear bicycle pants which were baggy at the top and tight to the legs below. Then he had to have bicycle socks and shoes. The shoes were made of canvass. Then he had to have a loose fitting grey colored shirt which we would designate now as a sport shirt. Then on his head he had to wear a tight fitting cap with a long bill in front, the longer the better up to a certain ceiling length. With this outfit and a bicycle with drop handlebars he was ready to appear in public as a real cyclist. If he could make 20 miles an hour on a good track he was called a &amp;quot;scorcher,&amp;quot; the idea being that he was going so fast that he would scorch at least the end of his nose if nothing else.&amp;quot; (From [http://www.velorution.biz/?p=1288 this website...])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Screaming&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
145; 404; 440; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scuttlebutt&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
3; The origin of the word scuttlebutt which is nautical parlance for a rumor, comes from a combination of scuttle - to make a hole in the ship&#039;s side causing her to sink - and butt - a cask or hogshead used in the days of wooden ships to hold drinking water; thus the term scuttlebutt means a cask with a hole in it. Scuttle; describes what most rumors accomplish if not to the ship, at least to morale. (from [http://www.goatlocker.org The Goat Locker Website])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scylla&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1043; &amp;quot;astrologer of Lew&#039;s acquaintance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Second Law of Thermodynamics&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1020; The second law of thermodynamics is an expression of the universal law of increasing entropy. In simple terms, it is an expression of the fact that over time, differences in temperature, pressure, and density tend to even out in a physical system which is isolated from the outside world. Entropy is a measure of how far along this evening-out process has progressed; [http://en.wikipedia.org/wiki/Second_Law_of_Thermodynamics Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secret Service&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
94; &amp;quot;to keep the President from gettin shot [...] and go after counterfeiters&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Self-reference&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
117; &amp;quot;my harmless little intraterrestrial scherzo&amp;quot;; &amp;quot;Hundreds, by now thousands, of narratives, all equally valid &amp;amp;#151; what can this mean?&amp;quot; 681-82; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Semana Santa&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
376; Easter or Holy Week; [http://en.wikipedia.org/wiki/Semana_Santa Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sempitern&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
452; Candlebrow&#039;s canoeable river; &amp;quot;sempiternal&amp;quot; means &amp;quot;enduring forever&amp;quot; or &amp;quot;eternal&amp;quot; and derives from the Latin &#039;&#039;sempiternus&#039;&#039; : semper, always.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Senta&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
834; member of The Black Hand, the feared Serbian outfit&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sentience&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Sentient Rocksters, 133, 149; the railroad&#039;s &amp;quot;steel webwork was a living organism&amp;quot; 177; sand dunes, 752; the journey as &amp;quot;conscious being&amp;quot; 765; wind 773; talking wolves, 784; Ssagan, the talking horse, speaking Buriat, 785; the sea, 818; roses, 949; Tesla rig, 952;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sentient Rocksters&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
133. The phrase also appears on p. 612 of [http://gravitys-rainbow.pynchonwiki.com/wiki &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sergei, Grand Duke&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
595; assassinated;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sergeievitch, Pavel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
780; on the &#039;&#039;Bol&#039;shaia Igra&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;serpents&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Serpents&#039;&#039;&#039;&lt;br /&gt;
&amp;quot;serpentine hypnosis,&amp;quot; &amp;quot;serpent-like,&amp;quot; 141; 145; 195; &amp;quot;Serpent in the Garden was never symbolic,&amp;quot; 223; &amp;quot;Aztec foundation story of the eagle and the serpent&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat, Georges-Pierre (1859-1891)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
584;  French painter and the founder of Neoimpressionism. His large work &#039;&#039;Sunday Afternoon on the Island of La Grande Jatte&#039;&#039; is one of the icons of 19th century painting; 587; [http://en.wikipedia.org/wiki/Georges_Seurat Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seven Sisters&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
159;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sfinciuno Itinerary&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
248; &amp;quot;a map or chart of post-Polo routes into Asia, believed by many to lead to the hidden city of Shambhala itself&amp;quot; 248; &amp;quot;not a geographical map at all&amp;quot;? 425; Alonzo Meatman arrives with a copy of the &amp;quot;enigmatic map.&amp;quot; 436; &amp;quot;additional level of encryption&amp;quot; 437; [[Sfinciuno Itinerary|DISCUSSION]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Shabotshi&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
390; The Tarahumare Indians of the Sierra Madre, one of the least known among the Mexican tribes, live in caves to such an extent that they may properly be termed the American Cave-Dwellers of today. In their iconography, the devil is always represented with a beard, and the Tarahumari call Mexicans &amp;quot;Shabotshi&amp;quot; (&amp;quot;the bearded ones&amp;quot;); [[Tarahumare Indians|About the Tarahumare Indians]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shady side of forty&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1051; that would be over forty; I vaguely recall Pynchon referring to his wife as being on the &amp;quot;sunny side of forty&amp;quot; ... what goes around comes around.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Shakespeare, William (1564-1616)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
344; English poet and playwright widely regarded as the greatest writer of the English language, and as the world&#039;s preeminent dramatist (although some don&#039;t buy it!); 385; [http://en.wikipedia.org/wiki/The_Merchant_of_Venice &#039;&#039;Merchant of Venice&#039;&#039;] (Antonio, the merchant in the play, is worried about pirates attacking his shipping), 819; [http://en.wikipedia.org/wiki/William_Shakespeare Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Shambhala&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
248; 259; 435; In Tibetan Buddhist tradition, Shambhala (also spelled Shambala or Shamballa) is a mystical kingdom hidden somewhere beyond the snowpeaks of the Himalayas; 441; 609; &amp;quot;An ancient metropolis of the spiritual, some say inhabited by the living, others say empty, in ruins, buried someplace beneath the desert sands of Inner Asia. And of course there are always those who&#039;ll tell you that the true Shambhala lies within.&amp;quot;&amp;quot; 628; 631; &amp;quot;the Pure Land&amp;quot; 686; 718; and secular European politics, 748; and Rinpungpa, 750; &amp;quot;north of the Taklamakan&amp;quot; 767; Kit&#039;s vision of, 770; [[K#khocho|Khocho]], 772; post-Tunguska, 793; &amp;quot;not a goal, but an absence&amp;quot; 975; album of Shambhala postage stamps, 1081; [http://en.wikipedia.org/wiki/Shambhala Wikipedia entry] [[Shambhala|Notes on Shambhala in the Gobi Desert]]; [http://www.trivia-library.com/c/history-of-the-search-for-shambhala-part-1.htm History of the Search for Shambhala Website]; [http://www.amazon.com/gp/redirect.html?ie=UTF8&amp;amp;location=http%3A%2F%2Fwww.amazon.com%2FWay-Shambhala-Mythical-Kingdom-Himalayas%2Fdp%2F1570628742%3Fie%3DUTF8%26s%3Dbooks%26qid%3D1180372355%26sr%3D1-1&amp;amp;tag=hyperartspynchon&amp;amp;linkCode=ur2&amp;amp;camp=1789&amp;amp;creative=9325 Edwin Bernbaum&#039;s &#039;&#039;The Way to Shambhala: A Search for the Mythical Kingdom Beyond the Himalayas&#039;&#039;] (&#039;&#039;The&#039;&#039; resource!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Shambles&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The Chicago Stockyards, 10; &amp;quot;&#039;End of the line for you all,&#039;&amp;quot; 82; &amp;quot;Ireland has become a literal shambles,&amp;quot; 230; &amp;quot;great planetary killing-floor,&amp;quot; 443; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sharma&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
760; Mushtaq&#039;s cousin&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Shorty&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
506; ship&#039;s cook near Krakatoa&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Siege of Paris&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
19;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Signat&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
584;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Signori di Notte&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
880; Doge Gradengio&#039;s &amp;quot;cutthroat squad&amp;quot; in Venice;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sigurd, King&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
127;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Silent Frock&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
803; Noellyne&#039;s&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sillery&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
162; drinking;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Siluro Dirigibile a Lenta Corsa&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
529; 706;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;silveract&amp;quot;&amp;gt;&#039;&#039;&#039;Silver Act&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
89; repeal of in 1893, 89;  President Cleveland, convinced that the Sherman Silver Act, passed in 1890, was the cause of the drain on the U.S. gold reserves, called a special session of congress and convinced them to repeal the Act. [[Sherman Silver Act|Read more...]]; [http://en.wikipedia.org/wiki/Sherman_Silver_Purchase_Act Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;simla&amp;quot;&amp;gt;&#039;&#039;&#039;Simla&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
758; Now Shimla, Simla was the summer capital of the erstwhile British Raj in India. [http://en.wikipedia.org/wiki/Shimla Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;single up all lines&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
3; 442; 821;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sipido&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
528; Anarchist assassin&lt;br /&gt;
&lt;br /&gt;
[[Image:ball-lightning.jpg|thumb|Ball Lightning|right]]&#039;&#039;&#039;Skip&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
73; sentient ball lightning; Ball lightning reportedly takes the form of a short-lived, glowing, floating object often the size and shape of a basketball, but it can also be golf ball sized or smaller. It is sometimes associated with thunderstorms, but unlike lightning flashes arcing between two points, which last a small fraction of a second, ball lightning reportedly lasts many seconds. There have been some reports of production of a similar phenomenon in the laboratory, but some still disagree on whether it is a real phenomenon; [http://en.wikipedia.org/wiki/Ball_lightning Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sky-dogs&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
14; canines who rode in the airships&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sleepcoat, Professor&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
940; piano-playing colleague of Ratty McHugh&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sloane laboratory&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
29;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sloper, Phoebe&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
486; childhood friend of Tace Boilster&#039;s;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Slow and the Stupified, The&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
611;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Smegmo&amp;quot;&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
407; &amp;quot;an artificial substitute for everything in the edible-fat category, including margarine&amp;quot;; [[ATD_397-428#Page_405|More on Smegmo...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;smell&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Smell&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
6; 70; Chums &amp;quot;guided only by their sense of smell,&amp;quot; 115; &amp;quot;a &#039;&#039;scent&#039;&#039;, a sea-smell of deep decay and reproduction,&amp;quot; 127; &amp;quot;scentless snow walls,&amp;quot; 142; 144; 297; 382; 388; &amp;quot;a strong polyaromatic gust, exhaled from the lungs of Depravity herself,&amp;quot; 399; &amp;quot;&#039;Gotta use ah snoot,&#039;&amp;quot; &amp;quot;&#039;till ah snoot tells us we&#039;re dere,&#039;&amp;quot; 401; &amp;quot;odor of spilled . . . whiskey,&amp;quot; 403; &amp;quot;the smell of excrement and dead tissue,&amp;quot; 404; &amp;quot;Nasotemporal Transit,&amp;quot; 408; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Smith, &amp;quot;Pixie&amp;quot; Coleman&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
901; Pamela &amp;quot;Pixie&amp;quot; Coleman Smith was the designer who designed and executed the Tarot deck conceived by Arthur Edwart Waite&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Smoked Haddock&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
447; one of Gaspereaux&#039;s many &amp;quot;locals&amp;quot; in London&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Smokefoot, I.J.&amp;amp;K.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
345; department store where Dally goes to buy a dress and briefly glimpses a woman she thinks might be her mother.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Smokestacks&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
10; 243; cf., &#039;&#039;&#039;Towers of Silence&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Snakes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See [[#serpents|Serpents]], above.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Snazzbury, Dr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
500; of Oxford University, &amp;quot;Snazzbury&#039;s Silent Frock&amp;quot;;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Snidell, Bert&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
75; former husband of Erlys; Dally&#039;s biological dad who died before she was born, 357;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Snidell sisters&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
573;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Soane, Sir John (1753-1837)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
219; mansion that houses T.W.I.T. is attributed to him; John Soane was born in Goring-on-Thames in 1753. In 1809 Soane became Professor of Architecture at the Royal Academy. In 1814 Soane he was appointed to the Board of Works, a post which lasted until his retirement in 1832. Soane displays an originality and control that places him among a small group of architectural innovators. In his work he concentrates on the detailing of internal spaces and lighting. He frequently incorporated shallow domes, segmental arches, and clerestories which he emphasized with linear ornamentation and color. [http://www.greatbuildings.com/architects/Sir_John_Soane.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Socialism&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
32;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sodality of Ǣtheronauts&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1030; Heartsease, Primula, Glee, Blaze, and Viridian, who &amp;quot;found [their] way to this Ǣtherist sorority through the mysteries of inconvenience...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Soltera, E. B.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
644; Dwayne&#039;s contact in Juarez &amp;amp;#151; Regeneration Equipment;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Somble, Strool &amp;amp; Fleshway&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
34; Scarsdale Vibe&#039;s attorneys; 455;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;South Seas Pavilion&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
26; at the Chicago World&#039;s Fair&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Spazzoletta&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
669; Italian: small brush (as in a wire brush); 670;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Special Relativity&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
797; The special theory of relativity was proposed in 1905 by Albert Einstein in his article &amp;quot;On the Electrodynamics of Moving Bodies&amp;quot;. Some three centuries earlier, Galileo&#039;s principle of relativity had stated that all uniform motion was relative, and that there was no absolute and well-defined state of rest; a person on the deck of a ship may be at rest in his opinion, but someone observing from the shore would say that he was moving. Einstein&#039;s theory combines Galilean relativity with the postulate that all observers will always measure the speed of light to be the same no matter what their state of uniform linear motion is; [http://en.wikipedia.org/wiki/Special_relativity Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Spectral Theory&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
603;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
770; shades of the V-2 rockets in [[http://gravitys-rainbow.pynchonwiki.com/wiki/ &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Spengler, Dr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
412;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Spielmacher, Herr&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
615; International Manager - Bank of Prussia;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Spirit of Bimetallism&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
895; statue Dally modeled for in New York&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Spokeshave, &amp;quot;Doggo&amp;quot;&amp;lt;br /&amp;gt;&lt;br /&gt;
906; acquaintance of Crouchmas; &amp;quot;doggo&amp;quot; is slang for &amp;quot;in hiding&amp;quot; or &amp;quot;out of sight&amp;quot; o-or &amp;quot;invisible&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Spongiatosta, Principessa&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
582; semi-notorious aquaintance of H. Penhallow; Spongia Toasta (&amp;quot;roasted sponge&amp;quot;) is a homeopathic remedy for goitre and other thyroid problems; 730-31; family arms, 731; 798; &amp;quot;regular associate&amp;quot; of Theign&#039;s, 867; [http://www.elixirs.com/spongia.cfm elixirs.com]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Spooninger, Bing&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
419; &amp;quot;Mouthorganman Apprentice&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Squalaccio, Il&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
855; Italian: the evil shark; Pino&#039;s and Rocco&#039;s submarine&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Squanto and the Pilgrims&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
416;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Squarciones, Francesco&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
725; Italian painter; teacher of Mantegna. According to tradition he was a tailor and embroiderer who turned to painting c.1429 and established a school of painting in Padua. Only two signed works of his exist, &#039;&#039;Madonna with Child&#039;&#039; (Berlin) and an altarpiece in five sections (Padua). [http://www.questia.com/library/encyclopedia/squarcione-francesco.jsp]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ssagan&amp;lt;br /&amp;gt;&lt;br /&gt;
785; &amp;quot;Buriat pronunciation of &#039;&#039;tsagan&#039;&#039;&amp;quot;; &amp;quot;pure white&amp;quot; reindeer who speaks Buriat to Kit Traverse; In Burkhanism, a Russian religious movement that flourished among the indigenous people of Russia&#039;s Gorno Altai region between 1904 and the 1930s, Ak-Burkhan (&amp;quot;White Burkhan) is a deity who is depicted as an old man with white hair, a white coat, and white headgear, who rides a white horse. Possibly analogous to the Mongolian &amp;quot;white old man,&amp;quot; Tsagan Ebugen. The Buryat language (or Buriat) is a Mongolic language spoken by the Buryats of Siberia. [http://en.wikipedia.org/wiki/Burkhanism]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Standard Oil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
101;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stein, Aurel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
436;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Steve, aka Ramon&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
638; in Mexico (recall Foppl&#039;s in &#039;&#039;V.&#039;&#039;);&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stiftskaserne&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
703; Military barracks area in Vienna; The Stiftskaserne tower was the most heavily-armed Vienna flak tower, mounting four twin 128mm guns.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stinerite&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
528;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stockmen&#039;s Hotel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
31;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stockyards&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See &#039;&#039;&#039;Shambles&#039;&#039;&#039;, above.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stockton, Bob&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
368; his bar in Denver&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;stranniki&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
663; wandering men in Russia; 745;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Strauss, Richard (1864-1949)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
498; German composer of the late Romantic era, particularly noted for his tone poems and operas. He was also a noted conductor; &#039;&#039;Salome&#039;&#039; opera, 626; Strauss Jr., 741; [http://en.wikipedia.org/wiki/Richard_Strauss Wikipedia entry]; [http://www.richardstrauss.at/html/index.html The Official Richard Strauss Website]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;straw &amp;quot;skimmer&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
13; straw hat with a narrow brim, popular boating hat during the 1890&#039;s;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stuffed Edge&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
609; &amp;quot;remote and horrible town of...&amp;quot;; a perversely English pizza reference; [http://www.google.com/search?q=%22stuffed+edge%22+pizza Google search]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;stupendica&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;&#039;&#039;Stupendica, S.S.&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
356; liner takes Zombini&#039;s to Europe; distinct versions of, 514; &amp;quot;latent identity as the battleship H.M.S. &#039;&#039;Emperor Maximilian&#039;&#039;&amp;quot; 515; &amp;quot;Liner-to-Battleship Effect&amp;quot; 518; &amp;quot;Two-&#039;&#039;Stupendica&#039;&#039; problem&amp;quot; 521;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Su&amp;amp;aacute;rez, Pino&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
994&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sub-Clerkenwell trinket&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
489;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Suckling, Darby&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
3; the baby of the &#039;&#039;Inconvenience&#039;&#039; crew who serves &amp;quot;as both factotum and mascotte&amp;quot;; 109-110; as &amp;quot;Ship&#039;s Legal Officer,&amp;quot; 398;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sue, Marie Eug&amp;amp;egrave;ne (1804-1857)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
125; a &#039;&#039;roman-feuilleton&#039;&#039; by; [http://en.wikipedia.org/wiki/Eugene_Sue M. Eugène Sue] was a French novelist, born in Paris. A &#039;&#039;feuilleton&#039;&#039; (a diminutive of French &#039;&#039;feuillet&#039;&#039;, the leaf of a book) was originally a kind of supplement attached to the political portion of French newspapers. A &#039;&#039;roman-feuilleton&#039;&#039; is a serialized novel;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sukhomlinoff, General&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
780; intelligence officer on &#039;&#039;Bol&#039;shaia Igra&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli, Professore&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
569; University of Pisa&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Swedes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
441;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Swift, Tom&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
794; Chums of Chances&#039; &amp;quot;Brother&amp;quot;; [http://en.wikipedia.org/wiki/Tom_Swift Tom Swift] is the young protagonist in several series of juvenile adventure novels starting in the early twentieth century and continuing to the present. More exactly, each such series stars a young protagonist named Tom Swift who is a genius inventor and whose breakthroughs in technology (especially transport technology) drive the plots of the novels, thus placing them in a genre sometimes called &amp;quot;invention fiction&amp;quot; or &amp;quot;Edisonade&amp;quot;. The Chums of Chance stories are titled like the Tom Swift novels, eg &#039;&#039;Tom Swift and His Motor Cycle; or, Fun and Adventure on the Road&#039;&#039;; &#039;&#039;Tom Swift and His Motor Boat; or, The Rivals of Lake Carlopa&#039;&#039;; &#039;&#039;Tom Swift and His Airship; or, The Stirring Cruise of the Red Cloud&#039;&#039;;&lt;br /&gt;
&#039;&#039;Tom Swift and His Submarine Boat; or, Under the Ocean for Sunken Treasure&#039;&#039; &amp;amp;c &amp;amp;c.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Swinburne&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
535;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Swome, Lionel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
628; T.W.I.T. travel coordinator; 668; 720; 752;&lt;br /&gt;
&lt;br /&gt;
[[image:spirit-of-ecstacy.jpg|thumb|150px|&#039;&#039;Spirit of Ecstacy&#039;&#039;|right]]&#039;&#039;&#039;Sykes, Charlie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
895; In May 1902, Montagu founded the weekly magazine Car Illustrated, which Charles Rolls was a contributor to. He also opened the new Rolls-Royce factory at Derby in 1908 and owned a Silver Ghost. It was for this car that Montagu commissioned a one-off mascot from artist Charles Robinson Sykes. The model was Eleanor Velasco Thornton, a vivacious beauty, and the figure was called &#039;&#039;The Whisper&#039;&#039; - the woman has her fingers to her lips as if to tell the onlooker to help her keep a secret.&lt;br /&gt;
&lt;br /&gt;
Such was the popularity of the mascot fad that people were attaching all kinds of things to their cars: golliwogs, toy policemen, etc. Claude Johnson, now general managing director of Rolls-Royce Ltd and Eleanor’s old boss, decided to commission an official mascot for Rolls-Royce. This would ensure that the mascot was in keeping with the overall style and quality of the car. Charles Sykes was once again the man chosen to create it and &#039;&#039;The Spirit of Ecstasy&#039;&#039; bears many similarities to &#039;&#039;The Whisper&#039;&#039;. Although initially offered as an optional extra from February 1911, in practice, the &#039;&#039;Spirit&#039;&#039; adorned almost all Rolls-Royce motor cars from that day onwards.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Symmetry&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
537;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Symons, Arthur William (1865-1945)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
945; called Boulevard Knyaginya Mariya Luiza &amp;quot;the most horrible street in Europe&amp;quot;; a British poet and critic; [http://en.wikipedia.org/wiki/Arthur_Symons Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;syntonic wireless&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
951; to communicate with the dead&lt;br /&gt;
&lt;br /&gt;
{{ATD_Alpha_Nav}}&lt;/div&gt;</summary>
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		<summary type="html">&lt;p&gt;WikiAdmin: Protected &amp;quot;Main Page&amp;quot;: Home Page is too prominent ([Edit=Allow only administrators] (indefinite) [Move=Allow only administrators] (indefinite))&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
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If you wish to contact us or suggest edits, [https://thomaspynchon.com/contact/ &#039;&#039;&#039;use this Contact page.&#039;&#039;&#039;]&lt;br /&gt;
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:&#039;&#039;&#039;Purchase &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;: [https://amzn.to/4nVd9K7 Paperback] | [https://amzn.to/44DLmVG Hardcover]&lt;br /&gt;
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:[https://www.ebay.com/sch/i.html?_nkw=thomas+pynchon+against+the+day&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=thomas+pynchon+against+the+day&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Find &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039; on eBay]&lt;br /&gt;
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&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [https://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [https://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the musical piece!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [https://www.youtube.com/watch?v=jX7H4bQ9k80 Listen] and [https://pitchfork.com/reviews/albums/12912-against-the-day/ Review!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [https://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [https://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [https://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
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We have a few conventions we ask that you follow:&lt;br /&gt;
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* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
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* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Against the Day&#039;&#039; (currently the only novel being annotated here), should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:ATD]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
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* To open a discussion on an individual listing of the Alpha Index, create one using the [[T|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
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* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
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==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.penguin.co.uk/books/394019/against-the-day-by-pynchon-thomas/9780099512332 Random House UK &#039;&#039;AtD&#039;&#039; Page]&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word) Pynchon page]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [https://www.popmatters.com/thomas-pynchon-the-fuss-about The Fuss About Pynchon] - Great article by John Carvill about Pynchon&#039;s work.&lt;br /&gt;
* [http://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [https://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like PynchonWiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
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		<updated>2025-10-08T03:19:25Z</updated>

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** https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page|Infinite Jest&lt;/div&gt;</summary>
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	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=The_Explorigator&amp;diff=16888</id>
		<title>The Explorigator</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=The_Explorigator&amp;diff=16888"/>
		<updated>2025-10-07T15:38:39Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
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&lt;div&gt;==&#039;&#039;The Explorigator&#039;&#039; by Harry Grant Dart==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:explorigator2.jpg|thumb|225px|Boys from The Explorigator|right]]&lt;br /&gt;
&lt;br /&gt;
Harry Grant Dart&#039;s comic for the newspaper The World, &#039;&#039;The Explorigator&#039;&#039;, featured the boy crew of &amp;quot;The Explorigator, a fantastic airship that traversed the universe. It was manned by Admiral Fudge, a youthful adventurer and inventor, accompanied by a group of friends, also children his age (around nine or ten): Detective Rubbersole, Maurice Mizzentop, Nicholas Nohooks, Grenadier Shift, Teddy Typewriter, and Ah Fergetitt. &#039;&#039;The Explorigator&#039;&#039; ran for 14 weeks in 1908 and made an impression for its imaginative and visual creativity. &amp;lt;ref&amp;gt;[https://lambiek.net/artists/d/dart_harry_grant.htm Lambiek Comiclopedia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Harry Grant Dart was born in 1869 in Williamsport, Pennsylvania. His first job was rendering crayon portraits for the National Crayon Company brochures. He drew for the &#039;&#039;Boston Herald&#039;&#039; in the mid-1890s, but it was when &#039;&#039;The New York World&#039;&#039; arranged to send Dart to Cuba that his active newspaper art career began. In 1898, he was sent to Cuba by &#039;&#039;The New York World&#039;&#039; to cover the Spanish-American War as an artist. He sketched many important events (such as political conventions) in the days before photos were printed in newspapers. Dart rose to be the art editor for &#039;&#039;The World&#039;&#039;, and it was from this position - and utilizing the techniques he employed in many freelance cartoons for &#039;&#039;Life&#039;&#039; - that the comic &#039;&#039;The Explorigator&#039;&#039; was conceived, to rival the popular [[Little Nemo|&#039;&#039;Little Nemo&#039;&#039;]] by Winsor McCay in &#039;&#039;The New York Herald&#039;&#039;. &amp;lt;ref&amp;gt;[https://lambiek.net/artists/d/dart_harry_grant.htm Lambiek Comiclopedia]&amp;lt;/ref&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Dart did many amazing illustrations of futuristic aircraft for various magazines, great examples of a subgenre of speculative fiction called &amp;quot;Steampunk&amp;quot; which came into prominence in the 1980s and early 1990s. The term denotes works set in (or strongly inspired by) an era when steam power was still widely used &amp;amp;#151; usually the 19th century, and often set in Victorian England &amp;amp;#151; but with prominent elements of either science fiction or fantasy, such as fictional technological inventions like those found in the works of H. G. Wells, or real technological developments like the computer occurring at an earlier date.&lt;br /&gt;
&lt;br /&gt;
Dart died in 1939. &lt;br /&gt;
&lt;br /&gt;
==External Links== &lt;br /&gt;
*[https://lambiek.net/artists/d/dart_harry_grant.htm Lambiek Comiclopedia]&lt;br /&gt;
*[https://en.wikipedia.org/wiki/Steampunk Wikipedia on Steampunk]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
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	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=The_Explorigator&amp;diff=16887</id>
		<title>The Explorigator</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=The_Explorigator&amp;diff=16887"/>
		<updated>2025-10-07T15:36:52Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
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&lt;div&gt;==&#039;&#039;The Explorigator&#039;&#039; by Harry Grant Dart==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:explorigator2.jpg|thumb|225px|Boys from The Explorigator|right]]&lt;br /&gt;
&lt;br /&gt;
Harry Grant Dart&#039;s comic for the newspaper The World, &#039;&#039;The Explorigator&#039;&#039;, featured the boy crew of &amp;quot;The Explorigator, a fantastic airship that traversed the universe. It was manned by Admiral Fudge, a youthful adventurer and inventor, accompanied by a group of friends, also children his age (around nine or ten): Detective Rubbersole, Maurice Mizzentop, Nicholas Nohooks, Grenadier Shift, Teddy Typewriter, and Ah Fergetitt. &#039;&#039;The Explorigator&#039;&#039; ran for 14 weeks in 1908 and made an impression for its imaginative and visual creativity. &amp;lt;ref&amp;gt;[http://lambiek.net/artists/d/dart_harry_grant.htm Lambiek Comiclopedia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Harry Grant Dart was born in 1869 in Williamsport, Pennsylvania. His first job was rendering crayon portraits for the National Crayon Company brochures. He drew for the &#039;&#039;Boston Herald&#039;&#039; in the mid-1890s, but it was when &#039;&#039;The New York World&#039;&#039; arranged to send Dart to Cuba that his active newspaper art career began. In 1898, he was sent to Cuba by &#039;&#039;The New York World&#039;&#039; to cover the Spanish-American War as an artist. He sketched many important events (such as political conventions) in the days before photos were printed in newspapers. Dart rose to be the art editor for &#039;&#039;The World&#039;&#039;, and it was from this position - and utilizing the techniques he employed in many freelance cartoons for &#039;&#039;Life&#039;&#039; - that the comic &#039;&#039;The Explorigator&#039;&#039; was conceived, to rival the popular [[Little Nemo|&#039;&#039;Little Nemo&#039;&#039;]] by Winsor McCay in &#039;&#039;The New York Herald&#039;&#039;. &amp;lt;ref&amp;gt;[http://lambiek.net/artists/d/dart_harry_grant.htm Lambiek Comiclopedia]&amp;lt;/ref&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Dart did many amazing illustrations of futuristic aircraft for various magazines, great examples of a subgenre of speculative fiction called &amp;quot;Steampunk&amp;quot; which came into prominence in the 1980s and early 1990s. The term denotes works set in (or strongly inspired by) an era when steam power was still widely used &amp;amp;#151; usually the 19th century, and often set in Victorian England &amp;amp;#151; but with prominent elements of either science fiction or fantasy, such as fictional technological inventions like those found in the works of H. G. Wells, or real technological developments like the computer occurring at an earlier date.&lt;br /&gt;
&lt;br /&gt;
Dart died in 1939. &lt;br /&gt;
&lt;br /&gt;
==External Links== &lt;br /&gt;
*[https://lambiek.net/artists/d/dart_harry_grant.htm Lambiek Comiclopedia]&lt;br /&gt;
*[https://en.wikipedia.org/wiki/Steampunk Wikipedia on Steampunk]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;/div&gt;</summary>
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	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=B&amp;diff=16886</id>
		<title>B</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=B&amp;diff=16886"/>
		<updated>2025-10-02T02:37:17Z</updated>

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&lt;div&gt;&#039;&#039;&#039;Bad Ice&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
134-35; uneven ice formed by pressure, currents and wind in the dynamic Arctic environment; 151;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bad Taste&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Chums sworn to avoid, 114;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bagdad Railway Concession&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
228; In the late 19th and early 20th centuries, the Ottoman Empire planned to construct a Baghdad Railway under German control. It became a source of international tension and played some role in the origins of the First World War; 238; [http://en.wikipedia.org/wiki/Baghdad_Railway Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Baklashan&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1022; &amp;quot;shadowy Russian agent&amp;quot; in 1914;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Baku&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
168; Located on the Caspian Sea, Baku or Baky (Baki), capital and largest city of Azerbaijan. Since 1873 an oil belt of Baku began to be formed which was known as a Black City. Within a short period of time departments and representations of Swiss, English, French, Belgian, German and American firms were established in Baku, among them were the firms of the Nobels and Rothschilds. By the beginning of the 20th century almost half of the oil reserves in the world had been extracted in Baku; 441; 631; &amp;quot;with skeeters&amp;quot; 639; 751; [http://en.wikipedia.org/wiki/Baku Wikipedia entry]  [[Discussion]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bakunin, Mikhail (1814-1876)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
373; well-known Russian revolutionary, and often considered one of the fathers of modern anarchism; 890; [http://en.wikipedia.org/wiki/Mikhail_Bakunin Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;balaam&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Balaam&#039;s ass&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
432; From the Bible, Numbers Chapter 22, wherein Balaam, a seer and Gentile, is sent by Balak, King of Moab, to confront the Israelites who, after 40 years in the desert, were camped on the plains of Moab. An angel, invisible to Balaam but visible to the ass, blocks the road and the ass won&#039;t proceed. Balaam repeatedly whips the ass until, by divine intervention, the ass is given the power of speech and speaks to Balaam, asking him why he treats him so badly. Balaam is taken aback and then sees the angel with sword drawn and falls to the ground, contrite. But the angel, instead of stopping him from his journey, tells Balaam to proceed on his mission. When Balaam reaches the top of a hill and sees the Israelites camped out below, a blessing unexpectedly issues from his lips. Two things here: 1) it&#039;s possible for a non-Hebrew to be a prophet and 2) this is one of only two instances in the Bible where animals speak, the other being the serpent in the Garden of Eden. [http://www.trivia-library.com/a/origins-of-the-term-balaam-ass.htm More from the Trivia Library]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan Peninsula&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
939; &amp;quot;darkly wishes for its own destruction&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkin &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
557; Komitadji, Comitadji or Komitaji (Turkish: Komitacı, &amp;quot;a rebel, member of a secret revolutionary society&amp;quot;) is a member of a guerrilla band in Macedonia or the Balkan countries.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ballhausplatz&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
871;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ball in Hand&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
405; saloon where Dr. Zoot met Meatman; on West Symmes Street, 410;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Barkie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
729; &amp;quot;old Barkie&amp;quot; is sailor&#039;s slang for a wooden ship. However, &amp;quot;offer the light&amp;quot; is a cricket term where the umpire asks the batsmen if they wish to continue playing in poor light conditions.&lt;br /&gt;
&amp;lt;div id=&amp;quot;basnight&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;Basnight, Lewis (&amp;quot;Lew&amp;quot;)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
36-51; a &amp;quot;spotter&amp;quot; from White City Investigations; &amp;quot;couldn&#039;t remember what he &#039;d done, or hadn&#039;t done, or even when&amp;quot;, Upstate-Downstate Beast, 37; &amp;quot;a kind of &#039;&#039;waking swoon&#039;&#039;&amp;quot; 38; &amp;quot;a condition he had no memory of having sought, which he later came to think of as grace&amp;quot;, &amp;quot;a luminosity new to him&amp;quot;, &amp;quot;things were exactly what they were&amp;quot;, 42; extraordinary ability of noticing things, 42; &amp;quot;a keen sympathy for the invisible&amp;quot; 43; &amp;quot;the side of the day&amp;quot; 44; transfer to Denver, 51; 171; Cyclomite trip, 182; emergence out of explosion, 221; 496; at Chunxton Crescent &amp;quot;Gus Swallowfield, Senior Underwriter&amp;quot; 611; in Los Angeles, 1035 [[Basnight, Lewis (&amp;quot;Lew&amp;quot;)|DISCUSSION]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basnight, Troth&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
38; Lew&#039;s wife, who leaves him; 1058-59&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battle of Desconocido&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1020; &amp;quot;little known battle of&amp;quot; in California; &amp;quot;desconocido&amp;quot; means &amp;quot;unknown&amp;quot; in Spanish, and &#039;&#039;sounds&#039;&#039; like one of those little California towns. A fictional town, however.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Battle of Puebla&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
315; The Battle of Puebla took place on May 5, 1862 near the city of Puebla, Mexico, during the French intervention in Mexico. It was a major Mexican victory, and is commemorated every year as Cinco de Mayo; [http://en.wikipedia.org/wiki/Battle_of_Puebla Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer, Gr&amp;amp;uuml;newald&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
136;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beaufort Scale&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
15; a scale to measure wind speed; [http://en.wikipedia.org/wiki/Beaufort_scale Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beauty&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
67; &amp;quot;painfully aware of the beauty that had swept upon the young woman, as it did now and then, always unexpected, like a galvanic shadow&amp;quot;; &amp;quot;that terrible ecstasy known to result from unmediated observation of the beautiful&amp;quot; 635; &amp;quot;the breath-taken trembling before the beauty of an intractable problem&amp;quot; 665; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;beaver&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;Beavers of the Brain&amp;quot; 183; Beaver Saloon, 193; &amp;quot;fancy black beavers with snakeskin bands&amp;quot; (Elmore Disco&#039;s hats), 243; &amp;quot;enormous brand-new beaver sombreros had just entered the Cosmopolitan&amp;quot; 292; &amp;quot;glossy swamp-beaver hides flashing darkly from beneath canvas tie-downs, to be traded for velvet, gold and silver brocades, giant feathers from very yellow, red, and green parrots&amp;quot; 926;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beaver Saloon&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
193; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Beavers of the Brain&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
183; song by the beings inhabiting Lew Basright&#039;s steak&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Becker, Mr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1076; Jesse Traverse&#039;s school teacher, and possibly his future father-in-law; see the [[Traverse Family Tree]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beef&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
See [[ATD-M|&#039;&#039;&#039;Meat&#039;&#039;&#039;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Belgian nihilists&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
527; &amp;quot;Eugénie, Fatou, Denis, and Policarpe, styling themselves &#039;Young Congo&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bells&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
70; 144; 243; 259; 302;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bengal lights&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
144; A steady bright blue light; formerly used as a signal but now a firework.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
576; Dally&#039;s alter-ego; Beppo is the subject of the poem &amp;quot;Beppo&amp;quot; by Lord Byron; [[Beppo|Read the poem]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Berlin Conference of 1878&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
226; The Congress of Berlin was a meeting of the European Great Powers&#039; and the Ottoman Empire&#039;s leading statesmen in Berlin in 1878. In the wake of the Russo-Turkish War, 1877–78, the meeting&#039;s aim was to reorganize conditions in the Balkans. Otto von Bismarck, who led the Congress, undertook to balance the distinct interests of Great Britain, Russia and Austria-Hungary. As a consequence, however, differences between Russia and Austria-Hungary intensified, as did the nationality question in the Balkans; [http://en.wikipedia.org/wiki/Congress_of_Berlin Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bernadette o&#039; Lourdes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
958; Saint Bernadette Soubirous (1844-1879) was a shepherd girl from the town of Lourdes in southern France. From February to July 1858, she reported eighteen apparitions of &amp;quot;a Lady.&amp;quot; [http://en.wikipedia.org/wiki/Bernadette_Soubirous Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bezumyoff&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
781; &amp;quot;the know-it-all of the crew&amp;quot; on Padzy&#039;s ship&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bible&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
86; Second Corinthians, 32; 223; St. Mark, 250; &amp;quot;Let there be light&amp;quot; 354; Judas Iscariot, 377; 413; [[#balaam|Balaam&#039;s ass]], 432; Sodom and Gomorrah, 441; 441; 452; Jonah and Agadir, 521; Judas Priest, 525; Lot&#039;s wife, 550; Lucifer, 575; Infancy Gospel of Thomas, 579; Pentacost story from Acts of the Apostles (Jesus and the dyes), 579-80; Wormwood, 784; Matthew 7:15, 784;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Big Bang&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;&#039;&#039;Salsa Explosiva La Original&#039;&#039;,&amp;quot; 129; &amp;quot;stars blown by the shockwaves of the Creation,&amp;quot; 404;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Big Billy&#039;s&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
260; &lt;br /&gt;
&lt;br /&gt;
[[Image:Billy-the-Kid.jpg|thumb|Billy the Kid, painting by Jacques Moitoret|right]]&#039;&#039;&#039;Billy the Kid (1859-1881)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
263; Henry McCarty, better known as Billy the Kid, but also known by the aliases Henry Antrim and William Harrison Bonney, was a 19th century American frontier outlaw and gunmen who was a participant in the Lincoln County War. [http://en.wikipedia.org/wiki/Billy_the_Kid Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bilocation&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
143; the ability (said of certain Roman Catholic saints) to exist simultaneously in two locations; &amp;quot;there are two distinct versions of &#039;Asia&#039; out there&amp;quot; 249; Estrella, double of Stray Briggs, 393; Chums of Chance and the Marching Academy Harmonica Band, 418-24; &amp;quot;enough to divide a fellow into two&amp;quot; 464; two Agadirs, 521-22; &#039;&#039;Stupendica&#039;&#039;, 514; Dally, 524; doubling, 564; multiple identities, 570; sawed-in-half folks, 571-72; Principessa Spongiatosta, 583; Werfner/Renfrew, 683, 685; Orphic and Pythagorean religionns, 686; Lew Basright, 688, 690; Auberon Halfcourt, 759; the fork in the road, 766; Frank Traverse, 924-925; 990; 1049-50; [http://en.wikipedia.org/wiki/Bilocation Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;bindlestiffs&amp;quot;&amp;gt;&#039;&#039;&#039;Bindlestiffs of the Blue A.C.&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
18; aeronautical club from Oregon (&amp;quot;A.C.&amp;quot; for alternating current? - more likely for &amp;quot;Aeronautic Club&amp;quot;); a bindelstiff is a hobo, especially one who carries a bedroll. Amalgamated with the Garcons de &#039;71, 1083.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bing, Liu&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
345; &amp;quot;tong warrior&#039;s girlfriend&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Biometric Institute of Neuropathy&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
433;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Birds]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Black Gang&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
517; the stokers; 519;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Black Hand, The&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
829; &amp;quot;widely-feared Serbian organization&amp;quot;; Batco and Senta, 834;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Black Hundreds&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
595; pogrom&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Black, Miss Penelope (&amp;quot;Penny&amp;quot;)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
18; distaff member of the Bindlestiffs of the Blue A.C.; the &amp;quot;Penny Black&amp;quot; is considered the first postage stamp issued, by the U.K. and Ireland in 1840; now &amp;quot;admiral of a fleet of skyships&amp;quot; 1083; [http://en.wikipedia.org/wiki/Penny_Black Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Blanca, La&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
287; &amp;quot;local name&amp;quot; for [[ATD-M#meldrum|Bob Meldrum&#039;s]] wife;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Blaskó, Béla&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
915; the original name of the Hungarian actor Bela Lugosi (1882-1956) whose most famous role was that of Dracula; &amp;quot;our famous actor from Lugos&amp;quot; 913; [http://en.wikipedia.org/wiki/Bela_lugosi Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
[[image:hp-blavatsky.jpg|thumb|Madame H.P. Blavatsky|right]]&amp;lt;div id=&amp;quot;blavatsky&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Blavatsky, Madame&#039;&#039;&#039; (1831-1891)&amp;lt;br /&amp;gt;&lt;br /&gt;
219; Helena Petrovna Hahn (also Hélène), better known as Helena Blavatsky (Russian: Елена Блаватская) or Madame Blavatsky, born Helena von Hahn, was a founder of the Theosophical Society; &amp;quot;working for the Tsarist secret service&amp;quot; aka Third Section, aka Okhrana, 631; [http://en.wikipedia.org/wiki/Madame_Blavatsky Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Blitz Instruments&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
53; Blitz is a manufacturer of musical instruments and accessories&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bloggins&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
446; working undercover with Gaspereaux&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bloodline of my enemy&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
332; [[&amp;quot;bloodline of my enemy&amp;quot; DISCUSSION |DISCUSSION]] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Blope, Dr. Templeton&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
131; of the University of the Outer Hebrides&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Blue Ivory&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
125;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Blundell, Miles&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
4; Handyman Apprentice aboard the &#039;&#039;Inconvenience&#039;&#039;; 107; nonsense speaking, 110-13; the Book, 251; 417; &amp;quot;temporarily lapsing into English&amp;quot; 427; recognizes the Trespassers, Mr. Ace, 417; &amp;quot;extra-temporal excursions&amp;quot; 443; and Pugnax, 550; &amp;quot;prefiguration of the Holy City&amp;quot; 551; &amp;quot;As above [...] so below&amp;quot; 796; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bly, Nellie (1864-1922)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
37; Born May 5, 1864, to Judge Michael Cochran and Mary Jane Kennedy Cochran, part of the large Cochran family of Apollo, Pennsylvania, Elizabeth Jane Cochrane revolutionized journalism for women. She is better known by her pen name, &amp;quot;Nellie Bly,&amp;quot; which she adapted from the Stephen Foster song, &amp;quot;Nelly Bly.&amp;quot; Daring and innovative, she gained world fame when she beat Jules Verne&#039;s fictional character Phileas Fogg&#039;s record for traveling around the world in 80 days by more than a week, departing on November 14, 1889 and returning to New York on January 25, 1890; [http://en.wikipedia.org/wiki/Nellie_Bly Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bobrikoff, General&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
83; &amp;quot;evil viceroy&amp;quot; of Russian Tsar&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodine, O. I. C. (Officer in Charge)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
517; American stoker aboard the &#039;&#039;Stupendica&#039;&#039;; &amp;quot;O.I.C.&amp;quot; is a U.S. Navy abbreviation (and Marines too!) for &amp;quot;Officer in Charge.&amp;quot; Check this with [http://www.history.navy.mil/books/OPNAV20-P1000/O.htm Glossary of U.S. Naval Abbreviations website...] If you leave the &amp;quot;in&amp;quot; in the initialism, it becomes O.in.C. &amp;amp;#151; pronounced &amp;quot;oink!&amp;quot; 519. A-and if you say the initials out loud, they become homonymous with the exclamation &amp;quot;Oh, I see.&amp;quot;  Pynchon probably realized that old fans would look for Bodine in the new novel, and the initials anticipate their reaction upon encountering this old favorite: &amp;quot;Oh, I see Bodine!&amp;quot; (Though some contributors are still trying to wrap their minds around the notion of a Bodine who makes officer grade—surely this of all families never spawned an officer!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bogomils&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
956; Bogomilism is the Gnostic dualistic sect, the synthesis of Armenian Paulicianism and the local Slavonic Church reform movement in Bulgaria between 950 and 1396 and in the Byzantine Empire between 1018 and 1186. [http://en.wikipedia.org/wiki/Bogomils Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bohr, Niels (Henrik David) (1885-1962)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
412; Danish physicist who made fundamental contributions to understanding atomic structure and quantum mechanics. Bohr is widely considered one of the greatest physicists of the twentieth century. [http://en.wikipedia.org/wiki/Niels_Bohr Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boilster, Eugene&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
477; sheriff of Wall o&#039; Death;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boilster, Tace&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
479; Eugene&#039;s wife;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boilster, Roy Mickey&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
480; Tace&#039;s brother;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boilster, Chloe&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
485; Eugene&#039;s &amp;amp; Tace&#039;s daughter&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boll Weevil Lounge&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
47;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Bol&#039;shaia Igra&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Russian: the Great Game; Padzhy&#039;s ship, counterpart to the &#039;&#039;Inconvenience&#039;&#039;, at the North Pole, 123;  in Venice, 245; at Taklamakan, having left Tian Shan, 754; at Irkutsk, 779;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;mapimi&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Bols&amp;amp;oacute;n de Mapim&amp;amp;iacute;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
395; Spanish: &#039;&#039;Mapimi Basin&#039;&#039; - An enclosed depression in northern Mexico, that comprises parts of the states of Chihuahua, Coahuila and Durango. Situated in the arid northern plateau region and averaging 3,000 ft (900 m) in elevation, it is structurally similar to the Basin and Range region of Arizona and New Mexico, in the United States. One &#039;&#039;very&#039;&#039; interesting thing about the Mapimi Basin is the &amp;quot;[[Zone of Silence]]&amp;quot;...; 922; 983; [http://en.wikipedia.org/wiki/Mapimi_silent_zone Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boltzmann, Ludwig (1844&amp;amp;ndash;1906)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
596; Austrian physicist who made pivotal contributions to thermodynamics and statistical mechanics, inventing several of the key notions of the latter field.  [[Ludwig Boltzmann|Read his bio...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bonnet, Charles (1720-1793)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
307; Swiss naturalist and philosophical writer who first described what became known as the Charles Bonnet syndrome (or CBS for short), a term used to describe the situation when people with sight problems start to see things which they know aren&#039;t real. Sometimes called visual hallucinations, the things people see can take all kinds of forms from simple patterns of straight lines to detailed -pictures of people or buildings. These can be enjoyable or sometimes upsetting; [http://en.wikipedia.org/wiki/Charles_Bonnet Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Book of the Masked, The&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
853; book Vlado entrusts to Yashmeen; &amp;quot;an intelligence so grand and fatal&amp;quot; 863; Yashmeen gives it to Cyprian, 875; [[Self-Reference in Against the Day|Quite self-referential!]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boot Hill&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
648;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Böpfli&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
669; 670;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borrasca&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
364; Reef&#039;s colt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borowicz, Professor Bogoslaw&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
343; at McVeety&#039;s Theater &amp;quot;Floor Shows&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bosanquet, Bernard James Tindal (1877-1936)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
237; &amp;quot;this Middlesex spinner&amp;quot;; an English cricketer, perhaps most renowned as the inventor of the googly (sometimes called the Bosie or, in Australia, the Wrong&#039;un ), born in Bull&#039;s Cross, Enfield, Middlesex; [http://en.wikipedia.org/wiki/Bernard_Bosanquet_(cricketer) Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bosch&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
554; the artist&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boulanger, General Georges Ernest Jean-Marie (April 29, 1837 – September 30, 1891)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
543; anniversary of his suicide and the Chums of Chance; Boulanger was a French general and reactionary politician. Very popular with the military, He rose through the ranks to general, and began his own political movement, an ecclectic one that capitalized on the frustrations of French conservatism, advocating the three principles of &#039;&#039;Revanche&#039;&#039; (Revenge on Germany), &#039;&#039;Révision&#039;&#039; (Revision of the Constitution), &#039;&#039;Restauration&#039;&#039; (the return to monarchy). The common reference to it has become &#039;&#039;Boulangisme&#039;&#039;, a term used by its partisans and adversaries alike. A failed coup began his downfall. He was charged with conspiracy and treason and a warrant for his death was issued. He committed suicide by a bullet to the head on the grave of his mistress. 548; [http://en.wikipedia.org/wiki/Georges_Boulanger Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bounce, Roswell&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
60; photographer; Hypop Apparatus, 425; Scarsdale Vibe trial in Cleveland, 455; Hercules, 455; in Los Angeles, with Merle Rideout, 1035; &amp;quot;paranoia querelans&amp;quot; 1036;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;boutonniere&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
33; A boutonniere, also buttonhole, is a flower or floral decoration pushed or pinned through the button hole of a lapel of a suit.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boxer Rebellion&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1019; Chums of Chances&#039; &amp;quot;decisive action&amp;quot; in; The Boxer Uprising was a Chinese rebellion from November 1899 to September 7, 1901 against foreign influence in areas such as trade, politics, religion and technology that occurred in China during the final years of the Qing Dynasty. [http://en.wikipedia.org/wiki/Boxer_Rebellion Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boyne&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
231;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;brodyagi&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
788; &amp;quot;former hard-labor convicts&amp;quot; sentenced to &amp;quot;internal exile&amp;quot; in Siberia&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brambled guttie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
603; gutta-percha ball (a golf ball), a brambled spheroid; 934&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bresci, Gaetano (1869-1901)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
739; &amp;quot;Anarchist gunhand&amp;quot;; An Italian-American anarchist who assassinated Umberto I, King of Italy. Found dead in prison, &amp;quot;suicided&amp;quot; by the guards; 1011; [http://en.wikipedia.org/wiki/Gaetano_Bresci Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Breedlove, &amp;quot;Dope&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
369; &amp;quot;and his Merry Coons&amp;quot; - houseband at Maman Tant Gras Hall in New Orleans;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Breguet&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
457; the tourbillion&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brice&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1015; trooper who stops Jesse Traverse during his attempted escape of the tent city&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Briggs, Estrella (&amp;quot;Stray&amp;quot;)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
200; and Reef Traverse, 358-367; in Nochecita; Aunt Adelina; at a &amp;quot;small ranch outside Fickle Creek&amp;quot; 462; with Rodrigo, 920-921; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Briggs, Willow&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
361; Stray&#039;s sister; husband Holt, 367;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;British craving for the dark and shiny&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
678; Perhaps an [[Dark and Shiny|Orwellian reference?]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brocken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
632;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian Movement&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
587; The random motion of small particles, such as dust specks or pollen grains, suspended in a fluid.  Because the atoms in the fluid are constantly jostling with thermal energy &amp;amp;mdash; &#039;&#039;heat&#039;&#039; being nothing but the kinetic energy of atoms in random movement &amp;amp;mdash; the larger objects floating in the fluid are bombarded this way and that, like a beach ball being attacked on all sides by peashooters.  First observed by the British botanist Robert Brown (1773&amp;amp;ndash;1858) in 1827, this jittery behavior provided the first direct evidence that atoms existed.  The [http://www.aip.org/history/einstein/great1.htm young Albert Einstein] (1879&amp;amp;ndash;1955) worked out the [http://lorentz.phl.jhu.edu/AnnusMirabilis/AeReserveArticles/ed_brownian.pdf theory behind Brownian motion,] producing in 1905 an equation which gave the size of atoms in terms of quantities one could observe about Brownian motion.  In 1908, the French physicist Jean-Baptiste Perrin (1870&amp;amp;ndash;1942) succeeded in measuring these variables, discovering that atoms are roughly one ten-billionth of a meter in diameter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
277; Kodak camera introduced in 1900 for one dollar&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Browning&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
578; the poet&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brueghel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
554; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brugere&#039;s power&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
529; Brugere&#039;s powder uses &#039;&#039;&#039;picric acid&#039;&#039;&#039; which, when ignited, burns quietly with a smoky flame and is very difficult to detonate by percussion; its salts, however, are more readily detonated. Part of the picric family, Brugere&#039;s powder is a mixture of 54 parts of ammonium picrate and 45 parts of saltpetre; &#039;&#039;&#039;Designolle&#039;s powder&#039;&#039;&#039;, composed of potassium picrate, saltpetre and charcoal is also a member of this family of explosives. [[Picric Acid|More on picric acid]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruno&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
101; Scarsdale Vibe&#039;s bodyguard&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;buck-and-wing artist&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
303; &amp;quot;buck-and-wing&amp;quot; is a solo tap dance emphasizing sharp taps&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Buddhist parable&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
742; re burning coal&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Buffalo Bill&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD-C#buffalo|See Cody, Buffalo Bill]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bugatti, Carlo (1856-1940)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
867; the only Italian of his generation who broke with the prevailing historicism of the nineteenth century and sought to create objects that did not directly imitate styles of the European past; he drew instead from more exotic sources - notably Islamic and Japanese art. Moreover, unlike many other European furniture designers working around 1900, he did not utilize the dramatic whiplash line that distinguishes the decorative arts of the period and generally goes under the rubric of art nouveau. Bugatti developed an extensive repertoire of furniture forms, and, since Italian furniture makers utilized handcraft production techniques fight through the nineteenth century, he was able to experiment with a variety of forms and techniques. [http://www.encyclopedia.com/doc/1G1-55166492.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Burchell, Mrs.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
228; medium at Stead s&amp;amp;eacute;ance; her &amp;quot;prophetic account of the Serbian outrage&amp;quot; 719;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Burgess&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
a sheriff Reef argues with; Laureen, his wife;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Burgher King, The&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
914; &amp;quot;an operetta, all the rage in Vienna at the moment&amp;quot;; Ha! Pynchon tosses a bone to the exegetes. Most definitely fictional. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Buri&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
142; &amp;quot;grandfather of Odin and the first gods&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Busted Flush&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
313; Jimmy Drop&#039;s hangout in Telluride&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Byng, Admiral&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
545; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Byron&#039;s Pool&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
490; where Yashmeen bathed nude;&lt;br /&gt;
&lt;br /&gt;
{{ATD_Alpha_Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=16885</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=16885"/>
		<updated>2025-09-29T04:11:22Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following list provides &#039;&#039;&#039;errata&#039;&#039;&#039; for &#039;&#039;[[Against the Day]],&#039;&#039; indicating places where readers have found misspellings, punctuation gaffes or other similar errors.  Please note that some of these &amp;quot;mistakes&amp;quot; may be deliberate stylistic choices on the author&#039;s part.&lt;br /&gt;
&lt;br /&gt;
== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Copyright page line 1: &amp;quot;VIKING&amp;quot; (should be &amp;quot;PENGUIN PRESS&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
Copyright page line 16: &amp;quot;Viking Penguin&amp;quot; (should be &amp;quot;Penguin Press&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 30 &amp;quot;Cour d&#039;Alene&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 12 &amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 31-32 &amp;quot;ridegerunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 202 line 32  &amp;quot;Didt&#039;n&amp;quot; (possibly)&lt;br /&gt;
&lt;br /&gt;
Pae 236 line 10: 	&amp;quot;Headingly&amp;quot; (should be &amp;quot;Headingley&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 276 line 5: 	&amp;quot;polyhedral&amp;quot; a quick scan of a number of dictionaries yields no acknowledgement that polyhedral can be used as a noun.  Should be &amp;quot;polyhedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 284 line 19:       tartalan should be tarlatan&lt;br /&gt;
&lt;br /&gt;
Page 292 line 36:       &amp;quot;d&#039;you&amp;quot; should be &amp;quot;D&#039;you&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 307 line 14 	how about that?[&amp;quot;]&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 348 line 1 	&amp;quot;sixth&amp;quot; should be &amp;quot;Sixth&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 369 line 11 	&amp;quot;guignette&amp;quot; should be &amp;quot;guinguette&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 374 line 20        &amp;quot;that&amp;quot; should be &amp;quot;than&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 380 line 24        &amp;quot;Sergeant, Vásquez&amp;quot; should be &amp;quot;Sergeant Vásquez&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 385 line 34        &amp;quot;knowss&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 399 line 33-34     &amp;quot;were&amp;quot; should be &amp;quot;was&amp;quot; to agree with &amp;quot;band&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 409 line 17        &amp;quot;Wellesianism&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 490 line 16        &amp;quot;Phillippa&amp;quot; should be &amp;quot;Philippa&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 503 line 25        &amp;quot;The cycle, Yashmeen, speculated, might...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 39 	last line: &amp;quot;Root Tubsmith had discovered this much [this] from nosing around&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 517 line 15        &amp;quot;&#039;&#039;Haupthei[t]zer&#039;&#039;&amp;quot; (In this and next 2 entries, consider the possibility that Pynchon used a contemporary source (1890s to 1910s) containing an archaic spelling with the &#039;&#039;&#039;tz.&#039;&#039;&#039;)&lt;br /&gt;
&lt;br /&gt;
Page 517 line 25        &amp;quot;Oberhaupthei[t]zer&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 519 line 16        &amp;quot;Oberhaupthei[t]zer&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 521 line 22        &amp;quot;Kit, not convinced he had a future in the Habsburg navy, had decided to debark here, and quickly found a room between the port and the Mogador road and begun hanging around...&amp;quot; — if, beginning with the word &amp;quot;found,&amp;quot; the verb forms switch in this sentence from the past participle (&amp;quot;had decided&amp;quot;) to the simple past/preterite, then &amp;quot;begun&amp;quot; should read: &amp;quot;began&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Page 522 line 17        &amp;quot;alimzah&amp;quot; should be &amp;quot;azlimzah&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 534 Line 4        &amp;quot;they perverted what the Vectorists thought they know of God&#039;s intention&amp;quot; — should be: &amp;quot;thought they knew&amp;quot;?&lt;br /&gt;
&lt;br /&gt;
Page 548 line 24        &amp;quot;harbors,&amp;quot; comma should be period&lt;br /&gt;
&lt;br /&gt;
Page 552 line 23 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 563 line 36        &amp;quot;&#039;&#039;mo[d]erskont&#039;&#039;&amp;quot; (?)&lt;br /&gt;
&lt;br /&gt;
Page 566 line 36        &amp;quot;&#039;&#039;Kon[n]ichiwa&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 623 line 18        &#039;&#039;Verfluchte[r]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 726 line 26        &amp;quot;Adam[s]&lt;br /&gt;
&lt;br /&gt;
Page 766 line 25        &amp;quot;Rimpung&amp;quot; should be &amp;quot;Rinpung&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 778 line 1         &amp;quot;have [to] go&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 887 line 25        &amp;quot;endlessless&amp;quot; for endlessness&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1034 line 7        &amp;quot;Thickbush&amp;quot; [vs. &amp;quot;Thick Bush&amp;quot; at 8.3]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 32       &amp;quot;&#039;Dick&#039; Counterfly&amp;quot; [vs. double quotation marks on pp. 1034&amp;amp;ndash;35, 1037&amp;amp;ndash;38]&lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1049 line 21 &amp;quot;&amp;quot;Roswell&amp;quot; for &amp;quot;Roswell&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1070 line 21      &amp;quot;Mole&amp;quot; (massive shape) Antonelliana, not &amp;quot;Molo&amp;quot; (jetty or pier).&lt;br /&gt;
&lt;br /&gt;
Page 1074 line 26       &amp;quot;...Reef, Stray, and Ljubica returned...&amp;quot; should be Yashmeen, not Stray (Estrella)&lt;br /&gt;
&lt;br /&gt;
Page 1087 (&amp;quot;ABOUT THE AUTHOR&amp;quot;):  lists &#039;&#039;Mason &#039;&#039;&#039;and&#039;&#039;&#039; Dixon,&#039;&#039; rather than &#039;&#039;Mason &#039;&#039;&#039;&amp;amp;&#039;&#039;&#039; Dixon&#039;&#039; as given on the &amp;quot;Also by Thomas Pynchon&amp;quot; page in the front matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Back Flap:&#039;&#039;&#039; &#039;&#039;Mason &#039;&#039;&#039;and&#039;&#039;&#039; Dixon&#039;&#039;&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=16884</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=16884"/>
		<updated>2025-09-29T04:09:16Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following list provides &#039;&#039;&#039;errata&#039;&#039;&#039; for &#039;&#039;[[Against the Day]],&#039;&#039; indicating places where readers have found misspellings, punctuation gaffes or other similar errors.  Please note that some of these &amp;quot;mistakes&amp;quot; may be deliberate stylistic choices on the author&#039;s part.&lt;br /&gt;
&lt;br /&gt;
== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Copyright page line 1: &amp;quot;VIKING&amp;quot; (should be &amp;quot;PENGUIN PRESS&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
Copyright page line 16: &amp;quot;Viking Penguin&amp;quot; (should be &amp;quot;Penguin Press&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 30 &amp;quot;Cour d&#039;Alene&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 12 &amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 31-32 &amp;quot;ridegerunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 202 line 32  &amp;quot;Didt&#039;n&amp;quot; (possibly)&lt;br /&gt;
&lt;br /&gt;
Pae 236 line 10: 	&amp;quot;Headingly&amp;quot; (should be &amp;quot;Headingley&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 276 line 5: 	&amp;quot;polyhedral&amp;quot; a quick scan of a number of dictionaries yields no acknowledgement that polyhedral can be used as a noun.  Should be &amp;quot;polyhedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 284 line 19:       tartalan should be tarlatan&lt;br /&gt;
&lt;br /&gt;
Page 292 line 36:       &amp;quot;d&#039;you&amp;quot; should be &amp;quot;D&#039;you&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 307 line 14 	how about that?[&amp;quot;]&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 348 line 1 	&amp;quot;sixth&amp;quot; should be &amp;quot;Sixth&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 369 line 11 	&amp;quot;guignette&amp;quot; should be &amp;quot;guinguette&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 374 line 20        &amp;quot;that&amp;quot; should be &amp;quot;than&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 380 line 24        &amp;quot;Sergeant, Vásquez&amp;quot; should be &amp;quot;Sergeant Vásquez&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 385 line 34        &amp;quot;knowss&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 399 line 33-34     &amp;quot;were&amp;quot; should be &amp;quot;was&amp;quot; to agree with &amp;quot;band&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 409 line 17        &amp;quot;Wellesianism&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 490 line 16        &amp;quot;Phil[l]ippa&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 503 line 25        &amp;quot;The cycle, Yashmeen, speculated, might...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 39 	last line: &amp;quot;Root Tubsmith had discovered this much [this] from nosing around&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 517 line 15        &amp;quot;&#039;&#039;Haupthei[t]zer&#039;&#039;&amp;quot; (In this and next 2 entries, consider the possibility that Pynchon used a contemporary source (1890s to 1910s) containing an archaic spelling with the &#039;&#039;&#039;tz.&#039;&#039;&#039;)&lt;br /&gt;
&lt;br /&gt;
Page 517 line 25        &amp;quot;Oberhaupthei[t]zer&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 519 line 16        &amp;quot;Oberhaupthei[t]zer&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 521 line 22        &amp;quot;Kit, not convinced he had a future in the Habsburg navy, had decided to debark here, and quickly found a room between the port and the Mogador road and begun hanging around...&amp;quot; — if, beginning with the word &amp;quot;found,&amp;quot; the verb forms switch in this sentence from the past participle (&amp;quot;had decided&amp;quot;) to the simple past/preterite, then &amp;quot;begun&amp;quot; should read: &amp;quot;began&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Page 522 line 17        &amp;quot;alimzah&amp;quot; should be &amp;quot;azlimzah&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 534 Line 4        &amp;quot;they perverted what the Vectorists thought they know of God&#039;s intention&amp;quot; — should be: &amp;quot;thought they knew&amp;quot;?&lt;br /&gt;
&lt;br /&gt;
Page 548 line 24        &amp;quot;harbors,&amp;quot; comma should be period&lt;br /&gt;
&lt;br /&gt;
Page 552 line 23 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 563 line 36        &amp;quot;&#039;&#039;mo[d]erskont&#039;&#039;&amp;quot; (?)&lt;br /&gt;
&lt;br /&gt;
Page 566 line 36        &amp;quot;&#039;&#039;Kon[n]ichiwa&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 623 line 18        &#039;&#039;Verfluchte[r]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 726 line 26        &amp;quot;Adam[s]&lt;br /&gt;
&lt;br /&gt;
Page 766 line 25        &amp;quot;Rimpung&amp;quot; should be &amp;quot;Rinpung&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 778 line 1         &amp;quot;have [to] go&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 887 line 25        &amp;quot;endlessless&amp;quot; for endlessness&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1034 line 7        &amp;quot;Thickbush&amp;quot; [vs. &amp;quot;Thick Bush&amp;quot; at 8.3]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 32       &amp;quot;&#039;Dick&#039; Counterfly&amp;quot; [vs. double quotation marks on pp. 1034&amp;amp;ndash;35, 1037&amp;amp;ndash;38]&lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1049 line 21 &amp;quot;&amp;quot;Roswell&amp;quot; for &amp;quot;Roswell&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1070 line 21      &amp;quot;Mole&amp;quot; (massive shape) Antonelliana, not &amp;quot;Molo&amp;quot; (jetty or pier).&lt;br /&gt;
&lt;br /&gt;
Page 1074 line 26       &amp;quot;...Reef, Stray, and Ljubica returned...&amp;quot; should be Yashmeen, not Stray (Estrella)&lt;br /&gt;
&lt;br /&gt;
Page 1087 (&amp;quot;ABOUT THE AUTHOR&amp;quot;):  lists &#039;&#039;Mason &#039;&#039;&#039;and&#039;&#039;&#039; Dixon,&#039;&#039; rather than &#039;&#039;Mason &#039;&#039;&#039;&amp;amp;&#039;&#039;&#039; Dixon&#039;&#039; as given on the &amp;quot;Also by Thomas Pynchon&amp;quot; page in the front matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Back Flap:&#039;&#039;&#039; &#039;&#039;Mason &#039;&#039;&#039;and&#039;&#039;&#039; Dixon&#039;&#039;&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=16883</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=16883"/>
		<updated>2025-09-29T04:03:17Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The following list provides &#039;&#039;&#039;errata&#039;&#039;&#039; for &#039;&#039;[[Against the Day]],&#039;&#039; indicating places where readers have found misspellings, punctuation gaffes or other similar errors.  Please note that some of these &amp;quot;mistakes&amp;quot; may be deliberate stylistic choices on the author&#039;s part.&lt;br /&gt;
&lt;br /&gt;
== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Copyright page line 1: &amp;quot;VIKING&amp;quot; (should be &amp;quot;PENGUIN PRESS&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
Copyright page line 16: &amp;quot;Viking Penguin&amp;quot; (should be &amp;quot;Penguin Press&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 30 &amp;quot;Cour d&#039;Alene&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 12 &amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 31-32 &amp;quot;ridegerunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 202 line 32  &amp;quot;Didt&#039;n&amp;quot; (possibly)&lt;br /&gt;
&lt;br /&gt;
Pae 236 line 10: 	&amp;quot;Headingly&amp;quot; (should be &amp;quot;Headingley&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 276 line 5: 	&amp;quot;polyhedral&amp;quot; a quick scan of a number of dictionaries yields no acknowledgement that polyhedral can be used as a noun.  Should be &amp;quot;polyhedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 284 line 19:       tartalan should be tarlatan&lt;br /&gt;
&lt;br /&gt;
Page 292 line 36:       &amp;quot;d&#039;you&amp;quot; should be &amp;quot;D&#039;you&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 307 line 14 	how about that?[&amp;quot;]&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 348 line 1 	&amp;quot;sixth&amp;quot; should be &amp;quot;Sixth&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 369 line 11 	&amp;quot;guignette&amp;quot; should be &amp;quot;guinguette&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 374 line 20        &amp;quot;that&amp;quot; should be &amp;quot;than&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 380 line 24        &amp;quot;Sergeant, Vasquez&amp;quot; should be &amp;quot;Sergeant Vasquez&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 385 line 34        &amp;quot;knowss&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 399 line 33-34     &amp;quot;were&amp;quot; should be &amp;quot;was&amp;quot; to agree with &amp;quot;band&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 409 line 17        &amp;quot;Wellesianism&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 490 line 16        &amp;quot;Phil[l]ippa&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 503 line 25        &amp;quot;The cycle, Yashmeen, speculated, might...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 39 	last line: &amp;quot;Root Tubsmith had discovered this much [this] from nosing around&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 517 line 15        &amp;quot;&#039;&#039;Haupthei[t]zer&#039;&#039;&amp;quot; (In this and next 2 entries, consider the possibility that Pynchon used a contemporary source (1890s to 1910s) containing an archaic spelling with the &#039;&#039;&#039;tz.&#039;&#039;&#039;)&lt;br /&gt;
&lt;br /&gt;
Page 517 line 25        &amp;quot;Oberhaupthei[t]zer&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 519 line 16        &amp;quot;Oberhaupthei[t]zer&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 521 line 22        &amp;quot;Kit, not convinced he had a future in the Habsburg navy, had decided to debark here, and quickly found a room between the port and the Mogador road and begun hanging around...&amp;quot; — if, beginning with the word &amp;quot;found,&amp;quot; the verb forms switch in this sentence from the past participle (&amp;quot;had decided&amp;quot;) to the simple past/preterite, then &amp;quot;begun&amp;quot; should read: &amp;quot;began&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Page 522 line 17        &amp;quot;alimzah&amp;quot; should be &amp;quot;azlimzah&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 534 Line 4        &amp;quot;they perverted what the Vectorists thought they know of God&#039;s intention&amp;quot; — should be: &amp;quot;thought they knew&amp;quot;?&lt;br /&gt;
&lt;br /&gt;
Page 548 line 24        &amp;quot;harbors,&amp;quot; comma should be period&lt;br /&gt;
&lt;br /&gt;
Page 552 line 23 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 563 line 36        &amp;quot;&#039;&#039;mo[d]erskont&#039;&#039;&amp;quot; (?)&lt;br /&gt;
&lt;br /&gt;
Page 566 line 36        &amp;quot;&#039;&#039;Kon[n]ichiwa&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 623 line 18        &#039;&#039;Verfluchte[r]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 726 line 26        &amp;quot;Adam[s]&lt;br /&gt;
&lt;br /&gt;
Page 766 line 25        &amp;quot;Rimpung&amp;quot; should be &amp;quot;Rinpung&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 778 line 1         &amp;quot;have [to] go&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 887 line 25        &amp;quot;endlessless&amp;quot; for endlessness&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1034 line 7        &amp;quot;Thickbush&amp;quot; [vs. &amp;quot;Thick Bush&amp;quot; at 8.3]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 32       &amp;quot;&#039;Dick&#039; Counterfly&amp;quot; [vs. double quotation marks on pp. 1034&amp;amp;ndash;35, 1037&amp;amp;ndash;38]&lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1049 line 21 &amp;quot;&amp;quot;Roswell&amp;quot; for &amp;quot;Roswell&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1070 line 21      &amp;quot;Mole&amp;quot; (massive shape) Antonelliana, not &amp;quot;Molo&amp;quot; (jetty or pier).&lt;br /&gt;
&lt;br /&gt;
Page 1074 line 26       &amp;quot;...Reef, Stray, and Ljubica returned...&amp;quot; should be Yashmeen, not Stray (Estrella)&lt;br /&gt;
&lt;br /&gt;
Page 1087 (&amp;quot;ABOUT THE AUTHOR&amp;quot;):  lists &#039;&#039;Mason &#039;&#039;&#039;and&#039;&#039;&#039; Dixon,&#039;&#039; rather than &#039;&#039;Mason &#039;&#039;&#039;&amp;amp;&#039;&#039;&#039; Dixon&#039;&#039; as given on the &amp;quot;Also by Thomas Pynchon&amp;quot; page in the front matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Back Flap:&#039;&#039;&#039; &#039;&#039;Mason &#039;&#039;&#039;and&#039;&#039;&#039; Dixon&#039;&#039;&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
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&lt;div&gt;&amp;lt;noinclude&amp;gt;&#039;&#039;&#039;Please do not edit this page. If you&#039;d like to change it, please send an email to tim at hyperarts dot com, to discuss. Thanks.&#039;&#039;&#039;&amp;lt;/noinclude&amp;gt;&lt;br /&gt;
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		<title>Template:Pynchon Newbies</title>
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		<updated>2025-09-26T21:46:09Z</updated>

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&lt;div&gt;&amp;lt;div style=&amp;quot;text-align:right;margin-bottom:1em;&amp;quot;&amp;gt;From [https://www.thomaspynchon.com/ ThomasPynchon.com]&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Don&#039;t believe what They tell you. Don&#039;t believe what you&#039;ve heard, and here&#039;s what you&#039;ve probably heard: Thomas Pynchon&#039;s novels are brilliant but difficult; the multiple plots twist and turn and rarely resolve; there are a gazillion characters; you&#039;ll need a dictionary and an encyclopedia to understand all the scientific metaphors and obscure words. This is the rap, and there is some truth to it. But it&#039;s not the whole truth, not nearly. As one seasoned reader of Pynchon put it, &amp;quot;difficult, schmifficult!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
To plunge down the rabbit hole of Pynchon&#039;s fiction is to commence a journey into another world, a world infused with magic and mystery, a wonderfully labyrinthine world where &amp;quot;real&amp;quot; history and fiction intersect and dissolve into dream. &amp;quot;Shall I project a world?&amp;quot; wonders Oedipa Maas, the heroine in Pynchon&#039;s second, and some say most accessible, novel, &#039;&#039;The Crying of Lot 49&#039;&#039; (1966). Thomas Pynchon projects a world, and so does the reader. Onto Pynchon&#039;s richly detailed and often ambiguous landscape the reader projects his/her own interpretation in order to bring the work &amp;quot;into pulsing stelliferous Meaning&amp;quot; (&#039;&#039;Lot 49&#039;&#039;, p.82). This provides, as another long-time fan expressed it, &amp;quot;the tremendous pleasure bestowed on the reader of being in on a joint venture of a sort.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Like &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (1973), &#039;&#039;V.&#039;&#039; (1963), and &#039;&#039;Mason &amp;amp; Dixon&#039;&#039; (1997), &#039;&#039;Against the Day&#039;&#039; is a large and complex work. But one must be reminded that beneath the wide-ranging erudition and complexity there beats a rock &#039;n&#039; roll heart, and the daunting mystery and &amp;quot;high seriousness&amp;quot; is counterbalanced by flights of zany (and often quite dark) humor. And, of course, there is simply the sheer beauty and breathtaking power of the writing, the subtly interwoven plots and themes, the rich detail and, as Penny Padgett (who helps maintain the [http://pynchon.pomona.edu/ Thomas Pynchon Home Page]) put it, &amp;quot;the way you can find something amazing on just about every page, the way these amazing things have a way of connecting to each other, giving you that &#039;aha!&#039; experience every time you look closer.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Previous to the publication of &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;, I put the question of how a &amp;quot;Pynchon newbie&amp;quot; might best approach this new Pynchon novel to the [http://waste.org/pynchon-l/ Pynchon List], an email list-serve group on the internet composed of bright and opinionated folks who delight in discussing and arguing the significance of events and characters in Pynchon&#039;s canon, quoting favorite passages, discovering ever new connections (and occasionally suckered by &amp;quot;Kute Korrespondences&amp;quot;) and endlessly probing the seemingly infinite moiré of interconnected meanings. With the publication of &#039;&#039;Mason &amp;amp; Dixon&#039;&#039; still a month away, the most common reference made was to &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, considered by most to be Pynchon&#039;s most awesome work...so far.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tom Stanton:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
:New readers should try leaving the hallowed-ness at the door and just enjoy the ride first time out. If they&#039;re smitten they&#039;ll come back again. Keep a dictionary handy, and maybe a desk encyclopedia if you get hooked.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skip Wolfe:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
:Just enjoy it. Once you&#039;re hooked by the humor, the density of detail and the, well, magic . . . you can always go back and try to understand more of it later. Hell, read it for fun next time too. You find yourself getting more of it each time; and that&#039;s half the pleasure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;David L. Pelovitz:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
:Just enjoy the ride. If you must have linear narrative, take notes--by the end of any of the books you&#039;ll find that events are ordered into an ominous logic. If you must have closure, you may be SOL with Pynchon. As far as background material goes, just be willing to let yourself not know some of it but be willing to go out and do a little research when a topic seems interesting to you.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Steven Maas:&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
I tell Pynchon newbies:&lt;br /&gt;
#It&#039;s the most fun you can have without risking arrest in many states.&lt;br /&gt;
#Leave your preconceptions at the door and enjoy your new and exotic surroundings.&lt;br /&gt;
#If something baffles you, read on for the next moment of searingly bright light and don&#039;t worry about it. With time and re-readings everything (well, many things) will be made clear.&lt;br /&gt;
#Difficult, schmifficult. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lindsay Gillies:&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Four short principles for newbies:&lt;br /&gt;
&lt;br /&gt;
#Read each word, one after the other. &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; is a deeply interconnected stream of jazz — you can&#039;t skim it.&lt;br /&gt;
#Let the stream affect you without trying to figure it out. Give up to it.&lt;br /&gt;
#Commit to getting through the first 50 pages. It&#039;s something very different than most other stuff you&#039;ve read; not harder, just harder to hear.&lt;br /&gt;
#If, after 1, 2 &amp;amp; 3, you still don&#039;t connect, don&#039;t write it off, just put it away for a while.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;AND FINALLY:&#039;&#039;&#039;&lt;br /&gt;
A frequent and erudite contributor to the [http://waste.org/pynchon-l/ Pynchon List], &#039;&#039;&#039;Andrew Dinn&#039;&#039;&#039; provided the following advice to new readers of Pynchon approaching &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; (GR), advice that is quite apropos to entering the world of &#039;&#039;Against the Day&#039;&#039;:&lt;br /&gt;
&lt;br /&gt;
:The major difficulty in reading &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; is one of form, of knowing where the hell we are and what is going on. Though GR is often touted as a formless novel, this is a serious misnomer which misreads lack of plot for lack of narrative coherence.&lt;br /&gt;
&lt;br /&gt;
:Who is speaking? It can sometimes be difficult for the reader to track who is narrating a scene, as Pynchon will frequently and subtly shift between i) narration by an external, impersonal narrator, of which there are several distinguishable by their tone of voice and their treatment of the subject; ii) narration from the POV of a given character, achieved either by colouring the narrative with the character&#039;s &#039;voice&#039; &amp;amp;#151;adopting vocabulary, idiomatic tics etc. &amp;amp;#151;or by narrating one of the character&#039;s passing memories or fantasies, usually with an accompanying change of narrative voice; and iii) dialogue &amp;amp;#151; often attributed but, when unattributed, so clearly demarcated thanks to Pynchon&#039;s mastery of accent and dialogue that the identity of the speakers is rarely in doubt.&lt;br /&gt;
&lt;br /&gt;
:Where and when is the narrated action taking place and how the hell did we get here from where we just were? Many of the switches of narrator/perspective involve switching into alternative contexts, contexts from which we usually emerge back into the previous one. In particular, the switch from external to internal narrative often starts off by moving from an outside view to the perspective of the chosen character on the current scene. But it is usually effected in order to switch into that character&#039;s memories or fantasies which often belong to a totally different time and place to the enclosing narrative. So, at first it appears that the book is chock full of sudden and arbitrary jumps in chronology and location interlarded with strange song and dance numbers or bouts of weird sex or whatever. But these peculiar and confusing sequences are for the most part merely intrusions from the psyches of the characters into a relatively conventionally plotted story.&lt;br /&gt;
&lt;br /&gt;
:The step down into a character&#039;s memories can often run to several pages or even whole sections of narrative and this may itself involve recursive descents into the memories or fantasies of characters in the embedded scene. Sometimes all this rich exposition may underline and explain a single line of dialogue or a passing thought of the character in the enclosing narrative. The material presented may also serve to help the reader comprehend later (and occasionally earlier) developments. Bear in mind then that GR is a hierarchy of narratives, rather like a hypertext in which a given line or paragraph at one level in the narrative can suddenly open up into a whole section of underlying expository narrative. Be prepared to switch to and fro from one scene to another at the drop of an allusion but expect also to find a coherent trail linking each such scene to a global narrative.&lt;br /&gt;
&lt;br /&gt;
[[#top|top of page]]&lt;/div&gt;</summary>
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		<title>Main Page</title>
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		<updated>2025-07-27T22:14:22Z</updated>

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&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
If you wish to contact us or suggest edits, [https://thomaspynchon.com/contact/ &#039;&#039;&#039;use this Contact page.&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;Purchase &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;: [https://amzn.to/4nVd9K7 Paperback] | [https://amzn.to/44DLmVG Hardcover]&lt;br /&gt;
&lt;br /&gt;
:[https://www.ebay.com/sch/i.html?_nkw=thomas+pynchon+against+the+day&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=thomas+pynchon+against+the+day&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Find &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039; on eBay]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [https://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [https://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the musical piece!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [https://www.youtube.com/watch?v=jX7H4bQ9k80 Listen] and [https://pitchfork.com/reviews/albums/12912-against-the-day/ Review!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [https://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [https://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [https://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
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We have a few conventions we ask that you follow:&lt;br /&gt;
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* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
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* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Against the Day&#039;&#039; (currently the only novel being annotated here), should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:ATD]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
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* To open a discussion on an individual listing of the Alpha Index, create one using the [[T|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
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* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
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==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.penguin.co.uk/books/394019/against-the-day-by-pynchon-thomas/9780099512332 Random House UK &#039;&#039;AtD&#039;&#039; Page]&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word) Pynchon page]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [https://www.popmatters.com/thomas-pynchon-the-fuss-about The Fuss About Pynchon] - Great article by John Carvill about Pynchon&#039;s work.&lt;br /&gt;
* [http://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [https://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like PynchonWiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
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==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
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		<title>A</title>
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&lt;div&gt;&#039;&#039;&#039;A-and&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
5; 13; 109; 183; 420; 666&lt;br /&gt;
:Notable as a verbal tick of Tyrone Slothrop&#039;s in [http://gravitys-rainbow.pynchonwiki.com/wiki/ &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;&#039;].&lt;br /&gt;
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&#039;&#039;&#039;absquatulate&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
8; run away; usually includes taking something or somebody along; 343; appears Latinate but is actually a 19th c. Americanism (compounded of two words), often used jocularly; thus deception &amp;amp; doubleness &amp;amp; humor in a single word, very Pynchonian!&lt;br /&gt;
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&#039;&#039;&#039;Ace, Mr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
415; visitor from the future (Trespasser); 555;&lt;br /&gt;
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&#039;&#039;&#039;&#039;&#039;Achphanomen&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
616; &lt;br /&gt;
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[[image:Custers-Last-Fight.jpg|thumb|Custer&#039;s Last fight|right]]&#039;&#039;&#039;Adam, Cassily&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
726; Should be Adams. &amp;quot;Custer’s Last Fight&amp;quot; painting was originally produced in 1884 by Cassily Adams (1843 - 1921), a St. Louis artist. Adams painted his version of Custer&#039;s last stand in the 1880s, and it hung in a St. Louis saloon which was acquired by the Anheuser-Busch brewing company. Anheuser-Busch then produced a lithographic print of the painting and gave prints to their distributors, bars, and other outlets. Through its display, it became widely known to diverse audiences.&lt;br /&gt;
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&#039;&#039;&#039;Adam of Bremen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
128; (also: Adam Bremensis) One of the most important German medieval chroniclers. He lived and worked in the second half of the 11th century. He is most famous for his chronicle &#039;&#039;Gesta Hammaburgensis Ecclesiae Pontificum&#039;&#039; (&#039;&#039;Deeds of Bishops of the Hamburg Church&#039;&#039;); [http://en.wikipedia.org/wiki/Adam_of_Bremen Wikipedia entry]&lt;br /&gt;
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&#039;&#039;&#039;Adams, Maude (1872-1953)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
338; American stage actress, most noted for her signature role, Peter Pan; [http://en.wikipedia.org/wiki/Maude_Adams Wikipedia entry]&lt;br /&gt;
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&#039;&#039;&#039;Addle, Ed&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
60; regular at Oil Well Saloon;&lt;br /&gt;
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&#039;&#039;&#039;Aerenthal, Alois Lexa von (1854-1912)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
809; &amp;quot;Austria&#039;s reptilian foreign minister&amp;quot;; usually Aehrenthal; as Austrian Foreign Minister, Aehrenthal annexed Bosnia for Austria in a preemptive move against Turkey and the Young Turks; 871;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Alois_Lexa_von_Aerenthal Wikipedia entry]&lt;br /&gt;
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&#039;&#039;&#039;aeronaut&#039;&#039;&#039;: the pilot of a balloon or airship; [http://en.wikipedia.org/wiki/World%27s_Columbian_Exposition Chicago World&#039;s Fair, 1893] and [http://xroads.virginia.edu/~MA96/WCE/title.html more here]&lt;br /&gt;
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&#039;&#039;&#039;Aether&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
55; 58; 132-133; 140; 306; 320; &amp;quot;sounds like light&amp;quot; 426; 458; 557; 565-66; 595; aka &#039;&#039;Akasa&#039;&#039;, 613; 620; aka &#039;&#039;Luminiferous aether &#039;&#039;; [http://en.wikipedia.org/wiki/Luminiferous_aether Wikipedia article on Luminferous aether]; [http://www.1911encyclopedia.org/Aether 1911 Encyclopedia Britannica]&lt;br /&gt;
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&#039;&#039;&#039;against the day&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;yes, night does return now and then to Creede&amp;quot; 305; &amp;quot;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot; 566; &amp;quot;its steadfast denial of night&amp;quot; (refuted by the Monk epigraph, &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot;!), 732; &amp;quot;and went back once again to seeking only orgasm, hallucination, stupor, sleep, to fetch them through the night and prepare them against the day&amp;quot; 805; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumphy over night whose motive none could quite grasp&amp;quot; 1032; &lt;br /&gt;
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&#039;&#039;&#039;aigrette&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
456; 721; 748; 813; Aigrette (from the French for egret, or lesser white heron), the tufted crest, or head-plumes of the egret, used for adorning a woman&#039;s head-dress, the term being also given to any similar ornament, in gems, &amp;amp;c. An aigrette is also worn by certain ranks of officers in the French army. By analogy the word is used in various sciences for feathery excrescences of like appearance, as for the tufts on the heads of insects, the feathery down of the dandelion, the luminous rays at the end of electrified bodies, or the luminous rays seen in solar eclipses, diverging from, the moon&#039;s edge. [http://en.wikipedia.org/wiki/Aigrette Wikipedia entry]&lt;br /&gt;
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&#039;&#039;&#039;Akashi, Baron&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
294; &amp;quot;roving military attach&amp;amp;eacute;&amp;quot; and &amp;quot;famous international spy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;akousmata&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
232; Greek: &amp;quot;things heard&amp;quot;; holds a much more secretive connotation like ‘signs’, or even perhaps ‘passwords’. These were explained as a set of rules of conduct used by the Pythagoreans. A few examples as given by Aristotle’s testimonies, like “abstain from beans as being due either to the fact that they resemble the genitals in shape, or because they resemble the gates of Hades.&amp;quot; Also noted in this passage was “not to touch a white cock” and “not to touch any sacred fish” probably due to the earlier discussion on sacrifice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Albert Lea&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
71; Pronounced &amp;quot;Albert Lee,&amp;quot; a town in south-central Minnesota. It is also mentioned in passing in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; as the unlikely hometown of Pig Bodine: &#039;&#039;&amp;quot;Just a humble guy,&amp;quot; the swarthy doughboy of the deep scratching in his groin after an elusive crab with a horn finger, rippling the ballooning pleats and fabric of his trousers, &amp;quot;just a freckleface kid from Albert Lea, Minnesota, down there on Route 69 where the speed limit&#039;s lickety-split..&amp;quot;&#039;&#039;; [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=Albert+Lea,+MN+56007&amp;amp;ie=UTF8&amp;amp;z=9&amp;amp;ll=43.65123,-93.369026&amp;amp;spn=1.007532,2.768555&amp;amp;om=1 Google Map]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;alchemy&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
76-77; Alchemy refers to both an early form of the investigation of nature and an early philosophical and spiritual discipline, both combining elements of chemistry, metallurgy, physics, medicine, astrology, semiotics, mysticism, spiritualism, and art; and photography, 80; [http://en.wikipedia.org/wiki/Alchemy Wikipedia entry]&lt;br /&gt;
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&#039;&#039;&#039;Alfonsito&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
310; [[ATD-D#drop|Jimmy Drop&#039;s]] lieutenant&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Algernon&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
369; Ruperta&#039;s driver (?); in Venice, 729;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Algie&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
672; &amp;quot;flaneur of Ruperta&#039;s acquaintance&amp;quot;; a flaneur is a detached pedestrian observer of a metropolis, a &#039;gentleman stroller of city streets&#039;, first identified by Charles Baudelaire; [http://en.wikipedia.org/wiki/Fl%C3%A2neur Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Alkali&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Any of a group of basic, soluble salts. The term is derived etymologically from the Arabic for calcined ashes, from which the first alkalis were derived. They form a principle ingredient in soap production. [http://en.wikipedia.org/wiki/Alkali Citation]. &amp;quot;alkali dust, 207; &amp;quot;all the alkaline day,&amp;quot; 214;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;All but&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In ATD, Pynchon uses the expression &#039;&#039;&amp;quot;all but&amp;quot; + adjective&#039;&#039; over and over. Any interpretations?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;All Pimps Look Alike to Me&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
48; an 1896 barroom ditty that was &amp;quot;cleaned up&amp;quot; to become &amp;quot;All Coons Look Alike to Me&amp;quot; and recorded by [http://en.wikipedia.org/wiki/Arthur_Collins Arthur Collins] in 1899 and considered by some to be the First Rock &#039;n&#039; Roll Record. [[All_Pimps_Look_Alike_to_Me|Read the whole story...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Amber Islands&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
825;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A.M.E.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
702; Alternate Means of Egress&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;America&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
219; &amp;quot;innocent, all but oppressively wholesome&amp;quot;; &amp;quot;they lack the cultural equipment [to die of shame] ... As if, somehow, your country is just mechanically destined to move forward regaradless of who is in the way or under foot&amp;quot; 567; American light, 580; &amp;quot;delivered yourselves into the hands of capitalists and Christers&amp;quot; 643; &amp;quot;its steadfast denial of night&amp;quot; (refuted by the Monk epigraph, &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot;!), 732&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Amsterdam&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
107; Indian Ocean island; M&#039;&#039;egaera&#039;&#039; shipwrecked, 108;&lt;br /&gt;
&lt;br /&gt;
[[image:anamorphoscope.jpg|thumb|100px|Anamorphoscope|right]]&#039;&#039;&#039;anamorphoscope&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
249; a curved mirror or other optical device for giving a correct image of a picture or the like distorted by anamorphosis; paramorphic, 249;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Anagrams&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
4;the name of Gravity’s Rainbow’s dissipational rocket-eroticist, Tyrone Slothrop, anagramatically appears in the letters “Counterfly” and his first spoken sentence in the book, in which he calls fellow Chum Miles a “Slob-footed chap.” &amp;lt;div class=&amp;quot;references small&amp;quot;&amp;gt;[http://blog.brian-fitzgerald.net?p=156 Brian Fitzgerald] &amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Anarchism&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
6; &amp;quot;the inexorable rising tide of World Anarchism...&amp;quot;; 37; 43; 49-51; 60; 66; 87; 175 (as terrorists); 179; bomb factory in London, 235; 370; Barcelona in 1890s, 372; &amp;amp;#160;[http://dwardmac.pitzer.edu/Anarchist_Archives/index.html Anarchy Archives]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Anarcho-syndicalists&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
14; Anarcho-syndicalism is a branch of anarchism which focuses on the labor movement. &#039;&#039;Syndicalisme&#039;&#039; is a French word meaning &amp;quot;trade unionism&amp;quot; – hence, the &amp;quot;syndicalism&amp;quot; qualification. Anarcho-syndicalists view labor unions as a potential force for revolutionary social change, replacing capitalism and the State with a new society democratically self-managed by workers. [http://en.wikipedia.org/wiki/Anarcho-syndicalism Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Anemometer&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
6; An instrument for measuring wind speed; Robinson anemometer, 6 [http://en.wikipedia.org/wiki/Anemometer Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
[[image:The-Angel.jpg|thumb|100px|The Angel of Independence|right]]&#039;&#039;&#039;Angel, The&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
989; Monument to National Independence, in Mexico City, designed by Antonio Rivas Mercado. A winged female figure, perched on a column, holding a crown. This ensemble forms the official Independence Monument erected in 1910 by the dictator Porfirio Diaz to celebrate the centenary of Mexico’s independence from Spain and inspired by the Bastille Column in Paris. The monument occupies a roundabout on the city’s most prestigious thoroughfare, Paseo de la Reforma, which runs down the middle of the business district. [http://en.wikipedia.org/wiki/El_%C3%81ngel Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Angels&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
10; &amp;quot;&#039;&#039;helpless angel&#039;&#039;,&amp;quot; 27; 42; &amp;quot;Archangels of municipal vengence,&amp;quot; 150; &amp;quot;God&#039;s wing&amp;quot; (?), 211; &amp;quot;agencies of the angelic,&amp;quot; 221; &amp;quot;Avenging Angels&amp;quot; 271; creatures, 277; H. Vanderjuice, 322; 332; birds, 336; 379; 389; Angel Street, 446; 531; in Venice, 575; &amp;quot;too bright to look at directly&amp;quot; 616; of deep shit, 619; 632; 642; Gentleman Bomber, as &amp;quot;messenger&amp;quot; 692; wings, 699; 725; 740; of death, 752; Tunguska blast radius, 780; in Tunguska, 785; A.O.D., 894; 993; 1030&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Angel&#039;s Field&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
720; aka Angyalföld, a district in Budapest, along the Danube&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Anglo-Russian Entente&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
631; the 1907 diplomatic accord between England and Russia to respect the integrity and independence of Persia; 718&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Anharmonic Pencil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
455; a &amp;quot;pencil&amp;quot; in this context refers to a figure formed by a set of straight lines or light rays meeting at a point, a figure that is not harmonic, i.e., not a multiple of its component parts; 532; 593;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Annexation Crisis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
808; aka the [http://en.wikipedia.org/wiki/Bosnian_Crisis &amp;quot;Bosnian Crisis,&amp;quot; 1908-1909, was caused by the annexation of Bosnia and Herzegovina by Austria-Hungary in October, 1908. It increased tensions amongst the Great Powers and led to a controversy between the dual monarchy of Austria-Hungary, Russia and Ottoman Empire. It also led to international complications, which for several weeks in early 1909 threatened to end in a general European war and helped sow the seeds for World War I; 809;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;anti-Semitism&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
807-808; &amp;quot;Modern anti-Semitism ... had become a source of energy, tremendous dark energy that could be tapped in to like an electric main for specific purposes...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Anti-Stone&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
78;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Apostles&#039; Creed&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
58; The Apostles&#039; Creed (circa 700 AD) (Latin: Symbolum Apostolorum), sometimes titled Symbol of the Apostles, is an early statement of Christian belief, a creed or &amp;quot;symbol.&amp;quot; [http://en.wikipedia.org/wiki/Apostles&#039;_Creed Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Arbuckles&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
638; It was in the United States where coffee initially started to be commercialized. In 1865, John Arbuckle marketed the first commercially available packages of ground, roasted coffee. His brand, &#039;Ariosa&#039;, was sold over a far larger area then any other coffee roaster. Instead of being confined to a small area close to his roasting factory, Arbuckle was able to establish his coffee as a regional brand. Others soon followed suit and, by World War I, there were a number of regional roasters including companies such as Folgers, Hill Brothers, and Maxwell House; [http://www.gallacoffee.co.uk/acatalog/History_of_Coffee_Pt_IV.html From Galla Coffee website]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Archer, Mr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
467;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;argentaurum&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
305-07; 375; &lt;br /&gt;
&lt;br /&gt;
[[Image:arkansas-toothpick1.jpg|thumb|Arkansas Toothpick, made by Harvey McBurnette - 9.5&amp;quot; blade|left]]&#039;&#039;&#039;Arkansas Toothpick&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
31; The Arkansas Toothpick is essentially a heavy dagger with a pointed, straight 12-20 inch blade. The &amp;quot;toothpick&amp;quot; is balanced and weighted for throwing and can also be used for thrusting and slashing; 725; [http://en.wikipedia.org/wiki/Arkansas_toothpick Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;arnophilia&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
211; A word invented by Pynchon. According to this [http://www.basarchive.org/sample/bswbBrowse.asp?PubID=BSBR&amp;amp;Volume=19&amp;amp;Issue=6&amp;amp;ArticleID=5 website] the greek word &#039;&#039;arnos&#039;&#039; generally refers to a lamb or sheep, but occasionally to a goat, too. Suffixes with the common part -phil- (-phile, -philia, -philic) are used to specify some kind of attraction or affinity to something, in particular the love or obsession with something. [http://en.wikipedia.org/wiki/-phil- Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Arriaga, Camilo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
381; &#039;&#039;potosino&#039;&#039;; a leader of Mexican anarchist group founded by Enrico and Ricardo Flores Magon in 1882; on August 30, 1900, he published the manifesto &#039;&#039;Invitación al Partido Liberal&#039;&#039; in San Luis Potosi. This document sparked a movement leading to formation of the &#039;&#039;Partido Liberal Mexicano&#039;&#039; (PLM) five years later, and was Ricardo Flores Magón&#039;s main vehicle for organizing the anti-Diaz struggle and for spreading the ideals of anarchism throughout Mexico; [http://en.wikipedia.org/wiki/Anarchism_in_Mexico Wikipedia - Anarchism in Mexico]&lt;br /&gt;
&lt;br /&gt;
[[Image:Arsenal.jpg|thumb|Arsenale di Venezia|right]]&#039;&#039;&#039;Arsenale&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
706; 854; The Venetian Arsenal (Italian: Arsenale di Venezia) is a shipyard and naval depot that played a leading role in Venetian empire-building. It was one of the most important areas of Venice, lying in the Castello sestiere; where Theign keeps a pied-&amp;amp;agrave;cute-terre, 865; [http://en.wikipedia.org/wiki/Arsenale Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Arvin&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
264; in the Nonpareil;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;aryq&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
441; The Russian Turcologists Malov and Tenishev mention a Western Yugur word &#039;&#039;Aryq&#039;&#039;, meaning Chinese or muslim Turk. This is a loanword from Tibetan, &#039;&#039;A-rig&#039;&#039;, the name of a country of nomadic herdsmen situated to the west of Amdo. It originally may have referred to the local Tibetan population. But Pynchon&#039;s use suggests it is a drink. Hmmm.&amp;lt;br /&amp;gt;&lt;br /&gt;
Arak or araq is an anise-flavored liquor popular in the Middle East;  [http://en.wikipedia.org/wiki/Arak_(liqueur) Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;amp;auml;ssalamu &amp;amp;auml;l&amp;amp;auml;ykum&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
441; As-Salāmu `Alaykum (السلام عليكم) is an Arabic language greeting used in both Muslim and Christian cultures. It means &amp;quot;Peace be upon you.&amp;quot; It is also transliterated as Assalamu &#039;Alaikum or As-salaamu Alaikum. The traditional response is &amp;quot;wa `Alaykum As-Salām&amp;quot;, meaning &amp;quot;and peace on you&amp;quot;. [http://en.wikipedia.org/wiki/As-Salamu_Alaykum Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;as above [...] so below&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
439; 797; This phrase comes from the beginning of [http://www.alchemylab.com/what_is_the_tablet.htm The Emerald Tablet] and embraces the entire system of traditional and modern magic which was inscribed upon the tablet in cryptic wording by Hermes Trismegistus. The significance of this phrase is that it is believed to hold the key to all mysteries. All systems of magic are claimed to function by this formula. &amp;quot;&#039;That which is above is the same as that which is below&#039;...Macrocosmos is the same as microcosmos. The universe is the same as God, God is the same as man, man is the same as the cell, the cell is the same as the atom, the atom is the same as...and so on, ad infinitum.&amp;quot; [http://www.themystica.com/mystica/articles/a/below_above.html]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ashkil, Danilo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
827; &amp;quot;wearing a Turkish fez whenever the situation demanded ... Danilo Ashkil was descended from Sephardic Jews who had fled the Spanish Inquisition three and a half centuries earlier, eventually settling in Salonica&amp;quot;; multilingual Jew in Sarajevo, 841;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Assunta&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
728; with Dally Rideout in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Astarte-Bad&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
714; in Vienna, with lurid mosaics of pre-biblical orgies; Astarte is a pre-biblical goddess of fertility, sexuality and war; [http://en.wikipedia.org/wiki/Astarte Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Astrology&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
810;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Atchinoff&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
904; Cossack adventurer - &amp;quot;1889 occupation of the fort at Sagallo&amp;quot;; &lt;br /&gt;
&lt;br /&gt;
:Sagallo, a small settlement on the north shore of the Gulf of Tajura, French Somaliland. A dismantled fort built by the Egyptians (who occupied the place between 1875 and 1884). In January 1889 Sagallo was occupied by a Cossack chief named Achinov, who was accompanied by the archimandrite Paisi and some 200 people, including priests, women and children. Paisi had been entrusted by the metropolitan of Novgorod with an evangelistic mission to the Abyssinian Church; while Achinov stated that he had a commission from the Negus for the purchase of arms and ammunition. The presence of Achinov at Sagallo (where he occupied the fort, which he found deserted) was regarded by the French government as an invasion of French territorial rights. The Russian foreign office having disavowed (7th of February) any connexion with Achinov, instructions were sent from Paris to secure the removal of the Cossacks. On the 17th of February French warships appeared off the port, and an ultimatum was sent to Achinov calling on him to surrender, but without effect. The fort was bombarded, and seven persons killed, two being women and four children. The Cossacks then surrendered, not having fired a shot. They were subsequently deported to Suez, whence they returned to Russia. Achinov was interned by the Russian government for some months (until October 1889). In 1891 he returned to Abyssinia. Paisi was promoted by his ecclesiastical superiors. In Paris the incident caused great excitement amongst the Russophils, and the consequent demonstrations led to the suppression of the League of Patriots and the prosecution of M. Paul Deroulede. [http://www.1911encyclopedia.org/Sagallo 1911 Encyclopedia Brittanica] (likely Pynchon&#039;s source)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;at silly point&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
222; &amp;quot;silly point&amp;quot; is a position in the game of cricket, played close to the batsman&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Aubergine, Madame&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
367, gives Reef Traverse dancing lessons in Denver, &amp;quot;aubergine&amp;quot; means eggplant, both the vegetable and the color;&lt;br /&gt;
&lt;br /&gt;
[[Image:Audumla.jpg|thumb|Audhumla - &lt;br /&gt;
N. A. Abilgaard, 1790|right]]&#039;&#039;&#039;Audumla&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
142; The primeval cow. Audumla (Audhumla) was born from rime at Ginnungagap. The primeval giant Ymir (Aurgelmir) lived on the milk that flow from the cow&#039;s teats. Audumla also provided nourishment to Ymir&#039;s six-headed son. Audumla received nourishment through licking the salty rime-stones. Audumla licked the stone until it was shaped into a man. This stone became Buri, grandfather of the Aesir gods: Odin, Vili and Ve.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Aughrim&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
231; The Battle of Aughrim was the decisive battle of the Williamite War in Ireland. It was fought between the Jacobites and the forces of William III on 12 July 1691, near the village of Aughrim in County Galway; [http://en.wikipedia.org/wiki/Battle_of_Aughrim Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;August, Ernst&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
230; Crown Prince Ernst August II of Hanover, 3rd Duke of Cumberland and Teviotdale, (Ernst August Wilhelm Adolf Georg Friedrich) (21 September 1845-14 November 1923), was the eldest child and only son of King George V of Hanover and his wife, Princess Marie of Saxe-Altenburg. Ernst August had the misfortune of being deprived of the thrones of Hanover upon its annexation by Prussia in 1866 and later the Duchy of Brunswick in 1884. Although he was the senior male-line great grandson of King George III, the Duke of Cumberland was deprived of his British peerages and honours for having sided with Germany in World War I; [http://en.wikipedia.org/wiki/Ernst_August_of_Hanover%2C_3rd_Duke_of_Cumberland]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Automorphic Dispensation&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
453;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Avery&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
193; a company inspector or spy (indeterminate)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Aychrome, Police Inspector Vance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
605; at Chunxton Crescent;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Azeff, Monsieur Yevno&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
720; Yevno Azef (also spelled Azev) was a double agent in a big way, working for both Russia&#039;s turn-of-the-century revolutionaries and the Czar&#039;s Okhrana. He was convicted of attempting to assassinate Tsar Nicholas II and was executed in 1911. He was also a founder of the Social Revolutionary Party. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Aziz, Abdel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
520; &amp;quot;young sultan&amp;quot; in Morocco&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Aztecs&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
394; &amp;quot;foundation story of the eagle and the serpent&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Aztlán&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
214; Aztlán (believed to mean &amp;quot;place of whiteness&amp;quot; or &amp;quot;place of herons,&amp;quot; derived from the Nahuatl words &amp;quot;aztatl&amp;quot; (herons or white-plumed birds) and &amp;quot;tlan&amp;quot; (&amp;quot;place among&amp;quot;) is the legendary ancestral home of the Nahua peoples, one of the main cultural groups in Mesoamerica. &amp;quot;Azteca&amp;quot; is the Nahuatl word for &amp;quot;people from Aztlan.&amp;quot; While some legends describe Aztlán as a paradise, the Aubin Codex says that the Aztecs were subject to a tyrant elite called the Azteca Chicomoztoca. Guided by their priest, the Aztec fled, and on the road, their god Huitzilopochtli forbade them to call themselves Azteca, telling them that they should be known as Mexica (pronounced /meʃiko/). Ironically, the scholars of the 19th century would name them Aztec; &amp;quot;ghosts of...&amp;quot;; 277; &amp;quot;mythical homeland of&amp;quot; 923; [http://en.wikipedia.org/wiki/Aztl%C3%A1n Wikipedia]&lt;br /&gt;
&lt;br /&gt;
{{ATD_Alpha_Nav}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
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&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
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__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [https://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [https://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the musical piece!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [https://www.youtube.com/watch?v=jX7H4bQ9k80 Listen] and [https://pitchfork.com/reviews/albums/12912-against-the-day/ Review!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [https://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [https://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [https://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
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[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
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* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
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==External Links==&lt;br /&gt;
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* [https://www.penguin.co.uk/books/394019/against-the-day-by-pynchon-thomas/9780099512332 Random House UK &#039;&#039;AtD&#039;&#039; Page]&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word) Pynchon page]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [https://www.popmatters.com/thomas-pynchon-the-fuss-about The Fuss About Pynchon] - Great article by John Carvill about Pynchon&#039;s work.&lt;br /&gt;
* [http://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [https://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like PynchonWiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16877</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16877"/>
		<updated>2025-07-11T18:53:10Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in Touch&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;Purchase &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;: [https://amzn.to/4nVd9K7 Paperback] | [https://amzn.to/44DLmVG Hardcover]&lt;br /&gt;
&lt;br /&gt;
:[https://www.ebay.com/sch/i.html?_nkw=thomas+pynchon+against+the+day&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=thomas+pynchon+against+the+day&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Find &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039; on eBay]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [http://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[http://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [http://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [http://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...] (To become a contributor, you&#039;ll have to register separately from the Pynchon wikis.)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the musical piece!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [https://www.youtube.com/watch?v=jX7H4bQ9k80 Listen] and [https://pitchfork.com/reviews/albums/12912-against-the-day/ Review!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [http://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [http://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, [http://www.sporadikos-logos.org/against-the-day/ Against the Day blog], and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Against the Day&#039;&#039; (currently the only novel being annotated here), should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:ATD]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[T|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.penguin.co.uk/books/394019/against-the-day-by-pynchon-thomas/9780099512332 Random House UK &#039;&#039;AtD&#039;&#039; Page]&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word) Pynchon page]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [https://www.popmatters.com/thomas-pynchon-the-fuss-about The Fuss About Pynchon] - Great article by John Carvill about Pynchon&#039;s work.&lt;br /&gt;
* [http://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [https://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like PynchonWiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16876</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16876"/>
		<updated>2025-07-08T20:20:27Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* External Links */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in Touch&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;Purchase &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;: [https://amzn.to/4nVd9K7 Paperback] | [https://amzn.to/44DLmVG Hardcover]&lt;br /&gt;
&lt;br /&gt;
:[https://www.ebay.com/sch/i.html?_nkw=thomas+pynchon+against+the+day&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=thomas+pynchon+against+the+day&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Find &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039; on eBay]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [http://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[http://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [http://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [http://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...] (To become a contributor, you&#039;ll have to register separately from the Pynchon wikis.)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the CD!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [http://www.cstrecords.com/releases/cst058 Read more...] and [http://www.pitchforkmedia.com/article/download/148334-new-music-land-of-kush-against-the-day-mp3-stream Listen!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [http://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [http://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, [http://www.sporadikos-logos.org/against-the-day/ Against the Day blog], and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Against the Day&#039;&#039; (currently the only novel being annotated here), should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:ATD]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[T|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.penguin.co.uk/books/394019/against-the-day-by-pynchon-thomas/9780099512332 Random House UK &#039;&#039;AtD&#039;&#039; Page]&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word) Pynchon page]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [https://www.popmatters.com/thomas-pynchon-the-fuss-about The Fuss About Pynchon] - Great article by John Carvill about Pynchon&#039;s work.&lt;br /&gt;
* [http://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [https://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like PynchonWiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
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		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16875"/>
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&lt;hr /&gt;
&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in Touch&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;Purchase &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;: [https://amzn.to/4nVd9K7 Paperback] | [https://amzn.to/44DLmVG Hardcover]&lt;br /&gt;
&lt;br /&gt;
:[https://www.ebay.com/sch/i.html?_nkw=thomas+pynchon+against+the+day&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=thomas+pynchon+against+the+day&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Find &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039; on eBay]&lt;br /&gt;
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&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [http://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[http://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [http://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [http://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...] (To become a contributor, you&#039;ll have to register separately from the Pynchon wikis.)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the CD!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [http://www.cstrecords.com/releases/cst058 Read more...] and [http://www.pitchforkmedia.com/article/download/148334-new-music-land-of-kush-against-the-day-mp3-stream Listen!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [http://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [http://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, [http://www.sporadikos-logos.org/against-the-day/ Against the Day blog], and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Against the Day&#039;&#039; (currently the only novel being annotated here), should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:ATD]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[T|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [https://www.penguin.co.uk/books/394019/against-the-day-by-pynchon-thomas/9780099512332 Random House UK &#039;&#039;AtD&#039;&#039; Page]&lt;br /&gt;
* [https://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [https://shipwrecklibrary.com/the-modern-word/pynchon/spermatikos-logos/ Shipwreck Library (was The Modern Word) Pynchon page]&lt;br /&gt;
: [https://z11.invisionfree.com/thefictionalwoods/index.php The Fictional Woods] - a Pynchon forum&lt;br /&gt;
* [http://jennieprofane.blogspot.com/ Jennie Profane&#039;s Blog commentary on &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [https://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [https://againsttheday.wordpress.com/ ATD Blog]&lt;br /&gt;
* [https://researchmethodsprowrite.blogspot.com/ Another ATD Blog]&lt;br /&gt;
* [https://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [https://www.emanating.com/wordpress/ Emanating Against the Day]&#039;&#039;&#039;&lt;br /&gt;
* [https://www.1911encyclopedia.org/Main_Page 1911 Encyclopaedia Brittanica]&lt;br /&gt;
* [https://www.vheissu.info/atdtda/monte-toc.php Extended ToC for &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [https://www.popmatters.com/pm/features/article/7889/the-fuss-about-pynchon/ The Fuss About Pynchon] - Great article by John Carvill in [http://www.popmatters.com/ PopMatters] about Pynchon&#039;s work.&lt;br /&gt;
* [https://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [https://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like Pynchonwiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16874</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16874"/>
		<updated>2025-07-08T20:09:09Z</updated>

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&lt;hr /&gt;
&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in Touch&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;Purchase &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;: [https://amzn.to/4nVd9K7 Paperback] | [https://amzn.to/44DLmVG Hardcover]&lt;br /&gt;
&lt;br /&gt;
:[https://www.ebay.com/sch/i.html?_nkw=thomas+pynchon+against+the+day&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=thomas+pynchon+against+the+day&amp;amp;_osacat=0&amp;amp;_sop=12 &#039;&#039;&#039;Find &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039; on eBay]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [http://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[http://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [http://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [http://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...] (To become a contributor, you&#039;ll have to register separately from the Pynchon wikis.)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the CD!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [http://www.cstrecords.com/releases/cst058 Read more...] and [http://www.pitchforkmedia.com/article/download/148334-new-music-land-of-kush-against-the-day-mp3-stream Listen!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [http://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [http://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, [http://www.sporadikos-logos.org/against-the-day/ Against the Day blog], and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Against the Day&#039;&#039; (currently the only novel being annotated here), should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:ATD]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[T|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [http://www.randomhouse.co.uk/thomaspynchon/ Random House UK ATD Page]&lt;br /&gt;
* [http://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [http://www.themodernword.com/pynchon/ The Modern Word Pynchon page]&lt;br /&gt;
: [http://www.themodernword.com/pynchon/countingdown.html The Modern Word: counting down to ATD]&lt;br /&gt;
: [http://z11.invisionfree.com/thefictionalwoods/index.php The Fictional Woods] - a Pynchon forum&lt;br /&gt;
* [http://jennieprofane.blogspot.com/ Jennie Profane&#039;s Blog commentary on &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [http://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://againsttheday.wordpress.com/ ATD Blog]&lt;br /&gt;
* [http://researchmethodsprowrite.blogspot.com/ Another ATD Blog]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [http://www.emanating.com/wordpress/ Emanating Against the Day]&#039;&#039;&#039;&lt;br /&gt;
* [http://www.1911encyclopedia.org/Main_Page 1911 Encyclopaedia Brittanica]&lt;br /&gt;
* [http://www.vheissu.info/atdtda/monte-toc.php Extended ToC for &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [http://www.popmatters.com/pm/features/article/7889/the-fuss-about-pynchon/ The Fuss About Pynchon] - Great article by John Carvill in [http://www.popmatters.com/ PopMatters] about Pynchon&#039;s work.&lt;br /&gt;
* [http://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [http://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like Pynchonwiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16873</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16873"/>
		<updated>2025-07-08T20:07:49Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in Touch&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;Purchase &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;: [https://amzn.to/4nVd9K7 Paperback] | [https://amzn.to/44DLmVG Hardcover]&lt;br /&gt;
&lt;br /&gt;
:[https://www.ebay.com/sch/i.html?_nkw=thomas+pynchon+against+the+day&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=thomas+pynchon+against+the+day&amp;amp;_osacat=0&amp;amp;_sop=12 Find &#039;&#039;Against the Day&#039;&#039; on eBay]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [http://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[http://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [http://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [http://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...] (To become a contributor, you&#039;ll have to register separately from the Pynchon wikis.)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the CD!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [http://www.cstrecords.com/releases/cst058 Read more...] and [http://www.pitchforkmedia.com/article/download/148334-new-music-land-of-kush-against-the-day-mp3-stream Listen!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [http://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [http://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, [http://www.sporadikos-logos.org/against-the-day/ Against the Day blog], and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Against the Day&#039;&#039; (currently the only novel being annotated here), should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:ATD]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[T|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [http://www.randomhouse.co.uk/thomaspynchon/ Random House UK ATD Page]&lt;br /&gt;
* [http://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [http://www.themodernword.com/pynchon/ The Modern Word Pynchon page]&lt;br /&gt;
: [http://www.themodernword.com/pynchon/countingdown.html The Modern Word: counting down to ATD]&lt;br /&gt;
: [http://z11.invisionfree.com/thefictionalwoods/index.php The Fictional Woods] - a Pynchon forum&lt;br /&gt;
* [http://jennieprofane.blogspot.com/ Jennie Profane&#039;s Blog commentary on &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [http://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://againsttheday.wordpress.com/ ATD Blog]&lt;br /&gt;
* [http://researchmethodsprowrite.blogspot.com/ Another ATD Blog]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [http://www.emanating.com/wordpress/ Emanating Against the Day]&#039;&#039;&#039;&lt;br /&gt;
* [http://www.1911encyclopedia.org/Main_Page 1911 Encyclopaedia Brittanica]&lt;br /&gt;
* [http://www.vheissu.info/atdtda/monte-toc.php Extended ToC for &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [http://www.popmatters.com/pm/features/article/7889/the-fuss-about-pynchon/ The Fuss About Pynchon] - Great article by John Carvill in [http://www.popmatters.com/ PopMatters] about Pynchon&#039;s work.&lt;br /&gt;
* [http://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [http://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like Pynchonwiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16872</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16872"/>
		<updated>2025-07-08T20:07:29Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in Touch&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;Purchase &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;: [https://amzn.to/4nVd9K7 Paperback] | [https://amzn.to/44DLmVG Hardcover]&lt;br /&gt;
&lt;br /&gt;
:[https://www.ebay.com/sch/i.html?_nkw=thomas+pynchon+against+the+day&amp;amp;_sacat=0&amp;amp;_from=R40&amp;amp;_trksid=m570.l1313&amp;amp;_odkw=thomas+pynchon+against+the+day&amp;amp;_osacat=0&amp;amp;_sop=12 Find it on eBay]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [http://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[http://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [http://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [http://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...] (To become a contributor, you&#039;ll have to register separately from the Pynchon wikis.)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the CD!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [http://www.cstrecords.com/releases/cst058 Read more...] and [http://www.pitchforkmedia.com/article/download/148334-new-music-land-of-kush-against-the-day-mp3-stream Listen!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [http://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [http://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, [http://www.sporadikos-logos.org/against-the-day/ Against the Day blog], and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
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* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [http://www.randomhouse.co.uk/thomaspynchon/ Random House UK ATD Page]&lt;br /&gt;
* [http://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [http://www.themodernword.com/pynchon/ The Modern Word Pynchon page]&lt;br /&gt;
: [http://www.themodernword.com/pynchon/countingdown.html The Modern Word: counting down to ATD]&lt;br /&gt;
: [http://z11.invisionfree.com/thefictionalwoods/index.php The Fictional Woods] - a Pynchon forum&lt;br /&gt;
* [http://jennieprofane.blogspot.com/ Jennie Profane&#039;s Blog commentary on &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [http://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://againsttheday.wordpress.com/ ATD Blog]&lt;br /&gt;
* [http://researchmethodsprowrite.blogspot.com/ Another ATD Blog]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [http://www.emanating.com/wordpress/ Emanating Against the Day]&#039;&#039;&#039;&lt;br /&gt;
* [http://www.1911encyclopedia.org/Main_Page 1911 Encyclopaedia Brittanica]&lt;br /&gt;
* [http://www.vheissu.info/atdtda/monte-toc.php Extended ToC for &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [http://www.popmatters.com/pm/features/article/7889/the-fuss-about-pynchon/ The Fuss About Pynchon] - Great article by John Carvill in [http://www.popmatters.com/ PopMatters] about Pynchon&#039;s work.&lt;br /&gt;
* [http://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [http://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like Pynchonwiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
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		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page&amp;diff=16871"/>
		<updated>2025-07-06T21:59:42Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Campanile-v2.jpg|250px|thumb|right]]&amp;lt;big&amp;gt;&#039;&#039;&#039;Welcome to the &#039;&#039;Against the Day&#039;&#039; Wiki&#039;&#039;&#039;&amp;lt;/big&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[http://pynchonwiki.com/mycaptcha/captcha-page.php &#039;&#039;&#039;Get in Touch&#039;&#039;&#039;] &lt;br /&gt;
&lt;br /&gt;
:[http://www.amazon.com/gp/product/0143112562/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=0143112562&amp;amp;linkCode=as2&amp;amp;tag=pyncwiki-20&#039;&#039;&#039;Order &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;]&lt;br /&gt;
:[http://www.amazon.com/gp/product/0143112562?ie=UTF8&amp;amp;tag=hyperartspynchon&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=0143112562 Order the USA paperback]&lt;br /&gt;
&amp;lt;!--:[http://www.amazon.co.uk/gp/product/0099512335?ie=UTF8&amp;amp;tag=hyperartspynch07&amp;amp;linkCode=as2&amp;amp;camp=1634&amp;amp;creative=6738&amp;amp;creativeASIN=0099512335 Order the UK paperback]--&amp;gt;&lt;br /&gt;
:[http://search.ebay.com/search/search.dll?sofocus=bs&amp;amp;sbrftog=1&amp;amp;catref=C6&amp;amp;from=R10&amp;amp;_trksid=m37&amp;amp;satitle=against+the+day+-speak+-cronin+-chtorr+-yeats&amp;amp;sacat=267%26catref%3DC6&amp;amp;sargn=-1%26saslc%3D2&amp;amp;sadis=200&amp;amp;fpos=94610&amp;amp;sabfmts=1&amp;amp;saobfmts=insif&amp;amp;ftrt=1&amp;amp;ftrv=1&amp;amp;saprclo=&amp;amp;saprchi=&amp;amp;fsop=1%26fsoo%3D1&amp;amp;coaction=compare&amp;amp;copagenum=1&amp;amp;coentrypage=search Buy it used on eBay]&lt;br /&gt;
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&amp;lt;div id=&amp;quot;announcement-home&amp;quot;&amp;gt;&lt;br /&gt;
__NOTOC__&lt;br /&gt;
&amp;lt;h2&amp;gt;Japanese Translation Now Available.&amp;lt;/h2&amp;gt;The Japanese translation of &#039;&#039;Against the Day&#039;&#039; [http://www.shinchosha.co.jp/book/537204/ Gyakko] is now available in two volumes from Shinchosha. The translation is by Yoshihiko Kihara.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Inherent Vice&#039;&#039; Wiki is Now Live!&amp;lt;/h2&amp;gt;&lt;br /&gt;
[http://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page The wiki for &#039;&#039;Inherent Vice&#039;&#039;] is now live, with full index of characters, real and fictional, plus page-by-page annotations, reviews ... the works.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&amp;quot;Against the Day&amp;quot; show by Belgian painter&amp;lt;/h2&amp;gt;Belgian painter Luc Tuymans, one of the art world&#039;s brightest stars, opened &amp;quot;Against the Day,&amp;quot; a major installation of recent work at the Wiels Contemporary Arts Center in Brussels. About the show&#039;s title, Tuymans says, &amp;quot;The title goes back to the last book of Thomas Pynchon, the inventor of paranoia in American literature, and one of my favorite writers.&amp;quot; [http://online.wsj.com/article/SB124654830763786455.html Read the &#039;&#039;Wall Street Journal&#039;&#039; article...]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Infinite Jest&#039;&#039; Wiki is up and rolling.&amp;lt;/h2&amp;gt; [http://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page Check it out...] (To become a contributor, you&#039;ll have to register separately from the Pynchon wikis.)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;&#039;&#039;Against the Day&#039;&#039; ... the CD!&amp;lt;/h2&amp;gt;by the band Land of Kush, on Constellation Records. Release date is 3/9/09. [http://www.cstrecords.com/releases/cst058 Read more...] and [http://www.pitchforkmedia.com/article/download/148334-new-music-land-of-kush-against-the-day-mp3-stream Listen!]&lt;br /&gt;
&lt;br /&gt;
[[Image:ATD-French-Edition.jpg|100px|thumb|left]]&amp;lt;h2&amp;gt;French Translation Now Available&amp;lt;/h2&amp;gt;The French translation of &#039;&#039;Against the Day&#039;&#039; is now available. The translation is by Claro. Interesting cover art.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pagination Blues?&amp;lt;/h2&amp;gt;The UK paperback edition of &#039;&#039;Against the Day&#039;&#039; has a markedly different pagination from the original hardback editions &amp;amp;#151; it is 1220 pages, up from the original 1085 pages.&#039;&#039;&#039; [[Pagination Blues|&#039;&#039;Read on...&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Pynchon Wiki Analyzed&amp;lt;/h2&amp;gt;A couple of scholars at Oxford&#039;s Internet Institute and e-Research Centre have published an interesting paper on us and this project: [http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1086671 Literary Sleuths Online: e-Research Collaboration on the Pynchon Wiki]. Feel free to add [[Oxford article comments | comments and corrections]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Cricket anyone?&amp;lt;/h2&amp;gt;Excellent article by Peter Vernon on cricket as metaphor in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; [[Cricket in Against the Day|Read it...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;h2&amp;gt;Hawaii in &#039;&#039;Against the Day&#039;&#039;&amp;lt;/h2&amp;gt;Occurences of Hawaiian references, cultural and otherwise. [[Hawaii|Read about Hawaii &amp;amp; Pynchon...]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the Wiki for [[Thomas Pynchon]]&#039;s &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
You can take a look at the [[ATD cover|cover]], read the [[Against the Day description|book description]] written by Pynchon himself, read the [[ATD Reviews|reviews]], [[Against the Day Title|entertain some theories on the source of the title]], or check out the [[Errata]].&lt;br /&gt;
&lt;br /&gt;
==How to Use this Wiki==&lt;br /&gt;
&lt;br /&gt;
There are two major ways to use this wiki. The first is the &#039;&#039;&#039;&#039;&#039;Against the Day&#039;&#039; Alphabetical Index&#039;&#039;&#039;, used to keep track of the myriad characters, real and imagined, as well as events, arcana, and lots of other stuff. The second is the &#039;&#039;&#039;Spoiler-Free Annotations by Page&#039;&#039;&#039;, which allows the reader to look up and contribute allusions and references while reading the book, in a convenient and spoiler-free manner. These two sections are so far almost entirely different, but we&#039;re working on integrating them.&lt;br /&gt;
&lt;br /&gt;
Apart from those, it&#039;s up to you! In addition to your own research, feel free to add relevant information or interpetations gleaned from other &#039;&#039;Against the Day&#039;&#039; online discussions such as the [http://www.waste.org/pynchon-l/ Pynchon-L] mailing list, [http://chumpsofchoice.blogspot.com/ The Chumps of Choice] blog, [http://www.sporadikos-logos.org/against-the-day/ Against the Day blog], and others-- with proper attribution, of course.&lt;br /&gt;
&lt;br /&gt;
==Alphabetical Index==&lt;br /&gt;
Information on the characters, events, and everything else in &#039;&#039;Against the Day&#039;&#039;, organized alphabetically:{{ATD_Alpha_Nav}}&lt;br /&gt;
&amp;lt;p&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Spoiler-free Annotations by Page==&lt;br /&gt;
An alternate form of commentary on the text. The guiding principle of these annotations is to remain spoiler-free, so that readers can follow along without the fear that later parts of the book will be revealed.&lt;br /&gt;
{{ATD PbP}}&lt;br /&gt;
&lt;br /&gt;
== Pynchon Wiki Help and Contributor Guidelines==&lt;br /&gt;
&lt;br /&gt;
[[Help:Contents|&#039;&#039;&#039;Click here for help with editing and creating pages.&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
We have a few conventions we ask that you follow:&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, first check to make sure a page/article about what you want to write about hasn&#039;t already been created, by &#039;&#039;&#039;[[Special:Allpages|checking the list of all Wiki pages on Pynchon Wiki]]&#039;&#039;&#039;. If a page already exists, please modify that one.&lt;br /&gt;
&lt;br /&gt;
* When creating a new page, if its information pertains to one (and only one) specific Pynchon novel, please categorize it with the appropriate identifier.  For example, a page pertaining to &#039;&#039;Against the Day&#039;&#039; (currently the only novel being annotated here), should use the syntax &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;[[Category:ATD]]&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
* To open a discussion on an individual listing of the Alpha Index, create one using the [[T|entry on Peter Tait]] as an example. Basically, give it a name that identifies the alpha listing (eg &amp;lt;nowiki&amp;gt;[[Name Discussion|DISCUSSION]]&amp;lt;/nowiki&amp;gt;) and notice that the visible name will be &amp;quot;DISCUSSION&amp;quot; in full caps, so it stands out a bit.&lt;br /&gt;
&lt;br /&gt;
* [[Help:Contents|More help for this wiki available here.]]&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
&lt;br /&gt;
* [http://www.randomhouse.co.uk/thomaspynchon/ Random House UK ATD Page]&lt;br /&gt;
* [http://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [http://www.themodernword.com/pynchon/ The Modern Word Pynchon page]&lt;br /&gt;
: [http://www.themodernword.com/pynchon/countingdown.html The Modern Word: counting down to ATD]&lt;br /&gt;
: [http://z11.invisionfree.com/thefictionalwoods/index.php The Fictional Woods] - a Pynchon forum&lt;br /&gt;
* [http://jennieprofane.blogspot.com/ Jennie Profane&#039;s Blog commentary on &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [http://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://againsttheday.wordpress.com/ ATD Blog]&lt;br /&gt;
* [http://researchmethodsprowrite.blogspot.com/ Another ATD Blog]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Against_the_Day Wikipedia ATD page]&lt;br /&gt;
* [http://www.emanating.com/wordpress/ Emanating Against the Day]&#039;&#039;&#039;&lt;br /&gt;
* [http://www.1911encyclopedia.org/Main_Page 1911 Encyclopaedia Brittanica]&lt;br /&gt;
* [http://www.vheissu.info/atdtda/monte-toc.php Extended ToC for &#039;&#039;Against the Day&#039;&#039;]&lt;br /&gt;
* [http://www.popmatters.com/pm/features/article/7889/the-fuss-about-pynchon/ The Fuss About Pynchon] - Great article by John Carvill in [http://www.popmatters.com/ PopMatters] about Pynchon&#039;s work.&lt;br /&gt;
* [http://news.bbc.co.uk/2/hi/science/nature/7470283.stm BBC: Tunguska at 100]&lt;br /&gt;
* [http://literarywiki.org/index.php?title=Main_Page Literarywiki.org] - like Pynchonwiki, but for all other books. Founded by one of Pynchonwiki&#039;s early contributors.&lt;br /&gt;
&lt;br /&gt;
==Featured Article==&lt;br /&gt;
[[Image:Lord_Hawke.jpg|150px|thumb|left]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It’s Just Not Cricket: Cricket as Metaphor in Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Peter Vernon presented this insightful paper at the Conference on &#039;&#039;Against the Day&#039;&#039; held in Tours, France, in June 2007, elucidating one of &#039;&#039;Against the Day&#039;&#039;&#039;s myriad vectors of meaning.&lt;br /&gt;
:&amp;quot;It is for two main reasons, I believe, that Pynchon uses the game of cricket as a metaphor in &#039;&#039;Against the Day&#039;&#039;. First, because cricket is the Imperial game, a game exported by the British to its colonies. And, second, because cricket is a game of balance, doubles and mirror images. The off-break is exactly balanced by the leg-break; the googly by the doosra. Cricket operates in terms of mirror-images and can be seen, therefore, to connect, on a metaphorical level, with the themes of Double Refraction, the Michelson-Morley Experiment, Iceland Spar, the Zombinis and the Isle of Mirrors in Venice.&amp;quot; ([[Cricket in Against the Day | Read on...]])&lt;br /&gt;
&amp;lt;div style=&amp;quot;clear:both;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Image Gallery==&lt;br /&gt;
Below are some of the images you will find on the &#039;&#039;Against the Day&#039;&#039; Wiki. {{Special:Newimages}}&lt;/div&gt;</summary>
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&lt;hr /&gt;
&lt;div&gt;* navigation&lt;br /&gt;
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** ATD_Reviews|Reviews&lt;br /&gt;
** Pynchon_Newbies|Pynchon Newbies&lt;br /&gt;
** recentchanges-url|recentchanges&lt;br /&gt;
** Special:Allpages|List All Pages&lt;br /&gt;
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* wikis&lt;br /&gt;
** https://bleedingedge.pynchonwiki.com/wiki/index.php?title=Main_Page|Bleeding Edge&lt;br /&gt;
** https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Main_Page|Inherent Vice&lt;br /&gt;
** https://masondixon.pynchonwiki.com/wiki/index.php?title=Main_Page|MDsidebar&lt;br /&gt;
** https://vineland.pynchonwiki.com/wiki/index.php?title=Main_Page|Vineland&lt;br /&gt;
** https://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Main_Page|Gravity&#039;s Rainbow&lt;br /&gt;
** https://cl49.pynchonwiki.com/wiki/index.php?title=Main_Page|The Crying of Lot 49&lt;br /&gt;
** https://v.pynchonwiki.com/wiki/index.php?title=Main_Page|V.&lt;br /&gt;
** https://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=Main_Page|Infinite Jest&lt;/div&gt;</summary>
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	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=South_Bay_Pynchon&amp;diff=16232</id>
		<title>South Bay Pynchon</title>
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		<updated>2020-03-06T00:51:24Z</updated>

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&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Thomas Pynchon and the South Bay&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
by Garrison Frost&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;1.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The Manhattan Beach of the early 21st Century hardly seems the kind of place that a reclusive literary icon would set up shop to write his great novel. And, truthfully, it isn&#039;t. But that wasn&#039;t always the case.&lt;br /&gt;
&lt;br /&gt;
Thomas Pynchon burst onto the literary scene in 1963 with the publication of his first novel &#039;&#039;V.,&#039;&#039; which won its author the William Faulkner First Novel award. His second novel, [http://cl49.pynchonwiki.com/wiki/ &#039;&#039;The Crying of Lot 49&#039;&#039;], only solidified Pynchon&#039;s reputation as a new American writer who was redefining the boundaries of the form.&lt;br /&gt;
&lt;br /&gt;
But none of his earlier work prepared the literary world for Pynchon&#039;s next work, 1973&#039;s [http://gravitys-rainbow.pynchonwiki.com/wiki/ &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. It was this doorstop of a book that had reviewers comparing Pynchon to Flaubert, Faulkner and Joyce. There are few modern writers plying their trade today who do not owe some stylistic kinship to Pynchon. He was the first author to give voice to modern paranoia and popular culture; many have followed his lead.&lt;br /&gt;
&lt;br /&gt;
To discuss only his work is only to tell part of the story of Pynchon, for the author is also a legendary recluse. Actually, recluse might be too light a word. Invisible might be better.&lt;br /&gt;
&lt;br /&gt;
Pynchon has been something of an enigma since the publication of his first work. Almost nothing is known about where or in what manner he lives. He does not give interviews or allow himself to be photographed. His family is silent. He can be contacted only through his agent. Aside from an occasional book review or essay, he rarely communicates with the outside world at all.&lt;br /&gt;
&lt;br /&gt;
This is what we know: Pynchon was born May 8, 1937 in Glen Cove, N.Y. He graduated from Oyster Bay High School in 1953, enrolled at Cornell University, did a turn in the Navy and then returned to Cornell where he received his B.A. in 1959.&lt;br /&gt;
&lt;br /&gt;
The only known photograph of Pynchon dates from 1953 and it shows a tall, short-haired man with bid ears, sunken eyes and teeth that would make Bugs Bunny jealous. He is wearing a dark sport coat that looks to be a size too big on him, over a white, open-collared shirt.&lt;br /&gt;
&lt;br /&gt;
As far as anyone knows, Pynchon has only held no known job, as an advisor to technical writers at Boeing in Seattle from 1960 to 1962. It was shortly thereafter that &#039;&#039;V.&#039;&#039; was published and its author disappeared.&lt;br /&gt;
&lt;br /&gt;
In the absence of solid details, Pynchon&#039;s life has become something of a legend in literary circles. Stories abound. One story involved the book jacket photographer for &#039;&#039;V.&#039;&#039; going to Pynchon&#039;s only known address, a hotel room in Mexico City, for a picture of the young author. The man who answered the door said Pynchon would be back in an hour, but when the photographer returned, the room was barren.&lt;br /&gt;
&lt;br /&gt;
Another story involved the typically aggressive Normal Mailer, who after making numerous requests to have a drink with Pynchon, finally tracked him to an address and began pounding on the door. after a while, Mailer gave up, only to learn from neighbors that a strange tall man had jumped from the second story window and skittered off down the sidewalk.&lt;br /&gt;
&lt;br /&gt;
Pynchon siting pop up every now and then. One moment, he is rumored to be involved in the writing of a television show. The next, he is penning a tribute to his favorite rock band.&lt;br /&gt;
&lt;br /&gt;
Rumors, of course, exist that Pynchon doesn&#039;t exist at all. Or if he does exist, that he didn&#039;t write the books. In 1976, an article in the Soho News announced that Pynchon was in fact J.D. Salinger. Soon after the article came out, Pynchon sent a note to the author to the effect that he did exist and did write the books.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;2.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
But back to Manhattan Beach.&lt;br /&gt;
&lt;br /&gt;
According to several locals from back then, Pynchon wrote a great deal of [http://gravitys-rainbow.pynchonwiki.com/wiki/ &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] while living in a tiny beach apartment in the north end of the city around 1969 or 1970.&lt;br /&gt;
&lt;br /&gt;
Prior to her recent death, his old landlord said that she remembered the author well. Evelyn Guy said that Pynchon lived in a tiny bachelor apartment adjacent to their beachfront home before he moved into a small apartment a few blocks away at 217 33rd Street.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;He was a very tall, nice man,&amp;quot; she said. &amp;quot;He would always get three or four months behind in his rent, and then he would catch up all at once.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
According to Guy, Pynchon continued to collect his mail at their house long after he had moved away. About once a week he would come by and pick it up, often staying for dinner or to help her kids with their homework.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;We&#039;d sit and talk for hours,&amp;quot; she said. &amp;quot;We&#039;d argue all the time. He was a liberal and I was a conservative. Of course, he was always smarter than I was.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Guy said Pynchon never talked about his writing.&lt;br /&gt;
&lt;br /&gt;
Jim Hall, who at the time was a Green Beret stationed at nearby Fort MacArther, also knew Pynchon during these years.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I was living in Manhattan Beach and dating a woman at UCLA who was a friend of his,&amp;quot; Hall said. &amp;quot;We would hang out at his place occasionally. I honestly didn&#039;t know anything about him. I knew he was some sort of famous writer, but that was about it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
According to Hall, Pynchon spent a lot of time at a local hangout called the Fractured Cow, and was also known to put away a burrito or two at a little Mexican joint on Rosecrans Avenue called El Tarasco, which is still a popular place today.&lt;br /&gt;
&lt;br /&gt;
With shaggy hair and the rumpled look of a writer, Pynchon possessed an intellect that was immediately noticeable to Hall.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;He was interesting, very intense, really smart,&amp;quot; said Hall. &amp;quot;He was light years beyond anyone else.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hall also noted that Pynchon was intensely private and extremely paranoid.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I think he studied people,&amp;quot; Hall said. &amp;quot;I don&#039;t think you were allowed around him if you weren&#039;t interesting and you weren&#039;t allowed back if he couldn&#039;t trust you.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hall is sure that he was being studied because a conversation he recalled having with Pynchon about the police using computer surveillance to track drug dealers turned up in the author&#039;s novel &#039;&#039;Vineland&#039;&#039; 20 years later. He claimed that horoscopes Pynchon did of Hall and others turned up on behalf of characters in &amp;quot;Gravity&#039;s Rainbow.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
As for Pynchon&#039;s paranoia, Hall said it wasn&#039;t exceptional given the era.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You have to put it into the context of the time,&amp;quot; Hall explained. &amp;quot;People were doing drugs. If the police back then pulled you over and you didn&#039;t have a draft card, you were arrested on the spot, probably beaten. All of us were paranoid. I just thought he was smart for being that way.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Pynchon&#039;s landlord had a different, less sinister explanation for Pynchon&#039;s obsession with privacy.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I think the reason he was so private was because he was a bad stutterer,&amp;quot; Guy said. &amp;quot;Around us, he didn&#039;t stutter, but it was really bad around people he didn&#039;t know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hall spoke of Pynchon&#039;s &amp;quot;pig fetish.&amp;quot; Apparently, the author was notorious for carrying around a 6- to 7-inch yellow plastic pig. Upon hearing of this, one may recall Pig Bodine, a character who pops up in several of Pynchon&#039;s books.&lt;br /&gt;
&lt;br /&gt;
First and foremost, though, Pynchon was a writer, according to Hall. He was known to lock himself up in his apartment for days and weeks at a time while writing &amp;quot;Gravity&#039;s Rainbow,&amp;quot; often going so far as to block out the windows with towels.&lt;br /&gt;
&lt;br /&gt;
Guy recalled that, while doing research for the book, Pynchon translated an entire book of Russian history using only an English/Russian dictionary.&lt;br /&gt;
&lt;br /&gt;
Perhaps the most interesting tale that Hall has regarding Pynchon is of their last meeting. It was around 1975 and he hadn&#039;t seen the author since the two chatted at the counter at El Tarasco a couple of years earlier. By chance, Hall found himself back in Manhattan Beach and met Pynchon on the sidewalk near the Fractured Cow.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I was walking down the street and he was walking toward me,&amp;quot; Hall said. &amp;quot;Our paths crossed right in front of a pay phone, our eyes met and we recognized each other. I asked how he was and at that moment the telephone rang. He looked at me and looked at the phone, then turned around and ran down the street, and I never saw him again.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Apparently, Pynchon did not confine himself to the north end of Manhattan Beach.&lt;br /&gt;
&lt;br /&gt;
According to Peter Pott, former manager of the now-closed Either/Or Bookstore in Hermosa Beach, Pynchon was a frequent visitor to the store around 1970 and 1971.&lt;br /&gt;
&lt;br /&gt;
At that time, a lot of El Camino (Junior College) students were all claiming to be friends of his,&amp;quot; recalled Pott. &amp;quot;I ignored it. But about the same time, someone was coming in here who never said who he was. We talked about books and I could tell he was kind of a literary person. One night, an employee who claimed to know Pynchon saw the guy and turned purple.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Years later, when he was Pynchon&#039;s college photograph in a magazine, Pott knew for sure that it was the same man who caused his employee to change color. Beyond that, Pott recalled very little about Pynchon beyond a few snippets of conversation.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;3.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
There aren&#039;t too many people who remember Pynchon left in the beach cities, and those who do can&#039;t add very much. The city&#039;s historical society is hip-deep in railroad spikes and Metlox pottery, but doesn&#039;t have a speck of information about the famous author who penned his most famous work there.&lt;br /&gt;
&lt;br /&gt;
Anyone hungry for more evidence of Pynchon in the beach cities, though, can turn to the author&#039;s novels.&lt;br /&gt;
&lt;br /&gt;
While &#039;&#039;V.&#039;&#039; was written before the author came to Southern California, it is entirely possible that Pynchon was living in or around Manhattan Beach while he was writing &amp;quot;The Crying of Lot 49.&amp;quot; The book is the story of Oedipa Maas, who after being made executor of a rich man&#039;s will, comes to discover through his bizarre stamp collect the existence of an underground mail deliver service that may or may not have existed for centuries. The book is a hilarious tribute to paranoia and conspiracy theory.&lt;br /&gt;
&lt;br /&gt;
Although most of the book takes place in Northern California, at the very beginning Oedipa journey s down south to the town of San Narciso to visit with a lawyer named Metzger. The obvious play on the word &amp;quot;narc&amp;quot; immediately brings to mind Hall&#039;s characterization of the Manhattan Beach&#039;s anti-drug police state.&lt;br /&gt;
&lt;br /&gt;
There are more similarities in the text:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Somewhere beyond the battening, urging sweep of three-bedroom houses rushing by in their thousands across all the dark beige hills, somehow implicit in an arrogance or bite to the smog the more inland somnolence of San Narciso did lack, lurked the sea, the unimaginable Pacific, the one to which all surfers, beach rats, sewage disposal schemes, tourist incursions, sunned homosexuality, chartered fishing are irrelevant ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That indeed sounds very much like the Manhattan Beach of the late 60s and early 70s. Later in the book, the author notes that San Narciso&#039;s major source of employment is an aerospace company called Yoyodyne, which bears a striking similarity to TRW, the South Bay&#039;s aerospace monolith.&lt;br /&gt;
&lt;br /&gt;
[http://gravitys-rainbow.pynchonwiki.com/wiki/ &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] takes place in the author&#039;s stylized interpretation of the anarchy of postwar Europe, with all the world&#039;s armed forces clamoring to get their hands on Germany&#039;s missile technology. Toward the end, there is this odd paragraph:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;The Santa Monica Freeway is traditionally the scene of every form of automotive folly known to man. It is not white, well-bred like the San Diego, nor as treacherously engineered as the Pasadena, nor quite as ghetto-suicidal as the Harbor.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Like any good South Bay resident, Pynchon knows his freeways.&lt;br /&gt;
&lt;br /&gt;
In 1990&#039;s &amp;quot;Vineland,&amp;quot; Pynchon truly reveals his knowledge of the South Bay. The book depicts the two driving elements of 1960s culture — hippie and authoritarian — still grappling with each other in the late 1980s, even though by now both forces have so bastardized that their conflict has become pointless.&lt;br /&gt;
&lt;br /&gt;
In the story, Pynchon makes numerous references to local towns like Torrance, Hawthorne and Hermosa Beach. Here you also see the South Bay anti-drug movement that Hall described:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;In those years there were so many federal narcs in the area that if you were busted in the South Bay you actually stood less of a chance of its being the local Man than some fed. All the beach towns, plus Torrance, Hawthorne, and greater Walteria, were in on some grandiose pilot project ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Pynchon doesn&#039;t refer to Manhattan Beach by name. Rather, he uses the name Gordita Beach to refer to his one-time home. This description of a typical Gordita Beach home is a fine example:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But having been put up back during an era of overdesign, it proved to be sturdier than it looked, with its old stucco eaten at to reveal generations of paint jobs in different beach-town pastels, corroded by salt and petrochemical fogs that flowed in the summers onshore up the sand slopes, on up past Sepulveda ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A description in another passage, a dream sequence, reads very much like the South Bay:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;A California beach town, the houses tightly crowded, all trembling at the wind off the ocean ... Though everyone in town was safe, the beaches were gone, and the lifeguard towers and volleyball nets, and all the expensive beachfront houses and lots, and the Piers, all covered by the cool green Flood.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;4.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Pynchon&#039;s old place on 33rd Street is still there. The current residents say they are fans of the author, but have never seen him. They did pass on a rumor that the trumpets in &amp;quot;Crying&amp;quot; were a common feature on mailboxes back in the 1970s.&lt;br /&gt;
&lt;br /&gt;
Walk the area now and you will likely never see the trumpets. They&#039;re all gone now, just as gone as Manhattan Beach&#039;s only brush with literary greatness.&lt;br /&gt;
&lt;br /&gt;
(Note: Earlier versions of this article have appeared elsewhere in print)&lt;br /&gt;
&lt;br /&gt;
© Copyright 1999-2003 The Aesthetic&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
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	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_Reviews&amp;diff=16184</id>
		<title>ATD Reviews</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_Reviews&amp;diff=16184"/>
		<updated>2016-03-21T03:36:22Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
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&lt;div&gt;==Review aggregators==&lt;br /&gt;
&lt;br /&gt;
:[http://www.complete-review.com/reviews/popus/pynchon.htm The Complete Review]&lt;br /&gt;
&lt;br /&gt;
:[http://www.metacritic.com/books/authors/pynchonthomas/againsttheday Metacritic]&lt;br /&gt;
&lt;br /&gt;
==Reviews==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please add any relevant reviews as they come in. Blog reviews are fine as long as they&#039;re substantial and more than a few paragraphs.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
01/28/08 - [http://www.popmatters.com/pm/books/reviews/53496/against-the-day-by-thomas-pynchon1/ &#039;&#039;&#039;PopMatters&#039;&#039;&#039;] - John Carvill: &amp;quot;But if we set aside, for a moment, any misgivings we may have about the absurdities inherent in applying comparative terms such as ‘better’ or ‘best’ to books, then &#039;&#039;Against the Day&#039;&#039;, Pynchon’s freewheeling, coruscating, triumphantly life-affirming epic, was far and away the best book to be published in 2006, and its paperback publication last year also made it the best book of 2007.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/25/07 - [http://observer.guardian.co.uk/review/story/0,,2216448,00.html &#039;&#039;&#039;Guardian Unlimited&#039;&#039;&#039;] - Michael Chabon: &amp;quot;&#039;&#039;Against the Day&#039;&#039; (Vintage) by Thomas Pynchon: sentence for sentence, scene for scene, idea for idea, it gave me more pure reading pleasure than any book I&#039;ve read in the past few years. I only wished it were a thousand pages longer.&lt;br /&gt;
&lt;br /&gt;
Summer/07 Issue - [http://www.vqronline.org/articles/2007/summer/logan-pynchon-against-the-day/ &#039;&#039;&#039;The Virginia Quarterly Review&#039;&#039;&#039;] &#039;&#039;&#039;&amp;quot;Back to the Future: On Thomas Pynchon&#039;s &#039;&#039;Against the Day&#039;&#039;&amp;quot;&#039;&#039;&#039; - William Logan: &amp;quot;Thomas Pynchon’s sprawling, untidy new novel, &#039;&#039;Against the Day&#039;&#039;, is only as frustrating as most of his fiction. It starts in the air, high-minded as a kite, and gradually flutters groundward, dragged down by subplots galore and characters thrown in willy-nilly, as if a novel’s only virtue were how many characters it could stuff into a phone booth (no doubt Pynchon, who has loaded the book with more Victorian mathematics than Carter had pills, has an algorithm up his sleeve).&amp;quot;&lt;br /&gt;
&lt;br /&gt;
9/17/07 - [http://themoderatevoice.com/entertainment/books/15165/book-review-pynchons-against-the-day/ &#039;&#039;&#039;The Moderate Voice&#039;&#039;&#039;] - Shaun Mullen: &amp;quot;Summing up this monster of a book is like trying to herd cats. But at the end of the day Against the Day is about mankind’s efforts – which range from the scientific to the hallucinatory to the comical — to transcend mortality. At least I think it is.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
7/4/07 - [http://www.boiseweekly.com/gyrobase/Content?oid=oid%3A222306 &#039;&#039;&#039;Boise Weekly&#039;&#039;&#039;] - Michael Corrigan: &amp;quot;At 70, Pynchon hasn&#039;t lost his powers. &#039;&#039;Against the Day&#039;&#039; demands a determined reader. This brilliant but uneven attempt to analyze our world by creating an alternate history and alternate worlds may attract only avid Pynchonites. There is the familiar argument that all great but &amp;quot;difficult&amp;quot; novels eventually fascinate only professors and students.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
2/6/07 - &#039;&#039;&#039;[http://desicritics.org/2007/02/06/043833.php Desicritics.org]&#039;&#039;&#039; - Richard Marcus: &amp;quot;While &#039;&#039;Against The Day&#039;&#039; has much more the feel of his earlier work, there are still moments where its intellectualism overwhelms,...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/28/07 - &#039;&#039;&#039;[http://www.santacruzsentinel.com/archive/2007/January/28/style/stories/06style.htm Santa Cruz Sentinel]&#039;&#039;&#039; - Matt King: &amp;quot;You&#039;ll have to read it twice.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/25/07 - &#039;&#039;&#039;[http://www.signandsight.com/features/1158.html SignAndSight.com]&#039;&#039;&#039; - Denis Sheck: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is a unique book, in the sense of being utterly original. At its best moments emotionally electrifying and intellectually brilliant, moving but never sentimental, sometimes terribly sad, sometimes side-splittingly funny, and to the very last page as unforeseeable as a roller coaster ride in the dark.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/19/07 - &#039;&#039;&#039;[http://media.www.utahstatesman.com/media/storage/paper243/news/2007/01/19/Diversions/Book-Review.Against.The.Day-2655377.shtml The Utah Statesman]&#039;&#039;&#039; - Ben Clarke: &amp;quot;&#039;&#039;Against the Day&#039;&#039; doesn&#039;t meet the expectations of its own rhetoric and expansive plot,...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/18/07 - &#039;&#039;&#039;[http://artvoice.com/issues/v6n3/book_reviews/against_the_day ArtVoice]&#039;&#039;&#039; - Todd Natti: &amp;quot;&#039;&#039;Against the Day&#039;&#039; just feels like it should have been more, only not lengthwise.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/16/07 - &#039;&#039;&#039;[http://www.csmonitor.com/2007/0116/p13s01-bogn.html The Christian Science Monitor]&#039;&#039;&#039; - Yvonne Zipp: &amp;quot;...if &#039;&#039;Against the Day&#039;&#039; is the most infuriating novel I&#039;ve read in a year, it&#039;s also among the most imaginative.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/13/07- &#039;&#039;&#039;[http://gregoryfeeley.blogspot.com/2007/01/short-article-on-thomas-pynchon.html &amp;quot;Day Tripper&amp;quot; Short Article on Thomas Pynchon]&#039;&#039;&#039; by Greg Feeley appeared in the New Haven Advocate. Posted at his website.&lt;br /&gt;
&lt;br /&gt;
1/11/07 - &#039;&#039;&#039;[http://www.nybooks.com/articles/19771 New York Review of Books]&#039;&#039;&#039; - Luc Sante: &amp;quot;Pynchon thinks on a different scale from most novelists, to the point where you&#039;d almost want to find another word for the sort of thing he does, since his books differ from most other novels the way a novel differs from a short story, in exponential rather than simply linear fashion.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/10/07 - &#039;&#039;&#039;[http://www.dradio.de/dkultur/sendungen/kritik/581275 Deutschlandradio]&#039;&#039;&#039;: Denis Scheck: &amp;quot;Ein Roman als Wunderkammer&amp;quot;. &lt;br /&gt;
The same author at  &#039;&#039;&#039;[http://www.tagesspiegel.de/kultur/archiv/11.01.2007/3013820.asp Der Tagesspiegel]&#039;&#039;&#039; &amp;quot;Kugelblitz, Dynamit und Quaternionen&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/5/07 - &#039;&#039;&#039;[http://www.prospect.org/web/view-web.ww?id=12356 The American Prospect]&#039;&#039;&#039; - Eric Rauchway: &amp;quot;But if Pynchon is a hippie he also drank his Protestantism deeply, and his sense of ineffable divinity sits uneasily alongside the certainty Christianity Americans often profess.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/5/07 - &#039;&#039;&#039;[http://derstandard.at/?url=/?id=2716016 Der Standard (Austria)]&#039;&#039;&#039; - Sebastian Fasthuber: &amp;quot;Von A(narchie) bis Z(eta-Funktion): &#039;&#039;Against The Day&#039;&#039;.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/4/07 - &#039;&#039;&#039;[http://www.lrb.co.uk/v29/n01/wood01_.html London Review of Books]&#039;&#039;&#039; - Michael Wood: &amp;quot;...&#039;&#039;Against the Day&#039;&#039; goes to great lengths to show that dreams of other worlds haunt mathematics, indeed perhaps are mathematics.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/1/07 - &#039;&#039;&#039;[http://www.vaildaily.com/article/20070101/AE/101010043 Vail Daily News]&#039;&#039;&#039; - Matt Zalaznick: &amp;quot;[&#039;&#039;Against the Day&#039;&#039;] may serve as its own crystal through which to look back on Pynchon&#039;s previous works and find the emotional gold ready to transmuted from the obscuring silver.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/31/06 - &#039;&#039;&#039;[http://www.post-gazette.com/pg/06365/749719-148.stm Pittsburgh Post-Gazette]&#039;&#039;&#039; - Kristofer Collins: &amp;quot;...the prose is drained of all vigor and the convolutions of Pynchon&#039;s sentences..., are merely evidence of a writer no longer at the top of his game.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/23/06 - &#039;&#039;&#039;[http://www.theaustralian.news.com.au/story/0,20867,20952474-5003900,00.html The Australian]&#039;&#039;&#039; - Don Anderson: &amp;quot;But an 1100-page novel? What can justify this economy?...I won&#039;t attempt to justify Pynchon&#039;s decision, in this never-repetitious novel, merely suggest that, in the words at the head of the last page of the greatest American novel: &amp;quot;And I only am escaped alone to tell thee.&amp;quot;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/18/06 - &#039;&#039;&#039;[http://www.spiegel.de/spiegel/0,1518,455565,00.html Der Spiegel]&#039;&#039;&#039; Matthias Matussek, Philipp Oehmke, Doja Hacker und Malte Herwig: &amp;quot;Das grosse, wilde Spiel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/18/06 - &#039;&#039;&#039;[http://nymag.com/arts/cultureawards/2006/25308/index1.html New York Magazine]&#039;&#039;&#039; - Best Books of 2006, Honorable Mention: &amp;quot;The Wild West anarchist-revenge tale at the heart of Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039; — cut out the other 600 pages and you’ve got the best novel of the year.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/17/06 - &#039;&#039;&#039;[http://grubstreetgrackle.com/preludefugue.html#fugue Grub Street Grackle]&#039;&#039;&#039; - &amp;quot;...an Odyssey (or rather four Odyssean threads braided into one long rope) with no Ithaca, a long journey that, at the end of the day, must fantasize, improvise, and consolidate its own destination.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/15/06 - &#039;&#039;&#039;[http://www.smh.com.au/news/book-reviews/against-the-day/2006/12/15/1165685879188.html The Sydney Morning Herald (AU)]&#039;&#039;&#039; - Anthony Macris: &amp;quot;Yet for all its outlandish characterisations and cartoonish carryings-on, Pynchon&#039;s sensibility is ultimately both omniscient and omnivorous, driven by a ferocious intelligence that, with every new novel, is ever more determined to devour as much of the world as it can.&amp;quot;&lt;br /&gt;
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12/15/06 - &#039;&#039;&#039;[http://enjoyment.independent.co.uk/books/reviews/article2074052.ece The Independent (UK), II]&#039;&#039;&#039; - David Goldblatt: &amp;quot;Pynchon&#039;s scope is so mad, so grand, that he glides lightly across this terrain. I hoped early on in the book that he might stay the course, but the wild hinterlands of intoxication and irrationality called him away.&amp;quot;&lt;br /&gt;
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12/15/06 - &#039;&#039;&#039;[http://www.austinchronicle.com/gyrobase/Issue/review?oid=oid%3A429221 Austin Chronicle]&#039;&#039;&#039; - James Renovitch: &amp;quot;&#039;&#039;Against the Day&#039;&#039; leaves you holding your head laden with the possible futures of both society and the individual: the former, frightening; the latter, uplifting.&amp;quot;&lt;br /&gt;
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12/14/06 - &#039;&#039;&#039;[http://www.lacitybeat.com/article.php?id=4753&amp;amp;IssueNum=184 LA City Weekly]&#039;&#039;&#039; - Anthony Miller: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is a luminous novel that sets off an anarchic explosion of the imagination to demolish our simple myths of progress, which would only strand us in the dark, and carry careful and faithful readers further into the light.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/13/06 - &#039;&#039;&#039;[http://www.thelondonpaper.com/cs/Satellite/london/books/article/1157142606554?packedargs=suffix%3DArticleController The London Paper]&#039;&#039;&#039; - Stuart McGurk: &amp;quot;...if &#039;&#039;Gravity’s Rainbow&#039;&#039; was Pynchon’s &#039;&#039;Ulysses&#039;&#039;, this is his &#039;&#039;Finnegan&#039;s Wake&#039;&#039;. Baffling? Certainly. Brilliant? Without a doubt.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/12/10/bopyn25.xml Daily Telegraph]&#039;&#039;&#039; - Michael Moorcock: &amp;quot;Gloriously, demandingly, daringly, Pynchon has rediscovered vulgarity and continues to prove that the novel has never been more vibrant, more various or better able to represent our complex world. Give this book your time – you&#039;ll agree it&#039;s worth it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/10/06 - &#039;&#039;&#039;[http://www.accessatlanta.com/arts/content/printedition/2006/12/10/bkpynchon1210a.html Atlanta Journal-Constitution]&#039;&#039;&#039; - Donna Seaman: &amp;quot;Verdict: A rich, imaginative epic of wonder and depravity.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.sptimes.com/2006/12/10/Books/A_world_of_possibilit.shtml St. Petersburg Times]&#039;&#039;&#039; - Colette Bancroft: &amp;quot;Pynchon&#039;s novels are all about quests, and, with main characters bearing surnames like Traverse and Rideout, &#039;&#039;Against the Day&#039;&#039; is no different. The book has a cast of dozens wandering in and out of almost as many plot lines (and Pynchon acolytes are already busy annotating it; see against-the-day.pynchonwiki.com).&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/10/06 - &#039;&#039;&#039;[http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/12/10/RVGFPMO15S1.DTL&amp;amp;type=books San Francisco Chronicle]&#039;&#039;&#039; - David Hellman: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is probably the most brilliant book most people will never read....Either enter the light of this book, and seek those dark corners where the answers may await, or run for the hills and take cover.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.timesonline.co.uk/article/0,,2102-2487609,00.html The Sunday Times (UK)]&#039;&#039;&#039; - John Dugdale: &amp;quot;&#039;&#039;Against the Day&#039;&#039; resembles Moby Dick in its vast scale, its displays of learning, its engaging larkiness. But it’s a Moby Dick with no Ahab, and no whale.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/10/06 - &#039;&#039;&#039;[http://washingtontimes.com/books/20061209-102724-5433r.htm Washington Times]&#039;&#039;&#039; - Bruce Allen: &amp;quot;And yet -- wonder of wonder, miracle of miracles -- a novel designed to demonstrate exhaustively that nothing ultimately coheres nevertheless manages to fuse its dozens of disparate, baffling, ragged elements into an imposing and satisfying whole. There&#039;s mystery for you.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/9/06 - &#039;&#039;&#039;[http://www.denverpost.com/lifestyles/ci_4799969 Denver Post]&#039;&#039;&#039; - Dorman T. Shindler: &amp;quot;&#039;&#039;Against the Day&#039;&#039; - funny, wise, poetic and always over-the-top - offers the reader both a way to lose him or herself in a tale of escape and a way to take a hard look anew at the world around us.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/8/06 - &#039;&#039;&#039;[http://pynchonwiki.com/wiki/mp3/nytpynpod.mp3 New York Times podcast discussion of ATD, provided by Toby G. Levy]&#039;&#039;&#039; - a conversation with &#039;&#039;Times&#039;&#039; book critic Liesl Schillinger. &lt;br /&gt;
&lt;br /&gt;
12/7/06 - &#039;&#039;&#039;[http://www.faz.net/s/Rub79A33397BE834406A5D2BFA87FD13913/Doc~EE48B15855A78439DA1BA2F70FE335DE9~ATpl~Ecommon~Scontent.html Frankfurter Allgemeine Zeitung]&#039;&#039;&#039; -Dietmar Dath: &amp;quot;Freiheit ist Vergangenheit.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/7/06 - &#039;&#039;&#039;[http://www.villagevoice.com/books/0650,haskell,75247,10.html The Village Voice]&#039;&#039;&#039; - John Haskell: &amp;quot;The cloud of foreboding that hangs over this book is a fear, a Pynchonian paranoia, that the martial instincts of capitalism, having already corrupted Tesla&#039;s idea of free electricity, will come to control and limit the very act of thinking.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/4/06 - &#039;&#039;&#039;[http://nymag.com/arts/books/reviews/24728/ New York Magazine]&#039;&#039;&#039; - Keith Gessen: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is exhausting, twisted, and paranoid. But that doesn’t mean Pynchon can’t also be fun.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/4/06 - &#039;&#039;&#039;[http://www.newstatesman.com/200612040051 New Statesman (UK))]&#039;&#039;&#039; - Rachel Aspden: &amp;quot;The deluge of science can blind us to the fact that he is, temperamentally, a mystic rather than a technician. He writes &#039;&#039;Against the Day&#039;&#039;, but seeks what lies beyond or under or above the quotidian.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/3/06 - &#039;&#039;&#039;[http://www.buffalonews.com/editorial/20061203/1039371.asp Buffalo News]&#039;&#039;&#039; - Joseph Conte: &amp;quot; For the reader of this magnificent fiction, &amp;quot;travel to other worlds is therefore travel to alternate versions of the same Earth.&amp;quot; The enjoyment, then, is determining which of all the possible versions one has blithely wandered into.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/3/06 - &#039;&#039;&#039;[http://www.nypost.com/seven/12032006/entertainment/tom__duly_entertainment_quentin_rowan.htm New York Post]&#039;&#039;&#039; - Quentin Rowan: &amp;quot;Yet amid all the charms and expert entertainments and quizzical truths of &#039;&#039;Against the Day,&#039;&#039; there is little that sticks in the mind as involuntarily real, as having been other than intellectually achieved.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.miami.com/mld/miamiherald/entertainment/books/16147270.htm Miami Herald]&#039;&#039;&#039; - Ariel Gonzalez: &amp;quot;This is the sort of novel that is displayed on coffee tables by pseudo-intellectuals. But the water is warm enough to merit a toe-dipping, and who knows, you may then want to dive right in.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.kansascity.com/mld/kansascity/entertainment/16134463.htm Kansas City Star]&#039;&#039;&#039; - Chris Packham: &amp;quot;...[W]ith Against the Day, Pynchon seems to be addressing the reader directly, without the evasive ironies of past work....With each successively more approachable novel, Pynchon suggests more hopeful possibilities.  Or seems to.&amp;quot;&lt;br /&gt;
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12/2/06 - &#039;&#039;&#039;[http://www.theglobeandmail.com/servlet/story/LAC.20061202.BKPYNC02/TPStory/Entertainment The Globe and Mail (CA)]&#039;&#039;&#039; - Greg Hollingshead: &amp;quot;The development from &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; to &#039;&#039;Against the Day&#039;&#039; has not been so much organic as a translation to another version, at another time. The result remains extraordinary, but it&#039;s at once darker and paler, and less substantial.&amp;quot;&lt;br /&gt;
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12/2/06 - &#039;&#039;&#039;[http://www.timesonline.co.uk/article/0,,923-2480352,00.html The Times (UK)]&#039;&#039;&#039; - Douglas Kennedy: &amp;quot;Certainly, Pynchon’s new novel displays, for all to see, his “lost in the funhouse” narrative proclivities, his intellectual super-nova fireworks and his delight in the arcane, the base, the idiotic.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/06 - &#039;&#039;&#039;[http://contemporarylit.about.com/od/fiction/fr/againstTheDay.htm About.com]&#039;&#039;&#039; - Gregory Schneider: &amp;quot;It&#039;s...about innocence and experience, light and darkness, ignorance and clarity, love and indifference, serenity and despair, and the interchangeability, the maddening interdependence, of these concepts.&amp;quot;&lt;br /&gt;
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12/06 - &#039;&#039;&#039;[http://www.bookpage.com/0612bp/fiction/against_the_day.html BookPage]&#039;&#039;&#039; - Robert Weibezahl: &amp;quot;It is, at various points, everything one expects from a Thomas Pynchon novel—tangled, funny, prone to digressions, mind-numbingly convoluted, perceptive, over-the-top, louche, erudite, perplexing, heartfelt, encyclopedic, indulgent and, for the intrepid reader who makes it to the end, ultimately worth the often arduous journey.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/1/06 - &#039;&#039;&#039;[http://www.chron.com/disp/story.mpl/life/books/reviews/4372349.html Houston Chronicle]&#039;&#039;&#039; - Terrence Doody: &amp;quot;It is a messy omnium gatherum rather than the summa theologica that at least I was hoping for....Even Homer nods, they say, and Pynchon&#039;s gotten slack and sleepy here.&amp;quot;&lt;br /&gt;
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12/1/06 - &#039;&#039;&#039;[http://www.ft.com/cms/s/9415c2b4-8040-11db-9096-0000779e2340.html Financial Times (UK)]&#039;&#039;&#039; - Ludovic Hunter-Tilney: &amp;quot;There remains much to admire in the workings of his singularly brilliant literary consciousness, but the suspicion remains that Pynchon’s self-removal from public life now extends to the page.&amp;quot;&lt;br /&gt;
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12/1/06 - &#039;&#039;&#039;[http://www.msnbc.msn.com/id/15996230/site/newsweek/ Newsweek Pt. III]&#039;&#039;&#039; - Malcom Jones: &amp;quot;Thomas Pynchon’s latest novel is long, densely plotted, long, silly, profound, long—everything most modern novels aren’t—and yet it still works.&amp;quot;&lt;br /&gt;
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12/1/06 - &#039;&#039;&#039;[http://www.chicagoreader.com/features/stories/bookreviews/061201/ Chicago Reader]&#039;&#039;&#039; - Jonathan Rosenbaum: &amp;quot;The momentary pleasures of reading &#039;&#039;Against the Day&#039;&#039; often come close to seeming random, and reconciling the book&#039;s larger aims with all the jazzy improvs is no easy matter -- though that&#039;s what Pynchon&#039;s game is all about.&amp;quot;&lt;br /&gt;
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12/06-1/07 - &#039;&#039;&#039;[http://www.bookforum.net/leclair.html Bookforum]&#039;&#039;&#039; - Tom LeClair: &amp;quot;I hope some future scholar will read the novel twenty times and &lt;br /&gt;
either illustrate how it recapitulates the whole history of narrative or demonstrate how every piece fits together into a fourfold design that will replace four-base genetics as a model of all life.&amp;quot;&lt;br /&gt;
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12/02/06 - &#039;&#039;&#039;[http://www.nzz.ch/2006/12/02/fe/articleEPLSF.html NZZ]&#039;&#039;&#039; - Angela Schader: &amp;quot;Höhere Mathematik und Kartoffelsalat. Thomas Pynchon schreibt einen Allerweltsroman - im wahrsten Sinn des Wortes&amp;quot;&lt;br /&gt;
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11/30/06 - &#039;&#039;&#039;[http://nurtext.zeit.de/2006/49/KA-Mittelstueck Die Zeit]&#039;&#039;&#039; - Georg Diez: &amp;quot;Das Phantom.&amp;quot;&lt;br /&gt;
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11/30/06 - &#039;&#039;&#039;[http://www.economist.com/books/PrinterFriendly.cfm?story_id=8348701 The Economist]&#039;&#039;&#039; : &amp;quot;Baffling, yes. Clever and inventive in a cackling, manic, mad-professor kind of way, yes. Intermittently warmed by paragraph-long sunbeams of iridescent prose-poetry, yes. Rambling, pompous and often completely incomprehensible—yes to all that too.&amp;quot;&lt;br /&gt;
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11/29/06 - &#039;&#039;&#039;[http://tls.timesonline.co.uk/article/0,,25339-2477997,00.html The Times Literary Supplement (UK)]&#039;&#039;&#039; - Sophie Ratcliffe: &amp;quot;This is not to say Pynchon suggests any solution. What he does is highlight how invisible our claims for salvation are, thus disturbing all the familiar comforts they might offer, including the comforts of the novel’s structure. This gets its clearest exposition in his handling of the relentlessly optimistic airborne crew at the novel’s end.&amp;quot;&lt;br /&gt;
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11/28/06 - &#039;&#039;&#039;[http://www.ew.com/ew/article/review/book/0,6115,1560896_5_0_,00.html Entertainment Weekly]&#039;&#039;&#039; - Ken Tucker: &amp;quot;Beyond his literary accomplishments, this wily 69-year-old&#039;s work has influenced, consciously or unconsciously, much of our pop culture, from &#039;&#039;Lost&#039;&#039; to &#039;&#039;The Matrix&#039;&#039; to &#039;&#039;Arrested Development&#039;&#039; to &#039;&#039;Lemony Snicket&#039;&#039; (for what are the Baudelaire children but grimmer Chums of Chance?).&amp;quot;&lt;br /&gt;
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11/27/06 - &#039;&#039;&#039;[http://web.archive.org/web/20070517064759/www.scifi.com/sfw/books/column/sfw14197.html Sci-Fi Weekly]&#039;&#039;&#039; - John Clute: &amp;quot;The hundreds of figures who jam into &#039;&#039;Against the Day&#039;&#039; are not in fact characters at all, because Pynchon has evacuated his book of that degree of hope. They are &#039;&#039;utterands&#039;&#039;: people-shaped utterances who illuminate the stories of the old world that their Author has placed before us in funeral array; they are codes to spell his book with.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://www.signonsandiego.com/uniontrib/20061126/news_mz1v26day.html San Diego Union-Tribune]&#039;&#039;&#039; - James Leigh: &amp;quot;Pynchon&#039;s books are hugely entertaining; they are also without question heroic attempts to deal with our whole world, and &#039;&#039;Against the Day&#039;&#039; may well be his best yet.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://living.scotsman.com/books.cfm?id=1751072006 The Scotsman (UK), Scotland on Sunday]&#039;&#039;&#039; - Stuart Kelly: &amp;quot;It is, in places, a raggedy, meandering novel....You might as well complain that a Jackson Pollock painting is a bit splattery, or that Miles Davis sounds a little improvised.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://www.projo.com/books/content/BOOK-PYNCHON_11-26-06_K02SPUI.2799ad7.html Providence Journal]&#039;&#039;&#039; - Sam Coale: &amp;quot;This is Pynchon’s nightmarish vision of hell, peopled by predatory capitalists, eager anarchists, and stray ghosts.  Pynchon imagines a world run amuck.  And it is awesome.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://www.oregonlive.com/entertainment/oregonian/index.ssf?/base/entertainment/1164056114252360.xml&amp;amp;coll=7 The Oregonian]&#039;&#039;&#039; - Richard Melo: &amp;quot;With a writer as publicity-shy as Pynchon, there is no way if with this novel he is calling it a day. If he is, then he&#039;s going out with a bang louder than an obliterating asteroid screaming across the Siberian sky.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://books.guardian.co.uk/reviews/generalfiction/0,,1956983,00.html The Observer (UK)]&#039;&#039;&#039; - David Gale: &amp;quot;None of this detracts from the unique pleasures of a mighty novel that will delight Pynchonians and seduce newcomers....The scale of the novel induces memory loss but as with balloon flight, or fever, the return to terra firma is accompanied by feelings of wise, wide contentment.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://enjoyment.independent.co.uk/books/reviews/article2016608.ece The Independent (UK]&#039;&#039;&#039; - Tim Martin: &amp;quot;Against the Day is a startlingly discontinuous novel, a work of full-spectrum intelligence and erudition that is at times bafflingly tiresome and ungenerous to the reader....Something in it will mean something important to almost anybody. But the parts make a chaotic whole.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://www.nytimes.com/2006/11/26/books/review/Schillinger.t.html New York Times] (Sunday book review)&#039;&#039;&#039; - Liesl Schillinger: &amp;quot;In &#039;&#039;Against the Day,&#039;&#039; Pynchon’s voice seems uncharacteristically earnest. He interrupts his narrative from time to time to lay down pronouncements that, taken together, probably constitute the fullest elaboration of his philosophy yet seen in print.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/26/06 - &#039;&#039;&#039;[http://www.faz.net/s/Rub79A33397BE834406A5D2BFA87FD13913/Doc~E6C145F0F3FBD4A3792D32580D3C22BFE~ATpl~Ecommon~Scontent.html FAZ]&#039;&#039;&#039; - Peter Körte: &amp;quot;Der Mäandertaler&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
11/25/06 - &#039;&#039;&#039;[http://books.guardian.co.uk/reviews/generalfiction/0,,1956362,00.html The Guardian (UK)]&#039;&#039;&#039; - James Lasdun: &amp;quot;...the book itself has no particular reason to end where it does, other than perhaps the adhesive limits of book-binding glue.&amp;quot;&lt;br /&gt;
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11/25/06 - &#039;&#039;&#039;[http://living.scotsman.com/books.cfm?id=1746102006 The Scotsman]&#039;&#039;&#039; - Tom Adair: &amp;quot;...a gaze that holds you in its grip for a thousand pages. Quite a feat.&amp;quot;&lt;br /&gt;
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11/24/06 - &#039;&#039;&#039;[http://spectatorpynchon.blogspot.com/ The Spectator (UK)]&#039;&#039;&#039; - Sam Leith: &amp;quot;It is virtuoso nonsense; it is a giant shaggy dog story, serious as history; it is by turns mind-crushingly tedious and utterly exhilarating; it is remorselessly facetious and yet deeply moving.&amp;quot;&lt;br /&gt;
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11/24/06 - &#039;&#039;&#039;[http://www.jsonline.com/story/index.aspx?id=534435 Milwaukee Sentinel Journal]&#039;&#039;&#039; - Mike Fischer: &amp;quot;Ever since &#039;&#039;V.&#039;&#039; rocked the literary world in 1963, Pynchon has sought this crest with a single-minded intensity unmatched by any American writer since Melville. &#039;&#039;Against the Day,&#039;&#039; his brilliant new novel, gets him there.&amp;quot;&lt;br /&gt;
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23/11/06 - &#039;&#039;&#039;[http://www.nzz.ch/2006/11/23/fe/articleEOMOG.html NZZ]&#039;&#039;&#039; - Andrea Köhler: &amp;quot;Der Potter der Postmoderne. Thomas Pynchons neuer Roman stürzt die Kritiker in Verlegenheit&amp;quot;&lt;br /&gt;
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11/23/06 - &#039;&#039;&#039;[http://www.metro.co.uk/metrolife/books/article.html?in_article_id=26438&amp;amp;in_page_id=28 Metro (UK)]&#039;&#039;&#039; - Robert Murphy: &amp;quot;...the novel is longer than even Pynchon&#039;s energies can justify but nonetheless, it is an unmistakable masterpiece.&amp;quot;&lt;br /&gt;
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11/22/06 - &#039;&#039;&#039;[http://www.thenation.com/doc/20061211/leonard/ The Nation]&#039;&#039;&#039; - John Leonard: &amp;quot;It&#039;s a Perils of Pauline plot as pulpy and fibrous, as gnarly and pantophagic, as a thicket of bamboo.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/21/06 - &#039;&#039;&#039;[http://www.msnbc.msn.com/id/15841357/site/newsweek/ Newsweek Pt. II]&#039;&#039;&#039; - Malcom Jones: &amp;quot;Now halfway through, the reviewer knows the new Thomas Pynchon novel is full of doubles, an ocean liner that morphs into a destroyer and the kind of detail that&#039;s only fun if you slow down and enjoy it.&amp;quot;&lt;br /&gt;
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11/21/06 - &#039;&#039;&#039;[http://www.libraryjournal.com/article/CA6393529.html Library Journal]&#039;&#039;&#039; - Barbara Hoffert: &amp;quot;Brilliant if sometimes exasperating, Pynchon&#039;s latest is highly recommended for any library that takes its fiction seriously, with the warning that it does not yield easy pleasures and should not be read on deadline.&amp;quot;&lt;br /&gt;
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11/21/06 - &#039;&#039;&#039;[http://commentisfree.guardian.co.uk/john_crace/2006/11/gravitys_author_just_got_heavi.html The Guardian/Comment Is Free (UK)]&#039;&#039;&#039; - John Crace: &amp;quot;You can read it or you can weigh it. My guess is that most people will opt for the latter.&amp;quot;&lt;br /&gt;
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11/21/06 - &#039;&#039;&#039;[http://www.salon.com/books/review/2006/11/21/pynchon/index_np.html Salon]&#039;&#039;&#039; - Laura Miller: &amp;quot;[I]t&#039;s obvious [Pynchon&#039;s] disciples now write better Big Idea novels than he does.&amp;quot;&lt;br /&gt;
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11/20/06 - &#039;&#039;&#039;[http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2006/11/20/nbook20.xml The Telegraph (UK)]&#039;&#039;&#039; - Alex Massie: &amp;quot;Although Pynchon&#039;s devoted fans, whose enthusiasm can border on the cultish, will queue up to embrace his latest work, some critics have wondered if Pynchon&#039;s exuberant style masks a lack of substance.&amp;quot;&lt;br /&gt;
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11/20/06 - &#039;&#039;&#039;[http://www.dissidentvoice.org/Nov06/Jacobs20.htm Dissident Voice&#039;&#039;&#039;] - Ron Jacobs: &amp;quot;Despite the bleakness of the times that these tales are told, an indomitable beauty resides within them, thanks in large part to the characters Mr. Pynchon creates, the stories that they live, and the approach to the telling by the author.&amp;quot;&lt;br /&gt;
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11/20/06 - &#039;&#039;&#039;[http://www.bloomberg.com/apps/news?pid=20601088&amp;amp;sid=ab6WLEn2ciGU&amp;amp;refer=muse  Bloomberg News]&#039;&#039;&#039; - Craig Seligman: &amp;quot;...I felt like an exhausted swimmer crawling onto the far shore of a body of water that turned out to be even wider than it looked. And like the swimmer, I remember more about the effort than the scenery I passed along the way.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.usatoday.com/life/books/reviews/2006-11-20-thomas-pynchon_x.htm USA Today]&#039;&#039;&#039; - Bob Minzesheimer: &amp;quot;Falling into a novel can be like enjoying a weekend trip to a place you&#039;ve never been. Against the Day is more like going away for a month, getting lost on your way there and back, returning exhausted, but with bags full of stories.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.newyorker.com/magazine/2006/11/27/do-the-math New Yorker]&#039;&#039;&#039; - Louis Menand: &amp;quot;[W]ith this one there is the feeling that the magician has fallen in love with his own stunts, as though Pynchon were composing a pastiche of a Pynchon novel.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.nytimes.com/2006/11/20/books/20kaku.html New York Times]&#039;&#039;&#039; - Michiko Kakutani: &amp;quot;It is a humongous, bloated jigsaw puzzle of a story, pretentious without being provocative, elliptical without being illuminating, complicated without being rewardingly complex.&amp;quot; (Written by [http://en.wikipedia.org/wiki/Michiko_Kakutani Michiko Kakutani], so let the reader &#039;&#039;definitely&#039;&#039; beware!)&lt;br /&gt;
&lt;br /&gt;
11/19/06 &#039;&#039;&#039;[http://www.tbo.com/entertainment/books/MGBPR0W8NUE.html Tampa Tribune]&#039;&#039;&#039; - Kevin Walker: &amp;quot;It&#039;s a complex, raunchy, funny, I-better-read-that-paragraph-again-what-just-happened sort of novel.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.philly.com/mld/inquirer/entertainment/16037282.htm Philadelphia Inquirer]&#039;&#039;&#039; - Carlin Romano: &amp;quot;&#039;&#039;Positive adjectives:&#039;&#039; Audacious, bodacious, entropic, synoptic, electric, eclectic, entertaining, hyperbraining, high-roller, tripolar.  &#039;&#039;Negative adjectives:&#039;&#039; Rambling, shambling, self-indulgent, non-refulgent, overlong, full-of-bad-song, seriously scattered, plainly mad-hattered.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.cleveland.com/news/plaindealer/index.ssf?/base/cuyahoga/1163842776251970.xml&amp;amp;coll=2 Cleveland Plain-Dealer]&#039;&#039;&#039; - Jean Dubail: &amp;quot; All I can say is that the novel ends the way a Shakespearean comedy does, in which a measure of happiness redeems much of the horror and heartache that precede it.  So, is the book worth the trouble?  It was for me, but I&#039;m a Pynchon fan, and bafflement comes with the territory.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.washingtonpost.com/wp-dyn/content/article/2006/11/16/AR2006111601252.html Washington Post]&#039;&#039;&#039; - Steven Moore: “Pynchon fans will accept this gift from the author with gratitude, but I’m not so sure about mainstream readers.”&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.calendarlive.com/books/bookreview/cl-bk-sorrentino19nov19,0,3649673.htmlstory?coll=cl-books-features Los Angeles Times]&#039;&#039;&#039; - Christopher Sorrentino: “A book this long that amazes even 50% of the time is amazing.”&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.statesman.com/life/content/life/stories/books/11/19/19pynchon.html Austin American-Statesman]&#039;&#039;&#039; - Roger Gathman: &amp;quot;Forget it, fellow Pynchonians. [Against the Day] isn’t “Gravity’s Rainbow II.” That time, that place and that writer won’t ever come together again.”&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.newsday.com/features/booksmags/ny-bkcov4977785nov19,0,7633389.story?coll=ny-bookreview-headlines Newsday]&#039;&#039;&#039; - Scott McLemee: &amp;quot;[A] novel as exhilarating, tiresome, unnerving and exhausting as all the others put together.”&lt;br /&gt;
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11/19/06 - &#039;&#039;&#039;[http://www.boston.com/ae/books/articles/2006/11/19/inspired_chaos/?page=full Boston Globe]&#039;&#039;&#039; - Mark Feeney: &amp;quot;There&#039;s a bop electricity to Pynchon: the furious tempos and difficult harmonies, the maverick stance and hipster attitude....[M]aybe another Pynchon novel? If one comes, let it be as rich and sweeping, wild and thrilling, as this one.&amp;quot;&lt;br /&gt;
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11/17/06 - &#039;&#039;&#039;[http://seattletimes.nwsource.com/html/artsentertainment/2003433850_pynchon19.html Seattle Times]&#039;&#039;&#039; - John Freeman: &amp;quot;It&#039;s like dropping a penny into an open manhole — the novel simply swallows the time and asks for more.  And yet, Pynchon does reward the effort.&amp;quot;&lt;br /&gt;
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11/17/06 - &#039;&#039;&#039;[http://www.msnbc.msn.com/id/15771953/site/newsweek/ Newsweek Pt. I]&#039;&#039;&#039; - Malcom Jones: &amp;quot;But you’ve got to understand that this novelistic mountain we’re climbing, well, I’ve never been to the top either.  Just a reminder.  Stay tuned.  Next time: are Thomas Pynchon and Bob Dylan the same person? &amp;quot;&lt;br /&gt;
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11/16/06 - &#039;&#039;&#039;[http://www.timeout.com/newyork/Details.do?page=1&amp;amp;xyurl=xyl://TONYWebArticles1/581/books/against_the_day.xml Time Out New York]&#039;&#039;&#039; - Joshua Rothkopf: &amp;quot;Pynchon’s gift for language remains undiminished, a roiling, imaginative flood that makes his voice utterly unique, and his latest a must-read.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/15/06 - &#039;&#039;&#039;[http://www.nysun.com/arts/pynchon-he-who-lives-by-the-list-dies-by-it/43545/ New York Sun]&#039;&#039;&#039; - Adam Kirsch: &amp;quot;The silliness of &amp;quot;Against the Day&amp;quot; about the very subjects where we are most urgently in quest of wisdom proves that, whatever he once was, Thomas Pynchon is no longer the novelist we need.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/14/06 - &#039;&#039;&#039;[http://www.complete-review.com/reviews/popus/pynchon.htm The Complete Review]&#039;&#039;&#039;: &amp;quot;[I]mpressive in its parts, but near confounding as a whole.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/14/06 - &#039;&#039;&#039;[http://www.thephoenix.com/article_ektid27434.aspx The Phoenix]&#039;&#039;&#039; - Peter Keough: “Undaunted in the past by the big questions that bug a guy, he here takes on, in addition to the elusive quality of light... time travel, multiple universes, the death struggle between anarchism and capitalism, the dance of order and chaos.”&lt;br /&gt;
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11/13/06 - &#039;&#039;&#039;[http://www.time.com/time/magazine/article/0,9171,1558326-1,00.html Time]&#039;&#039;&#039; - Richard Lacayo: “More than in any of Pynchon’s previous books, just what it all means is a problem in Against the Day, where plots and ideas and fantastic developments pile up in exhausting profusion.”&lt;br /&gt;
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10/24/06 - &#039;&#039;&#039;[http://www.publishersweekly.com/978-1-59420-120-2 Publisher&#039;s Weekly]&#039;&#039;&#039;: &amp;quot;[R]eads like half a dozen books duking it out for his, and the reader’s, attention. Most of them shine with a surreal incandescence, but even Pynchon fans may find their fealty tested now and again.&amp;quot;&lt;br /&gt;
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&lt;div&gt;==Review aggregators==&lt;br /&gt;
&lt;br /&gt;
:[http://www.complete-review.com/reviews/popus/pynchon.htm The Complete Review]&lt;br /&gt;
&lt;br /&gt;
:[http://www.metacritic.com/books/authors/pynchonthomas/againsttheday Metacritic]&lt;br /&gt;
&lt;br /&gt;
==Reviews==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please add any relevant reviews as they come in. Blog reviews are fine as long as they&#039;re substantial and more than a few paragraphs.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
01/28/08 - [http://www.popmatters.com/pm/books/reviews/53496/against-the-day-by-thomas-pynchon1/ &#039;&#039;&#039;PopMatters&#039;&#039;&#039;] - John Carvill: &amp;quot;But if we set aside, for a moment, any misgivings we may have about the absurdities inherent in applying comparative terms such as ‘better’ or ‘best’ to books, then &#039;&#039;Against the Day&#039;&#039;, Pynchon’s freewheeling, coruscating, triumphantly life-affirming epic, was far and away the best book to be published in 2006, and its paperback publication last year also made it the best book of 2007.&amp;quot;&lt;br /&gt;
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11/25/07 - [http://observer.guardian.co.uk/review/story/0,,2216448,00.html &#039;&#039;&#039;Guardian Unlimited&#039;&#039;&#039;] - Michael Chabon: &amp;quot;&#039;&#039;Against the Day&#039;&#039; (Vintage) by Thomas Pynchon: sentence for sentence, scene for scene, idea for idea, it gave me more pure reading pleasure than any book I&#039;ve read in the past few years. I only wished it were a thousand pages longer.&lt;br /&gt;
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Summer/07 Issue - [http://www.vqronline.org/articles/2007/summer/logan-pynchon-against-the-day/ &#039;&#039;&#039;The Virginia Quarterly Review&#039;&#039;&#039;] &#039;&#039;&#039;&amp;quot;Back to the Future: On Thomas Pynchon&#039;s &#039;&#039;Against the Day&#039;&#039;&amp;quot;&#039;&#039;&#039; - William Logan: &amp;quot;Thomas Pynchon’s sprawling, untidy new novel, &#039;&#039;Against the Day&#039;&#039;, is only as frustrating as most of his fiction. It starts in the air, high-minded as a kite, and gradually flutters groundward, dragged down by subplots galore and characters thrown in willy-nilly, as if a novel’s only virtue were how many characters it could stuff into a phone booth (no doubt Pynchon, who has loaded the book with more Victorian mathematics than Carter had pills, has an algorithm up his sleeve).&amp;quot;&lt;br /&gt;
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9/17/07 - [http://themoderatevoice.com/entertainment/books/15165/book-review-pynchons-against-the-day/ &#039;&#039;&#039;The Moderate Voice&#039;&#039;&#039;] - Shaun Mullen: &amp;quot;Summing up this monster of a book is like trying to herd cats. But at the end of the day Against the Day is about mankind’s efforts – which range from the scientific to the hallucinatory to the comical — to transcend mortality. At least I think it is.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
7/4/07 - [http://www.boiseweekly.com/gyrobase/Content?oid=oid%3A222306 &#039;&#039;&#039;Boise Weekly&#039;&#039;&#039;] - Michael Corrigan: &amp;quot;At 70, Pynchon hasn&#039;t lost his powers. &#039;&#039;Against the Day&#039;&#039; demands a determined reader. This brilliant but uneven attempt to analyze our world by creating an alternate history and alternate worlds may attract only avid Pynchonites. There is the familiar argument that all great but &amp;quot;difficult&amp;quot; novels eventually fascinate only professors and students.&amp;quot;&lt;br /&gt;
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2/6/07 - &#039;&#039;&#039;[http://desicritics.org/2007/02/06/043833.php Desicritics.org]&#039;&#039;&#039; - Richard Marcus: &amp;quot;While &#039;&#039;Against The Day&#039;&#039; has much more the feel of his earlier work, there are still moments where its intellectualism overwhelms,...&amp;quot;&lt;br /&gt;
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1/28/07 - &#039;&#039;&#039;[http://www.santacruzsentinel.com/archive/2007/January/28/style/stories/06style.htm Santa Cruz Sentinel]&#039;&#039;&#039; - Matt King: &amp;quot;You&#039;ll have to read it twice.&amp;quot;&lt;br /&gt;
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1/25/07 - &#039;&#039;&#039;[http://www.signandsight.com/features/1158.html SignAndSight.com]&#039;&#039;&#039; - Denis Sheck: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is a unique book, in the sense of being utterly original. At its best moments emotionally electrifying and intellectually brilliant, moving but never sentimental, sometimes terribly sad, sometimes side-splittingly funny, and to the very last page as unforeseeable as a roller coaster ride in the dark.&amp;quot;&lt;br /&gt;
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1/19/07 - &#039;&#039;&#039;[http://media.www.utahstatesman.com/media/storage/paper243/news/2007/01/19/Diversions/Book-Review.Against.The.Day-2655377.shtml The Utah Statesman]&#039;&#039;&#039; - Ben Clarke: &amp;quot;&#039;&#039;Against the Day&#039;&#039; doesn&#039;t meet the expectations of its own rhetoric and expansive plot,...&amp;quot;&lt;br /&gt;
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1/18/07 - &#039;&#039;&#039;[http://artvoice.com/issues/v6n3/book_reviews/against_the_day ArtVoice]&#039;&#039;&#039; - Todd Natti: &amp;quot;&#039;&#039;Against the Day&#039;&#039; just feels like it should have been more, only not lengthwise.&amp;quot;&lt;br /&gt;
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1/16/07 - &#039;&#039;&#039;[http://www.csmonitor.com/2007/0116/p13s01-bogn.html The Christian Science Monitor]&#039;&#039;&#039; - Yvonne Zipp: &amp;quot;...if &#039;&#039;Against the Day&#039;&#039; is the most infuriating novel I&#039;ve read in a year, it&#039;s also among the most imaginative.&amp;quot;&lt;br /&gt;
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1/13/07- &#039;&#039;&#039;[http://gregoryfeeley.blogspot.com/2007/01/short-article-on-thomas-pynchon.html &amp;quot;Day Tripper&amp;quot; Short Article on Thomas Pynchon]&#039;&#039;&#039; by Greg Feeley appeared in the New Haven Advocate. Posted at his website.&lt;br /&gt;
&lt;br /&gt;
1/11/07 - &#039;&#039;&#039;[http://www.nybooks.com/articles/19771 New York Review of Books]&#039;&#039;&#039; - Luc Sante: &amp;quot;Pynchon thinks on a different scale from most novelists, to the point where you&#039;d almost want to find another word for the sort of thing he does, since his books differ from most other novels the way a novel differs from a short story, in exponential rather than simply linear fashion.&amp;quot;&lt;br /&gt;
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1/10/07 - &#039;&#039;&#039;[http://www.dradio.de/dkultur/sendungen/kritik/581275 Deutschlandradio]&#039;&#039;&#039;: Denis Scheck: &amp;quot;Ein Roman als Wunderkammer&amp;quot;. &lt;br /&gt;
The same author at  &#039;&#039;&#039;[http://www.tagesspiegel.de/kultur/archiv/11.01.2007/3013820.asp Der Tagesspiegel]&#039;&#039;&#039; &amp;quot;Kugelblitz, Dynamit und Quaternionen&amp;quot;&lt;br /&gt;
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1/5/07 - &#039;&#039;&#039;[http://www.prospect.org/web/view-web.ww?id=12356 The American Prospect]&#039;&#039;&#039; - Eric Rauchway: &amp;quot;But if Pynchon is a hippie he also drank his Protestantism deeply, and his sense of ineffable divinity sits uneasily alongside the certainty Christianity Americans often profess.&amp;quot;&lt;br /&gt;
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1/5/07 - &#039;&#039;&#039;[http://derstandard.at/?url=/?id=2716016 Der Standard (Austria)]&#039;&#039;&#039; - Sebastian Fasthuber: &amp;quot;Von A(narchie) bis Z(eta-Funktion): &#039;&#039;Against The Day&#039;&#039;.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
1/4/07 - &#039;&#039;&#039;[http://www.lrb.co.uk/v29/n01/wood01_.html London Review of Books]&#039;&#039;&#039; - Michael Wood: &amp;quot;...&#039;&#039;Against the Day&#039;&#039; goes to great lengths to show that dreams of other worlds haunt mathematics, indeed perhaps are mathematics.&amp;quot;&lt;br /&gt;
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1/1/07 - &#039;&#039;&#039;[http://www.vaildaily.com/article/20070101/AE/101010043 Vail Daily News]&#039;&#039;&#039; - Matt Zalaznick: &amp;quot;[&#039;&#039;Against the Day&#039;&#039;] may serve as its own crystal through which to look back on Pynchon&#039;s previous works and find the emotional gold ready to transmuted from the obscuring silver.&amp;quot;&lt;br /&gt;
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12/31/06 - &#039;&#039;&#039;[http://www.post-gazette.com/pg/06365/749719-148.stm Pittsburgh Post-Gazette]&#039;&#039;&#039; - Kristofer Collins: &amp;quot;...the prose is drained of all vigor and the convolutions of Pynchon&#039;s sentences..., are merely evidence of a writer no longer at the top of his game.&amp;quot;&lt;br /&gt;
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12/23/06 - &#039;&#039;&#039;[http://www.theaustralian.news.com.au/story/0,20867,20952474-5003900,00.html The Australian]&#039;&#039;&#039; - Don Anderson: &amp;quot;But an 1100-page novel? What can justify this economy?...I won&#039;t attempt to justify Pynchon&#039;s decision, in this never-repetitious novel, merely suggest that, in the words at the head of the last page of the greatest American novel: &amp;quot;And I only am escaped alone to tell thee.&amp;quot;&amp;quot;&lt;br /&gt;
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12/18/06 - &#039;&#039;&#039;[http://www.spiegel.de/spiegel/0,1518,455565,00.html Der Spiegel]&#039;&#039;&#039; Matthias Matussek, Philipp Oehmke, Doja Hacker und Malte Herwig: &amp;quot;Das grosse, wilde Spiel&amp;quot;&lt;br /&gt;
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12/18/06 - &#039;&#039;&#039;[http://nymag.com/arts/cultureawards/2006/25308/index1.html New York Magazine]&#039;&#039;&#039; - Best Books of 2006, Honorable Mention: &amp;quot;The Wild West anarchist-revenge tale at the heart of Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039; — cut out the other 600 pages and you’ve got the best novel of the year.&amp;quot;&lt;br /&gt;
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12/17/06 - &#039;&#039;&#039;[http://grubstreetgrackle.com/preludefugue.html#fugue Grub Street Grackle]&#039;&#039;&#039; - &amp;quot;...an Odyssey (or rather four Odyssean threads braided into one long rope) with no Ithaca, a long journey that, at the end of the day, must fantasize, improvise, and consolidate its own destination.&amp;quot;&lt;br /&gt;
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12/15/06 - &#039;&#039;&#039;[http://www.smh.com.au/news/book-reviews/against-the-day/2006/12/15/1165685879188.html The Sydney Morning Herald (AU)]&#039;&#039;&#039; - Anthony Macris: &amp;quot;Yet for all its outlandish characterisations and cartoonish carryings-on, Pynchon&#039;s sensibility is ultimately both omniscient and omnivorous, driven by a ferocious intelligence that, with every new novel, is ever more determined to devour as much of the world as it can.&amp;quot;&lt;br /&gt;
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12/15/06 - &#039;&#039;&#039;[http://enjoyment.independent.co.uk/books/reviews/article2074052.ece The Independent (UK), II]&#039;&#039;&#039; - David Goldblatt: &amp;quot;Pynchon&#039;s scope is so mad, so grand, that he glides lightly across this terrain. I hoped early on in the book that he might stay the course, but the wild hinterlands of intoxication and irrationality called him away.&amp;quot;&lt;br /&gt;
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12/15/06 - &#039;&#039;&#039;[http://www.austinchronicle.com/gyrobase/Issue/review?oid=oid%3A429221 Austin Chronicle]&#039;&#039;&#039; - James Renovitch: &amp;quot;&#039;&#039;Against the Day&#039;&#039; leaves you holding your head laden with the possible futures of both society and the individual: the former, frightening; the latter, uplifting.&amp;quot;&lt;br /&gt;
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12/14/06 - &#039;&#039;&#039;[http://www.lacitybeat.com/article.php?id=4753&amp;amp;IssueNum=184 LA City Weekly]&#039;&#039;&#039; - Anthony Miller: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is a luminous novel that sets off an anarchic explosion of the imagination to demolish our simple myths of progress, which would only strand us in the dark, and carry careful and faithful readers further into the light.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/13/06 - &#039;&#039;&#039;[http://www.thelondonpaper.com/cs/Satellite/london/books/article/1157142606554?packedargs=suffix%3DArticleController The London Paper]&#039;&#039;&#039; - Stuart McGurk: &amp;quot;...if &#039;&#039;Gravity’s Rainbow&#039;&#039; was Pynchon’s &#039;&#039;Ulysses&#039;&#039;, this is his &#039;&#039;Finnegan&#039;s Wake&#039;&#039;. Baffling? Certainly. Brilliant? Without a doubt.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/12/10/bopyn25.xml Daily Telegraph]&#039;&#039;&#039; - Michael Moorcock: &amp;quot;Gloriously, demandingly, daringly, Pynchon has rediscovered vulgarity and continues to prove that the novel has never been more vibrant, more various or better able to represent our complex world. Give this book your time – you&#039;ll agree it&#039;s worth it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/10/06 - &#039;&#039;&#039;[http://www.accessatlanta.com/arts/content/printedition/2006/12/10/bkpynchon1210a.html Atlanta Journal-Constitution]&#039;&#039;&#039; - Donna Seaman: &amp;quot;Verdict: A rich, imaginative epic of wonder and depravity.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.sptimes.com/2006/12/10/Books/A_world_of_possibilit.shtml St. Petersburg Times]&#039;&#039;&#039; - Colette Bancroft: &amp;quot;Pynchon&#039;s novels are all about quests, and, with main characters bearing surnames like Traverse and Rideout, &#039;&#039;Against the Day&#039;&#039; is no different. The book has a cast of dozens wandering in and out of almost as many plot lines (and Pynchon acolytes are already busy annotating it; see against-the-day.pynchonwiki.com).&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/12/10/RVGFPMO15S1.DTL&amp;amp;type=books San Francisco Chronicle]&#039;&#039;&#039; - David Hellman: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is probably the most brilliant book most people will never read....Either enter the light of this book, and seek those dark corners where the answers may await, or run for the hills and take cover.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.timesonline.co.uk/article/0,,2102-2487609,00.html The Sunday Times (UK)]&#039;&#039;&#039; - John Dugdale: &amp;quot;&#039;&#039;Against the Day&#039;&#039; resembles Moby Dick in its vast scale, its displays of learning, its engaging larkiness. But it’s a Moby Dick with no Ahab, and no whale.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://washingtontimes.com/books/20061209-102724-5433r.htm Washington Times]&#039;&#039;&#039; - Bruce Allen: &amp;quot;And yet -- wonder of wonder, miracle of miracles -- a novel designed to demonstrate exhaustively that nothing ultimately coheres nevertheless manages to fuse its dozens of disparate, baffling, ragged elements into an imposing and satisfying whole. There&#039;s mystery for you.&amp;quot;&lt;br /&gt;
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12/9/06 - &#039;&#039;&#039;[http://www.denverpost.com/lifestyles/ci_4799969 Denver Post]&#039;&#039;&#039; - Dorman T. Shindler: &amp;quot;&#039;&#039;Against the Day&#039;&#039; - funny, wise, poetic and always over-the-top - offers the reader both a way to lose him or herself in a tale of escape and a way to take a hard look anew at the world around us.&amp;quot;&lt;br /&gt;
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12/8/06 - &#039;&#039;&#039;[http://pynchonwiki.com/wiki/mp3/nytpynpod.mp3 New York Times podcast discussion of ATD, provided by Toby G. Levy]&#039;&#039;&#039; - a conversation with &#039;&#039;Times&#039;&#039; book critic Liesl Schillinger. &lt;br /&gt;
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12/7/06 - &#039;&#039;&#039;[http://www.faz.net/s/Rub79A33397BE834406A5D2BFA87FD13913/Doc~EE48B15855A78439DA1BA2F70FE335DE9~ATpl~Ecommon~Scontent.html Frankfurter Allgemeine Zeitung]&#039;&#039;&#039; -Dietmar Dath: &amp;quot;Freiheit ist Vergangenheit.&amp;quot;&lt;br /&gt;
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12/7/06 - &#039;&#039;&#039;[http://www.villagevoice.com/books/0650,haskell,75247,10.html The Village Voice]&#039;&#039;&#039; - John Haskell: &amp;quot;The cloud of foreboding that hangs over this book is a fear, a Pynchonian paranoia, that the martial instincts of capitalism, having already corrupted Tesla&#039;s idea of free electricity, will come to control and limit the very act of thinking.&amp;quot;&lt;br /&gt;
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12/4/06 - &#039;&#039;&#039;[http://nymag.com/arts/books/reviews/24728/ New York Magazine]&#039;&#039;&#039; - Keith Gessen: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is exhausting, twisted, and paranoid. But that doesn’t mean Pynchon can’t also be fun.&amp;quot;&lt;br /&gt;
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12/4/06 - &#039;&#039;&#039;[http://www.newstatesman.com/200612040051 New Statesman (UK))]&#039;&#039;&#039; - Rachel Aspden: &amp;quot;The deluge of science can blind us to the fact that he is, temperamentally, a mystic rather than a technician. He writes &#039;&#039;Against the Day&#039;&#039;, but seeks what lies beyond or under or above the quotidian.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.buffalonews.com/editorial/20061203/1039371.asp Buffalo News]&#039;&#039;&#039; - Joseph Conte: &amp;quot; For the reader of this magnificent fiction, &amp;quot;travel to other worlds is therefore travel to alternate versions of the same Earth.&amp;quot; The enjoyment, then, is determining which of all the possible versions one has blithely wandered into.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.nypost.com/seven/12032006/entertainment/tom__duly_entertainment_quentin_rowan.htm New York Post]&#039;&#039;&#039; - Quentin Rowan: &amp;quot;Yet amid all the charms and expert entertainments and quizzical truths of &#039;&#039;Against the Day,&#039;&#039; there is little that sticks in the mind as involuntarily real, as having been other than intellectually achieved.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.miami.com/mld/miamiherald/entertainment/books/16147270.htm Miami Herald]&#039;&#039;&#039; - Ariel Gonzalez: &amp;quot;This is the sort of novel that is displayed on coffee tables by pseudo-intellectuals. But the water is warm enough to merit a toe-dipping, and who knows, you may then want to dive right in.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.kansascity.com/mld/kansascity/entertainment/16134463.htm Kansas City Star]&#039;&#039;&#039; - Chris Packham: &amp;quot;...[W]ith Against the Day, Pynchon seems to be addressing the reader directly, without the evasive ironies of past work....With each successively more approachable novel, Pynchon suggests more hopeful possibilities.  Or seems to.&amp;quot;&lt;br /&gt;
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12/2/06 - &#039;&#039;&#039;[http://www.theglobeandmail.com/servlet/story/LAC.20061202.BKPYNC02/TPStory/Entertainment The Globe and Mail (CA)]&#039;&#039;&#039; - Greg Hollingshead: &amp;quot;The development from &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; to &#039;&#039;Against the Day&#039;&#039; has not been so much organic as a translation to another version, at another time. The result remains extraordinary, but it&#039;s at once darker and paler, and less substantial.&amp;quot;&lt;br /&gt;
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12/2/06 - &#039;&#039;&#039;[http://www.timesonline.co.uk/article/0,,923-2480352,00.html The Times (UK)]&#039;&#039;&#039; - Douglas Kennedy: &amp;quot;Certainly, Pynchon’s new novel displays, for all to see, his “lost in the funhouse” narrative proclivities, his intellectual super-nova fireworks and his delight in the arcane, the base, the idiotic.&amp;quot;&lt;br /&gt;
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12/06 - &#039;&#039;&#039;[http://contemporarylit.about.com/od/fiction/fr/againstTheDay.htm About.com]&#039;&#039;&#039; - Gregory Schneider: &amp;quot;It&#039;s...about innocence and experience, light and darkness, ignorance and clarity, love and indifference, serenity and despair, and the interchangeability, the maddening interdependence, of these concepts.&amp;quot;&lt;br /&gt;
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12/06 - &#039;&#039;&#039;[http://www.bookpage.com/0612bp/fiction/against_the_day.html BookPage]&#039;&#039;&#039; - Robert Weibezahl: &amp;quot;It is, at various points, everything one expects from a Thomas Pynchon novel—tangled, funny, prone to digressions, mind-numbingly convoluted, perceptive, over-the-top, louche, erudite, perplexing, heartfelt, encyclopedic, indulgent and, for the intrepid reader who makes it to the end, ultimately worth the often arduous journey.&amp;quot;&lt;br /&gt;
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12/1/06 - &#039;&#039;&#039;[http://www.chron.com/disp/story.mpl/life/books/reviews/4372349.html Houston Chronicle]&#039;&#039;&#039; - Terrence Doody: &amp;quot;It is a messy omnium gatherum rather than the summa theologica that at least I was hoping for....Even Homer nods, they say, and Pynchon&#039;s gotten slack and sleepy here.&amp;quot;&lt;br /&gt;
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12/1/06 - &#039;&#039;&#039;[http://www.ft.com/cms/s/9415c2b4-8040-11db-9096-0000779e2340.html Financial Times (UK)]&#039;&#039;&#039; - Ludovic Hunter-Tilney: &amp;quot;There remains much to admire in the workings of his singularly brilliant literary consciousness, but the suspicion remains that Pynchon’s self-removal from public life now extends to the page.&amp;quot;&lt;br /&gt;
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12/1/06 - &#039;&#039;&#039;[http://www.msnbc.msn.com/id/15996230/site/newsweek/ Newsweek Pt. III]&#039;&#039;&#039; - Malcom Jones: &amp;quot;Thomas Pynchon’s latest novel is long, densely plotted, long, silly, profound, long—everything most modern novels aren’t—and yet it still works.&amp;quot;&lt;br /&gt;
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12/1/06 - &#039;&#039;&#039;[http://www.chicagoreader.com/features/stories/bookreviews/061201/ Chicago Reader]&#039;&#039;&#039; - Jonathan Rosenbaum: &amp;quot;The momentary pleasures of reading &#039;&#039;Against the Day&#039;&#039; often come close to seeming random, and reconciling the book&#039;s larger aims with all the jazzy improvs is no easy matter -- though that&#039;s what Pynchon&#039;s game is all about.&amp;quot;&lt;br /&gt;
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12/06-1/07 - &#039;&#039;&#039;[http://www.bookforum.net/leclair.html Bookforum]&#039;&#039;&#039; - Tom LeClair: &amp;quot;I hope some future scholar will read the novel twenty times and &lt;br /&gt;
either illustrate how it recapitulates the whole history of narrative or demonstrate how every piece fits together into a fourfold design that will replace four-base genetics as a model of all life.&amp;quot;&lt;br /&gt;
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12/02/06 - &#039;&#039;&#039;[http://www.nzz.ch/2006/12/02/fe/articleEPLSF.html NZZ]&#039;&#039;&#039; - Angela Schader: &amp;quot;Höhere Mathematik und Kartoffelsalat. Thomas Pynchon schreibt einen Allerweltsroman - im wahrsten Sinn des Wortes&amp;quot;&lt;br /&gt;
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11/30/06 - &#039;&#039;&#039;[http://nurtext.zeit.de/2006/49/KA-Mittelstueck Die Zeit]&#039;&#039;&#039; - Georg Diez: &amp;quot;Das Phantom.&amp;quot;&lt;br /&gt;
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11/30/06 - &#039;&#039;&#039;[http://www.economist.com/books/PrinterFriendly.cfm?story_id=8348701 The Economist]&#039;&#039;&#039; : &amp;quot;Baffling, yes. Clever and inventive in a cackling, manic, mad-professor kind of way, yes. Intermittently warmed by paragraph-long sunbeams of iridescent prose-poetry, yes. Rambling, pompous and often completely incomprehensible—yes to all that too.&amp;quot;&lt;br /&gt;
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11/29/06 - &#039;&#039;&#039;[http://tls.timesonline.co.uk/article/0,,25339-2477997,00.html The Times Literary Supplement (UK)]&#039;&#039;&#039; - Sophie Ratcliffe: &amp;quot;This is not to say Pynchon suggests any solution. What he does is highlight how invisible our claims for salvation are, thus disturbing all the familiar comforts they might offer, including the comforts of the novel’s structure. This gets its clearest exposition in his handling of the relentlessly optimistic airborne crew at the novel’s end.&amp;quot;&lt;br /&gt;
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11/28/06 - &#039;&#039;&#039;[http://www.ew.com/ew/article/review/book/0,6115,1560896_5_0_,00.html Entertainment Weekly]&#039;&#039;&#039; - Ken Tucker: &amp;quot;Beyond his literary accomplishments, this wily 69-year-old&#039;s work has influenced, consciously or unconsciously, much of our pop culture, from &#039;&#039;Lost&#039;&#039; to &#039;&#039;The Matrix&#039;&#039; to &#039;&#039;Arrested Development&#039;&#039; to &#039;&#039;Lemony Snicket&#039;&#039; (for what are the Baudelaire children but grimmer Chums of Chance?).&amp;quot;&lt;br /&gt;
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11/27/06 - &#039;&#039;&#039;[http://web.archive.org/web/20070517064759/www.scifi.com/sfw/books/column/sfw14197.html Sci-Fi Weekly]&#039;&#039;&#039; - John Clute: &amp;quot;The hundreds of figures who jam into &#039;&#039;Against the Day&#039;&#039; are not in fact characters at all, because Pynchon has evacuated his book of that degree of hope. They are &#039;&#039;utterands&#039;&#039;: people-shaped utterances who illuminate the stories of the old world that their Author has placed before us in funeral array; they are codes to spell his book with.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://www.signonsandiego.com/uniontrib/20061126/news_mz1v26day.html San Diego Union-Tribune]&#039;&#039;&#039; - James Leigh: &amp;quot;Pynchon&#039;s books are hugely entertaining; they are also without question heroic attempts to deal with our whole world, and &#039;&#039;Against the Day&#039;&#039; may well be his best yet.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://living.scotsman.com/books.cfm?id=1751072006 The Scotsman (UK), Scotland on Sunday]&#039;&#039;&#039; - Stuart Kelly: &amp;quot;It is, in places, a raggedy, meandering novel....You might as well complain that a Jackson Pollock painting is a bit splattery, or that Miles Davis sounds a little improvised.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://www.projo.com/books/content/BOOK-PYNCHON_11-26-06_K02SPUI.2799ad7.html Providence Journal]&#039;&#039;&#039; - Sam Coale: &amp;quot;This is Pynchon’s nightmarish vision of hell, peopled by predatory capitalists, eager anarchists, and stray ghosts.  Pynchon imagines a world run amuck.  And it is awesome.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://www.oregonlive.com/entertainment/oregonian/index.ssf?/base/entertainment/1164056114252360.xml&amp;amp;coll=7 The Oregonian]&#039;&#039;&#039; - Richard Melo: &amp;quot;With a writer as publicity-shy as Pynchon, there is no way if with this novel he is calling it a day. If he is, then he&#039;s going out with a bang louder than an obliterating asteroid screaming across the Siberian sky.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://books.guardian.co.uk/reviews/generalfiction/0,,1956983,00.html The Observer (UK)]&#039;&#039;&#039; - David Gale: &amp;quot;None of this detracts from the unique pleasures of a mighty novel that will delight Pynchonians and seduce newcomers....The scale of the novel induces memory loss but as with balloon flight, or fever, the return to terra firma is accompanied by feelings of wise, wide contentment.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://enjoyment.independent.co.uk/books/reviews/article2016608.ece The Independent (UK]&#039;&#039;&#039; - Tim Martin: &amp;quot;Against the Day is a startlingly discontinuous novel, a work of full-spectrum intelligence and erudition that is at times bafflingly tiresome and ungenerous to the reader....Something in it will mean something important to almost anybody. But the parts make a chaotic whole.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://www.nytimes.com/2006/11/26/books/review/Schillinger.t.html New York Times] (Sunday book review)&#039;&#039;&#039; - Liesl Schillinger: &amp;quot;In &#039;&#039;Against the Day,&#039;&#039; Pynchon’s voice seems uncharacteristically earnest. He interrupts his narrative from time to time to lay down pronouncements that, taken together, probably constitute the fullest elaboration of his philosophy yet seen in print.&amp;quot;&lt;br /&gt;
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11/26/06 - &#039;&#039;&#039;[http://www.faz.net/s/Rub79A33397BE834406A5D2BFA87FD13913/Doc~E6C145F0F3FBD4A3792D32580D3C22BFE~ATpl~Ecommon~Scontent.html FAZ]&#039;&#039;&#039; - Peter Körte: &amp;quot;Der Mäandertaler&amp;quot;. &lt;br /&gt;
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11/25/06 - &#039;&#039;&#039;[http://books.guardian.co.uk/reviews/generalfiction/0,,1956362,00.html The Guardian (UK)]&#039;&#039;&#039; - James Lasdun: &amp;quot;...the book itself has no particular reason to end where it does, other than perhaps the adhesive limits of book-binding glue.&amp;quot;&lt;br /&gt;
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11/25/06 - &#039;&#039;&#039;[http://living.scotsman.com/books.cfm?id=1746102006 The Scotsman]&#039;&#039;&#039; - Tom Adair: &amp;quot;...a gaze that holds you in its grip for a thousand pages. Quite a feat.&amp;quot;&lt;br /&gt;
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11/24/06 - &#039;&#039;&#039;[http://spectatorpynchon.blogspot.com/ The Spectator (UK)]&#039;&#039;&#039; - Sam Leith: &amp;quot;It is virtuoso nonsense; it is a giant shaggy dog story, serious as history; it is by turns mind-crushingly tedious and utterly exhilarating; it is remorselessly facetious and yet deeply moving.&amp;quot;&lt;br /&gt;
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11/24/06 - &#039;&#039;&#039;[http://www.jsonline.com/story/index.aspx?id=534435 Milwaukee Sentinel Journal]&#039;&#039;&#039; - Mike Fischer: &amp;quot;Ever since &#039;&#039;V.&#039;&#039; rocked the literary world in 1963, Pynchon has sought this crest with a single-minded intensity unmatched by any American writer since Melville. &#039;&#039;Against the Day,&#039;&#039; his brilliant new novel, gets him there.&amp;quot;&lt;br /&gt;
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23/11/06 - &#039;&#039;&#039;[http://www.nzz.ch/2006/11/23/fe/articleEOMOG.html NZZ]&#039;&#039;&#039; - Andrea Köhler: &amp;quot;Der Potter der Postmoderne. Thomas Pynchons neuer Roman stürzt die Kritiker in Verlegenheit&amp;quot;&lt;br /&gt;
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11/23/06 - &#039;&#039;&#039;[http://www.metro.co.uk/metrolife/books/article.html?in_article_id=26438&amp;amp;in_page_id=28 Metro (UK)]&#039;&#039;&#039; - Robert Murphy: &amp;quot;...the novel is longer than even Pynchon&#039;s energies can justify but nonetheless, it is an unmistakable masterpiece.&amp;quot;&lt;br /&gt;
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11/22/06 - &#039;&#039;&#039;[http://www.thenation.com/doc/20061211/leonard/ The Nation]&#039;&#039;&#039; - John Leonard: &amp;quot;It&#039;s a Perils of Pauline plot as pulpy and fibrous, as gnarly and pantophagic, as a thicket of bamboo.&amp;quot;&lt;br /&gt;
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11/21/06 - &#039;&#039;&#039;[http://www.msnbc.msn.com/id/15841357/site/newsweek/ Newsweek Pt. II]&#039;&#039;&#039; - Malcom Jones: &amp;quot;Now halfway through, the reviewer knows the new Thomas Pynchon novel is full of doubles, an ocean liner that morphs into a destroyer and the kind of detail that&#039;s only fun if you slow down and enjoy it.&amp;quot;&lt;br /&gt;
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11/21/06 - &#039;&#039;&#039;[http://www.libraryjournal.com/article/CA6393529.html Library Journal]&#039;&#039;&#039; - Barbara Hoffert: &amp;quot;Brilliant if sometimes exasperating, Pynchon&#039;s latest is highly recommended for any library that takes its fiction seriously, with the warning that it does not yield easy pleasures and should not be read on deadline.&amp;quot;&lt;br /&gt;
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11/21/06 - &#039;&#039;&#039;[http://commentisfree.guardian.co.uk/john_crace/2006/11/gravitys_author_just_got_heavi.html The Guardian/Comment Is Free (UK)]&#039;&#039;&#039; - John Crace: &amp;quot;You can read it or you can weigh it. My guess is that most people will opt for the latter.&amp;quot;&lt;br /&gt;
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11/21/06 - &#039;&#039;&#039;[http://www.salon.com/books/review/2006/11/21/pynchon/index_np.html Salon]&#039;&#039;&#039; - Laura Miller: &amp;quot;[I]t&#039;s obvious [Pynchon&#039;s] disciples now write better Big Idea novels than he does.&amp;quot;&lt;br /&gt;
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11/20/06 - &#039;&#039;&#039;[http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2006/11/20/nbook20.xml The Telegraph (UK)]&#039;&#039;&#039; - Alex Massie: &amp;quot;Although Pynchon&#039;s devoted fans, whose enthusiasm can border on the cultish, will queue up to embrace his latest work, some critics have wondered if Pynchon&#039;s exuberant style masks a lack of substance.&amp;quot;&lt;br /&gt;
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11/20/06 - &#039;&#039;&#039;[http://www.dissidentvoice.org/Nov06/Jacobs20.htm Dissident Voice&#039;&#039;&#039;] - Ron Jacobs: &amp;quot;Despite the bleakness of the times that these tales are told, an indomitable beauty resides within them, thanks in large part to the characters Mr. Pynchon creates, the stories that they live, and the approach to the telling by the author.&amp;quot;&lt;br /&gt;
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11/20/06 - &#039;&#039;&#039;[http://www.bloomberg.com/apps/news?pid=20601088&amp;amp;sid=ab6WLEn2ciGU&amp;amp;refer=muse  Bloomberg News]&#039;&#039;&#039; - Craig Seligman: &amp;quot;...I felt like an exhausted swimmer crawling onto the far shore of a body of water that turned out to be even wider than it looked. And like the swimmer, I remember more about the effort than the scenery I passed along the way.&amp;quot;&lt;br /&gt;
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11/20/06 - &#039;&#039;&#039;[http://www.usatoday.com/life/books/reviews/2006-11-20-thomas-pynchon_x.htm USA Today]&#039;&#039;&#039; - Bob Minzesheimer: &amp;quot;Falling into a novel can be like enjoying a weekend trip to a place you&#039;ve never been. Against the Day is more like going away for a month, getting lost on your way there and back, returning exhausted, but with bags full of stories.&amp;quot;&lt;br /&gt;
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11/20/06 - &#039;&#039;&#039;[http://www.newyorker.com/magazine/2006/11/27/do-the-math New Yorker]&#039;&#039;&#039; - Louis Menand: &amp;quot;[W]ith this one there is the feeling that the magician has fallen in love with his own stunts, as though Pynchon were composing a pastiche of a Pynchon novel.&amp;quot;&lt;br /&gt;
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11/20/06 - &#039;&#039;&#039;[http://www.nytimes.com/2006/11/20/books/20kaku.html New York Times]&#039;&#039;&#039; - Michiko Kakutani: &amp;quot;It is a humongous, bloated jigsaw puzzle of a story, pretentious without being provocative, elliptical without being illuminating, complicated without being rewardingly complex.&amp;quot; (Written by [http://en.wikipedia.org/wiki/Michiko_Kakutani Michiko Kakutani], so let the reader &#039;&#039;definitely&#039;&#039; beware!)&lt;br /&gt;
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11/19/06 &#039;&#039;&#039;[http://www.tbo.com/entertainment/books/MGBPR0W8NUE.html Tampa Tribune]&#039;&#039;&#039; - Kevin Walker: &amp;quot;It&#039;s a complex, raunchy, funny, I-better-read-that-paragraph-again-what-just-happened sort of novel.&amp;quot;&lt;br /&gt;
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11/19/06 - &#039;&#039;&#039;[http://www.philly.com/mld/inquirer/entertainment/16037282.htm Philadelphia Inquirer]&#039;&#039;&#039; - Carlin Romano: &amp;quot;&#039;&#039;Positive adjectives:&#039;&#039; Audacious, bodacious, entropic, synoptic, electric, eclectic, entertaining, hyperbraining, high-roller, tripolar.  &#039;&#039;Negative adjectives:&#039;&#039; Rambling, shambling, self-indulgent, non-refulgent, overlong, full-of-bad-song, seriously scattered, plainly mad-hattered.&amp;quot;&lt;br /&gt;
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11/19/06 - &#039;&#039;&#039;[http://www.cleveland.com/news/plaindealer/index.ssf?/base/cuyahoga/1163842776251970.xml&amp;amp;coll=2 Cleveland Plain-Dealer]&#039;&#039;&#039; - Jean Dubail: &amp;quot; All I can say is that the novel ends the way a Shakespearean comedy does, in which a measure of happiness redeems much of the horror and heartache that precede it.  So, is the book worth the trouble?  It was for me, but I&#039;m a Pynchon fan, and bafflement comes with the territory.&amp;quot;&lt;br /&gt;
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11/19/06 - &#039;&#039;&#039;[http://www.washingtonpost.com/wp-dyn/content/article/2006/11/16/AR2006111601252.html Washington Post]&#039;&#039;&#039; - Steven Moore: “Pynchon fans will accept this gift from the author with gratitude, but I’m not so sure about mainstream readers.”&lt;br /&gt;
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11/19/06 - &#039;&#039;&#039;[http://www.calendarlive.com/books/bookreview/cl-bk-sorrentino19nov19,0,3649673.htmlstory?coll=cl-books-features Los Angeles Times]&#039;&#039;&#039; - Christopher Sorrentino: “A book this long that amazes even 50% of the time is amazing.”&lt;br /&gt;
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11/19/06 - &#039;&#039;&#039;[http://www.statesman.com/life/content/life/stories/books/11/19/19pynchon.html Austin American-Statesman]&#039;&#039;&#039; - Roger Gathman: &amp;quot;Forget it, fellow Pynchonians. [Against the Day] isn’t “Gravity’s Rainbow II.” That time, that place and that writer won’t ever come together again.”&lt;br /&gt;
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11/19/06 - &#039;&#039;&#039;[http://www.newsday.com/features/booksmags/ny-bkcov4977785nov19,0,7633389.story?coll=ny-bookreview-headlines Newsday]&#039;&#039;&#039; - Scott McLemee: &amp;quot;[A] novel as exhilarating, tiresome, unnerving and exhausting as all the others put together.”&lt;br /&gt;
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11/19/06 - &#039;&#039;&#039;[http://www.boston.com/ae/books/articles/2006/11/19/inspired_chaos/?page=full Boston Globe]&#039;&#039;&#039; - Mark Feeney: &amp;quot;There&#039;s a bop electricity to Pynchon: the furious tempos and difficult harmonies, the maverick stance and hipster attitude....[M]aybe another Pynchon novel? If one comes, let it be as rich and sweeping, wild and thrilling, as this one.&amp;quot;&lt;br /&gt;
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11/17/06 - &#039;&#039;&#039;[http://seattletimes.nwsource.com/html/artsentertainment/2003433850_pynchon19.html Seattle Times]&#039;&#039;&#039; - John Freeman: &amp;quot;It&#039;s like dropping a penny into an open manhole — the novel simply swallows the time and asks for more.  And yet, Pynchon does reward the effort.&amp;quot;&lt;br /&gt;
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11/17/06 - &#039;&#039;&#039;[http://www.msnbc.msn.com/id/15771953/site/newsweek/ Newsweek Pt. I]&#039;&#039;&#039; - Malcom Jones: &amp;quot;But you’ve got to understand that this novelistic mountain we’re climbing, well, I’ve never been to the top either.  Just a reminder.  Stay tuned.  Next time: are Thomas Pynchon and Bob Dylan the same person? &amp;quot;&lt;br /&gt;
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11/16/06 - &#039;&#039;&#039;[http://www.timeout.com/newyork/Details.do?page=1&amp;amp;xyurl=xyl://TONYWebArticles1/581/books/against_the_day.xml Time Out New York]&#039;&#039;&#039; - Joshua Rothkopf: &amp;quot;Pynchon’s gift for language remains undiminished, a roiling, imaginative flood that makes his voice utterly unique, and his latest a must-read.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/15/06 - &#039;&#039;&#039;[http://www.nysun.com/arts/pynchon-he-who-lives-by-the-list-dies-by-it/43545/ New York Sun]&#039;&#039;&#039; - Adam Kirsch: &amp;quot;The silliness of &amp;quot;Against the Day&amp;quot; about the very subjects where we are most urgently in quest of wisdom proves that, whatever he once was, Thomas Pynchon is no longer the novelist we need.&amp;quot;&lt;br /&gt;
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11/14/06 - &#039;&#039;&#039;[http://www.complete-review.com/reviews/popus/pynchon.htm The Complete Review]&#039;&#039;&#039;: &amp;quot;[I]mpressive in its parts, but near confounding as a whole.&amp;quot;&lt;br /&gt;
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11/14/06 - &#039;&#039;&#039;[http://www.thephoenix.com/article_ektid27434.aspx The Phoenix]&#039;&#039;&#039; - Peter Keough: “Undaunted in the past by the big questions that bug a guy, he here takes on, in addition to the elusive quality of light... time travel, multiple universes, the death struggle between anarchism and capitalism, the dance of order and chaos.”&lt;br /&gt;
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11/13/06 - &#039;&#039;&#039;[http://www.time.com/time/magazine/article/0,9171,1558326-1,00.html Time]&#039;&#039;&#039; - Richard Lacayo: “More than in any of Pynchon’s previous books, just what it all means is a problem in Against the Day, where plots and ideas and fantastic developments pile up in exhausting profusion.”&lt;br /&gt;
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11/3/06 - &#039;&#039;&#039;[http://www.themodernword.com/pynchon/paper_earlyatd.html The Modern Word]&#039;&#039;&#039; (first impressions): &amp;quot;It seems like the logical evolution/conclusion to Pynchon’s career as a prose experimentalist.&amp;quot;&lt;br /&gt;
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10/24/06 - &#039;&#039;&#039;[http://www.publishersweekly.com/978-1-59420-120-2 Publisher&#039;s Weekly]&#039;&#039;&#039;: &amp;quot;[R]eads like half a dozen books duking it out for his, and the reader’s, attention. Most of them shine with a surreal incandescence, but even Pynchon fans may find their fealty tested now and again.&amp;quot;&lt;br /&gt;
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&lt;div&gt;==Review aggregators==&lt;br /&gt;
&lt;br /&gt;
:[http://www.complete-review.com/reviews/popus/pynchon.htm The Complete Review]&lt;br /&gt;
&lt;br /&gt;
:[http://www.metacritic.com/books/authors/pynchonthomas/againsttheday Metacritic]&lt;br /&gt;
&lt;br /&gt;
==Reviews==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please add any relevant reviews as they come in. Blog reviews are fine as long as they&#039;re substantial and more than a few paragraphs.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
01/28/08 - [http://www.popmatters.com/pm/books/reviews/53496/against-the-day-by-thomas-pynchon1/ &#039;&#039;&#039;PopMatters&#039;&#039;&#039;] - John Carvill: &amp;quot;But if we set aside, for a moment, any misgivings we may have about the absurdities inherent in applying comparative terms such as ‘better’ or ‘best’ to books, then &#039;&#039;Against the Day&#039;&#039;, Pynchon’s freewheeling, coruscating, triumphantly life-affirming epic, was far and away the best book to be published in 2006, and its paperback publication last year also made it the best book of 2007.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/25/07 - [http://observer.guardian.co.uk/review/story/0,,2216448,00.html &#039;&#039;&#039;Guardian Unlimited&#039;&#039;&#039;] - Michael Chabon: &amp;quot;&#039;&#039;Against the Day&#039;&#039; (Vintage) by Thomas Pynchon: sentence for sentence, scene for scene, idea for idea, it gave me more pure reading pleasure than any book I&#039;ve read in the past few years. I only wished it were a thousand pages longer.&lt;br /&gt;
&lt;br /&gt;
Summer/07 Issue - [http://www.vqronline.org/articles/2007/summer/logan-pynchon-against-the-day/ &#039;&#039;&#039;The Virginia Quarterly Review&#039;&#039;&#039;] &#039;&#039;&#039;&amp;quot;Back to the Future: On Thomas Pynchon&#039;s &#039;&#039;Against the Day&#039;&#039;&amp;quot;&#039;&#039;&#039; - William Logan: &amp;quot;Thomas Pynchon’s sprawling, untidy new novel, &#039;&#039;Against the Day&#039;&#039;, is only as frustrating as most of his fiction. It starts in the air, high-minded as a kite, and gradually flutters groundward, dragged down by subplots galore and characters thrown in willy-nilly, as if a novel’s only virtue were how many characters it could stuff into a phone booth (no doubt Pynchon, who has loaded the book with more Victorian mathematics than Carter had pills, has an algorithm up his sleeve).&amp;quot;&lt;br /&gt;
&lt;br /&gt;
9/17/07 - [http://themoderatevoice.com/entertainment/books/15165/book-review-pynchons-against-the-day/ &#039;&#039;&#039;The Moderate Voice&#039;&#039;&#039;] - Shaun Mullen: &amp;quot;Summing up this monster of a book is like trying to herd cats. But at the end of the day Against the Day is about mankind’s efforts – which range from the scientific to the hallucinatory to the comical — to transcend mortality. At least I think it is.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
7/4/07 - [http://www.boiseweekly.com/gyrobase/Content?oid=oid%3A222306 &#039;&#039;&#039;Boise Weekly&#039;&#039;&#039;] - Michael Corrigan: &amp;quot;At 70, Pynchon hasn&#039;t lost his powers. &#039;&#039;Against the Day&#039;&#039; demands a determined reader. This brilliant but uneven attempt to analyze our world by creating an alternate history and alternate worlds may attract only avid Pynchonites. There is the familiar argument that all great but &amp;quot;difficult&amp;quot; novels eventually fascinate only professors and students.&amp;quot;&lt;br /&gt;
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2/6/07 - &#039;&#039;&#039;[http://desicritics.org/2007/02/06/043833.php Desicritics.org]&#039;&#039;&#039; - Richard Marcus: &amp;quot;While &#039;&#039;Against The Day&#039;&#039; has much more the feel of his earlier work, there are still moments where its intellectualism overwhelms,...&amp;quot;&lt;br /&gt;
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1/28/07 - &#039;&#039;&#039;[http://www.santacruzsentinel.com/archive/2007/January/28/style/stories/06style.htm Santa Cruz Sentinel]&#039;&#039;&#039; - Matt King: &amp;quot;You&#039;ll have to read it twice.&amp;quot;&lt;br /&gt;
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1/25/07 - &#039;&#039;&#039;[http://www.signandsight.com/features/1158.html SignAndSight.com]&#039;&#039;&#039; - Denis Sheck: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is a unique book, in the sense of being utterly original. At its best moments emotionally electrifying and intellectually brilliant, moving but never sentimental, sometimes terribly sad, sometimes side-splittingly funny, and to the very last page as unforeseeable as a roller coaster ride in the dark.&amp;quot;&lt;br /&gt;
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1/19/07 - &#039;&#039;&#039;[http://media.www.utahstatesman.com/media/storage/paper243/news/2007/01/19/Diversions/Book-Review.Against.The.Day-2655377.shtml The Utah Statesman]&#039;&#039;&#039; - Ben Clarke: &amp;quot;&#039;&#039;Against the Day&#039;&#039; doesn&#039;t meet the expectations of its own rhetoric and expansive plot,...&amp;quot;&lt;br /&gt;
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1/18/07 - &#039;&#039;&#039;[http://artvoice.com/issues/v6n3/book_reviews/against_the_day ArtVoice]&#039;&#039;&#039; - Todd Natti: &amp;quot;&#039;&#039;Against the Day&#039;&#039; just feels like it should have been more, only not lengthwise.&amp;quot;&lt;br /&gt;
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1/16/07 - &#039;&#039;&#039;[http://www.csmonitor.com/2007/0116/p13s01-bogn.html The Christian Science Monitor]&#039;&#039;&#039; - Yvonne Zipp: &amp;quot;...if &#039;&#039;Against the Day&#039;&#039; is the most infuriating novel I&#039;ve read in a year, it&#039;s also among the most imaginative.&amp;quot;&lt;br /&gt;
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1/13/07- &#039;&#039;&#039;[http://gregoryfeeley.blogspot.com/2007/01/short-article-on-thomas-pynchon.html &amp;quot;Day Tripper&amp;quot; Short Article on Thomas Pynchon]&#039;&#039;&#039; by Greg Feeley appeared in the New Haven Advocate. Posted at his website.&lt;br /&gt;
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1/11/07 - &#039;&#039;&#039;[http://www.nybooks.com/articles/19771 New York Review of Books]&#039;&#039;&#039; - Luc Sante: &amp;quot;Pynchon thinks on a different scale from most novelists, to the point where you&#039;d almost want to find another word for the sort of thing he does, since his books differ from most other novels the way a novel differs from a short story, in exponential rather than simply linear fashion.&amp;quot;&lt;br /&gt;
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1/10/07 - &#039;&#039;&#039;[http://www.dradio.de/dkultur/sendungen/kritik/581275 Deutschlandradio]&#039;&#039;&#039;: Denis Scheck: &amp;quot;Ein Roman als Wunderkammer&amp;quot;. &lt;br /&gt;
The same author at  &#039;&#039;&#039;[http://www.tagesspiegel.de/kultur/archiv/11.01.2007/3013820.asp Der Tagesspiegel]&#039;&#039;&#039; &amp;quot;Kugelblitz, Dynamit und Quaternionen&amp;quot;&lt;br /&gt;
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1/5/07 - &#039;&#039;&#039;[http://www.prospect.org/web/view-web.ww?id=12356 The American Prospect]&#039;&#039;&#039; - Eric Rauchway: &amp;quot;But if Pynchon is a hippie he also drank his Protestantism deeply, and his sense of ineffable divinity sits uneasily alongside the certainty Christianity Americans often profess.&amp;quot;&lt;br /&gt;
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1/5/07 - &#039;&#039;&#039;[http://derstandard.at/?url=/?id=2716016 Der Standard (Austria)]&#039;&#039;&#039; - Sebastian Fasthuber: &amp;quot;Von A(narchie) bis Z(eta-Funktion): &#039;&#039;Against The Day&#039;&#039;.&amp;quot;&lt;br /&gt;
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1/4/07 - &#039;&#039;&#039;[http://www.lrb.co.uk/v29/n01/wood01_.html London Review of Books]&#039;&#039;&#039; - Michael Wood: &amp;quot;...&#039;&#039;Against the Day&#039;&#039; goes to great lengths to show that dreams of other worlds haunt mathematics, indeed perhaps are mathematics.&amp;quot;&lt;br /&gt;
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1/1/07 - &#039;&#039;&#039;[http://www.vaildaily.com/article/20070101/AE/101010043 Vail Daily News]&#039;&#039;&#039; - Matt Zalaznick: &amp;quot;[&#039;&#039;Against the Day&#039;&#039;] may serve as its own crystal through which to look back on Pynchon&#039;s previous works and find the emotional gold ready to transmuted from the obscuring silver.&amp;quot;&lt;br /&gt;
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12/31/06 - &#039;&#039;&#039;[http://www.post-gazette.com/pg/06365/749719-148.stm Pittsburgh Post-Gazette]&#039;&#039;&#039; - Kristofer Collins: &amp;quot;...the prose is drained of all vigor and the convolutions of Pynchon&#039;s sentences..., are merely evidence of a writer no longer at the top of his game.&amp;quot;&lt;br /&gt;
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12/23/06 - &#039;&#039;&#039;[http://www.theaustralian.news.com.au/story/0,20867,20952474-5003900,00.html The Australian]&#039;&#039;&#039; - Don Anderson: &amp;quot;But an 1100-page novel? What can justify this economy?...I won&#039;t attempt to justify Pynchon&#039;s decision, in this never-repetitious novel, merely suggest that, in the words at the head of the last page of the greatest American novel: &amp;quot;And I only am escaped alone to tell thee.&amp;quot;&amp;quot;&lt;br /&gt;
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12/18/06 - &#039;&#039;&#039;[http://www.spiegel.de/spiegel/0,1518,455565,00.html Der Spiegel]&#039;&#039;&#039; Matthias Matussek, Philipp Oehmke, Doja Hacker und Malte Herwig: &amp;quot;Das grosse, wilde Spiel&amp;quot;&lt;br /&gt;
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12/18/06 - &#039;&#039;&#039;[http://nymag.com/arts/cultureawards/2006/25308/index1.html New York Magazine]&#039;&#039;&#039; - Best Books of 2006, Honorable Mention: &amp;quot;The Wild West anarchist-revenge tale at the heart of Thomas Pynchon’s &#039;&#039;Against the Day&#039;&#039; — cut out the other 600 pages and you’ve got the best novel of the year.&amp;quot;&lt;br /&gt;
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12/17/06 - &#039;&#039;&#039;[http://grubstreetgrackle.com/preludefugue.html#fugue Grub Street Grackle]&#039;&#039;&#039; - &amp;quot;...an Odyssey (or rather four Odyssean threads braided into one long rope) with no Ithaca, a long journey that, at the end of the day, must fantasize, improvise, and consolidate its own destination.&amp;quot;&lt;br /&gt;
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12/15/06 - &#039;&#039;&#039;[http://www.smh.com.au/news/book-reviews/against-the-day/2006/12/15/1165685879188.html The Sydney Morning Herald (AU)]&#039;&#039;&#039; - Anthony Macris: &amp;quot;Yet for all its outlandish characterisations and cartoonish carryings-on, Pynchon&#039;s sensibility is ultimately both omniscient and omnivorous, driven by a ferocious intelligence that, with every new novel, is ever more determined to devour as much of the world as it can.&amp;quot;&lt;br /&gt;
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12/15/06 - &#039;&#039;&#039;[http://enjoyment.independent.co.uk/books/reviews/article2074052.ece The Independent (UK), II]&#039;&#039;&#039; - David Goldblatt: &amp;quot;Pynchon&#039;s scope is so mad, so grand, that he glides lightly across this terrain. I hoped early on in the book that he might stay the course, but the wild hinterlands of intoxication and irrationality called him away.&amp;quot;&lt;br /&gt;
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12/15/06 - &#039;&#039;&#039;[http://www.austinchronicle.com/gyrobase/Issue/review?oid=oid%3A429221 Austin Chronicle]&#039;&#039;&#039; - James Renovitch: &amp;quot;&#039;&#039;Against the Day&#039;&#039; leaves you holding your head laden with the possible futures of both society and the individual: the former, frightening; the latter, uplifting.&amp;quot;&lt;br /&gt;
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12/14/06 - &#039;&#039;&#039;[http://www.lacitybeat.com/article.php?id=4753&amp;amp;IssueNum=184 LA City Weekly]&#039;&#039;&#039; - Anthony Miller: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is a luminous novel that sets off an anarchic explosion of the imagination to demolish our simple myths of progress, which would only strand us in the dark, and carry careful and faithful readers further into the light.&amp;quot;&lt;br /&gt;
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12/13/06 - &#039;&#039;&#039;[http://www.thelondonpaper.com/cs/Satellite/london/books/article/1157142606554?packedargs=suffix%3DArticleController The London Paper]&#039;&#039;&#039; - Stuart McGurk: &amp;quot;...if &#039;&#039;Gravity’s Rainbow&#039;&#039; was Pynchon’s &#039;&#039;Ulysses&#039;&#039;, this is his &#039;&#039;Finnegan&#039;s Wake&#039;&#039;. Baffling? Certainly. Brilliant? Without a doubt.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/12/10/bopyn25.xml Daily Telegraph]&#039;&#039;&#039; - Michael Moorcock: &amp;quot;Gloriously, demandingly, daringly, Pynchon has rediscovered vulgarity and continues to prove that the novel has never been more vibrant, more various or better able to represent our complex world. Give this book your time – you&#039;ll agree it&#039;s worth it.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.accessatlanta.com/arts/content/printedition/2006/12/10/bkpynchon1210a.html Atlanta Journal-Constitution]&#039;&#039;&#039; - Donna Seaman: &amp;quot;Verdict: A rich, imaginative epic of wonder and depravity.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.sptimes.com/2006/12/10/Books/A_world_of_possibilit.shtml St. Petersburg Times]&#039;&#039;&#039; - Colette Bancroft: &amp;quot;Pynchon&#039;s novels are all about quests, and, with main characters bearing surnames like Traverse and Rideout, &#039;&#039;Against the Day&#039;&#039; is no different. The book has a cast of dozens wandering in and out of almost as many plot lines (and Pynchon acolytes are already busy annotating it; see against-the-day.pynchonwiki.com).&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/12/10/RVGFPMO15S1.DTL&amp;amp;type=books San Francisco Chronicle]&#039;&#039;&#039; - David Hellman: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is probably the most brilliant book most people will never read....Either enter the light of this book, and seek those dark corners where the answers may await, or run for the hills and take cover.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://www.timesonline.co.uk/article/0,,2102-2487609,00.html The Sunday Times (UK)]&#039;&#039;&#039; - John Dugdale: &amp;quot;&#039;&#039;Against the Day&#039;&#039; resembles Moby Dick in its vast scale, its displays of learning, its engaging larkiness. But it’s a Moby Dick with no Ahab, and no whale.&amp;quot;&lt;br /&gt;
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12/10/06 - &#039;&#039;&#039;[http://washingtontimes.com/books/20061209-102724-5433r.htm Washington Times]&#039;&#039;&#039; - Bruce Allen: &amp;quot;And yet -- wonder of wonder, miracle of miracles -- a novel designed to demonstrate exhaustively that nothing ultimately coheres nevertheless manages to fuse its dozens of disparate, baffling, ragged elements into an imposing and satisfying whole. There&#039;s mystery for you.&amp;quot;&lt;br /&gt;
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12/9/06 - &#039;&#039;&#039;[http://www.denverpost.com/lifestyles/ci_4799969 Denver Post]&#039;&#039;&#039; - Dorman T. Shindler: &amp;quot;&#039;&#039;Against the Day&#039;&#039; - funny, wise, poetic and always over-the-top - offers the reader both a way to lose him or herself in a tale of escape and a way to take a hard look anew at the world around us.&amp;quot;&lt;br /&gt;
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12/8/06 - &#039;&#039;&#039;[http://pynchonwiki.com/wiki/mp3/nytpynpod.mp3 New York Times podcast discussion of ATD, provided by Toby G. Levy]&#039;&#039;&#039; - a conversation with &#039;&#039;Times&#039;&#039; book critic Liesl Schillinger. &lt;br /&gt;
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12/7/06 - &#039;&#039;&#039;[http://www.faz.net/s/Rub79A33397BE834406A5D2BFA87FD13913/Doc~EE48B15855A78439DA1BA2F70FE335DE9~ATpl~Ecommon~Scontent.html Frankfurter Allgemeine Zeitung]&#039;&#039;&#039; -Dietmar Dath: &amp;quot;Freiheit ist Vergangenheit.&amp;quot;&lt;br /&gt;
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12/7/06 - &#039;&#039;&#039;[http://www.villagevoice.com/books/0650,haskell,75247,10.html The Village Voice]&#039;&#039;&#039; - John Haskell: &amp;quot;The cloud of foreboding that hangs over this book is a fear, a Pynchonian paranoia, that the martial instincts of capitalism, having already corrupted Tesla&#039;s idea of free electricity, will come to control and limit the very act of thinking.&amp;quot;&lt;br /&gt;
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12/4/06 - &#039;&#039;&#039;[http://nymag.com/arts/books/reviews/24728/ New York Magazine]&#039;&#039;&#039; - Keith Gessen: &amp;quot;&#039;&#039;Against the Day&#039;&#039; is exhausting, twisted, and paranoid. But that doesn’t mean Pynchon can’t also be fun.&amp;quot;&lt;br /&gt;
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12/4/06 - &#039;&#039;&#039;[http://www.newstatesman.com/200612040051 New Statesman (UK))]&#039;&#039;&#039; - Rachel Aspden: &amp;quot;The deluge of science can blind us to the fact that he is, temperamentally, a mystic rather than a technician. He writes &#039;&#039;Against the Day&#039;&#039;, but seeks what lies beyond or under or above the quotidian.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.buffalonews.com/editorial/20061203/1039371.asp Buffalo News]&#039;&#039;&#039; - Joseph Conte: &amp;quot; For the reader of this magnificent fiction, &amp;quot;travel to other worlds is therefore travel to alternate versions of the same Earth.&amp;quot; The enjoyment, then, is determining which of all the possible versions one has blithely wandered into.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.nypost.com/seven/12032006/entertainment/tom__duly_entertainment_quentin_rowan.htm New York Post]&#039;&#039;&#039; - Quentin Rowan: &amp;quot;Yet amid all the charms and expert entertainments and quizzical truths of &#039;&#039;Against the Day,&#039;&#039; there is little that sticks in the mind as involuntarily real, as having been other than intellectually achieved.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.miami.com/mld/miamiherald/entertainment/books/16147270.htm Miami Herald]&#039;&#039;&#039; - Ariel Gonzalez: &amp;quot;This is the sort of novel that is displayed on coffee tables by pseudo-intellectuals. But the water is warm enough to merit a toe-dipping, and who knows, you may then want to dive right in.&amp;quot;&lt;br /&gt;
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12/3/06 - &#039;&#039;&#039;[http://www.kansascity.com/mld/kansascity/entertainment/16134463.htm Kansas City Star]&#039;&#039;&#039; - Chris Packham: &amp;quot;...[W]ith Against the Day, Pynchon seems to be addressing the reader directly, without the evasive ironies of past work....With each successively more approachable novel, Pynchon suggests more hopeful possibilities.  Or seems to.&amp;quot;&lt;br /&gt;
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12/2/06 - &#039;&#039;&#039;[http://www.theglobeandmail.com/servlet/story/LAC.20061202.BKPYNC02/TPStory/Entertainment The Globe and Mail (CA)]&#039;&#039;&#039; - Greg Hollingshead: &amp;quot;The development from &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; to &#039;&#039;Against the Day&#039;&#039; has not been so much organic as a translation to another version, at another time. The result remains extraordinary, but it&#039;s at once darker and paler, and less substantial.&amp;quot;&lt;br /&gt;
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12/2/06 - &#039;&#039;&#039;[http://www.timesonline.co.uk/article/0,,923-2480352,00.html The Times (UK)]&#039;&#039;&#039; - Douglas Kennedy: &amp;quot;Certainly, Pynchon’s new novel displays, for all to see, his “lost in the funhouse” narrative proclivities, his intellectual super-nova fireworks and his delight in the arcane, the base, the idiotic.&amp;quot;&lt;br /&gt;
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12/06 - &#039;&#039;&#039;[http://contemporarylit.about.com/od/fiction/fr/againstTheDay.htm About.com]&#039;&#039;&#039; - Gregory Schneider: &amp;quot;It&#039;s...about innocence and experience, light and darkness, ignorance and clarity, love and indifference, serenity and despair, and the interchangeability, the maddening interdependence, of these concepts.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/06 - &#039;&#039;&#039;[http://www.bookpage.com/0612bp/fiction/against_the_day.html BookPage]&#039;&#039;&#039; - Robert Weibezahl: &amp;quot;It is, at various points, everything one expects from a Thomas Pynchon novel—tangled, funny, prone to digressions, mind-numbingly convoluted, perceptive, over-the-top, louche, erudite, perplexing, heartfelt, encyclopedic, indulgent and, for the intrepid reader who makes it to the end, ultimately worth the often arduous journey.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/1/06 - &#039;&#039;&#039;[http://www.chron.com/disp/story.mpl/life/books/reviews/4372349.html Houston Chronicle]&#039;&#039;&#039; - Terrence Doody: &amp;quot;It is a messy omnium gatherum rather than the summa theologica that at least I was hoping for....Even Homer nods, they say, and Pynchon&#039;s gotten slack and sleepy here.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/1/06 - &#039;&#039;&#039;[http://www.ft.com/cms/s/9415c2b4-8040-11db-9096-0000779e2340.html Financial Times (UK)]&#039;&#039;&#039; - Ludovic Hunter-Tilney: &amp;quot;There remains much to admire in the workings of his singularly brilliant literary consciousness, but the suspicion remains that Pynchon’s self-removal from public life now extends to the page.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/1/06 - &#039;&#039;&#039;[http://www.msnbc.msn.com/id/15996230/site/newsweek/ Newsweek Pt. III]&#039;&#039;&#039; - Malcom Jones: &amp;quot;Thomas Pynchon’s latest novel is long, densely plotted, long, silly, profound, long—everything most modern novels aren’t—and yet it still works.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/1/06 - &#039;&#039;&#039;[http://www.chicagoreader.com/features/stories/bookreviews/061201/ Chicago Reader]&#039;&#039;&#039; - Jonathan Rosenbaum: &amp;quot;The momentary pleasures of reading &#039;&#039;Against the Day&#039;&#039; often come close to seeming random, and reconciling the book&#039;s larger aims with all the jazzy improvs is no easy matter -- though that&#039;s what Pynchon&#039;s game is all about.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/06-1/07 - &#039;&#039;&#039;[http://www.bookforum.net/leclair.html Bookforum]&#039;&#039;&#039; - Tom LeClair: &amp;quot;I hope some future scholar will read the novel twenty times and &lt;br /&gt;
either illustrate how it recapitulates the whole history of narrative or demonstrate how every piece fits together into a fourfold design that will replace four-base genetics as a model of all life.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
12/02/06 - &#039;&#039;&#039;[http://www.nzz.ch/2006/12/02/fe/articleEPLSF.html NZZ]&#039;&#039;&#039; - Angela Schader: &amp;quot;Höhere Mathematik und Kartoffelsalat. Thomas Pynchon schreibt einen Allerweltsroman - im wahrsten Sinn des Wortes&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/30/06 - &#039;&#039;&#039;[http://nurtext.zeit.de/2006/49/KA-Mittelstueck Die Zeit]&#039;&#039;&#039; - Georg Diez: &amp;quot;Das Phantom.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/30/06 - &#039;&#039;&#039;[http://www.economist.com/books/PrinterFriendly.cfm?story_id=8348701 The Economist]&#039;&#039;&#039; : &amp;quot;Baffling, yes. Clever and inventive in a cackling, manic, mad-professor kind of way, yes. Intermittently warmed by paragraph-long sunbeams of iridescent prose-poetry, yes. Rambling, pompous and often completely incomprehensible—yes to all that too.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/29/06 - &#039;&#039;&#039;[http://tls.timesonline.co.uk/article/0,,25339-2477997,00.html The Times Literary Supplement (UK)]&#039;&#039;&#039; - Sophie Ratcliffe: &amp;quot;This is not to say Pynchon suggests any solution. What he does is highlight how invisible our claims for salvation are, thus disturbing all the familiar comforts they might offer, including the comforts of the novel’s structure. This gets its clearest exposition in his handling of the relentlessly optimistic airborne crew at the novel’s end.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/28/06 - &#039;&#039;&#039;[http://www.ew.com/ew/article/review/book/0,6115,1560896_5_0_,00.html Entertainment Weekly]&#039;&#039;&#039; - Ken Tucker: &amp;quot;Beyond his literary accomplishments, this wily 69-year-old&#039;s work has influenced, consciously or unconsciously, much of our pop culture, from &#039;&#039;Lost&#039;&#039; to &#039;&#039;The Matrix&#039;&#039; to &#039;&#039;Arrested Development&#039;&#039; to &#039;&#039;Lemony Snicket&#039;&#039; (for what are the Baudelaire children but grimmer Chums of Chance?).&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/27/06 - &#039;&#039;&#039;[http://web.archive.org/web/20070517064759/www.scifi.com/sfw/books/column/sfw14197.html Sci-Fi Weekly]&#039;&#039;&#039; - John Clute: &amp;quot;The hundreds of figures who jam into &#039;&#039;Against the Day&#039;&#039; are not in fact characters at all, because Pynchon has evacuated his book of that degree of hope. They are &#039;&#039;utterands&#039;&#039;: people-shaped utterances who illuminate the stories of the old world that their Author has placed before us in funeral array; they are codes to spell his book with.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/26/06 - &#039;&#039;&#039;[http://www.signonsandiego.com/uniontrib/20061126/news_mz1v26day.html San Diego Union-Tribune]&#039;&#039;&#039; - James Leigh: &amp;quot;Pynchon&#039;s books are hugely entertaining; they are also without question heroic attempts to deal with our whole world, and &#039;&#039;Against the Day&#039;&#039; may well be his best yet.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/26/06 - &#039;&#039;&#039;[http://living.scotsman.com/books.cfm?id=1751072006 The Scotsman (UK), Scotland on Sunday]&#039;&#039;&#039; - Stuart Kelly: &amp;quot;It is, in places, a raggedy, meandering novel....You might as well complain that a Jackson Pollock painting is a bit splattery, or that Miles Davis sounds a little improvised.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/26/06 - &#039;&#039;&#039;[http://www.projo.com/books/content/BOOK-PYNCHON_11-26-06_K02SPUI.2799ad7.html Providence Journal]&#039;&#039;&#039; - Sam Coale: &amp;quot;This is Pynchon’s nightmarish vision of hell, peopled by predatory capitalists, eager anarchists, and stray ghosts.  Pynchon imagines a world run amuck.  And it is awesome.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/26/06 - &#039;&#039;&#039;[http://www.oregonlive.com/entertainment/oregonian/index.ssf?/base/entertainment/1164056114252360.xml&amp;amp;coll=7 The Oregonian]&#039;&#039;&#039; - Richard Melo: &amp;quot;With a writer as publicity-shy as Pynchon, there is no way if with this novel he is calling it a day. If he is, then he&#039;s going out with a bang louder than an obliterating asteroid screaming across the Siberian sky.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/26/06 - &#039;&#039;&#039;[http://books.guardian.co.uk/reviews/generalfiction/0,,1956983,00.html The Observer (UK)]&#039;&#039;&#039; - David Gale: &amp;quot;None of this detracts from the unique pleasures of a mighty novel that will delight Pynchonians and seduce newcomers....The scale of the novel induces memory loss but as with balloon flight, or fever, the return to terra firma is accompanied by feelings of wise, wide contentment.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/26/06 - &#039;&#039;&#039;[http://enjoyment.independent.co.uk/books/reviews/article2016608.ece The Independent (UK]&#039;&#039;&#039; - Tim Martin: &amp;quot;Against the Day is a startlingly discontinuous novel, a work of full-spectrum intelligence and erudition that is at times bafflingly tiresome and ungenerous to the reader....Something in it will mean something important to almost anybody. But the parts make a chaotic whole.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/26/06 - &#039;&#039;&#039;[http://www.nytimes.com/2006/11/26/books/review/Schillinger.t.html New York Times] (Sunday book review)&#039;&#039;&#039; - Liesl Schillinger: &amp;quot;In &#039;&#039;Against the Day,&#039;&#039; Pynchon’s voice seems uncharacteristically earnest. He interrupts his narrative from time to time to lay down pronouncements that, taken together, probably constitute the fullest elaboration of his philosophy yet seen in print.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/26/06 - &#039;&#039;&#039;[http://www.faz.net/s/Rub79A33397BE834406A5D2BFA87FD13913/Doc~E6C145F0F3FBD4A3792D32580D3C22BFE~ATpl~Ecommon~Scontent.html FAZ]&#039;&#039;&#039; - Peter Körte: &amp;quot;Der Mäandertaler&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
11/25/06 - &#039;&#039;&#039;[http://books.guardian.co.uk/reviews/generalfiction/0,,1956362,00.html The Guardian (UK)]&#039;&#039;&#039; - James Lasdun: &amp;quot;...the book itself has no particular reason to end where it does, other than perhaps the adhesive limits of book-binding glue.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/25/06 - &#039;&#039;&#039;[http://living.scotsman.com/books.cfm?id=1746102006 The Scotsman]&#039;&#039;&#039; - Tom Adair: &amp;quot;...a gaze that holds you in its grip for a thousand pages. Quite a feat.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/24/06 - &#039;&#039;&#039;[http://spectatorpynchon.blogspot.com/ The Spectator (UK)]&#039;&#039;&#039; - Sam Leith: &amp;quot;It is virtuoso nonsense; it is a giant shaggy dog story, serious as history; it is by turns mind-crushingly tedious and utterly exhilarating; it is remorselessly facetious and yet deeply moving.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/24/06 - &#039;&#039;&#039;[http://www.jsonline.com/story/index.aspx?id=534435 Milwaukee Sentinel Journal]&#039;&#039;&#039; - Mike Fischer: &amp;quot;Ever since &#039;&#039;V.&#039;&#039; rocked the literary world in 1963, Pynchon has sought this crest with a single-minded intensity unmatched by any American writer since Melville. &#039;&#039;Against the Day,&#039;&#039; his brilliant new novel, gets him there.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
23/11/06 - &#039;&#039;&#039;[http://www.nzz.ch/2006/11/23/fe/articleEOMOG.html NZZ]&#039;&#039;&#039; - Andrea Köhler: &amp;quot;Der Potter der Postmoderne. Thomas Pynchons neuer Roman stürzt die Kritiker in Verlegenheit&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/23/06 - &#039;&#039;&#039;[http://www.metro.co.uk/metrolife/books/article.html?in_article_id=26438&amp;amp;in_page_id=28 Metro (UK)]&#039;&#039;&#039; - Robert Murphy: &amp;quot;...the novel is longer than even Pynchon&#039;s energies can justify but nonetheless, it is an unmistakable masterpiece.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/22/06 - &#039;&#039;&#039;[http://www.thenation.com/doc/20061211/leonard/ The Nation]&#039;&#039;&#039; - John Leonard: &amp;quot;It&#039;s a Perils of Pauline plot as pulpy and fibrous, as gnarly and pantophagic, as a thicket of bamboo.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/21/06 - &#039;&#039;&#039;[http://www.msnbc.msn.com/id/15841357/site/newsweek/ Newsweek Pt. II]&#039;&#039;&#039; - Malcom Jones: &amp;quot;Now halfway through, the reviewer knows the new Thomas Pynchon novel is full of doubles, an ocean liner that morphs into a destroyer and the kind of detail that&#039;s only fun if you slow down and enjoy it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/21/06 - &#039;&#039;&#039;[http://www.libraryjournal.com/article/CA6393529.html Library Journal]&#039;&#039;&#039; - Barbara Hoffert: &amp;quot;Brilliant if sometimes exasperating, Pynchon&#039;s latest is highly recommended for any library that takes its fiction seriously, with the warning that it does not yield easy pleasures and should not be read on deadline.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/21/06 - &#039;&#039;&#039;[http://commentisfree.guardian.co.uk/john_crace/2006/11/gravitys_author_just_got_heavi.html The Guardian/Comment Is Free (UK)]&#039;&#039;&#039; - John Crace: &amp;quot;You can read it or you can weigh it. My guess is that most people will opt for the latter.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/21/06 - &#039;&#039;&#039;[http://www.salon.com/books/review/2006/11/21/pynchon/index_np.html Salon]&#039;&#039;&#039; - Laura Miller: &amp;quot;[I]t&#039;s obvious [Pynchon&#039;s] disciples now write better Big Idea novels than he does.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2006/11/20/nbook20.xml The Telegraph (UK)]&#039;&#039;&#039; - Alex Massie: &amp;quot;Although Pynchon&#039;s devoted fans, whose enthusiasm can border on the cultish, will queue up to embrace his latest work, some critics have wondered if Pynchon&#039;s exuberant style masks a lack of substance.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.dissidentvoice.org/Nov06/Jacobs20.htm Dissident Voice&#039;&#039;&#039;] - Ron Jacobs: &amp;quot;Despite the bleakness of the times that these tales are told, an indomitable beauty resides within them, thanks in large part to the characters Mr. Pynchon creates, the stories that they live, and the approach to the telling by the author.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.bloomberg.com/apps/news?pid=20601088&amp;amp;sid=ab6WLEn2ciGU&amp;amp;refer=muse  Bloomberg News]&#039;&#039;&#039; - Craig Seligman: &amp;quot;...I felt like an exhausted swimmer crawling onto the far shore of a body of water that turned out to be even wider than it looked. And like the swimmer, I remember more about the effort than the scenery I passed along the way.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.usatoday.com/life/books/reviews/2006-11-20-thomas-pynchon_x.htm USA Today]&#039;&#039;&#039; - Bob Minzesheimer: &amp;quot;Falling into a novel can be like enjoying a weekend trip to a place you&#039;ve never been. Against the Day is more like going away for a month, getting lost on your way there and back, returning exhausted, but with bags full of stories.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.themodernword.com/reviews/pynchon_atd.html The Modern Word]&#039;&#039;&#039; - Allen Ruch: &amp;quot;[F]or those willing to suspend disbelief and leave the ground behind, Pynchon’s great Inconvenience proves to be one hell of a ride.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.newyorker.com/magazine/2006/11/27/do-the-math New Yorker]&#039;&#039;&#039; - Louis Menand: &amp;quot;[W]ith this one there is the feeling that the magician has fallen in love with his own stunts, as though Pynchon were composing a pastiche of a Pynchon novel.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/20/06 - &#039;&#039;&#039;[http://www.nytimes.com/2006/11/20/books/20kaku.html New York Times]&#039;&#039;&#039; - Michiko Kakutani: &amp;quot;It is a humongous, bloated jigsaw puzzle of a story, pretentious without being provocative, elliptical without being illuminating, complicated without being rewardingly complex.&amp;quot; (Written by [http://en.wikipedia.org/wiki/Michiko_Kakutani Michiko Kakutani], so let the reader &#039;&#039;definitely&#039;&#039; beware!)&lt;br /&gt;
&lt;br /&gt;
11/19/06 &#039;&#039;&#039;[http://www.tbo.com/entertainment/books/MGBPR0W8NUE.html Tampa Tribune]&#039;&#039;&#039; - Kevin Walker: &amp;quot;It&#039;s a complex, raunchy, funny, I-better-read-that-paragraph-again-what-just-happened sort of novel.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.philly.com/mld/inquirer/entertainment/16037282.htm Philadelphia Inquirer]&#039;&#039;&#039; - Carlin Romano: &amp;quot;&#039;&#039;Positive adjectives:&#039;&#039; Audacious, bodacious, entropic, synoptic, electric, eclectic, entertaining, hyperbraining, high-roller, tripolar.  &#039;&#039;Negative adjectives:&#039;&#039; Rambling, shambling, self-indulgent, non-refulgent, overlong, full-of-bad-song, seriously scattered, plainly mad-hattered.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.cleveland.com/news/plaindealer/index.ssf?/base/cuyahoga/1163842776251970.xml&amp;amp;coll=2 Cleveland Plain-Dealer]&#039;&#039;&#039; - Jean Dubail: &amp;quot; All I can say is that the novel ends the way a Shakespearean comedy does, in which a measure of happiness redeems much of the horror and heartache that precede it.  So, is the book worth the trouble?  It was for me, but I&#039;m a Pynchon fan, and bafflement comes with the territory.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.washingtonpost.com/wp-dyn/content/article/2006/11/16/AR2006111601252.html Washington Post]&#039;&#039;&#039; - Steven Moore: “Pynchon fans will accept this gift from the author with gratitude, but I’m not so sure about mainstream readers.”&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.calendarlive.com/books/bookreview/cl-bk-sorrentino19nov19,0,3649673.htmlstory?coll=cl-books-features Los Angeles Times]&#039;&#039;&#039; - Christopher Sorrentino: “A book this long that amazes even 50% of the time is amazing.”&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.statesman.com/life/content/life/stories/books/11/19/19pynchon.html Austin American-Statesman]&#039;&#039;&#039; - Roger Gathman: &amp;quot;Forget it, fellow Pynchonians. [Against the Day] isn’t “Gravity’s Rainbow II.” That time, that place and that writer won’t ever come together again.”&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.newsday.com/features/booksmags/ny-bkcov4977785nov19,0,7633389.story?coll=ny-bookreview-headlines Newsday]&#039;&#039;&#039; - Scott McLemee: &amp;quot;[A] novel as exhilarating, tiresome, unnerving and exhausting as all the others put together.”&lt;br /&gt;
&lt;br /&gt;
11/19/06 - &#039;&#039;&#039;[http://www.boston.com/ae/books/articles/2006/11/19/inspired_chaos/?page=full Boston Globe]&#039;&#039;&#039; - Mark Feeney: &amp;quot;There&#039;s a bop electricity to Pynchon: the furious tempos and difficult harmonies, the maverick stance and hipster attitude....[M]aybe another Pynchon novel? If one comes, let it be as rich and sweeping, wild and thrilling, as this one.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/17/06 - &#039;&#039;&#039;[http://seattletimes.nwsource.com/html/artsentertainment/2003433850_pynchon19.html Seattle Times]&#039;&#039;&#039; - John Freeman: &amp;quot;It&#039;s like dropping a penny into an open manhole — the novel simply swallows the time and asks for more.  And yet, Pynchon does reward the effort.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/17/06 - &#039;&#039;&#039;[http://www.msnbc.msn.com/id/15771953/site/newsweek/ Newsweek Pt. I]&#039;&#039;&#039; - Malcom Jones: &amp;quot;But you’ve got to understand that this novelistic mountain we’re climbing, well, I’ve never been to the top either.  Just a reminder.  Stay tuned.  Next time: are Thomas Pynchon and Bob Dylan the same person? &amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/16/06 - &#039;&#039;&#039;[http://www.timeout.com/newyork/Details.do?page=1&amp;amp;xyurl=xyl://TONYWebArticles1/581/books/against_the_day.xml Time Out New York]&#039;&#039;&#039; - Joshua Rothkopf: &amp;quot;Pynchon’s gift for language remains undiminished, a roiling, imaginative flood that makes his voice utterly unique, and his latest a must-read.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/15/06 - &#039;&#039;&#039;[http://www.nysun.com/article/43545 New York Sun]&#039;&#039;&#039; - Adam Kirsch: &amp;quot;The silliness of &amp;quot;Against the Day&amp;quot; about the very subjects where we are most urgently in quest of wisdom proves that, whatever he once was, Thomas Pynchon is no longer the novelist we need.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/14/06 - &#039;&#039;&#039;[http://www.complete-review.com/reviews/popus/pynchon.htm The Complete Review]&#039;&#039;&#039;: &amp;quot;[I]mpressive in its parts, but near confounding as a whole.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
11/14/06 - &#039;&#039;&#039;[http://www.thephoenix.com/article_ektid27434.aspx The Phoenix]&#039;&#039;&#039; - Peter Keough: “Undaunted in the past by the big questions that bug a guy, he here takes on, in addition to the elusive quality of light... time travel, multiple universes, the death struggle between anarchism and capitalism, the dance of order and chaos.”&lt;br /&gt;
&lt;br /&gt;
11/13/06 - &#039;&#039;&#039;[http://www.time.com/time/magazine/article/0,9171,1558326-1,00.html Time]&#039;&#039;&#039; - Richard Lacayo: “More than in any of Pynchon’s previous books, just what it all means is a problem in Against the Day, where plots and ideas and fantastic developments pile up in exhausting profusion.”&lt;br /&gt;
&lt;br /&gt;
11/3/06 - &#039;&#039;&#039;[http://www.themodernword.com/pynchon/paper_earlyatd.html The Modern Word]&#039;&#039;&#039; (first impressions): &amp;quot;It seems like the logical evolution/conclusion to Pynchon’s career as a prose experimentalist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
10/24/06 - &#039;&#039;&#039;[http://www.publishersweekly.com/978-1-59420-120-2 Publisher&#039;s Weekly]&#039;&#039;&#039;: &amp;quot;[R]eads like half a dozen books duking it out for his, and the reader’s, attention. Most of them shine with a surreal incandescence, but even Pynchon fans may find their fealty tested now and again.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
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&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
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==Page 1063==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rue du Départ&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Street in Montparnasse, Paris. The name means &amp;quot;street of departing or setting out.&amp;quot;&amp;lt;br&amp;gt;&lt;br /&gt;
Piet Mondrian had a studio at No. 26. A film titled &lt;br /&gt;
[http://www.blockbuster.com/catalog/movieDetails/82185 &#039;&#039;Rue du Départ&#039;&#039; starring Gérard Depardieu] was released in 1986.&amp;lt;br&amp;gt;&lt;br /&gt;
:The street is called &amp;quot;rue du départ&amp;quot; (departure street) because it flanks the train station (Gare Montparnasse). The street opposite is called &amp;quot;rue de l&#039;arrivée&amp;quot; (arrival street). Therefore this may also be an echo to &amp;quot;the melancholy of departure&amp;quot; and Chirico&#039;s painting of Gare Montparnasse, cf [http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_724-747#Page_747 note to p.747]&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 1064==&lt;br /&gt;
&lt;br /&gt;
==Page 1065==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Reynaldo Hahn&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.answers.com/topic/reynaldo-hahn Reynaldo Hahn] (1875-1947) was a French composer best known for his vocal works, ranging from serious opera and operetta to solo songs. He was the director of the &#039;&#039;Paris Opéra&#039;&#039; since 1945.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Ciboulette&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: Chive. Also a feminine given name, from which the title of this [http://musicaltheatreguide.com/composers/hahn/ciboulette.htm operetta] comes. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;C&#039;est pas Paris, c&#039;est sa banlieue&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: It isn&#039;t Paris, it&#039;s a suburb of Paris.&lt;br /&gt;
&lt;br /&gt;
==Page 1066==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;J&#039;ai Deux Amants&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: I have two lovers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sacha Guitry&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.infoplease.com/ipea/A0766430.html Sacha Guitry] (1885-1957) was a French film actor and director.&amp;lt;br&amp;gt;&lt;br /&gt;
:The Guitry production in question is &amp;quot;l&#039;Amour masqué&amp;quot;, first staged in 1923. André Messager wrote the music and Yvonne Printemps, Guitry&#039;s wife, sang it.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Jour&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For &#039;&#039;Bonjour.&#039;&#039; French: Hello. Literally: &#039;&#039;&#039;Day.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scyuzay mwah&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For &#039;&#039;Excusez-moi.&#039;&#039; French: Excuse me.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ain&#039;t you that La Jarretière?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;V.&#039;&#039; she died graphically around the time of the World War. Her stage name is French: The Garter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;succès de scandale&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French, literally: success of scandal. In this case, the hype that the show needed to put customers in the seats.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Mon Dieu! . . . que les hommes sont bêtes&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: My God, how stupid men are.&amp;lt;br&amp;gt;&lt;br /&gt;
:a line in the aforementioned song &amp;quot;j&#039;ai deux amants&amp;quot;, it is also a line in Offenbach&#039;s operetta La Perichole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Fossettes l&#039;Enflammeuse&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: Dimples, the Inflamer. &amp;quot;Fossettes&amp;quot; has verbal echoes (as foreshadowing sound, so to speak) of [Bob] Fosse, much later American choreographer and director.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jean-Raoul Oeuillade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The surname is the name of a restaurant and a wine grape. It also appears to be a French misspelling of &#039;&#039;œillade&#039;&#039; = wink, leer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Dimples&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
R. Wilshire knows you can print a one-word title in bigger letters than a whole phrase.&amp;lt;br&amp;gt;&lt;br /&gt;
He&#039;s also the producer of such highbrow fare as &amp;lt;i&amp;gt;African Antics, Shanghai Scampers &amp;lt;/i&amp;gt; and &amp;lt;i&amp;gt; Roguish Redheads.&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Solange St.-Emilion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;Solange&#039; is the name of a saint; and St. Emilion is a wine - a claret, a British term for a Bordeaux.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Casse-cou . . . n&#039;importe quoi!&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Daredevil, that&#039;s me. / This little don&#039;t-give-a-damn. / Daredevil, husband, your women, / All the other men, no matter who!&lt;br /&gt;
&lt;br /&gt;
==Page 1067==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;It won&#039;t be a stylish marriage&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quoting from the popular song [[ATD_644-677#Page_647|&amp;quot;Daisy Bell.&amp;quot;]]&lt;br /&gt;
&lt;br /&gt;
Last alluded to on P.647, just before the gunfight that wasn&#039;t, with Frank and Stray in El Paso. Difficult relationships seem to bring out this ditty.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the disaster up at Caporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Battle_of_Caporetto Battle of Caporetto] was fought between October 24 and November 9, 1917, on the Austro-Italian front. Austrian forces, with German support, broke through the Italian lines, killing 11,000, wounding 25,000, and taking 250,000 prisoners. In the aftermath of the battle, Austrian forces advanced on Venice, but were ultimately stopped by a newly formed defensive line.&lt;br /&gt;
&lt;br /&gt;
==Page 1068==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bleriot monoplanes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Blériot_XI Bleriot] was a pioneering monoplane built of oak and poplar and surfaced with cloth. It was the first plane to cross the English Channel and to fly over the Alps.&lt;br /&gt;
&lt;br /&gt;
==Page 1069==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Italo-Turkish War&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Over control of Libya, 1911-12, important precursor of the Balkan Wars. An Italian flyer dropped history&#039;s first aerial bomb on Turkish troops. See [http://en.wikipedia.org/wiki/Italo-Turkish_War Italo-Turkish War].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Cambio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;The [http://www.thi.it/eng/benvenuto_ristoranti.asp?id=2 Ristorante del Cambio], known locally as &#039;the old lady&#039;&amp;quot; (ATD,  p. 1073),  is a famous restaurant in Turin, in operation since 1757,  where important politicians and generals have dined. It is located at &#039;&#039;2, Piazza Carignano, Turin&#039;&#039;. (See also pages 1070 and 1073.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I Murazzi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The name given to a stretch of riverfront arcades on the west bank of the Po in central Turin. They were originally boat-houses and landing places, but eventually developed into discos and bars and so became a center of Turin&#039;s nightlife. The name comes from the stone embankment (&amp;quot;walls&amp;quot;) that were built along the Po in the nineteenth century to prevent flooding of the city center.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;una picchiata&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: a nosedive.&lt;br /&gt;
&lt;br /&gt;
==Page 1070==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mia bella&#039;&#039; Caproni&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
My beautiful Caproni. &#039;&#039;Caproni&#039;&#039; was the Italian World War I heavy bomber designed by the talented pioneer Italian aircraft designer and manufacturer [http://www.allstar.fiu.edu/aero/caproni.htm Gianni Caproni] (1886-1957). The model described here is likely the [http://www.answers.com/topic/caproni-ca-4 &#039;&#039;Caproni Ca.4&#039;&#039;], a triplane with a four-man (not five-man) crew, three Isotta-Fraschini engines (270HP each), a maximum speed of 87 mph, two forward and two rearward mounting Revelli machine guns. (note: being a &#039;male&#039; word - italian has no neutral, so words are either male or female, Renzo would certainly say &#039;il mio bel Caproni&#039;)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Si, certo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: Yes, sure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Lucrezia&#039;&#039; Borgia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Lucrezia_Borgia Lucrezia Borgia] (1480-1519) was an Italian noblewoman, a famous figure of the Italian Renaissance. She was always casted as &#039;&#039;femme fatale&#039;&#039; in many artworks, novels and films. One of the numerous legends about her said that Lucrezia was in possession of a hollow ring that she used frequently to poison drinks.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Andiamo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: Let&#039;s go.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the SVA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.fiddlersgreen.net/AC/aircraft/Ansaldo-SVA/info/info.htm The SVA] (Savoia Verduzio Ansaldo) World War I Italian bi-plane reconnaissance-bomber.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Macché&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: Naw. Macché is an Italian interjection, not slang, translated as of course not, not on your life, go on!, come off it!, depending upon context: take your pick.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Molo Antonelliana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Mole_Antonelliana Mole Antonelliana] is a major landmark and the highest (550 ft) building of Turin, Italy. It was built in 1863 to be a Jewish synagogue. Since 2000, it houses Italy&#039;s National Cinema Museum. See photos of [http://digilander.libero.it/fotogian/mole.html Mole Antonelliana].&lt;br /&gt;
&lt;br /&gt;
==Page 1071==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;picchiate . . . picchiata&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first is plural, the second its singular. Italian: nosedives, nosedive.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a Certain Word that would not quite exist for another year or two&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of course it&#039;s &amp;quot;Fascism.&amp;quot; &amp;quot;It was all political.&amp;quot; Politics through aerobatics instead of chemistry?&amp;lt;br&amp;gt;&lt;br /&gt;
Fascism is the unity of government and industry, or big business - clearly a consistent theme in ATD.&amp;lt;br&amp;gt;&lt;br /&gt;
Granted on a theme of ATD, but Fascism is, historically and conceptually,&lt;br /&gt;
more--far worse-- than the unity of government and industry.&amp;lt;br&amp;gt;&lt;br /&gt;
True. I should have said it&#039;s &amp;quot;a key element.&amp;quot; Interesting reading at Wikipedia on [http://en.wikipedia.org/wiki/Definitions_of_fascism Definitions of fascism]. I tend to think we&#039;re heading that way ourselves. But then, George Orwell&#039;s comment is valid, too.&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Vineland&#039;&#039;, that homage inspired by &#039;&#039;1984&#039;&#039; has three major, overt instances of the Government [A fictional Reagan America] pre-emptively destroying our basic civil rights. Not to mention the thrust of the whole&lt;br /&gt;
novel, perhaps only now, 2007, revealing its prescience to we readers.[[User:MKOHUT|MKOHUT]] 12:53, 17 June 2007 (PDT)&amp;lt;br&amp;gt;&lt;br /&gt;
:More than the unity of government and industry, yes. You also need the military - in fact the &#039;military-industrial complex&#039;. Remember we&#039;re talking about Italian Fascism here. Antisemitism, for example, isn&#039;t (at least yet) an inevitable part of it. The essence of Fascism is &#039;corporatism&#039;, where state, military and industry are all run like one big corporation with the same people at the top. This is the symbolism of the [http://en.wikipedia.org/wiki/Fascist_symbolism#Militarist_uniforms_with_nationalist_insignia &#039;fasces&#039;], the bunch of sticks or reeds that can&#039;t be broken because it all hangs together, and that is of course why Renzo says: &amp;quot;You saw how they broke apart...But we did not. We remained single, aimed, unbreakable.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Um vettore, si?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Um&#039;&#039; is a slurred form of &#039;&#039;un&#039;&#039;. Italian: A vector, yes? Actually, even though it is always written &amp;quot;un&amp;quot; in the Italian national standard (many dialects still exist), in front of words that start with &amp;quot;v&amp;quot; or  &amp;quot;f&amp;quot;, the &amp;quot;n&amp;quot; in &amp;quot;un&amp;quot; is sounded as a nasalized &amp;quot;m.&amp;quot; (In front of words that start with &amp;quot;b&amp;quot; or &amp;quot;p&amp;quot; the &amp;quot;n&amp;quot; in &amp;quot;un&amp;quot; is simply pronounced like &amp;quot;m.&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
==Page 1072==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;in uniform all the time. Eagles . . . a prominent motif&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
eagles have been referred to often as predators in ATD.&amp;lt;br&amp;gt;&lt;br /&gt;
A reference to [http://en.wikipedia.org/wiki/Fascist_symbolism#Militarist_uniforms_with_nationalist_insignia Fascist insignia].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;abrazo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Spanish: embrace.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;teleferiche&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: cars suspended from cables, cableways.&lt;br /&gt;
&lt;br /&gt;
==Page 1073==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;agnolotti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian. A filled pasta similar to ravioli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;risotto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The renowned northern Italian rice dish.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tagliarini&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Long, thin, narrow noodles.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nebbiolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A wine grape originating in northern Italy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Carpano&#039;s for a &#039;&#039;punt e mes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Carpano&#039;s--a notable name in Turin--probably refers to a family bar or restaurant. Antonio Benedetto Carpano (1764–1815) was a Torinese distiller who, in 1786, invented vermouth--wine infused with herbs and and spices including wormwood (German Wermut). &#039;&#039;Punt e mess&#039;&#039; is a dark, brown, bitter vermouth originally produced by the Carpano distillery; the product earned its name (meaning &amp;quot;point and a half&amp;quot;) because it was originally marketed during a boom in the stock market, and the Carpanos wanted to benefit from the association.&lt;br /&gt;
&lt;br /&gt;
==Page 1074==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;S.S. &#039;&#039;Persia&#039;&#039; had been torpedoed by a U-boat captain named Max Valentiner. . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/SS_Persia_(1900) S.S &#039;&#039;Persia&#039;&#039;] was a P &amp;amp; O passenger liner built in 1900. It was sunk on December 30, 1915 within five to tem minutes by a German U-Boat, U-38, off Crete with a loss of 343 of the 519 aboard. The commander of U-38 was [http://en.wikipedia.org/wiki/Max_Valentiner Max Valentiner] (1883-1949).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Eleanor Thornton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Like Dally (ATD 893–5), [http://en.wikipedia.org/wiki/Eleanor_Thornton Eleanor Velasco Thornton] was a sculptors&#039; model. She was a passenger on the S. S. Persia and drowned when it was sunk. She inspired Charles Robinson Sykes (see Sykes, Charlie, in the ATD Alphabetical Index) to create the Rolls-Royce hood-ornament known as &amp;quot;[http://against-the-day.pynchonwiki.com/wiki/index.php?title=Image:Spirit-of-ecstacy.jpg The Spirit of Ecstasy].&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...Reef, Stray and Ljubica returned to the U.S. pretending to be Italian immigrants.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Somebody dropped the ball here; obviously this should read &amp;quot;Reef, Yash and Ljubica.&amp;quot; But Yashmeen had never before been in the United States.&lt;br /&gt;
:Even Homer nods.&lt;br /&gt;
:Ljubica was born outside, and had never been in, the U.S. !&lt;br /&gt;
:If they pretending to be immigrants getting into the country first time, then they were NOT returning to the U.S. Because they are pretending, they could be returning. If they were actually immigrants, they would not be returning.&lt;br /&gt;
:&#039;Stray&#039; is corrected to Yashmeen in the trade paper edition.  And Reef is returning, with Yashmeen and Ljubica.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;I,&#039;&#039; for Idiot&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another character assuming the character of an [[Idiots and Idiocy in Against the Day| — a minor theme of &#039;&#039;AtD&#039;&#039;.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I, also, in &#039;the immigrants they were pretending to be&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
...soon obliterated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The Obliterator&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A figure almost of legend, who causes unwelcome entries in your file to &#039;&#039;vanish without trace.&#039;&#039; But a member of the wiki was once friends with a bureaucrat, in a university registrar&#039;s office, who knew the &amp;quot;oblit&amp;quot; code. Like &amp;quot;The Obliterator,&amp;quot; she used her power only for good.&lt;br /&gt;
&lt;br /&gt;
==Page 1075==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Red Scare . . . Palmer raids&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Public and media panic over the ideas of communists, other leftists and Anarchists led to a government crackdown on these elements in the years after the World War. Alexander M. Palmer, U.S. Attorney General under Woodrow Wilson, was a leading figure in the campaign. The Red Scare led more or less directly to the supremacy of the F.B.I., which some may view as [[ATD_1018-1039#Page_1021|&amp;quot;the control of the evil and moronic,&amp;quot;]] and also to the founding of the American Civil Liberties Union.&lt;br /&gt;
&lt;br /&gt;
==Page 1076==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Frank and Stray&#039;s daughter Ginger and the baby Plebecula&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Ginger&amp;quot; is sometimes a nickname for Virginia but also sometimes a substitute for &amp;quot;Red&amp;quot;: a redheaded person. &amp;quot;Plebecula&amp;quot; can mean &amp;quot;the common people&amp;quot; . . . or a species of ant. Both children (Jesse too, could be) have political given names.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kitsap Peninsula&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Dissected peninsula in Puget Sound, Washington state. Not the northernmost point in the 48 states, but maybe the remotest.&lt;br /&gt;
&lt;br /&gt;
Not far from Port Renfrew, B. C.&lt;br /&gt;
&lt;br /&gt;
Could be a reference to the one-time anarchist community of Home, Washington, on the Kitsap Peninsula near Tacoma. [http://en.wikipedia.org/wiki/Home,_Washington Home, Washington] But the community had been officially harassed out of existence by about 1915.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Mr. Becker was at the Cour d&#039;Alene back in the olden days.  Guess I forgot to mention that.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In Pynchon&#039;s &amp;quot;Vineland&amp;quot;, the action follows Jess&#039; grand-daughter Frenesi, and great-granddaughter Prairie through some of the same kind of power-vs-preterite struggles that have haunted the family here in AtD.  In &amp;quot;Vineland&amp;quot; Jess marries a woman named Eula Becker-- this may be Pynchon&#039;s way of tying up some strings for those of us who obsess over such details.&lt;br /&gt;
&amp;quot;Vineland&amp;quot; dedicates a fair amount of time to discussions of light and shadow and the powers of silver emulsions in the golden age of Hollywood, too.&lt;br /&gt;
&lt;br /&gt;
==Page 1077==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&#039;Soir&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For &#039;&#039;Bonsoir.&#039;&#039; French: good evening, or just hello.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It was Policarpe, an old acquaintance of Kit&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgian anarchist, named for St. Polycarp; see [[ATD_525-556#Page_527|annotation to page 527.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;licking a few vitrines&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The French phrase &amp;quot;leche vitrine&amp;quot; is the American equivalent of &amp;quot;window shopping&amp;quot; and literally means &amp;quot;window licking.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lwów&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city in western Ukraine, [http://en.wikipedia.org/wiki/Lwow see Wikipedia.] The city&#039;s emblem shows a lion in front of a castle wall with 3 towers. It is strikingly reminiscent of the Tibetan seal on the cover of ATD. Recall that Venetia also claims the Lion (the winged Lion of St. Mark) as its emblem.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galicia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
If the complex history of this region—now partly in western Ukraine and partly in southern Poland—moves you, there&#039;s a pretty fair [http://en.wikipedia.org/wiki/Galicia_%28Central_Europe%29 Wikipedia entry] that also covers the next item. Lots of Americans trace their ancestry back to Galicia. See also the [[ATD_695-723#Page_697|annotations to page 697.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;West Ukraine Republic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Or West Ukrainian People&#039;s Republic, or [http://www.answers.com/topic/west-ukrainian-national-republic West Ukrainian National Republic], existed between October 19,1918 and July 1919—long enough to [http://en.wikipedia.org/wiki/Image:Flag_of_Ukraine.svg adopt a flag].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Percy Movay&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When the Inquisition compelled Galileo to recant his ideas about the celestial realm (he had blasphemed by reporting that Jupiter&#039;s moons orbit the planet and by reasoning that the Earth moves around the Sun too), he left the courtroom muttering, &amp;quot;And yet it &#039;&#039;does&#039;&#039; move.&amp;quot; In Italian: &#039;&#039;Eppur si muove.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a fabled group of mathematicians in Lwów&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Lw%C3%B3w_School_of_Mathematics The Lwów School of Mathematics] led by Stefan Banach, a founder of functional analysis, who became a professor there in 1920. They often met at the famous Scottish Café.&lt;br /&gt;
&lt;br /&gt;
==Page 1078==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scottish Café&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An extraordinarily talented group of mathematicians could be found in Lwow in the 1930s. Much of their best work was inspired by their meetings in [http://www-history.mcs.st-andrews.ac.uk/HistTopics/Scottish_Book.html the Scottish Café]. It&#039;s a shame that Kit got there early.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zermelo&#039;s Axiom Of Choice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Axiom_of_choice The Axiom of Choice] in set theory was formulated in 1904 by [http://en.wikipedia.org/wiki/Zermelo Ernst Zermelo] (1871-1953), a German mathematician. It states that given any set of nonempty sets, there exists at least one set that contains exactly one element from each of the nonempty sets. The Axiom of Choice is related to the first of Hilbert&#039;s problems.&lt;br /&gt;
&lt;br /&gt;
Here used to explain a variant of &lt;br /&gt;
[http://en.wikipedia.org/wiki/Banach%E2%80%93Tarski_paradox the Banach-Tarski paradox] of 1924 which says in effect that it is possible to &amp;quot;carve up&amp;quot; a 3-dimensional solid unit ball into finitely many pieces and, using only rotation and translation, reassemble the pieces into two balls each with the same volume as the original. An infinitley re-assemblable universe?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the set of all sets that are not members of themselves&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quick, does it contain itself? Bertrand Russell&#039;s pursuit of this paradox forced a major realignment of axiomatic set theory.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q.E.D.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Proofs in geometry and algebra, in fact, all mathematics, end with this statement. Q.E.D. = &#039;&#039;Quod Erat Demonstrandum&#039;&#039; = which was to be demonstrated. Some math professors after putting a difficult proof on the board and after writing QED jokingly translate it as &amp;quot;quite easily done.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 1079==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lemberg, Léopol, Lvov, Lviv and Lwów&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Names applied to the city by its various rulers. Today it&#039;s Lviv, but its citizens are sometimes called Leopolitans.&lt;br /&gt;
&lt;br /&gt;
==Page 1080==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Glowny Dworzec&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Polish: Main Station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Iron Gate . . . the Defile of Kazan&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://donsmaps.com/irongatesoverview.html Two historical sites] along the Danube. The Iron Gate, 100 miles east of Belgrad, separated the Balkan and the Carpathian ranges. The Kazan Defile is further upstream near Belgrade where the Danube has dangerous currents and whirlpools.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;There was music...attended to&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Thelonius Monk&#039;s music was once described this way. Quotation, reference being sought.&lt;br /&gt;
&lt;br /&gt;
Also reminds me of John Cage&#039;s idea of an &#039;anarchic harmony&#039;, where all individual sounds have the same value and importance (and require to be listened to by themselves, &amp;quot;each note insisted on being attended to&amp;quot;), and &#039;dissonant&#039; as they may appear, form a &#039;harmony&#039; of individual sounds, &amp;quot;non-obstructive and interpenetrating&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 1081==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tarboosh&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Fez_(clothing) A fez].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the man in the tarboosh&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
So Lord Overlunch has been a secret operator in all this? He is apparently an agent of Shamballa.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Ferrary sale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Philipp_von_Ferrary Philipp von Ferrary] was a legendary stamp collector. Wishing to make his unequaled collection accessible to the public, on January 30, 1915 he willed it to the Postmuseum in Berlin, along with funds for maintenance, 30,000 guldens. But as a citizen of Austria living in France, World War I put him at risk. Leaving his several hundred albums in the Austrian embassy, he fled to Switzerland in 1917. He died soon after, and so did not see the dismantling of his life&#039;s work after the war. The French government confiscated Ferrary&#039;s collection, claiming it as a war reparation. The massive assemblage was auctioned off between 1921 and 1926, in 14 separate sales, realizing some 30 million francs. Many of the rare stamps of today proudly bear an &amp;quot;ex-Ferrary&amp;quot; in their provenance.&lt;br /&gt;
&lt;br /&gt;
[[image:Gul_tre_skilling_banco.jpg|thumb|150px|The Treskilling Yellow|right]]&#039;&#039;&#039;Swedish three-skilling yellow&#039;&#039;&#039;&amp;lt;br /&amp;gt;A valuable [http://en.wikipedia.org/wiki/Tre_Skilling_Yellow Swedish postage stamp] because it was issued, in 1855, printed on yellow colored paper (which was for the eight-skilling stamp) instead of the customary green. It is now estimated to be worth over US$2 million.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;since the Spanish Lady passed through&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The great influenza pandemic of 1918-20. The disease got the name &amp;quot;Spanish flu&amp;quot; because Spain, neutral in the World War and therefore not censoring its press, was the country where the spread of the illness was most openly reported.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Chez Rosalie&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An Italian restaurant in Montparnasse, Paris.&lt;br /&gt;
&lt;br /&gt;
==Page 1082==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hesitation Waltz&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of [http://en.wikipedia.org/wiki/Waltz#Various_styles_of_waltz many styles of waltz]. In the 1910s a form called the &amp;quot;Hesitation Waltz&amp;quot; incorporated Hesitations and was danced to fast music. A Hesitation is basically a halt on the standing foot during the full waltz measure, with the moving foot suspended in the air or slowly dragged.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;bandoneón&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Musical instrument similar to an accordion, named for its inventor Heinrich Band, heavily used in Argentine tango music.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the taxis, battered veterans of the mythic Marne&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
World War, First Battle of the Marne, 1914. To shore up their Sixth Army the French commandeered 600 Paris taxicabs and used them to carry 6000 reserve troops to the front.&lt;br /&gt;
&lt;br /&gt;
==Page 1083==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;bals musettes&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: dance halls, with the music provided by an accordion band. cf [http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_864-891#Page_891 page 891]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Garçons de &#039;71&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Interesting [http://www.centennialofflight.gov/essay/Lighter_than_air/military_balloons_in_Europe/LTA4G2.htm note and pic] here.&lt;br /&gt;
&lt;br /&gt;
[[image:Penny-Black.png|thumb|100px|The Penny Black, 1840|right]]&#039;&#039;&#039;Penny Black&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Penny_Black The Penny Black], the world&#039;s first official adhesive postage stamp, was issued by the United Kingdom of Great Britain and Ireland on 1 May 1840.&lt;br /&gt;
&lt;br /&gt;
==Page 1084==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Puisieulx&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the 17 Grand Cru (highest level of classification) of Champagne.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;no longer a matter of gravity&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Page 1085==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pugnax and Ksenija&#039;s Generations&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pugnax seems to be over 30 years old already, having been no longer a pup in 1893. p. 5. Long lived for a natural dog, not necessarily for a cartoon dog like Scooby Doo and Pugnax.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;They fly toward grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. what Lew Basnight &amp;quot;came to think of as grace&amp;quot;. [[ATD_26-56#Page_42|p. 42]].&lt;br /&gt;
&lt;br /&gt;
Gravity and Grace ... perhaps an oblique reference to French philosopher [https://en.wikipedia.org/wiki/Simone_Weil Simone Weil]?&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_1063-1085&amp;diff=16145</id>
		<title>ATD 1063-1085</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_1063-1085&amp;diff=16145"/>
		<updated>2014-08-10T19:42:52Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 1085 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 1063==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rue du Départ&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Street in Montparnasse, Paris. The name means &amp;quot;street of departing or setting out.&amp;quot;&amp;lt;br&amp;gt;&lt;br /&gt;
Piet Mondrian had a studio at No. 26. A film titled &lt;br /&gt;
[http://www.blockbuster.com/catalog/movieDetails/82185 &#039;&#039;Rue du Départ&#039;&#039; starring Gérard Depardieu] was released in 1986.&amp;lt;br&amp;gt;&lt;br /&gt;
:The street is called &amp;quot;rue du départ&amp;quot; (departure street) because it flanks the train station (Gare Montparnasse). The street opposite is called &amp;quot;rue de l&#039;arrivée&amp;quot; (arrival street). Therefore this may also be an echo to &amp;quot;the melancholy of departure&amp;quot; and Chirico&#039;s painting of Gare Montparnasse, cf [http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_724-747#Page_747 note to p.747]&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 1064==&lt;br /&gt;
&lt;br /&gt;
==Page 1065==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Reynaldo Hahn&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.answers.com/topic/reynaldo-hahn Reynaldo Hahn] (1875-1947) was a French composer best known for his vocal works, ranging from serious opera and operetta to solo songs. He was the director of the &#039;&#039;Paris Opéra&#039;&#039; since 1945.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Ciboulette&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: Chive. Also a feminine given name, from which the title of this [http://musicaltheatreguide.com/composers/hahn/ciboulette.htm operetta] comes. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;C&#039;est pas Paris, c&#039;est sa banlieue&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: It isn&#039;t Paris, it&#039;s a suburb of Paris.&lt;br /&gt;
&lt;br /&gt;
==Page 1066==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;J&#039;ai Deux Amants&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: I have two lovers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sacha Guitry&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.infoplease.com/ipea/A0766430.html Sacha Guitry] (1885-1957) was a French film actor and director.&amp;lt;br&amp;gt;&lt;br /&gt;
:The Guitry production in question is &amp;quot;l&#039;Amour masqué&amp;quot;, first staged in 1923. André Messager wrote the music and Yvonne Printemps, Guitry&#039;s wife, sang it.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Jour&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For &#039;&#039;Bonjour.&#039;&#039; French: Hello. Literally: &#039;&#039;&#039;Day.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scyuzay mwah&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For &#039;&#039;Excusez-moi.&#039;&#039; French: Excuse me.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ain&#039;t you that La Jarretière?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;V.&#039;&#039; she died graphically around the time of the World War. Her stage name is French: The Garter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;succès de scandale&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French, literally: success of scandal. In this case, the hype that the show needed to put customers in the seats.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Mon Dieu! . . . que les hommes sont bêtes&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: My God, how stupid men are.&amp;lt;br&amp;gt;&lt;br /&gt;
:a line in the aforementioned song &amp;quot;j&#039;ai deux amants&amp;quot;, it is also a line in Offenbach&#039;s operetta La Perichole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Fossettes l&#039;Enflammeuse&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: Dimples, the Inflamer. &amp;quot;Fossettes&amp;quot; has verbal echoes (as foreshadowing sound, so to speak) of [Bob] Fosse, much later American choreographer and director.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jean-Raoul Oeuillade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The surname is the name of a restaurant and a wine grape. It also appears to be a French misspelling of &#039;&#039;œillade&#039;&#039; = wink, leer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Dimples&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
R. Wilshire knows you can print a one-word title in bigger letters than a whole phrase.&amp;lt;br&amp;gt;&lt;br /&gt;
He&#039;s also the producer of such highbrow fare as &amp;lt;i&amp;gt;African Antics, Shanghai Scampers &amp;lt;/i&amp;gt; and &amp;lt;i&amp;gt; Roguish Redheads.&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Solange St.-Emilion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;Solange&#039; is the name of a saint; and St. Emilion is a wine - a claret, a British term for a Bordeaux.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Casse-cou . . . n&#039;importe quoi!&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Daredevil, that&#039;s me. / This little don&#039;t-give-a-damn. / Daredevil, husband, your women, / All the other men, no matter who!&lt;br /&gt;
&lt;br /&gt;
==Page 1067==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;It won&#039;t be a stylish marriage&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quoting from the popular song [[ATD_644-677#Page_647|&amp;quot;Daisy Bell.&amp;quot;]]&lt;br /&gt;
&lt;br /&gt;
Last alluded to on P.647, just before the gunfight that wasn&#039;t, with Frank and Stray in El Paso. Difficult relationships seem to bring out this ditty.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the disaster up at Caporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Battle_of_Caporetto Battle of Caporetto] was fought between October 24 and November 9, 1917, on the Austro-Italian front. Austrian forces, with German support, broke through the Italian lines, killing 11,000, wounding 25,000, and taking 250,000 prisoners. In the aftermath of the battle, Austrian forces advanced on Venice, but were ultimately stopped by a newly formed defensive line.&lt;br /&gt;
&lt;br /&gt;
==Page 1068==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bleriot monoplanes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Blériot_XI Bleriot] was a pioneering monoplane built of oak and poplar and surfaced with cloth. It was the first plane to cross the English Channel and to fly over the Alps.&lt;br /&gt;
&lt;br /&gt;
==Page 1069==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Italo-Turkish War&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Over control of Libya, 1911-12, important precursor of the Balkan Wars. An Italian flyer dropped history&#039;s first aerial bomb on Turkish troops. See [http://en.wikipedia.org/wiki/Italo-Turkish_War Italo-Turkish War].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Cambio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;The [http://www.thi.it/eng/benvenuto_ristoranti.asp?id=2 Ristorante del Cambio], known locally as &#039;the old lady&#039;&amp;quot; (ATD,  p. 1073),  is a famous restaurant in Turin, in operation since 1757,  where important politicians and generals have dined. It is located at &#039;&#039;2, Piazza Carignano, Turin&#039;&#039;. (See also pages 1070 and 1073.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I Murazzi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The name given to a stretch of riverfront arcades on the west bank of the Po in central Turin. They were originally boat-houses and landing places, but eventually developed into discos and bars and so became a center of Turin&#039;s nightlife. The name comes from the stone embankment (&amp;quot;walls&amp;quot;) that were built along the Po in the nineteenth century to prevent flooding of the city center.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;una picchiata&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: a nosedive.&lt;br /&gt;
&lt;br /&gt;
==Page 1070==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mia bella&#039;&#039; Caproni&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
My beautiful Caproni. &#039;&#039;Caproni&#039;&#039; was the Italian World War I heavy bomber designed by the talented pioneer Italian aircraft designer and manufacturer [http://www.allstar.fiu.edu/aero/caproni.htm Gianni Caproni] (1886-1957). The model described here is likely the [http://www.answers.com/topic/caproni-ca-4 &#039;&#039;Caproni Ca.4&#039;&#039;], a triplane with a four-man (not five-man) crew, three Isotta-Fraschini engines (270HP each), a maximum speed of 87 mph, two forward and two rearward mounting Revelli machine guns. (note: being a &#039;male&#039; word - italian has no neutral, so words are either male or female, Renzo would certainly say &#039;il mio bel Caproni&#039;)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Si, certo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: Yes, sure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Lucrezia&#039;&#039; Borgia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Lucrezia_Borgia Lucrezia Borgia] (1480-1519) was an Italian noblewoman, a famous figure of the Italian Renaissance. She was always casted as &#039;&#039;femme fatale&#039;&#039; in many artworks, novels and films. One of the numerous legends about her said that Lucrezia was in possession of a hollow ring that she used frequently to poison drinks.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Andiamo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: Let&#039;s go.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the SVA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.fiddlersgreen.net/AC/aircraft/Ansaldo-SVA/info/info.htm The SVA] (Savoia Verduzio Ansaldo) World War I Italian bi-plane reconnaissance-bomber.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Macché&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: Naw. Macché is an Italian interjection, not slang, translated as of course not, not on your life, go on!, come off it!, depending upon context: take your pick.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Molo Antonelliana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Mole_Antonelliana Mole Antonelliana] is a major landmark and the highest (550 ft) building of Turin, Italy. It was built in 1863 to be a Jewish synagogue. Since 2000, it houses Italy&#039;s National Cinema Museum. See photos of [http://digilander.libero.it/fotogian/mole.html Mole Antonelliana].&lt;br /&gt;
&lt;br /&gt;
==Page 1071==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;picchiate . . . picchiata&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first is plural, the second its singular. Italian: nosedives, nosedive.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a Certain Word that would not quite exist for another year or two&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of course it&#039;s &amp;quot;Fascism.&amp;quot; &amp;quot;It was all political.&amp;quot; Politics through aerobatics instead of chemistry?&amp;lt;br&amp;gt;&lt;br /&gt;
Fascism is the unity of government and industry, or big business - clearly a consistent theme in ATD.&amp;lt;br&amp;gt;&lt;br /&gt;
Granted on a theme of ATD, but Fascism is, historically and conceptually,&lt;br /&gt;
more--far worse-- than the unity of government and industry.&amp;lt;br&amp;gt;&lt;br /&gt;
True. I should have said it&#039;s &amp;quot;a key element.&amp;quot; Interesting reading at Wikipedia on [http://en.wikipedia.org/wiki/Definitions_of_fascism Definitions of fascism]. I tend to think we&#039;re heading that way ourselves. But then, George Orwell&#039;s comment is valid, too.&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Vineland&#039;&#039;, that homage inspired by &#039;&#039;1984&#039;&#039; has three major, overt instances of the Government [A fictional Reagan America] pre-emptively destroying our basic civil rights. Not to mention the thrust of the whole&lt;br /&gt;
novel, perhaps only now, 2007, revealing its prescience to we readers.[[User:MKOHUT|MKOHUT]] 12:53, 17 June 2007 (PDT)&amp;lt;br&amp;gt;&lt;br /&gt;
:More than the unity of government and industry, yes. You also need the military - in fact the &#039;military-industrial complex&#039;. Remember we&#039;re talking about Italian Fascism here. Antisemitism, for example, isn&#039;t (at least yet) an inevitable part of it. The essence of Fascism is &#039;corporatism&#039;, where state, military and industry are all run like one big corporation with the same people at the top. This is the symbolism of the [http://en.wikipedia.org/wiki/Fascist_symbolism#Militarist_uniforms_with_nationalist_insignia &#039;fasces&#039;], the bunch of sticks or reeds that can&#039;t be broken because it all hangs together, and that is of course why Renzo says: &amp;quot;You saw how they broke apart...But we did not. We remained single, aimed, unbreakable.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Um vettore, si?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Um&#039;&#039; is a slurred form of &#039;&#039;un&#039;&#039;. Italian: A vector, yes? Actually, even though it is always written &amp;quot;un&amp;quot; in the Italian national standard (many dialects still exist), in front of words that start with &amp;quot;v&amp;quot; or  &amp;quot;f&amp;quot;, the &amp;quot;n&amp;quot; in &amp;quot;un&amp;quot; is sounded as a nasalized &amp;quot;m.&amp;quot; (In front of words that start with &amp;quot;b&amp;quot; or &amp;quot;p&amp;quot; the &amp;quot;n&amp;quot; in &amp;quot;un&amp;quot; is simply pronounced like &amp;quot;m.&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
==Page 1072==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;in uniform all the time. Eagles . . . a prominent motif&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
eagles have been referred to often as predators in ATD.&amp;lt;br&amp;gt;&lt;br /&gt;
A reference to [http://en.wikipedia.org/wiki/Fascist_symbolism#Militarist_uniforms_with_nationalist_insignia Fascist insignia].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;abrazo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Spanish: embrace.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;teleferiche&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: cars suspended from cables, cableways.&lt;br /&gt;
&lt;br /&gt;
==Page 1073==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;agnolotti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian. A filled pasta similar to ravioli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;risotto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The renowned northern Italian rice dish.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tagliarini&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Long, thin, narrow noodles.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nebbiolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A wine grape originating in northern Italy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Carpano&#039;s for a &#039;&#039;punt e mes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Carpano&#039;s--a notable name in Turin--probably refers to a family bar or restaurant. Antonio Benedetto Carpano (1764–1815) was a Torinese distiller who, in 1786, invented vermouth--wine infused with herbs and and spices including wormwood (German Wermut). &#039;&#039;Punt e mess&#039;&#039; is a dark, brown, bitter vermouth originally produced by the Carpano distillery; the product earned its name (meaning &amp;quot;point and a half&amp;quot;) because it was originally marketed during a boom in the stock market, and the Carpanos wanted to benefit from the association.&lt;br /&gt;
&lt;br /&gt;
==Page 1074==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;S.S. &#039;&#039;Persia&#039;&#039; had been torpedoed by a U-boat captain named Max Valentiner. . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/SS_Persia_(1900) S.S &#039;&#039;Persia&#039;&#039;] was a P &amp;amp; O passenger liner built in 1900. It was sunk on December 30, 1915 within five to tem minutes by a German U-Boat, U-38, off Crete with a loss of 343 of the 519 aboard. The commander of U-38 was [http://en.wikipedia.org/wiki/Max_Valentiner Max Valentiner] (1883-1949).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Eleanor Thornton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Like Dally (ATD 893–5), [http://en.wikipedia.org/wiki/Eleanor_Thornton Eleanor Velasco Thornton] was a sculptors&#039; model. She was a passenger on the S. S. Persia and drowned when it was sunk. She inspired Charles Robinson Sykes (see Sykes, Charlie, in the ATD Alphabetical Index) to create the Rolls-Royce hood-ornament known as &amp;quot;[http://against-the-day.pynchonwiki.com/wiki/index.php?title=Image:Spirit-of-ecstacy.jpg The Spirit of Ecstasy].&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...Reef, Stray and Ljubica returned to the U.S. pretending to be Italian immigrants.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Somebody dropped the ball here; obviously this should read &amp;quot;Reef, Yash and Ljubica.&amp;quot; But Yashmeen had never before been in the United States.&lt;br /&gt;
:Even Homer nods.&lt;br /&gt;
:Ljubica was born outside, and had never been in, the U.S. !&lt;br /&gt;
:If they pretending to be immigrants getting into the country first time, then they were NOT returning to the U.S. Because they are pretending, they could be returning. If they were actually immigrants, they would not be returning.&lt;br /&gt;
:&#039;Stray&#039; is corrected to Yashmeen in the trade paper edition.  And Reef is returning, with Yashmeen and Ljubica.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;I,&#039;&#039; for Idiot&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another character assuming the character of an [[Idiots and Idiocy in Against the Day| — a minor theme of &#039;&#039;AtD&#039;&#039;.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I, also, in &#039;the immigrants they were pretending to be&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
...soon obliterated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The Obliterator&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A figure almost of legend, who causes unwelcome entries in your file to &#039;&#039;vanish without trace.&#039;&#039; But a member of the wiki was once friends with a bureaucrat, in a university registrar&#039;s office, who knew the &amp;quot;oblit&amp;quot; code. Like &amp;quot;The Obliterator,&amp;quot; she used her power only for good.&lt;br /&gt;
&lt;br /&gt;
==Page 1075==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Red Scare . . . Palmer raids&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Public and media panic over the ideas of communists, other leftists and Anarchists led to a government crackdown on these elements in the years after the World War. Alexander M. Palmer, U.S. Attorney General under Woodrow Wilson, was a leading figure in the campaign. The Red Scare led more or less directly to the supremacy of the F.B.I., which some may view as [[ATD_1018-1039#Page_1021|&amp;quot;the control of the evil and moronic,&amp;quot;]] and also to the founding of the American Civil Liberties Union.&lt;br /&gt;
&lt;br /&gt;
==Page 1076==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Frank and Stray&#039;s daughter Ginger and the baby Plebecula&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Ginger&amp;quot; is sometimes a nickname for Virginia but also sometimes a substitute for &amp;quot;Red&amp;quot;: a redheaded person. &amp;quot;Plebecula&amp;quot; can mean &amp;quot;the common people&amp;quot; . . . or a species of ant. Both children (Jesse too, could be) have political given names.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kitsap Peninsula&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Dissected peninsula in Puget Sound, Washington state. Not the northernmost point in the 48 states, but maybe the remotest.&lt;br /&gt;
&lt;br /&gt;
Not far from Port Renfrew, B. C.&lt;br /&gt;
&lt;br /&gt;
Could be a reference to the one-time anarchist community of Home, Washington, on the Kitsap Peninsula near Tacoma. [http://en.wikipedia.org/wiki/Home,_Washington Home, Washington] But the community had been officially harassed out of existence by about 1915.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Mr. Becker was at the Cour d&#039;Alene back in the olden days.  Guess I forgot to mention that.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In Pynchon&#039;s &amp;quot;Vineland&amp;quot;, the action follows Jess&#039; grand-daughter Frenesi, and great-granddaughter Prairie through some of the same kind of power-vs-preterite struggles that have haunted the family here in AtD.  In &amp;quot;Vineland&amp;quot; Jess marries a woman named Eula Becker-- this may be Pynchon&#039;s way of tying up some strings for those of us who obsess over such details.&lt;br /&gt;
&amp;quot;Vineland&amp;quot; dedicates a fair amount of time to discussions of light and shadow and the powers of silver emulsions in the golden age of Hollywood, too.&lt;br /&gt;
&lt;br /&gt;
==Page 1077==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&#039;Soir&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For &#039;&#039;Bonsoir.&#039;&#039; French: good evening, or just hello.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It was Policarpe, an old acquaintance of Kit&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgian anarchist, named for St. Polycarp; see [[ATD_525-556#Page_527|annotation to page 527.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;licking a few vitrines&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The French phrase &amp;quot;leche vitrine&amp;quot; is the American equivalent of &amp;quot;window shopping&amp;quot; and literally means &amp;quot;window licking.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lwów&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city in western Ukraine, [http://en.wikipedia.org/wiki/Lwow see Wikipedia.] The city&#039;s emblem shows a lion in front of a castle wall with 3 towers. It is strikingly reminiscent of the Tibetan seal on the cover of ATD. Recall that Venetia also claims the Lion (the winged Lion of St. Mark) as its emblem.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galicia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
If the complex history of this region—now partly in western Ukraine and partly in southern Poland—moves you, there&#039;s a pretty fair [http://en.wikipedia.org/wiki/Galicia_%28Central_Europe%29 Wikipedia entry] that also covers the next item. Lots of Americans trace their ancestry back to Galicia. See also the [[ATD_695-723#Page_697|annotations to page 697.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;West Ukraine Republic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Or West Ukrainian People&#039;s Republic, or [http://www.answers.com/topic/west-ukrainian-national-republic West Ukrainian National Republic], existed between October 19,1918 and July 1919—long enough to [http://en.wikipedia.org/wiki/Image:Flag_of_Ukraine.svg adopt a flag].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Percy Movay&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When the Inquisition compelled Galileo to recant his ideas about the celestial realm (he had blasphemed by reporting that Jupiter&#039;s moons orbit the planet and by reasoning that the Earth moves around the Sun too), he left the courtroom muttering, &amp;quot;And yet it &#039;&#039;does&#039;&#039; move.&amp;quot; In Italian: &#039;&#039;Eppur si muove.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a fabled group of mathematicians in Lwów&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Lw%C3%B3w_School_of_Mathematics The Lwów School of Mathematics] led by Stefan Banach, a founder of functional analysis, who became a professor there in 1920. They often met at the famous Scottish Café.&lt;br /&gt;
&lt;br /&gt;
==Page 1078==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scottish Café&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An extraordinarily talented group of mathematicians could be found in Lwow in the 1930s. Much of their best work was inspired by their meetings in [http://www-history.mcs.st-andrews.ac.uk/HistTopics/Scottish_Book.html the Scottish Café]. It&#039;s a shame that Kit got there early.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zermelo&#039;s Axiom Of Choice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Axiom_of_choice The Axiom of Choice] in set theory was formulated in 1904 by [http://en.wikipedia.org/wiki/Zermelo Ernst Zermelo] (1871-1953), a German mathematician. It states that given any set of nonempty sets, there exists at least one set that contains exactly one element from each of the nonempty sets. The Axiom of Choice is related to the first of Hilbert&#039;s problems.&lt;br /&gt;
&lt;br /&gt;
Here used to explain a variant of &lt;br /&gt;
[http://en.wikipedia.org/wiki/Banach%E2%80%93Tarski_paradox the Banach-Tarski paradox] of 1924 which says in effect that it is possible to &amp;quot;carve up&amp;quot; a 3-dimensional solid unit ball into finitely many pieces and, using only rotation and translation, reassemble the pieces into two balls each with the same volume as the original. An infinitley re-assemblable universe?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the set of all sets that are not members of themselves&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quick, does it contain itself? Bertrand Russell&#039;s pursuit of this paradox forced a major realignment of axiomatic set theory.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q.E.D.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Proofs in geometry and algebra, in fact, all mathematics, end with this statement. Q.E.D. = &#039;&#039;Quod Erat Demonstrandum&#039;&#039; = which was to be demonstrated. Some math professors after putting a difficult proof on the board and after writing QED jokingly translate it as &amp;quot;quite easily done.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 1079==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lemberg, Léopol, Lvov, Lviv and Lwów&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Names applied to the city by its various rulers. Today it&#039;s Lviv, but its citizens are sometimes called Leopolitans.&lt;br /&gt;
&lt;br /&gt;
==Page 1080==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Glowny Dworzec&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Polish: Main Station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Iron Gate . . . the Defile of Kazan&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://donsmaps.com/irongatesoverview.html Two historical sites] along the Danube. The Iron Gate, 100 miles east of Belgrad, separated the Balkan and the Carpathian ranges. The Kazan Defile is further upstream near Belgrade where the Danube has dangerous currents and whirlpools.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;There was music...attended to&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Thelonius Monk&#039;s music was once described this way. Quotation, reference being sought.&lt;br /&gt;
&lt;br /&gt;
Also reminds me of John Cage&#039;s idea of an &#039;anarchic harmony&#039;, where all individual sounds have the same value and importance (and require to be listened to by themselves, &amp;quot;each note insisted on being attended to&amp;quot;), and &#039;dissonant&#039; as they may appear, form a &#039;harmony&#039; of individual sounds, &amp;quot;non-obstructive and interpenetrating&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 1081==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tarboosh&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Fez_(clothing) A fez].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the man in the tarboosh&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
So Lord Overlunch has been a secret operator in all this? He is apparently an agent of Shamballa.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Ferrary sale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Philipp_von_Ferrary Philipp von Ferrary] was a legendary stamp collector. Wishing to make his unequaled collection accessible to the public, on January 30, 1915 he willed it to the Postmuseum in Berlin, along with funds for maintenance, 30,000 guldens. But as a citizen of Austria living in France, World War I put him at risk. Leaving his several hundred albums in the Austrian embassy, he fled to Switzerland in 1917. He died soon after, and so did not see the dismantling of his life&#039;s work after the war. The French government confiscated Ferrary&#039;s collection, claiming it as a war reparation. The massive assemblage was auctioned off between 1921 and 1926, in 14 separate sales, realizing some 30 million francs. Many of the rare stamps of today proudly bear an &amp;quot;ex-Ferrary&amp;quot; in their provenance.&lt;br /&gt;
&lt;br /&gt;
[[image:Gul_tre_skilling_banco.jpg|thumb|150px|The Treskilling Yellow|right]]&#039;&#039;&#039;Swedish three-skilling yellow&#039;&#039;&#039;&amp;lt;br /&amp;gt;A valuable [http://en.wikipedia.org/wiki/Tre_Skilling_Yellow Swedish postage stamp] because it was issued, in 1855, printed on yellow colored paper (which was for the eight-skilling stamp) instead of the customary green. It is now estimated to be worth over US$2 million.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;since the Spanish Lady passed through&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The great influenza pandemic of 1918-20. The disease got the name &amp;quot;Spanish flu&amp;quot; because Spain, neutral in the World War and therefore not censoring its press, was the country where the spread of the illness was most openly reported.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Chez Rosalie&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An Italian restaurant in Montparnasse, Paris.&lt;br /&gt;
&lt;br /&gt;
==Page 1082==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hesitation Waltz&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of [http://en.wikipedia.org/wiki/Waltz#Various_styles_of_waltz many styles of waltz]. In the 1910s a form called the &amp;quot;Hesitation Waltz&amp;quot; incorporated Hesitations and was danced to fast music. A Hesitation is basically a halt on the standing foot during the full waltz measure, with the moving foot suspended in the air or slowly dragged.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;bandoneón&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Musical instrument similar to an accordion, named for its inventor Heinrich Band, heavily used in Argentine tango music.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the taxis, battered veterans of the mythic Marne&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
World War, First Battle of the Marne, 1914. To shore up their Sixth Army the French commandeered 600 Paris taxicabs and used them to carry 6000 reserve troops to the front.&lt;br /&gt;
&lt;br /&gt;
==Page 1083==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;bals musettes&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: dance halls, with the music provided by an accordion band. cf [http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_864-891#Page_891 page 891]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Garçons de &#039;71&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Interesting [http://www.centennialofflight.gov/essay/Lighter_than_air/military_balloons_in_Europe/LTA4G2.htm note and pic] here.&lt;br /&gt;
&lt;br /&gt;
[[image:Penny-Black.png|thumb|100px|The Penny Black, 1840|right]]&#039;&#039;&#039;Penny Black&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Penny_Black The Penny Black], the world&#039;s first official adhesive postage stamp, was issued by the United Kingdom of Great Britain and Ireland on 1 May 1840.&lt;br /&gt;
&lt;br /&gt;
==Page 1084==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Puisieulx&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the 17 Grand Cru (highest level of classification) of Champagne.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;no longer a matter of gravity&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Page 1085==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pugnax and Ksenija&#039;s Generations&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pugnax seems to be over 30 years old already, having been no longer a pup in 1893. p. 5. Long lived for a natural dog, not necessarily for a cartoon dog like Scooby Doo and Pugnax.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;They fly toward grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. what Lew Basnight &amp;quot;came to think of as grace&amp;quot;. [[ATD_26-56#Page_42|p. 42]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;Gravity and Grace ... perhaps an oblique reference to French philosopher [https://en.wikipedia.org/wiki/Simone_Weil Simone Weil]?&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
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		<title>ATD 26-56</title>
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		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 42 */&lt;/p&gt;
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&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 26==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;egret plumes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Some species of egrets were threatened with extinction in the 19th century because their plumes (also called &#039;&#039;aigrettes&#039;&#039;) were much used in millinery. Problem is, the egrets grew the showy feathers only in breeding season, so that&#039;s when they were killed, hence no little egrets (egretlets?).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Little Egypt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
was the stage name for two popular exotic dancers, Ashea Wabe who danced at the Seeley banquet at the 1893 World&#039;s Fair and Farida Mazar Spyropoulos, also performing under the stage name Fatima, appeared at the &amp;quot;Street in Cairo&amp;quot; exhibition on the Midway at the World&#039;s Columbian Exposition, held in Chicago in 1893. [http://en.wikipedia.org/wiki/Little_Egypt_(dancer) Wikipedia entry] Also a 1961 [[Little_Egypt|song]] by the Coasters.&lt;br /&gt;
&lt;br /&gt;
==Page 27==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;“I greatly admire the music of the region,” said Miles, “the ukulele in particular.”&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://www.thomaspynchon.com/hawaiian-vacations-pynchon.html The Hawaiian Islands and culture] (particularly ukuleles) have a strong presence in [http://vineland.pynchonwiki.com/wiki/index.php?title=The_Hawaiian_Islands_and_Ukuleles &#039;&#039;Vineland&#039;&#039;] and [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Hawaiian_Islands_and_Ukuleles &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. [[Hawaii|More on Hawaiian references in &#039;&#039;Against the Day&#039;&#039;]]...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bacchanale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From &#039;&#039;Samson et Dalila&#039;&#039;, op. 47 (1877) [http://en.wikipedia.org/wiki/Samson_and_Delilah_%28opera%29 Wikipedia entry]. Listen to a [http://themodernword.com/wiki/bacchanale.mp3 30 second MP3 sample]&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Bacchanalia&amp;quot; describes not just the music but the dance too, in this context.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;from here to Timbuctoo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Now known as [http://en.wikipedia.org/wiki/Timbuktu Timbuktu,] a standard figure of speech for the other end of Creation.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maxim whirling machines...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This paragraph describes a number of real flying apparati: [http://invention.psychology.msstate.edu/i/Chanute/library/Prog_Aero_Oct1893.html This article] from October 1893 describes the Maxim whirling machine and others.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wing-flapping miracles of ornithurgy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;ornithurgy&amp;quot; appears to be a Pynchon neologism meaning &amp;quot;bird-works&amp;quot; (Greek: &#039;&#039;ornis&#039;&#039;, &#039;&#039;ornithos&#039;&#039;, &amp;quot;bird&amp;quot; + &#039;&#039;-ourgia&#039;&#039; work, working). This entire passage seems proleptic, prefiguring the appearance of the [[ATD_1018-1039#Page_1030|Sodality of Ǣtheronauts]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dally&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Merle&#039;s relationship with Dally is reminiscent of Ryan and Tatum O&#039;Neal&#039;s characters in the 1973 Peter Bogdanovich film, &amp;quot;Paper Moon&amp;quot;. Merle&#039;s family situation (single father, smart aleck daughter, mother who took off) is identical to that of &#039;&#039;Vineland&#039;s&#039;&#039; protagonist Zoyd Wheeler.&lt;br /&gt;
&lt;br /&gt;
==Page 28==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Imbottigliata!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;Italian for &amp;quot;bottled&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;in Randolph&#039;s face a degree of stupefaction one regrets to term characteristic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Randolph &amp;quot;froze&amp;quot; previously, on page 12; evidently this is a trait already established in the &#039;&#039;Chums&#039;&#039; novels.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;fulminate me if she ain&#039;t&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What an odd turn of phrase: &amp;quot;set me off explosively.&amp;quot; Actually, fulminate is derived from the Latin &#039;&#039;fulminat&#039;&#039; - &amp;quot;struck by lightning&amp;quot; - so it&#039;s more, May I be struck by lightning if she ain&#039;t.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;this Trouvé-screw unit over here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gustave Trouvé built advanced machinery from the 1860s to the 1890s; [http://invention.psychology.msstate.edu/i/Chanute/library/Prog_Screws_May1892.html his work on airscrews] was pivotal, and he also invented [http://www.electricrecordteam.com/history.htm the outboard motor.] Before Trouvé&#039;s design studies, propulsion in the air used sail-rotors like windmills or depended on slightly modified marine propellers.&lt;br /&gt;
&lt;br /&gt;
==Page 29==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Midway Plaisance&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The big central concourse of the White City. &amp;quot;Plaisance&amp;quot; is an alternative (or Frenchified) spelling of &amp;quot;pleasance,&amp;quot; an esthetically appealing spot. According to [http://users.vnet.net/schulman/Columbian/columbian.html this very good site] on the Columbian Exposition, the Midway Plaisance lent its name to the midways of circuses ever after.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a l&#039;étouffée&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French, meaning braised. So, braised alligator meat. Braised food, for instance crawfish, is a culinary specialty of New Orleans.&lt;br /&gt;
&lt;br /&gt;
In the New Orleans context, a recipe is pertinent because &amp;quot;braise&amp;quot; doesn&#039;t exactly tell the story of this Cajun preparation. The following is drastically abridged from, of all things, the obituary of Joe Daole (&amp;quot;Joe Dale&amp;quot;) in the &#039;&#039;Atlanta Journal-Constitution,&#039;&#039; April 21, 2007:&lt;br /&gt;
:Saute onion, green pepper, celery, parsley and garlic in a great deal of butter. Add peeled and chopped tomatoes and seasonings. Simmer, covered, 5-10 minutes. Make a dark brown roux with oil and flour; add to vegetables. Add seafood stock and bring to a boil. Add peeled shrimp or crawfish tail meat and cook just 2-3 minutes. Serve over rice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sloane Laboratory&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Yale&#039;s physics lab built 1882. Cf [[ATD_26-56#Page_33|page 33]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Professor Gibbs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Josiah Williard Gibbs (1839-1903), American mathematical physicist.  He was born in New Haven, Connecticut. In 1854 he went to Yale and won prizes for excellence in Latin and mathematics. He undertook research in engineering and received his Ph.D in 1863, the first doctorate in engineering to be conferred in the US. From 1866 to 1869 Gibbs studies in Europe - first in Paris, then in Berlin and finally in Heidelberg. He was professor at Yale from 1871 to 1903. He contributed substantially to the study of thermodynamics, and his most important work, &#039;&#039;On the Equilibrium of Heterogeneous Substances&#039;&#039; (1876 and 1878) and his &amp;quot;phase rule&amp;quot; established him as a founder of physical chemistry. Gibbs&#039; work on vector analysis was also of major importance in pure mathematics. Gibbs was one of the greatest American scientists in the 19th century. ([http://www-history.mcs.st-andrews.ac.uk/Mathematicians/Gibbs.html Gibbs].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;De Forest&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lee De Forest (1873-1961), American inventor.  He was born in Council Bluffs, Iowa and educated at Yale and Chicago. A pioneer of radio, he introduced the grid into the therm-ionic valve, and invented the audion (1907), feedback circuit (1912) and the four-electrode valve. He involved in first news by radio (1916). He also did much early work on sound reproduction and on television. He patented over 300 inventions in wireless telegraphy, radio, telephony, talking pictures, high-speed facsimile transmission, television, radiotherapy, radar, etc. He was called, sometimes, &amp;quot;the father of radio.&amp;quot; ([http://en.wikipedia.org/wiki/Lee_De_Forest De Forest].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
He received his Ph.D degree in mathematics from Yale University in 1896. (Dissertation: &#039;&#039;Studies on General Spherical Functions&#039;&#039;.) He published a paper &#039;&#039;On the Nabla of Quaternions&#039;&#039; in &#039;&#039;The Annals of Mathermatics&#039;&#039;, Vol 10, No. 1/6 (1895-1896). In 1912, he published a paper called &#039;&#039;One-Waveness in Wireless Telegraphy; Pseudo-Impact Excitation&#039;&#039; in &#039;&#039;Physical Review&#039;&#039; of May 1912. (&#039;&#039;Nabla&#039;&#039; is an early name for the &amp;quot;del&amp;quot; operator, symbolized by the inverted Greek letter Δ.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ray Ipsow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In Latin &#039;&#039;re ipso&#039;&#039; means &amp;quot;the thing itself.&amp;quot;  &amp;quot;To the thing itself&amp;quot; was the motto and rallying cry of the investigational method known as phenomenology [http://en.wikipedia.org/wiki/Phenomenology Wikipedia entry] developed by Edmund Husserl [http://en.wikipedia.org/wiki/Edmund_Husserl Wikipedia entry]. As the phrase indicates, it is a plea against abstraction--a theme of GR--- and for reality &#039;itself&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Outer Indianoplace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Derogatory nickname for Indianapolis.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;down in New Orleans . . . that Khartoum business&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Evidently two Chums of Chance books we didn&#039;t know about. Perhaps &#039;&#039;The Chums of Chance and the Voodoo Priest&#039;&#039; and &#039;&#039;The Chums of Chance and the Mussulman Hordes.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Khartoum... Mahdi&#039;s army&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Khartoum is the capital of Sudan. The Mahdi army refered to here was an Islamic group in the 1880s that advocated a return to strict Islamic values and battled with the government of Khartoum and Egyptian armies.More on these convoluted events at the [http://en.wikipedia.org/wiki/History_of_Sudan_(1884-1898) Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
The concept of the Mahdi is far beyond this one historic event, however.&lt;br /&gt;
In point of fact, the U.S. is fighting the [http://en.wikipedia.org/wiki/Mahdi_Army Mahdi Army] in Iraq right now.&lt;br /&gt;
&lt;br /&gt;
==Page 30==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;contrary wind . . . Oltre Giubba, instead of down at Alex&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Khartoum you fly north by west to Alexandria. That wind was about as contrary as it could be: from Khartoum to Oltre Giuba is south by east. Now called [http://www.jubaland.org/ Jubaland,] Oltre Giuba (just one B, please, this isn&#039;t &#039;&#039;Pagliacci&#039;&#039;) is [http://en.wikipedia.org/wiki/Oltre_Giuba the southwesternmost part of Somalia,] across the Juba River from the rest. Not to be confused with Juba province in southern Sudan.&lt;br /&gt;
:Oh, and the Oltre Giuba diversion must have taken place before &#039;&#039;Inconvenience&#039;&#039; was fitted with hydrogen steam power, else she could have flown against the wind.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;railroad watch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
High-quality pocket watch. [http://www.pockethorology.org/Railroad/Railroad.htm [pix and info]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The Palmer House&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A beautiful old Chicago hotel, still in operation. See [http://en.wikipedia.org/wiki/Palmer_House here].&lt;br /&gt;
&lt;br /&gt;
==Page 31==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scarsdale Vibe&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Scarsdale NY boasts that it&#039;s Westchester County&#039;s wealthiest community, so a &#039;Scarsdale vibe&#039; implies &#039;stinking of money&#039;. Vibe is another Pynchon baddie whose last name starts with &amp;quot;V&amp;quot;, &#039;&#039;e.g.&#039;&#039;, Brock Vond in &#039;&#039;Vineland.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The Juggernaut&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The name of Vibe&#039;s private train derives from the Sanskrit Jagannātha, meaning &amp;quot;Lord of the Universe&amp;quot;  one of the many names of Lord Krishna. &amp;quot;Krishna&amp;quot; itself means &amp;quot;black&amp;quot; or &amp;quot;dark&amp;quot; skinned.   British colonial &amp;quot;urban&amp;quot; legend had it that Hindus sought to be crushed under the wheels of giant cars in Krishna&#039;s &amp;quot;chariot procession&amp;quot; at Puri as a way of gaining salvation. [http://en.wikipedia.org/wiki/Juggernaut see the Wikipedia entry.]&lt;br /&gt;
&lt;br /&gt;
Capitalism has often been described as a juggernaut. One of numerous uses:&lt;br /&gt;
&amp;quot;Even as leaders of nation states compete for power and prestige, the juggernaut of capitalism diminishes borders, weakens governments and, eventually,&amp;quot; ...&lt;br /&gt;
http://www.southpacific.arts.unsw.edu.au/resources/resource_nissology.htm -&amp;lt;br&amp;gt; &lt;br /&gt;
:A leading sociologist, Anthony Giddens, is also responsible for the phrase, &amp;quot;the juggernaut of modernity&amp;quot;. See this incredibly relevant definition and analysis of this phrase: &amp;quot;The most defining property of modernity, according to Giddens, is &#039;&#039;&#039;that we are disembedded from time and space&#039;&#039;&#039;. In pre-modern societies, space was the area in which one moved, time was the experience one had while moving. In modern societies, however, the social space is no longer confined by the boundaries set by the space in which one moves. One can now imagine what other spaces look like, even if he has never been there. In this regard, Giddens talks about virtual space and virtual time. Another distinctive property of modernity lies in the field of knowledge. In pre-modern societies, it were the elders who possessed the knowledge: they were definable in time and space. In modern societies we must rely on expert systems. These are not present in time and space, but we must trust them. Even if we trust them, we know that something could go wrong: there&#039;s always a risk we have to take. Also the technologies which we use, and which transform constraints into means, hold risks. Consequently, there is always a heightened sense of uncertainty in contemporary societies. It is also in this regard that Giddens uses the image of a &#039;juggernaut&#039;: modernity is said to be like an unsteerable juggernaut traveling through space.&amp;quot; Wikipedia [[http://www.en.wikipedia.org/wiki/Anthony_Giddens]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;in disguise . . . bodyguards and secretaries . . . ebony stick&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Some great disguise!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;establishment defined by State, Monroe, and Wabash&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
aka, The Palmer House (see note on previous page above). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Foley Walker&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Foley walker&amp;quot; is a term used to indicate a sound-effects expert. Also known as a foley artist [http://www.natf.org/wad/foley.htm [cite]]. One of the foley walker&#039;s main jobs is to add the sound of footsteps to movies where required, imitating the way the character would walk. So, a kind of &#039;stand-in&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Forty-seventh and Ashland&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[[image:47th-Ashland.jpg|right|thumb|caption|47th &amp;amp; Ashland Avenue, 1935| 200px]][...] First, the story [...] about Ashland being named for the ashes of the Great Chicago Fire is an urban legend. Ashland Avenue, first known as Reuben Street, was already developed before the fire and was considered the height of suburban living on the West Side in the 1860s. &lt;br /&gt;
[http://www.gapersblock.com/airbags/archives/ashland_the_great_fire_and_the_ruins_of_chicago/ [cite]]  [...] The spread of movie palaces in the automobile age presaged the spread of commercial buildings from the Loop to the neighborhoods and suburbs. By 1930, Marshall Field &amp;amp; Co. had created smaller versions of its downtown store in Evanston and Oak Park, while neighborhood retailers like Goldblatt&#039;s and Wieboldt&#039;s were moving downtown. Chicago developed regional shopping districts at 47th and Ashland, 63rd and Halsted, Irving Park and Pulaski, and many other locations. Certain areas catered to specialized industries, such as “Automobile Row” on South Michigan Avenue, or the Maxwell Street Market, an open-air European-style market that resisted every effort at modernization until its destruction in the 1990s. [...]&lt;br /&gt;
[http://www.encyclopedia.chicagohistory.org/pages/316.html [cite]]&lt;br /&gt;
&lt;br /&gt;
==Page 32==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Second Corinthians&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This exchange between Vibe and Ipsow refers specifically to 2 Corinthians 11:19 -- For ye suffer fools gladly, seeing ye yourselves are wise. &lt;br /&gt;
[http://www.kingjamesversionofthebible.com/47-secondcorinthians.html [cite]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ipsow&#039;s response to S. Vibe on lines 21-23( ...in these days need arises directly from criminal acts of the rich)&#039;&#039;&#039; can be seen as a direct paraphrase of Ch. 5 of the book of James: &lt;br /&gt;
Now listen you rich.. you have hoarded wealth in the last days. Look!  the wages you failed to pay the workers who mowed your fields cry out against you... you have lived in luxury and fattened yourself in the day of slaughter. You have condemned and killed innocent men ... James 5&lt;br /&gt;
&lt;br /&gt;
==Page 33==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Old Zip Coon&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Old Zip Coon&amp;quot; dates from as early as 1834 and is considered the original name for the 19th-century American folk song, &#039;Turkey in the Straw&#039;. [[Old Zip Coon | lyrics]] [http://en.wikipedia.org/wiki/Turkey_in_the_Straw Wikipedia]  See also [http://www.stephen-foster-songs.de/Amsong59.htm] and [http://www.csufresno.edu:80/folklore/ballads/RJ19258.html].&amp;lt;br&amp;gt;&lt;br /&gt;
The word &amp;quot;coon&amp;quot; may originate in America as a derogatory name for a Negro, but it was current in England too (therefore not &amp;quot;for an African-American&amp;quot;). For other occurrences of the word, with show business associations in every case, see text and annotations: [[#Page_48|page 48]], [[ATD_336-357#Page_344|page 344]], [[ATD_358-373#Page_369|page 369]] and [[ATD_397-428#Page 424|page 424.]]&lt;br /&gt;
:In this contributor&#039;s boyhood, a brand of chewing tobacco heavily advertised on East Tennessee radio and television used the tune in its jingle, with lyrics close to:&lt;br /&gt;
&amp;lt;blockquote&amp;gt;If you like a spicy taste&amp;lt;br&amp;gt;&lt;br /&gt;
Every morning, night and noon,&amp;lt;br&amp;gt;&lt;br /&gt;
Then you&#039;re bound to like the taste&amp;lt;br&amp;gt;&lt;br /&gt;
When you chew Red Coon.&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
:The package at this time portrayed a raccoon, but it&#039;s possible a different image had come before.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Tesla&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Nikola Tesla (1856-1943), American inventor. He was born in Croatia of Serbian parents. He studied at Graz (Austria), Prague and Paris. He discovered (1881) principle of rotating magnetic field, basis of practically all alternating-current (AC) machinery.  Between 1882-1884 he was an engineer in Paris (1882-84) and constructed his first induction motor (1883). He emigrated to the United States (1884, naturalized in 1889). Worked for Thmoas Edison (1884-85) but left the Edison Works at Menlo Park (Edison opposed to AC idea) to concentrate on his own inventions, which include improved dynamos, transformers, electric bulbs, wireless communication (1897) and the high-frequency coil which bears his name. (Cf [[ATD_97-118#Page_97|page 97]] and [http://en.wikipedia.org/wiki/Nikola_Tesla Tesla].)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;rewrite&amp;quot;&amp;gt;&#039;&#039;&#039;violate . . . the essence of everything modern history is supposed to be&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Notice what he &#039;&#039;doesn&#039;t&#039;&#039; say: the principles of the free market, the essence of the capitalist economic system. As if modern history has already been written and such research would somehow undermine it.&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sloane Lab&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Completed in 1912, was the gift of Henry T. Sloane, BA 1866, and William D. Sloane, MA HON. 1889. Of Longmeadow stone, it is Collegiate Gothic in style. Charles C. Haight was the architect. (An underground addition was constructed in 1958 to house a Van de Graaff machine-now removed. The John A. Hartford Foundation, Inc., and the U.S. Public Health Service financed it. Sloane Lab was the first University constructed on the Hillhouse Estate (less the three acres adjoining Sachem’s Wood). The property was a gift in 1910 of Mrs. Russell Sage, and called Pierson Sage Square. The University had wanted to acquire the land to develop into a turn-of-the-century “science park”. The well-known landscape architect, Frederick Law Olmstead advised in the land’s development. [217 Prospect Street] &lt;br /&gt;
[http://www.facilities.yale.edu/campus/Building1.asp?lstBldg=1075 [cite]] and [http://www.facilities.yale.edu/images/BFS/1075.jpg [photo]].&lt;br /&gt;
 &lt;br /&gt;
Interestingly, Frederick Law Olmstead was also pivital in the development of the grounds for the 1893 Columbian Exposition in Chicago.  His famous &amp;quot;Wooded Isle&amp;quot; remains a centerpiece in Chicago&#039;s Jackson Park. [http://www.hydepark.org/parks/jpac/jpkhistoryandfair.htm [link]] and &lt;br /&gt;
[http://www.hydepark.org/parks/pics/laggen4.JPG [photo]].&lt;br /&gt;
&lt;br /&gt;
For a more detailed account of Olmstead&#039;s landscape architecture as it relates to the 1893 World&#039;s Fair, see Erik Larson&#039;s &#039;&#039;The Devil in the White City&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
:These would be anachronistic, but as the note for p29 above mentions, a lab existed by 1882.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-System&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Dr. Tesla&#039;s idea of providing electrical power that anyone could tap in for free alludes the birth of wireless internet before being monopolized by b(p)ig companies and corporate greed.&lt;br /&gt;
&lt;br /&gt;
==Page 34==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the most terrible weapon the world has seen . . . rational systems of control&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This statement defines the threat—as the plutocrats see it—of free power (anarchy) and their justification for bending government and every other compelling force to stamp it out.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;out of the fish-market anarchy of all battling all&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Vibe quotes Thomas Hobbes, who in &#039;&#039;Leviathan&#039;&#039; (1651) described the primitive state of the human race as &#039;&#039;bellum omnium contra omnes,&#039;&#039; the war of all against all, which was ended only by the creation of the State. Note the change of &amp;quot;war&amp;quot; to &amp;quot;anarchy.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pierpont&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
John Pierpont Morgan I (April 17, 1837 – March 31, 1913) was an American financier and banker, who dominated corporate finance and industrial consolidation.&lt;br /&gt;
[...]&lt;br /&gt;
In 1900, Morgan financed inventor Nikola Tesla and his Wardenclyffe Tower with $150,000 for experiments in radio. Tesla was unsuccessful and, in 1904, Morgan pulled out. Later, Tesla created an AC generator&lt;br /&gt;
[http://en.wikipedia.org/wiki/J._P._Morgan [cite]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;his arrangement with Edison&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tesla and Edison were essentially enemies, both jockeying for position in the world of electricity. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;non-linear phenomena of scale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Linear scaling means, for example, store twice as much charge, get twice as much voltage. An instance of behavior becoming nonlinear is when air insulation breaks down (arcs, lightning); here adding charge may lead to a &#039;&#039;decrease&#039;&#039; in voltage.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Somble, Strool &amp;amp; Fleshway&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Law firms in Pynchon have such charming names; compare Salitieri, Poore, Nash, de Brutus, and Short in [http://gravitys-rainbow.pynchonwiki.com/wiki/ &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] or Warpe, Wistfull, Kubitschek and McMingus in [http://cl49.pynchonwiki.com/wiki/ &#039;&#039;The Crying of Lot 49&#039;&#039;].  This one has more of a Dickensian sound. Somble could be a portmanteau of &#039;&#039;somber&#039;&#039; and &#039;&#039;tremble&#039;&#039; or &#039;&#039;some bull&#039;&#039;;   Strool, perhaps, of &#039;&#039;strait&#039;&#039; (= narrow) and &#039;&#039;cruel,&#039;&#039; or &#039;&#039;stool&#039;&#039; and &#039;&#039;drool&#039;&#039;.  &amp;quot;Fleshway&amp;quot; might suggest a reference to Samuel Butler&#039;s &#039;&#039;The Way of All Flesh,&#039;&#039; which was not published until 1903, but it seems more likely to go back to [http://www.gracecathedral.org/enrichment/brush_excerpts/brush_20041027.shtml a biblical phrase] associated with death.&lt;br /&gt;
&lt;br /&gt;
Using the onomatapeia technique such as in the &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; law firm, we start to get &#039;Some Bull, is (&#039;t) Drool And.......Help needed!  How about &amp;quot;some bull&#039;s strool and fleshway.&amp;quot;  Strool being the portmanteau of stool and drool, and fleshway being the meaty part of the flushway (g.i. tract, anus) -- you know, something like bullshit with the consitency of diarrhea.&lt;br /&gt;
&lt;br /&gt;
Incidentally, Strool is an actual surname as well as the name of a town in South Dakota.&lt;br /&gt;
&lt;br /&gt;
By the way, Thomas Hobbes&#039; &#039;&#039;Leviathan&#039;&#039; (see &amp;quot;all against all&amp;quot; entry toward the top of this page) is also the source of Salitieri et al. (&amp;quot;solitary, poor, nasty, brutish and short,&amp;quot; describing the life of human beings in their primitive state).&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vestiary&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of, or relating to, clothing.&lt;br /&gt;
&lt;br /&gt;
==Page 36==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Fairgoers would see the ship overhead and yet not see it&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Useful property for a surveillance platform. And a perfect description of the [http://en.wikipedia.org/wiki/Panopticon Panopticon], which is a prison design in which prisoners can see the tower watching them but never know exactly when they&#039;re being watched. Michel Foucault discusses this in his book &#039;&#039;Discipline and Punish&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ferris Wheel&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Debuted at the Fair. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lew Basnight&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Bas&amp;quot; is French for &amp;quot;low&amp;quot;, though &amp;quot;bas nuit&amp;quot; means nothing in French.&lt;br /&gt;
&lt;br /&gt;
A detective named &#039;Lew&#039; reminds us (who is &amp;quot;us&amp;quot;?) of Ross Macdonald&#039;s character Lew Archer which in turn recalls another detective, Miles Archer, partner of Sam Spade in San Francisco detective agency Spade &amp;amp; Archer. This may be a bad pun on &#039;lube-ass night&#039; and also might refer to the incident causing Lew to be shunned by his peers.&lt;br /&gt;
&lt;br /&gt;
[[image:beaver-on-the-brain.jpg|thumb|Beaver on the Brain T-Shirt|right]]Very possibly, Pynchon is having some fun here, working a whole sexual angle, naming his character after the phrase &amp;quot;BAS night,&amp;quot; meaning a boys&#039; night out, &amp;quot;BAS&amp;quot; being an acronym for &amp;quot;Bitches Ain&#039;t Shit&amp;quot; from the [http://www.azlyrics.com/lyrics/drdre/bitchesaintshit.html &amp;quot;song&amp;quot; by Dr. Dre] (featuring Snoop Dogg, Dat Nigga Daz, Kurupt, Jewel). And, hey, Lew meets Nicholas Nookshaft, Grand Cohen of T.W.I.T. (Nookie Shaft? Twat crossed w/clit? A-and isn&#039;t that tetractys an inverted beaver?), where he meets Yashmeen, a &#039;&#039;very&#039;&#039; sexual woman. And then there&#039;s that whole &amp;quot;Beavers of the Brain&amp;quot; cyclomite episode ([[ATD 171-198#Page 183|p. 183]]) (Beavers, fercrissakes!). Perhaps something worth following up ... or not!&lt;br /&gt;
&lt;br /&gt;
It is possible Basnight is an Americanization of the German &amp;quot;Fasnacht&amp;quot;. &amp;quot;Fastnacht or Fasnacht is the pre-Lenten carnival in Alemannic folklore in Switzerland, southern Germany, Alsace and western Austria. It is also known in parts of Pennsylvania Dutch Country as Fauschnaut Day and is celebrated on the day before Ash Wednesday, or the last Tuesday before Lent.&amp;quot; [http://en.wikipedia.org/wiki/Fasnacht] &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A likely derivation is from PIE pwo- &amp;quot;purify&amp;quot; (cognate to pava-mana), or alternatively connected with Middle High German vaselen &amp;quot;prosper, bud&amp;quot; and interpreted as a fertility rite.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fasnacht Day is known in English as Shrove Tuesday. &amp;quot;The word shrove is a past tense of the English verb &amp;quot;shrive,&amp;quot; which means to obtain absolution for one&#039;s sins by confessing and doing penance.&amp;quot; [http://en.wikipedia.org/wiki/Shrove_Tuesday] All of this seems to tally well with the Basnight character.&lt;br /&gt;
&lt;br /&gt;
Another pun theory: on page 38, Lew is described as being in an ignorance &amp;quot;black as night.&amp;quot;  This can be abbreviated to &amp;quot;Basnight.&amp;quot; &lt;br /&gt;
Lew is pronounced &amp;quot;loo,&amp;quot; which of course is the British toilet.&lt;br /&gt;
Lew Basnight then means, &amp;quot;toilet, black as night.&amp;quot;  Just a thought...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;White City Investigations&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Since the White City dates from 01 May 1893, this ought to be later.&lt;br /&gt;
&lt;br /&gt;
The name recalls the White Visitation of [http://gravitys-rainbow.pynchonwiki.com/wiki/ &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. Any connection?&lt;br /&gt;
&lt;br /&gt;
==Page 37==&lt;br /&gt;
&#039;&#039;&#039;fictitiousness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
On this and the previous page, there is a question raised of whether the Chums are fictional. Or it could be saying that such fantastical sights as the airship are easy to miss at the fair. &lt;br /&gt;
&lt;br /&gt;
It seems more likely that the comparison here is simply between that of the fair, a small, self-contained world of marvels (like all World&#039;s Fairs) and the &amp;quot;real world&amp;quot; outside its gates.&lt;br /&gt;
&lt;br /&gt;
There is lots more going on (and it&#039;s &#039;&#039;lots&#039;&#039; more interesting). Consider these passages on pages 36-37:&lt;br /&gt;
*the . . . celebration possessed the exact degree of fictitiousness to permit the boys access and agency&lt;br /&gt;
*The harsh nonfictional world waited outside the White City&#039;s limits&lt;br /&gt;
*he (Lew) had not . . . heard of the Chums of Chance&lt;br /&gt;
*every boy knows the Chums of Chance&lt;br /&gt;
*you&#039;re not storybook characters. . . . Are you?&lt;br /&gt;
Too much back-and-forth about fiction to be &#039;&#039;&#039;just&#039;&#039;&#039; about the exposition and the real world. Some premises that are implicit here:&lt;br /&gt;
*The Chums know that they live in literature whether they have a &amp;quot;real&amp;quot; existence or not.&lt;br /&gt;
*They know their books are popular with an audience of boys. (Lindsay is surprised that Lew didn&#039;t read them earlier, not that he isn&#039;t reading them now.)&lt;br /&gt;
*Lew doesn&#039;t regard objective evidence (they are standing before him, he&#039;s ascended in their ship) as sufficient to rule out ambiguity (&amp;quot;. . . Are you?&amp;quot;).&lt;br /&gt;
*The lads are able to experience and act only in a quasi-fictitious environment. Off the fairgrounds (in the WCI office), Randolph gives nothing but answers scripted for him by National.&lt;br /&gt;
All this suggests that even the Chums aren&#039;t sure on what level they exist. They definitely have adventures, as recorded in their books, but they don&#039;t seem to have adventures &#039;&#039;not&#039;&#039; contained in the novels.&lt;br /&gt;
What will happen if they come to the end of a &#039;&#039;Chums&#039;&#039; book while we are still reading &#039;&#039;AtD&#039;&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;No more than Wyatt Earp or Nellie Bly&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See the next two entries. Earp had a &amp;quot;real&amp;quot; life but people remember him chiefly because of stories written about him (and by him through ghostwriters, [http://baseportal.com/cgi-bin/baseportal.pl?htx=/zpub2000/sfentries&amp;amp;cmd=list&amp;amp;range=0,50&amp;amp;Title~=E&amp;amp;cmd=all&amp;amp;Id=98 link 1], [http://www.ferncanyonpress.com/tombston/robbery.shtml link 2]). Bly entertained masses of people by having adventures and then writing about them. Each &amp;quot;lived&amp;quot; through a body of literature.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wyatt Earp&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(1848–1929), was a teamster, sometime buffalo hunter, officer of the law in various Western frontier towns, gambler, and saloon-keeper in the Wild West and the U.S. mining frontier from California to Alaska. He is best known for his participation in the Gunfight at the O.K. Corral. [http://en.wikipedia.org/wiki/Wyatt_Earp Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nellie Bly&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(1864-1922) was an American journalist, author, industrialist, and charity worker. She is most famous for an undercover exposé in which she faked insanity to study a mental institution from within. She is also well-known for her record-breaking trip around the world. [http://en.wikipedia.org/wiki/Nellie_Bly Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Regarding Lew Basnight&#039;s malady...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Again, there seems to be a character with a neurological illness; in this case it is presented as amnesia, but seizures also result in &amp;quot;lost time&amp;quot;. (See comments on Miles&#039; &amp;quot;electricity coming on&amp;quot; on page 24.) Such maladies are more common than one supposes, and can offer a glimpse of other-worldliness akin to that of hallucinogenics, and epileptics have, at times, been considered to have access to past or future lives.&lt;br /&gt;
:OR it could be the case that Lew has fallen through a crack in time-space and entered a parallel universe; in the previous universe (which he simply remembers as the past), he had not done anything wrong, which explains his perplexity.  The same might be the case with Miles, which would be why he did not expect baskets of crockery near his feet.  Such moving among worlds is a thread in this work.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;making a point of pronouncing his name disrespectfully&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The only way it could be done is, apparently, by saying Lube Ass Night. Well, that or tone of voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Upstate-Downstate Beast&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Illinois is one of three states with an Upstate, though one of them doesn&#039;t use the term Downstate (South Carolina divides itself into Upstate and Lowcountry). The nickname points to a traveling man, perhaps. &amp;quot;Moral horror,&amp;quot; &amp;quot;denounced,&amp;quot; &amp;quot;revulsion&amp;quot; probably fit with many crimes, though most of those would have led to a prison sentence and we don&#039;t have any information of Lew&#039;s serving time.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Although the longer a fellow&#039;s name has been in the magazines, the harder it is to tell fiction from non-fiction.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
May express Pynchon&#039;s reaction to the press&#039; treatment of him over the years. In 1964, when Pynchon heard that the &#039;&#039;New York Herald Tribune&#039;&#039; was writing an article about him, Pynchon wrote to his agent that he assumed the piece &amp;quot;will be riddled with the same lies, calumnies and all-around knavish disregard for my privacy&amp;quot; as previous articles. (&amp;quot;Pynchon&#039;s Letters Nudge His Mask,&amp;quot; &#039;&#039;New York Times,&#039;&#039; 4 Mar 1998).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wensleydale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A type of cheese made in Yorkshire, England.&lt;br /&gt;
&lt;br /&gt;
==Page 38==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;You have destroyed your name.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Wensleydale using very strong language. He doesn&#039;t say &amp;quot;destroyed your reputation&amp;quot; or &amp;quot;discredited your name&amp;quot; but &amp;quot;&#039;&#039;destroyed&#039;&#039; your name.&amp;quot; Does anyone else see this as suggesting Lew&#039;s name was not Lew Basnight before his sin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to plead with him to come back&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A strange response, that Troth should ask the Upstate-Downstate Beast to return to her. You would think she&#039;d prefer him as far away as he could get.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;one of your other wives&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A direct reference to Lew&#039;s sin, or is Troth just pelting Lew with anything that&#039;s in reach?&lt;br /&gt;
&lt;br /&gt;
==Page 39==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;kazoos&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This silly instrument appears in several Pynchon novels.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;slow ritual movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Maybe tai chi, or anachronistic Gurdjieffian dance?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Drave&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A noun meaning, according to the OED, a &amp;quot;fishing expedition in which several men take part, each supplying a net and receiving a share of the profits made. Later, A haul (of fish); also, a shoal.&amp;quot; There is also a [http://en.wikipedia.org/wiki/Drave Drave river] in south central Europe, though there seems to be no textual evidence to support this association.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Saratoga chips&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Potato chips were invented in Saratoga Springs, NY, and were often called Saratoga chips in the 19th century.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Esthonia Hotel&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
How the country Estonia was spelled in English during the 18th and early 19th centuries.&lt;br /&gt;
&lt;br /&gt;
Atonia is a lack of normal muscle tension, but also, &amp;quot;A frightening form of paralysis that occurs when a person suddenly finds himself or herself unable to move for a few minutes, most often upon falling asleep or waking up. Commonly called sleep paralysis, the condition is due to an ill-timed disconnection between the brain and the body.&amp;quot; [http://www.medterms.com/script/main/art.asp?articlekey=9811 Definition] This could mean that the hotel in question is nothing more than an internal hallucination of Basnight&#039;s, further suggesting that his problem is one of neurological rather than simply moral or spiritual cause.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;liable for criminal penalties&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Law and the legal profession so far appear in AtD more than any other Pynchon novel (perhaps save &#039;&#039;The Crying of Lot 49&#039;&#039;), and so far, like here, in a negative or confusing light. Perhaps Pynchon sees law as part of the general establishment the novel seems to criticize/oppose.--(&amp;quot;Seems to?&amp;quot; Is there some way in which, in the end, that this novel is SUPPORTING the &amp;quot;general establishment?&amp;quot; That would be an interesting hypothesis.)&lt;br /&gt;
&lt;br /&gt;
==Page 40==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lofty regions no high-iron pioneer had yet dared&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Wainwright_Building In the early 1890s] anything taller than about 10 stories would have qualified.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;remembrance stick&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Similar to keisaku in Zen Buddhism, an attempt by a sensei to alert students to their mindlessness in zazen (sitting meditation), usually administered by a stick. An English translation is stick of compassion. [http://en.wikipedia.org/wiki/Kyosaku [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
Lew&#039;s performance of commonplace and strange chores is also similar to the way Zen training can proceed for novitiates.&lt;br /&gt;
&lt;br /&gt;
==Page 41==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;you keep bouncing free. Avoiding penance and thereby definition&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is hard to tie Drave down philosophically. No connection between sin and penance, penance as destiny, penance happens or doesn&#039;t, and now this idea that penance &#039;&#039;defines&#039;&#039; one&#039;s existence.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Delirium literally means going out of a furrow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Drave is right. Here&#039;s the [http://www.etymonline.com/index.php?search=delirium&amp;amp;searchmode=none etymology of the word].&lt;br /&gt;
&lt;br /&gt;
==Page 42==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Spring arrived&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
We&#039;ve seen Lew pretty well through a year: summertime (p. 38) when Troth followed him to Chicago, autumn (p. 40) when he checked in at the Esthonia, winter (p. 41) as his bank account starved, now in the spring his moment of grace.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a condition he had no memory of having sought, which he later came to think of as grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;grace&amp;quot; is the last word of this novel. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scorcher cap&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The cap of an early bicycling enthusiast. According to [http://www.velorution.biz/?p=1288 this site]: &lt;br /&gt;
&lt;br /&gt;
:&amp;quot;In […]1892 [… a] bicyclist to be considered genuine had to be dressed in bicycle clothes. A man had to wear bicycle pants which were baggy at the top and tight to the legs below. Then he had to have bicycle socks and shoes. The shoes were made of canvass. Then he had to have a loose fitting grey colored short which we would designate now as a sport shirt. Then on his head he had to wear a tight fitting cap with a long bill in front, the longer the better up to a certain ceiling length. With this outfit and a bicycle with drop handlebars he was ready to appear in public as a real cyclist. If he could make 20 miles an hour on a good track he was called a &#039;scorcher,&#039; the idea being that he was going so fast that he would scorch at least the end of his nose if nothing else.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shirtwaists with huge shoulders&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[[image:shirtwaist.jpg|thumb|caption|Shirtwaists|150px|right]]Fashionable the year of the Fair, the shirtwaist is a dress with a bodice (waist) like a tailored shirt and an attached straight or full skirt, the huge shoulders being the sort of &amp;quot;puffy&amp;quot; look of the sleeves. They are now called blouses. Compare Chevrolette McAdoo&#039;s outfit, [[ATD_26-56#Page 26|p. 26]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;He understood that things were exactly what they were.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This sentence sums up the entire experience at the Esthonia hotel, which seems to be a Zen-like initiation. Here, Lew Basnight seems to have attained some form of enlightenment, and the description (&amp;quot;a condition...which he later came to think of as grace&amp;quot;), along with this sentence, are almost textbook examples of Zen enlightenment. No lights flash, no changes are seen; one merely understands that things are what they are. After this experience, he leaves the hotel, and no longer needs to be there. He then embarks on his new career, in part because of his extreme ability to notice minute details; something that he was not said to have had before.&lt;br /&gt;
:The sentence can also serve as a guide to readers of &#039;&#039;AtD.&#039;&#039; Even when it is tempting to speculate that &amp;quot;this paragraph is about Richard Nixon&amp;quot; or protest that &amp;quot;you can&#039;t see Sirius on a summer evening,&amp;quot; it is worth the effort to let the text mean what it means.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;descended to the sidewalk&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Most of the public trains in Chicago are above street level. They are &#039;&#039;elevated&#039;&#039;, which is why even today the train is called [http://en.wikipedia.org/wiki/Chicago_L &amp;quot;the L&amp;quot; or &amp;quot;the El.&amp;quot;] Here&#039;s a good [http://www.cera-chicago.org/images/a001_Chicago_L_tn.jpg picture].&lt;br /&gt;
&lt;br /&gt;
==Page 43==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;transfigured&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In Lew&#039;s time of grace, he shows a changed face.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;leisurely rips through the fabric of the day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See below&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;working for the Eye&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
aka, working for the Pinkertons, whose logo was [http://upload.wikimedia.org/wikipedia/commons/c/c4/We_never_sleep.jpg an eye].&lt;br /&gt;
&lt;br /&gt;
==Page 44==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;He had learned to step to the side of the day.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Through the book there are juxtapositions of things with and against the day (the &#039;title motif&#039;). Here, we are told that Lew has learned to step &amp;quot;to the side&amp;quot; of the day.  Possibly he is able to enter another plane?  This is possible considering the dream-like hotel sequence on previous pages.&lt;br /&gt;
:I think that the &amp;quot;other plane&amp;quot; interpretation is a bit of a stretch.  The passage seems to imply that Lew has learned to will and maintain a degree of detachment from his surroundings, perhaps a relinquishment of his perceived control over events or his attempts to control them.&lt;br /&gt;
: -- I don&#039;t see it as a stretch if we accept that he now recognizes that there are alternate, parallel, universes.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;it was apparently not as easy for anyone in &amp;quot;Chicago&amp;quot; to be that certain of his whereabouts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quotes here may be to distinguish the fact that while technically living in Chicago, Lew sometimes exists or moves within a place or plane that others also living there don&#039;t see, or have access to.&lt;br /&gt;
:Yes, or universes rather than planes.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Not exactly invisibility. Excursion.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Excursion is from the Latin roots &amp;quot;ex&amp;quot; (out, outside) and &amp;quot;currere&amp;quot; (to run). Pynchon doesn&#039;t mean &amp;quot;excursion&amp;quot; in the current sense of &amp;quot;outing,&amp;quot; but in this archaic sense of &amp;quot;running outside&amp;quot; or &amp;quot;traveling alongside&amp;quot; the real world in the parallel universe of the book&#039;s fiction.&lt;br /&gt;
&lt;br /&gt;
==Page 45==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two-headed eagle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
As Holy Roman Emperor, the Austro-Hungarian emperor bore a two-headed eagle (each head crowned) as part of his arms. The Tsar of Russia also used a two-headed eagle, but it was triply crowned (one crown between the heads). The Serbian two-headed eagle appeared on a shield with one crown above it, and the Montenegrin one had a single crown between the heads. Other details of the envelope would serve to disambiguate.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Trabants&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Trabanten&amp;quot; (German for &#039;satellites&#039;) originally - during the Thirty Years&#039; War - were lightly armed foot soldiers; later this term was used for servants and/or bodyguards of high-ranking persons.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;have a lawyer explain civil liability to you&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Again, law.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;gumshoe&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Perhaps a bit too early to use this term; the Dictionary of American Slang dates it as &amp;quot;by 1906&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a couple a thousand hunkies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Hunkies&amp;quot; was a slur against Hungarians and other eastern Europeans. The word may have morphed into &amp;quot;honkies.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Francis Ferdinand&#039;&#039;&#039;[[Image:FranzFerdinand.jpg|thumb|Archduke Franz Ferdinand|right]]&amp;lt;br&amp;gt;&lt;br /&gt;
This is indeed the same Franz Ferdinand whose assassination in 1914 triggered World War I. At the time of his appearance in &#039;&#039;AtD&#039;&#039;, he would have been 30, and his two passions throughout young adulthood and his 20s were travel and hunting (it is estimated that he shot more than 5,000 deer in his lifetime). [http://en.wikipedia.org/wiki/Archduke_Franz_Ferdinand_of_Austria Wikipedia entry]. He did indeed attend the Chicago Exposition. [http://columbus.iit.edu/bookfair/ch27.html]&lt;br /&gt;
&lt;br /&gt;
Click for [[The Habsburgs in Against the Day]]...&lt;br /&gt;
&lt;br /&gt;
See the annotation about Austria-Hungary on the next page.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shive artist&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Someone proficient with a knife (shive=knife or razor).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to rewrite history&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hold on, &#039;&#039;&#039;re&#039;&#039;&#039;write? As Vibe did on [[#rewrite|page 33,]] Privett seems to reason that history has already been decided and some action would change it rather than generate a valid new history.&lt;br /&gt;
&lt;br /&gt;
==Page 46==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;staff,&amp;quot; a mixture of plaster and hemp fibers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://users.vnet.net/schulman/Columbian/columbian.html One source] says it was jute, not hemp.&lt;br /&gt;
&lt;br /&gt;
According to [http://www.buildingstonemagazine.com/summer-06/historic.html &#039;&#039;Building Stone&#039;&#039; magazine,] the buildings were meant to be painted in bright colors, but the Chicago climate put the kibosh on that. Even keeping them white called for continuous repainting. &lt;br /&gt;
&lt;br /&gt;
The Museum of Science and Industry is the only structure surviving from the exposition. Built as the Palace of Fine Arts, it started out faced in staff but was later [http://www.aviewoncities.com/chicago/museumofscienceandindustry.htm rebuilt] to the original exterior design in limestone and marble.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to counterfeit some deathless white stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Most of the buildings constructed for the Fair were finished with white stucco. &lt;br /&gt;
Given the many references throughout &#039;&#039;AtD&#039;&#039; to &amp;quot;white&amp;quot; and &amp;quot;stones&amp;quot; to &#039;&#039;counterfeit&#039;&#039; a &#039;&#039;deathless&#039;&#039; white stone seems portentous.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;In Austria,&amp;quot; the Archduke was explaining, &amp;quot;. . . the Chicago Stockyards might possibly be rented out . . . for a weekend&#039;s amusement&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Pynchon continues his linking of the Stockyard killing-floor with the genocidal horrors of the 20th Century, it seems. See above.  Heidegger (sic) made this connection somewhere and [http://en.wikipedia.org/wiki/John_Maxwell_Coetzee J.M Coetze&#039;s] novel &#039;&#039;Elizabeth Costello&#039;&#039; uses it in a key chapter that was published separately.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;beaters who drive the animals toward the hunters . . . waiting to shoot them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Skillful use of ambiguity: waiting to shoot the animals or the beaters?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Hungarians occupy the lowest level of brute existence&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Even if the quote might be fictive, the Archduke&#039;s characterization is close to the point. Franz Ferdinand, a dour reactionary with aggressive ideas in foreign policy, had the reputation of an avowed Hungarophobe. The Compromise of 1867 created a dualistic Austro-Hungarian Monarchy, which the Archduke sought to transform in a &amp;quot;trialistic&amp;quot; way, giving an enivsioned southern Slav union of Croatia (which was united in a sub-confederation with Hungary), Bosnia and Dalmatia a status similar to that of the Kingdom of Hungary. Note how the Czechs, a population about twice as large as southwestern Slavs, were omitted from this scheme. The idea was evidently to weaken the Hungarian establishment, and recentralize power in Vienna. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mannlicher&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A double-barreled rifle designed by Ferdinand Ritter von Mannlicher. It is reported that Archduke Franz Ferdinand had several of these made special for him.&lt;br /&gt;
&lt;br /&gt;
Interestingly enough, the rifle is also mentioned in &#039;&#039;Green Hills of Africa&#039;&#039; and &#039;&#039;The Short Happy Life of Francis Macomber&#039;&#039; by Ernest Hemingway, who used it extensively on hunting.&lt;br /&gt;
&lt;br /&gt;
Franz was eventually assassinated in Sarajevo. Coincidentally (?), fellow assassinee JFK was initially claimed to have been a victim of Lee Harvey Oswald&#039;s Mannlicher rifle.&lt;br /&gt;
&lt;br /&gt;
==Page 47==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;K&amp;amp;K Special Security&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;K&amp;amp;K&amp;quot; stands for &amp;quot;Kaiserlich und Königlich,&amp;quot; German for &amp;quot;imperial and royal (kingly),&amp;quot; to indicate the Austrian two titles of the ruler of the Dual Monarchy: King of Hungary and Emperor of Austria. [http://en.wikipedia.org/wiki/Kaiserlich_und_königlich Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kuchenteigs-Verderbtheit&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This is not a German word as far as I know and most likely not even a degenerate Habsburg or one of his officers would have used it (but then I haven&#039;t read Franz Ferdinand&#039;s account of his travels...). Sounds more like some Babelfish machine translation of &amp;quot;pastry-depravity&amp;quot; to me. I wonder what the German translator will make of this. My guess is, s/he will not make a &amp;quot;typical German&amp;quot; combined noun out of it, but turn the phrase to be able to use an adverb like &amp;quot;mehlspeisennarrisch&amp;quot; instead  (what with in Austria and Bavaria there is a word for (mostly sweet) pastry: &amp;quot;Mehlspeise&amp;quot; (literally &amp;quot;flour-meal), and &amp;quot;narrisch&amp;quot; is Austrian/Viennese for being (slightly) mad). But then, of course, there might be a pun intended I as a bad english-speaker just dont get. Maybe via the pronounciation? Check out this [http://www.dict.cc/?s=Kuchenteigs-Verderbtheit dictionary], head for &amp;quot;continue searching&amp;quot; and press &amp;quot;voice output&amp;quot; - voila, thats what &amp;quot;Kuchenteigs-Verderbtheit&amp;quot; sounds like.&lt;br /&gt;
&lt;br /&gt;
The term probably is made up, but the meaning is more like &amp;quot;shameful addiction to cookie dough.&amp;quot; In the context of detectives, what may be happening here is this: The Austrians have heard the canard that American policemen are addicted to doughnuts, but they misunderstand both &#039;&#039;doughnut&#039;&#039; and &#039;&#039;addicted.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Another possibility: Austrians have read that American detectives will do anything for dough.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Boll Weevil Lounge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Boll_weevil The boll weevil], a destructive cotton pest, first arrived in America (via Mexico) in 1892, only one year before the opening section of ATD. It is a fitting name for a &amp;quot;Negro Bar&amp;quot; as the boll weevil is the subject of dozens of blues songs. The Boll Weevil Lounge might also be a reference to the famous Prohibition-era New York nightclub known as [http://en.wikipedia.org/wiki/Cotton_Club_(New_York_City) the Cotton Club]&lt;br /&gt;
&lt;br /&gt;
1893 is too soon for the songs and probably for the lounge too. Cotton was still king in the South; the big [http://en.wikipedia.org/wiki/Cotton_States_and_International_Exposition_%281895%29 Atlanta exposition] was two years in the future, and the economic dislocation had not properly begun. The boll weevil songs date from the teens-20s and later.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...the only place in Chicago a man could find a decent orange phosphate...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A reference to the modern stereotype that black people like orange soda, here called a phosphate.&lt;br /&gt;
&lt;br /&gt;
==Page 48==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wassermelone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Watermelon; another black stereotype...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;grip cars&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The lead cars in cable-car systems. [http://en.wikipedia.org/wiki/Chicago_City_Railway [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;deine Mutti&#039;&#039;, as you would say&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Franz Ferdinand is attempting to engage the patrons of the Boll Weevil Lounge in a game of &amp;quot;the dozens&amp;quot;, an insult contest in which opponents make fun of each other&#039;s mothers. &amp;quot;The dozens&amp;quot; has its origins in the New Orleans slave trade. As with the boll weevil, &amp;quot;the dozens&amp;quot; is closely associated with blues music. [http://en.wikipedia.org/wiki/The_dozens [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&amp;quot;yo mama&amp;quot; jokes also appear in &#039;&#039;Mason &amp;amp; Dixon&#039;&#039; (pg. 445) and &#039;&#039;Inherent Vice&#039;&#039; [http://inherent-vice.pynchonwiki.com/wiki/index.php?title=Chapter_10 (pg. 155)]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;one has to take the &#039;El&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The &amp;quot;EL&amp;quot; or the &amp;quot;L&amp;quot; is the nickname for the train system in downtown Chicago. Many of the train tracks are above the street--or &#039;&#039;&#039;EL&#039;&#039;&#039;evated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the World&#039;s Fair, not the World&#039;s Ugly&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A fairly sophisticated pun, if F.F.&#039;s English is so rudimentary.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...&#039;st los, Hund?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German for &amp;quot;&#039;s up, dog?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;All Pimps Look Alike to Me&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early rag by Ernest Hogan was entitled All Coons Look Alike to Me; &amp;quot;Hogan was evidently not the originator of the song&#039;s lyrics, having appropriated them after hearing a pianist in a Chicago salon playing a song titled &amp;quot;All Pimps Look Alike to Me&amp;quot;&amp;quot;. [http://en.wikipedia.org/wiki/Ernest_Hogan See this article.]&amp;lt;br&amp;gt;&lt;br /&gt;
For more &amp;quot;coon&amp;quot; references see text and annotations: [[#Page_33|page 33]], [[ATD_336-357#Page_344|page 344]], [[ATD_358-373#Page_369|page 369]] and especially [[ATD_397-428#Page 424|page 424]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scapegrace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Scoundrel.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;And when Franz Ferdinand pays, everybody pays!&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A remarkably concise and prophetic summary of the subsequent 20th century.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;keester&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Buttocks.&lt;br /&gt;
&amp;lt;ref&amp;gt;&amp;lt;references/&amp;gt;&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 49==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kinsley&#039;s&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A famous steakhouse at 105-107 Adams St. in downtown Chicago. The building was erected in 1885.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;At first Lew took it for a church&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This could be an allusion to the film, &#039;&#039;On The Waterfront&#039;&#039;, and a similar scene when Terry Malloy (Marlon Brando) is sent by Johnny Friendly and Co. to eavesdrop on a meeting being held in a church by  local priest Father Barry (Karl Malden) along with workers from the docks who are fed up with Friendly and the Mob, especially in light of a recent death.  Social themes of film seem apt as well. [http://en.wikipedia.org/wiki/On_the_waterfront].&lt;br /&gt;
&lt;br /&gt;
Karl Malden (Mladen Sekulovich)incidentally was a product of this milieu, born in Chicago in 1912 to a Serb steelworker father and Czech seamstress mother.  The Sekulovich family hails from Herzegovina.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welsbach mantles&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the most important advances in the history of lighting, the Welsbach mantle (for a period so ubiquitous it became more commonly known simply as &#039;gas mantle&#039;) was first sold commercially in 1892 and quickly spread throughout Europe. It remained an important part of street lighting until the widespread introduction of electric lighting in the early 1900s. [http://en.wikipedia.org/wiki/Gas_mantle Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Reverend Moss Gatlin&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A fictional character. Is he connected to Rev. Cherrycoke? They are both Reverends with strong political opinions and you can hear Pynchon&#039;s voice here very strong.&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Reverend Fr. John M. Corridan, the real-life counterpart of Father Barry in &#039;&#039;On The Waterfront&#039;&#039;.  [http://en.wikipedia.org/wiki/John_M._Corridan Wikipedia]&lt;br /&gt;
&lt;br /&gt;
Some real, or anyway nonfictional, anarchist preachers:&lt;br /&gt;
*[http://www.lewrockwell.com/rothbard/rothbard107.html Thomas Olney,] 17th-century Baptist anarchist who was influential in Rhode Island&lt;br /&gt;
*[http://www.loc.gov/catdir/description/hol055/96047023.html Rudolf Rocker] (1873-1958), nicknamed the &amp;quot;anarchist rabbi&amp;quot;&lt;br /&gt;
*[http://recollectionbooks.com/bleed/gallery/galleryindex.htm Ferdinand Domela Nieuwenhuis,] Dutch minister who came to anarchism in 1897&lt;br /&gt;
*[http://dwardmac.pitzer.edu/Anarchist_archives/critics/mckinley/chap4.html Albert Dahlquist and Joseph A. Wildman,] caught up in persecutions after the McKinley assassination (Dahlquist was nearly lynched; Wildman was tarred and feathered)&lt;br /&gt;
*[http://portland.indymedia.org/en/2004/10/301208.shtml Father Frank Morales,] participant in Portland anti-globalization demonstrations&lt;br /&gt;
*[http://www.deadanarchists.org/anton.html Hugh O. Pentecost,] who in 1889 was slated to address a meeting in commemoration of the Haymarket; Philadelphia authorities suppressed the gathering&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;fascinators&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hair adornments. [http://www.ribbonsandpearls.co.uk/catalogue/fascinators/fascinator_hair_accessories_intro.htm [pix]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bearing the insults of the day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See notes on [[ATD_26-56#Page_43|pages 43 and 44]] above.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the &#039;&#039;Workers&#039; Own Songbook&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Perhaps a forerunner to the [http://en.wikipedia.org/wiki/Little_Red_Songbook &#039;&#039;Little Red Songbook&#039;&#039;]?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Blake&#039;s Jerusalem&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The original lines From William Blake&#039;s poem are:&lt;br /&gt;
&lt;br /&gt;
I will not cease from mental fight,&amp;lt;br&amp;gt;&lt;br /&gt;
Nor shall my sword sleep in my hand&amp;lt;br&amp;gt;&lt;br /&gt;
Till we have built Jerusalem&amp;lt;br&amp;gt;&lt;br /&gt;
In England&#039;s green and pleasant land.&lt;br /&gt;
&lt;br /&gt;
The Hubert Parry mention is an apparent anachronism, as, according to [http://en.wikipedia.org/wiki/Jerusalem_%28hymn%29 Wikipedia], the hymn was composed in 1916.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Fierce as the winter&#039;s tempest . . . Death&#039;s for the bought and sold!&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This lyric does not come up in a Google search. It doesn&#039;t flow like any other lyric in Pynchon but reads like a rather good hymn text. No variations in the meter, no words broken for the sake of rhyme, no punctuation to show lengthened or chopped syllables. And yet thematically it is a seamless fit with the text around it. Are the lines original in &#039;&#039;AtD,&#039;&#039; or can their source be identified?&lt;br /&gt;
&lt;br /&gt;
==Page 50==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Picardy third&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The use of a major chord at the end of a musical section in a minor key. [http://en.wikipedia.org/wiki/Picardy_third Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 51==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;deadfalls&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Low points where refuse collects? Cf. Pynchon&#039;s story, Low-Lands?[http://www.thefreedictionary.com/deadfalls [def]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;prophesiers who had seen America as it might be in visions America&#039;s wardens could not tolerate&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Coupled with the cover blurb Pynchon wrote: &amp;quot;If it is not the world, it is what the world might be with a minor adjustment or two. According to some, this is one of the main purposes of fiction.&amp;quot; Could &#039;&#039;Against the Day&#039;&#039; be Pynchon&#039;s prophecy of a future America?&lt;br /&gt;
&lt;br /&gt;
[[image:we_never_sleep.jpg|thumb|175px|right]]&#039;&#039;&#039;The Unsleeping Eye&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Reference to Pinkerton&#039;s competing PI agency.  Pinkerton&#039;s National Detective Agency had a logo with an eye in the center, and below it read, &amp;quot;We Never Sleep.&amp;quot;  See also [[ATD_1-25#Page_13|page 13]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bay rum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A type of cologne or after-shave. [http://en.wikipedia.org/wiki/Bay_rum Wikipedia article]&lt;br /&gt;
&lt;br /&gt;
==Page 52==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Inconvenience&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lew Basnight&#039;s temporary presence on the airship may be the first clue as to why it&#039;s called &#039;&#039;Inconvenience&#039;&#039;. Perhaps his growing sympathy for the anarchists will lead to greater involvement by him, the Chums, or at least the book in portraying the anarchist movement, which is viewed as an inconvenience to the ruling classes. Pynchon may consider his novel&#039;s message, similarly, as an inconvenient truth about America&#039;s past, present or both.&lt;br /&gt;
&lt;br /&gt;
:I thought it was just a polysyllable that sounds stately but means the opposite.--[[User:Robot|Robot]] 13:18, 5 December 2006 (PST)&lt;br /&gt;
&lt;br /&gt;
In &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;, the willful reality of other people are referred to as inconveniences more than once.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the whiteness of the place nearly unbearable&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Causing an effect something like snow blindness.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;some weeks till the fair closes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
30 October 1893.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;our future&#039;s all a blank&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Whoever the Chums get their orders from, they have not received any new ones yet. They look ahead and see a blank page.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Freddie Turner&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Frederick Jackson Turner (1861 - 1932) was, with Charles A. Beard, the most influential American historian of the early 20th century. He is best known for &#039;&#039;The Significance of the Frontier in American History&#039;&#039;, an essay which describes his views on how the idea of the frontier shaped the American character, and how the frontier drove American history and America&#039;s westward expansion. Excerpt: &amp;quot;In this advance, the frontier is the outer edge of the wave &amp;amp;#151; the meeting point between savagery and civilization.&amp;quot;  &lt;br /&gt;
[http://www.fordham.edu/halsall/mod/1893turner.html eText here...]; [http://en.wikipedia.org/wiki/Frederick_Jackson_Turner Wikipedia]&lt;br /&gt;
&lt;br /&gt;
==Page 53==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Here&#039;s where the Trail comes to an end at last&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
With the advent of the railroad, the West changed dramatically. Chicago became the stockyards and slaughterhouse of America, and cowboys only funneled their cattle in that direction, no longer simply following them on the range or leading them to more local places of slaughter. The cowboy had become a cog in the wheel of a mechanism of death.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Blitz Instruments and Wackett Punches&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mentioned in 1911 Britannica article &#039;Slaughter-house&#039; [http://www.1911encyclopedia.org/Slaughter-house [etext]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;charabanc&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open-topped bus for tourists.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The frontier ends and disconnection begins&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Here, the free cowboy myth of Buffalo Bill&#039;s show is replaced by the grim reality of the stockyard worker.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cause and effect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A major theme in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;How the dickens do I know?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A possible reference to the novels of Charles Dickens, who critiques in such works as &#039;&#039;Hard Times&#039;&#039; (1854) the onset of urban decay, and the choked living and working conditions of the proletariat as the Industrial Revolution steams onward.&amp;lt;br&amp;gt;&lt;br /&gt;
Or it may just be a standard euphemism; polite speakers were enjoined not to name the Devil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hob-raising years&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hell-raising years; his early years. [http://www.thefreedictionary.com/hob Definition of &amp;quot;hob&amp;quot;.]&lt;br /&gt;
&lt;br /&gt;
==Page 54==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;where you knew you could stand and piss would flow two ways at once.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Professor is talking about growing up in Colorado, where the Continental Divide passes. On one side of the divide, rivers flow west into the Pacific; on the other, rivers flow east. Thus, it would be logical to suggest that, at the precise location of this divide, piss would indeed flow both east and west.&lt;br /&gt;
:For Easterners at least, it&#039;s a well-known tourist ritual to pee right on the line.&lt;br /&gt;
&lt;br /&gt;
The best place to do this, for tourists, is at Cache La Poudre Lake, headwaters of the Colorado River on Trail Ridge Road (US 34) in Rocky Mountain National Park—it is exactly on the Divide, and water exits to East and West, Atlantic and Pacific.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;into the control of potent operatives who did not wish him well&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describing Lew&#039;s movement now, but a few pages previously that of the stock at the slaughterhouse.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cheerfulness . . . a precarious commodity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The original narrator of the Chums passages has definitely been pushed aside now. They seem to be in a totally different book.&lt;br /&gt;
&lt;br /&gt;
==Page 55==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;. . . they continued in a fragmented reverie which, . . . often announced some change in the works&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Good to notice when the Chums get like this again: i.e. unfocused, depressed, without direction, it may lead to patterns in the plot.&lt;br /&gt;
:No Fair, no orders, no adventures: The Chums are between books!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bear east&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
As if on the Continental Divide (see note on previous page above), Lew goes West and the Chums go East. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Speculation began to fill the day.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See note on [[ATD_26-56#Page_43|pages 43 and 44]] above.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the ill-famed Hawk&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In deepening autumn it is &#039;&#039;rehearsing&#039;&#039; &amp;quot;swift descent, merciless assault, rapture of souls&amp;quot;; at the end of the passage &amp;quot;the temperature head[s] down.&amp;quot; The Hawk appears to be a metaphor for winter or its storms. &amp;lt;br&amp;gt;([http://www.barrypopik.com/index.php/new_york_city/entry/the_hawk/ possible definition?])&amp;lt;br&amp;gt;&lt;br /&gt;
:That is pretty conclusive. &#039;&#039;Hawk&#039;&#039; an established and documented metaphor for the winter wind.&lt;br /&gt;
The Hawk is also one of the ubiquitous birds of prey in ATD. The words showing its lethal effect and the drop in temperature are Pynchon themes&lt;br /&gt;
for evil. Evil comes from the lands of low temperatures. See GR.&lt;br /&gt;
&lt;br /&gt;
In addition to these meanings, TRP also demonstrates local knowledge here, as the Hawk is the name of a specific wind in Chicago. The Hawk is the name of a northeast wind, one that comes off Lake Michigan usually in the spring. A meteorologist will tell you that a northeast wind is somewhat unusual, contrary to (or against) the prevailing winds that generally come from the west. The effects of the Hawk can be seen at Wrigley Field in Chicago, where centerfield is on the northeast corner of Sheffield and Waveland. When the Hawk is blowing hits that, given a usual southwest wind, have a chance at being home runs will die in the outfield and are easily caught. The Hawk is a reminder that, though winter has left town, it will be back. The wind has a very particular resonance for a Chicagoan, and it&#039;s very impressive that Pynchon, not a native, should make use of it, especially in such an offhand manner.&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_1063-1085&amp;diff=16143</id>
		<title>ATD 1063-1085</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_1063-1085&amp;diff=16143"/>
		<updated>2014-08-10T19:37:01Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 1085 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 1063==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Rue du Départ&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Street in Montparnasse, Paris. The name means &amp;quot;street of departing or setting out.&amp;quot;&amp;lt;br&amp;gt;&lt;br /&gt;
Piet Mondrian had a studio at No. 26. A film titled &lt;br /&gt;
[http://www.blockbuster.com/catalog/movieDetails/82185 &#039;&#039;Rue du Départ&#039;&#039; starring Gérard Depardieu] was released in 1986.&amp;lt;br&amp;gt;&lt;br /&gt;
:The street is called &amp;quot;rue du départ&amp;quot; (departure street) because it flanks the train station (Gare Montparnasse). The street opposite is called &amp;quot;rue de l&#039;arrivée&amp;quot; (arrival street). Therefore this may also be an echo to &amp;quot;the melancholy of departure&amp;quot; and Chirico&#039;s painting of Gare Montparnasse, cf [http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_724-747#Page_747 note to p.747]&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 1064==&lt;br /&gt;
&lt;br /&gt;
==Page 1065==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Reynaldo Hahn&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.answers.com/topic/reynaldo-hahn Reynaldo Hahn] (1875-1947) was a French composer best known for his vocal works, ranging from serious opera and operetta to solo songs. He was the director of the &#039;&#039;Paris Opéra&#039;&#039; since 1945.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Ciboulette&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: Chive. Also a feminine given name, from which the title of this [http://musicaltheatreguide.com/composers/hahn/ciboulette.htm operetta] comes. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;C&#039;est pas Paris, c&#039;est sa banlieue&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: It isn&#039;t Paris, it&#039;s a suburb of Paris.&lt;br /&gt;
&lt;br /&gt;
==Page 1066==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;J&#039;ai Deux Amants&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: I have two lovers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sacha Guitry&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.infoplease.com/ipea/A0766430.html Sacha Guitry] (1885-1957) was a French film actor and director.&amp;lt;br&amp;gt;&lt;br /&gt;
:The Guitry production in question is &amp;quot;l&#039;Amour masqué&amp;quot;, first staged in 1923. André Messager wrote the music and Yvonne Printemps, Guitry&#039;s wife, sang it.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Jour&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For &#039;&#039;Bonjour.&#039;&#039; French: Hello. Literally: &#039;&#039;&#039;Day.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scyuzay mwah&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For &#039;&#039;Excusez-moi.&#039;&#039; French: Excuse me.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ain&#039;t you that La Jarretière?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;V.&#039;&#039; she died graphically around the time of the World War. Her stage name is French: The Garter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;succès de scandale&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French, literally: success of scandal. In this case, the hype that the show needed to put customers in the seats.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Mon Dieu! . . . que les hommes sont bêtes&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: My God, how stupid men are.&amp;lt;br&amp;gt;&lt;br /&gt;
:a line in the aforementioned song &amp;quot;j&#039;ai deux amants&amp;quot;, it is also a line in Offenbach&#039;s operetta La Perichole.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Fossettes l&#039;Enflammeuse&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: Dimples, the Inflamer. &amp;quot;Fossettes&amp;quot; has verbal echoes (as foreshadowing sound, so to speak) of [Bob] Fosse, much later American choreographer and director.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jean-Raoul Oeuillade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The surname is the name of a restaurant and a wine grape. It also appears to be a French misspelling of &#039;&#039;œillade&#039;&#039; = wink, leer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Dimples&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
R. Wilshire knows you can print a one-word title in bigger letters than a whole phrase.&amp;lt;br&amp;gt;&lt;br /&gt;
He&#039;s also the producer of such highbrow fare as &amp;lt;i&amp;gt;African Antics, Shanghai Scampers &amp;lt;/i&amp;gt; and &amp;lt;i&amp;gt; Roguish Redheads.&amp;lt;/i&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Solange St.-Emilion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;Solange&#039; is the name of a saint; and St. Emilion is a wine - a claret, a British term for a Bordeaux.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Casse-cou . . . n&#039;importe quoi!&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Daredevil, that&#039;s me. / This little don&#039;t-give-a-damn. / Daredevil, husband, your women, / All the other men, no matter who!&lt;br /&gt;
&lt;br /&gt;
==Page 1067==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;It won&#039;t be a stylish marriage&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quoting from the popular song [[ATD_644-677#Page_647|&amp;quot;Daisy Bell.&amp;quot;]]&lt;br /&gt;
&lt;br /&gt;
Last alluded to on P.647, just before the gunfight that wasn&#039;t, with Frank and Stray in El Paso. Difficult relationships seem to bring out this ditty.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the disaster up at Caporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Battle_of_Caporetto Battle of Caporetto] was fought between October 24 and November 9, 1917, on the Austro-Italian front. Austrian forces, with German support, broke through the Italian lines, killing 11,000, wounding 25,000, and taking 250,000 prisoners. In the aftermath of the battle, Austrian forces advanced on Venice, but were ultimately stopped by a newly formed defensive line.&lt;br /&gt;
&lt;br /&gt;
==Page 1068==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bleriot monoplanes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Blériot_XI Bleriot] was a pioneering monoplane built of oak and poplar and surfaced with cloth. It was the first plane to cross the English Channel and to fly over the Alps.&lt;br /&gt;
&lt;br /&gt;
==Page 1069==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Italo-Turkish War&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Over control of Libya, 1911-12, important precursor of the Balkan Wars. An Italian flyer dropped history&#039;s first aerial bomb on Turkish troops. See [http://en.wikipedia.org/wiki/Italo-Turkish_War Italo-Turkish War].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Cambio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;The [http://www.thi.it/eng/benvenuto_ristoranti.asp?id=2 Ristorante del Cambio], known locally as &#039;the old lady&#039;&amp;quot; (ATD,  p. 1073),  is a famous restaurant in Turin, in operation since 1757,  where important politicians and generals have dined. It is located at &#039;&#039;2, Piazza Carignano, Turin&#039;&#039;. (See also pages 1070 and 1073.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I Murazzi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The name given to a stretch of riverfront arcades on the west bank of the Po in central Turin. They were originally boat-houses and landing places, but eventually developed into discos and bars and so became a center of Turin&#039;s nightlife. The name comes from the stone embankment (&amp;quot;walls&amp;quot;) that were built along the Po in the nineteenth century to prevent flooding of the city center.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;una picchiata&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: a nosedive.&lt;br /&gt;
&lt;br /&gt;
==Page 1070==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mia bella&#039;&#039; Caproni&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
My beautiful Caproni. &#039;&#039;Caproni&#039;&#039; was the Italian World War I heavy bomber designed by the talented pioneer Italian aircraft designer and manufacturer [http://www.allstar.fiu.edu/aero/caproni.htm Gianni Caproni] (1886-1957). The model described here is likely the [http://www.answers.com/topic/caproni-ca-4 &#039;&#039;Caproni Ca.4&#039;&#039;], a triplane with a four-man (not five-man) crew, three Isotta-Fraschini engines (270HP each), a maximum speed of 87 mph, two forward and two rearward mounting Revelli machine guns. (note: being a &#039;male&#039; word - italian has no neutral, so words are either male or female, Renzo would certainly say &#039;il mio bel Caproni&#039;)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Si, certo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: Yes, sure.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Lucrezia&#039;&#039; Borgia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Lucrezia_Borgia Lucrezia Borgia] (1480-1519) was an Italian noblewoman, a famous figure of the Italian Renaissance. She was always casted as &#039;&#039;femme fatale&#039;&#039; in many artworks, novels and films. One of the numerous legends about her said that Lucrezia was in possession of a hollow ring that she used frequently to poison drinks.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Andiamo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: Let&#039;s go.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the SVA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.fiddlersgreen.net/AC/aircraft/Ansaldo-SVA/info/info.htm The SVA] (Savoia Verduzio Ansaldo) World War I Italian bi-plane reconnaissance-bomber.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Macché&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: Naw. Macché is an Italian interjection, not slang, translated as of course not, not on your life, go on!, come off it!, depending upon context: take your pick.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Molo Antonelliana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Mole_Antonelliana Mole Antonelliana] is a major landmark and the highest (550 ft) building of Turin, Italy. It was built in 1863 to be a Jewish synagogue. Since 2000, it houses Italy&#039;s National Cinema Museum. See photos of [http://digilander.libero.it/fotogian/mole.html Mole Antonelliana].&lt;br /&gt;
&lt;br /&gt;
==Page 1071==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;picchiate . . . picchiata&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first is plural, the second its singular. Italian: nosedives, nosedive.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a Certain Word that would not quite exist for another year or two&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of course it&#039;s &amp;quot;Fascism.&amp;quot; &amp;quot;It was all political.&amp;quot; Politics through aerobatics instead of chemistry?&amp;lt;br&amp;gt;&lt;br /&gt;
Fascism is the unity of government and industry, or big business - clearly a consistent theme in ATD.&amp;lt;br&amp;gt;&lt;br /&gt;
Granted on a theme of ATD, but Fascism is, historically and conceptually,&lt;br /&gt;
more--far worse-- than the unity of government and industry.&amp;lt;br&amp;gt;&lt;br /&gt;
True. I should have said it&#039;s &amp;quot;a key element.&amp;quot; Interesting reading at Wikipedia on [http://en.wikipedia.org/wiki/Definitions_of_fascism Definitions of fascism]. I tend to think we&#039;re heading that way ourselves. But then, George Orwell&#039;s comment is valid, too.&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Vineland&#039;&#039;, that homage inspired by &#039;&#039;1984&#039;&#039; has three major, overt instances of the Government [A fictional Reagan America] pre-emptively destroying our basic civil rights. Not to mention the thrust of the whole&lt;br /&gt;
novel, perhaps only now, 2007, revealing its prescience to we readers.[[User:MKOHUT|MKOHUT]] 12:53, 17 June 2007 (PDT)&amp;lt;br&amp;gt;&lt;br /&gt;
:More than the unity of government and industry, yes. You also need the military - in fact the &#039;military-industrial complex&#039;. Remember we&#039;re talking about Italian Fascism here. Antisemitism, for example, isn&#039;t (at least yet) an inevitable part of it. The essence of Fascism is &#039;corporatism&#039;, where state, military and industry are all run like one big corporation with the same people at the top. This is the symbolism of the [http://en.wikipedia.org/wiki/Fascist_symbolism#Militarist_uniforms_with_nationalist_insignia &#039;fasces&#039;], the bunch of sticks or reeds that can&#039;t be broken because it all hangs together, and that is of course why Renzo says: &amp;quot;You saw how they broke apart...But we did not. We remained single, aimed, unbreakable.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Um vettore, si?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Um&#039;&#039; is a slurred form of &#039;&#039;un&#039;&#039;. Italian: A vector, yes? Actually, even though it is always written &amp;quot;un&amp;quot; in the Italian national standard (many dialects still exist), in front of words that start with &amp;quot;v&amp;quot; or  &amp;quot;f&amp;quot;, the &amp;quot;n&amp;quot; in &amp;quot;un&amp;quot; is sounded as a nasalized &amp;quot;m.&amp;quot; (In front of words that start with &amp;quot;b&amp;quot; or &amp;quot;p&amp;quot; the &amp;quot;n&amp;quot; in &amp;quot;un&amp;quot; is simply pronounced like &amp;quot;m.&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
==Page 1072==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;in uniform all the time. Eagles . . . a prominent motif&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
eagles have been referred to often as predators in ATD.&amp;lt;br&amp;gt;&lt;br /&gt;
A reference to [http://en.wikipedia.org/wiki/Fascist_symbolism#Militarist_uniforms_with_nationalist_insignia Fascist insignia].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;abrazo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Spanish: embrace.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;teleferiche&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: cars suspended from cables, cableways.&lt;br /&gt;
&lt;br /&gt;
==Page 1073==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;agnolotti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian. A filled pasta similar to ravioli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;risotto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The renowned northern Italian rice dish.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tagliarini&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Long, thin, narrow noodles.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nebbiolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A wine grape originating in northern Italy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Carpano&#039;s for a &#039;&#039;punt e mes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Carpano&#039;s--a notable name in Turin--probably refers to a family bar or restaurant. Antonio Benedetto Carpano (1764–1815) was a Torinese distiller who, in 1786, invented vermouth--wine infused with herbs and and spices including wormwood (German Wermut). &#039;&#039;Punt e mess&#039;&#039; is a dark, brown, bitter vermouth originally produced by the Carpano distillery; the product earned its name (meaning &amp;quot;point and a half&amp;quot;) because it was originally marketed during a boom in the stock market, and the Carpanos wanted to benefit from the association.&lt;br /&gt;
&lt;br /&gt;
==Page 1074==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;S.S. &#039;&#039;Persia&#039;&#039; had been torpedoed by a U-boat captain named Max Valentiner. . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/SS_Persia_(1900) S.S &#039;&#039;Persia&#039;&#039;] was a P &amp;amp; O passenger liner built in 1900. It was sunk on December 30, 1915 within five to tem minutes by a German U-Boat, U-38, off Crete with a loss of 343 of the 519 aboard. The commander of U-38 was [http://en.wikipedia.org/wiki/Max_Valentiner Max Valentiner] (1883-1949).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Eleanor Thornton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Like Dally (ATD 893–5), [http://en.wikipedia.org/wiki/Eleanor_Thornton Eleanor Velasco Thornton] was a sculptors&#039; model. She was a passenger on the S. S. Persia and drowned when it was sunk. She inspired Charles Robinson Sykes (see Sykes, Charlie, in the ATD Alphabetical Index) to create the Rolls-Royce hood-ornament known as &amp;quot;[http://against-the-day.pynchonwiki.com/wiki/index.php?title=Image:Spirit-of-ecstacy.jpg The Spirit of Ecstasy].&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...Reef, Stray and Ljubica returned to the U.S. pretending to be Italian immigrants.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Somebody dropped the ball here; obviously this should read &amp;quot;Reef, Yash and Ljubica.&amp;quot; But Yashmeen had never before been in the United States.&lt;br /&gt;
:Even Homer nods.&lt;br /&gt;
:Ljubica was born outside, and had never been in, the U.S. !&lt;br /&gt;
:If they pretending to be immigrants getting into the country first time, then they were NOT returning to the U.S. Because they are pretending, they could be returning. If they were actually immigrants, they would not be returning.&lt;br /&gt;
:&#039;Stray&#039; is corrected to Yashmeen in the trade paper edition.  And Reef is returning, with Yashmeen and Ljubica.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;I,&#039;&#039; for Idiot&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another character assuming the character of an [[Idiots and Idiocy in Against the Day| — a minor theme of &#039;&#039;AtD&#039;&#039;.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I, also, in &#039;the immigrants they were pretending to be&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
...soon obliterated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The Obliterator&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A figure almost of legend, who causes unwelcome entries in your file to &#039;&#039;vanish without trace.&#039;&#039; But a member of the wiki was once friends with a bureaucrat, in a university registrar&#039;s office, who knew the &amp;quot;oblit&amp;quot; code. Like &amp;quot;The Obliterator,&amp;quot; she used her power only for good.&lt;br /&gt;
&lt;br /&gt;
==Page 1075==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Red Scare . . . Palmer raids&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Public and media panic over the ideas of communists, other leftists and Anarchists led to a government crackdown on these elements in the years after the World War. Alexander M. Palmer, U.S. Attorney General under Woodrow Wilson, was a leading figure in the campaign. The Red Scare led more or less directly to the supremacy of the F.B.I., which some may view as [[ATD_1018-1039#Page_1021|&amp;quot;the control of the evil and moronic,&amp;quot;]] and also to the founding of the American Civil Liberties Union.&lt;br /&gt;
&lt;br /&gt;
==Page 1076==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Frank and Stray&#039;s daughter Ginger and the baby Plebecula&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Ginger&amp;quot; is sometimes a nickname for Virginia but also sometimes a substitute for &amp;quot;Red&amp;quot;: a redheaded person. &amp;quot;Plebecula&amp;quot; can mean &amp;quot;the common people&amp;quot; . . . or a species of ant. Both children (Jesse too, could be) have political given names.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kitsap Peninsula&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Dissected peninsula in Puget Sound, Washington state. Not the northernmost point in the 48 states, but maybe the remotest.&lt;br /&gt;
&lt;br /&gt;
Not far from Port Renfrew, B. C.&lt;br /&gt;
&lt;br /&gt;
Could be a reference to the one-time anarchist community of Home, Washington, on the Kitsap Peninsula near Tacoma. [http://en.wikipedia.org/wiki/Home,_Washington Home, Washington] But the community had been officially harassed out of existence by about 1915.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Mr. Becker was at the Cour d&#039;Alene back in the olden days.  Guess I forgot to mention that.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In Pynchon&#039;s &amp;quot;Vineland&amp;quot;, the action follows Jess&#039; grand-daughter Frenesi, and great-granddaughter Prairie through some of the same kind of power-vs-preterite struggles that have haunted the family here in AtD.  In &amp;quot;Vineland&amp;quot; Jess marries a woman named Eula Becker-- this may be Pynchon&#039;s way of tying up some strings for those of us who obsess over such details.&lt;br /&gt;
&amp;quot;Vineland&amp;quot; dedicates a fair amount of time to discussions of light and shadow and the powers of silver emulsions in the golden age of Hollywood, too.&lt;br /&gt;
&lt;br /&gt;
==Page 1077==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&#039;Soir&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For &#039;&#039;Bonsoir.&#039;&#039; French: good evening, or just hello.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;It was Policarpe, an old acquaintance of Kit&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgian anarchist, named for St. Polycarp; see [[ATD_525-556#Page_527|annotation to page 527.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;licking a few vitrines&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The French phrase &amp;quot;leche vitrine&amp;quot; is the American equivalent of &amp;quot;window shopping&amp;quot; and literally means &amp;quot;window licking.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lwów&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city in western Ukraine, [http://en.wikipedia.org/wiki/Lwow see Wikipedia.] The city&#039;s emblem shows a lion in front of a castle wall with 3 towers. It is strikingly reminiscent of the Tibetan seal on the cover of ATD. Recall that Venetia also claims the Lion (the winged Lion of St. Mark) as its emblem.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galicia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
If the complex history of this region—now partly in western Ukraine and partly in southern Poland—moves you, there&#039;s a pretty fair [http://en.wikipedia.org/wiki/Galicia_%28Central_Europe%29 Wikipedia entry] that also covers the next item. Lots of Americans trace their ancestry back to Galicia. See also the [[ATD_695-723#Page_697|annotations to page 697.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;West Ukraine Republic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Or West Ukrainian People&#039;s Republic, or [http://www.answers.com/topic/west-ukrainian-national-republic West Ukrainian National Republic], existed between October 19,1918 and July 1919—long enough to [http://en.wikipedia.org/wiki/Image:Flag_of_Ukraine.svg adopt a flag].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E. Percy Movay&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When the Inquisition compelled Galileo to recant his ideas about the celestial realm (he had blasphemed by reporting that Jupiter&#039;s moons orbit the planet and by reasoning that the Earth moves around the Sun too), he left the courtroom muttering, &amp;quot;And yet it &#039;&#039;does&#039;&#039; move.&amp;quot; In Italian: &#039;&#039;Eppur si muove.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a fabled group of mathematicians in Lwów&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Lw%C3%B3w_School_of_Mathematics The Lwów School of Mathematics] led by Stefan Banach, a founder of functional analysis, who became a professor there in 1920. They often met at the famous Scottish Café.&lt;br /&gt;
&lt;br /&gt;
==Page 1078==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Scottish Café&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An extraordinarily talented group of mathematicians could be found in Lwow in the 1930s. Much of their best work was inspired by their meetings in [http://www-history.mcs.st-andrews.ac.uk/HistTopics/Scottish_Book.html the Scottish Café]. It&#039;s a shame that Kit got there early.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zermelo&#039;s Axiom Of Choice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Axiom_of_choice The Axiom of Choice] in set theory was formulated in 1904 by [http://en.wikipedia.org/wiki/Zermelo Ernst Zermelo] (1871-1953), a German mathematician. It states that given any set of nonempty sets, there exists at least one set that contains exactly one element from each of the nonempty sets. The Axiom of Choice is related to the first of Hilbert&#039;s problems.&lt;br /&gt;
&lt;br /&gt;
Here used to explain a variant of &lt;br /&gt;
[http://en.wikipedia.org/wiki/Banach%E2%80%93Tarski_paradox the Banach-Tarski paradox] of 1924 which says in effect that it is possible to &amp;quot;carve up&amp;quot; a 3-dimensional solid unit ball into finitely many pieces and, using only rotation and translation, reassemble the pieces into two balls each with the same volume as the original. An infinitley re-assemblable universe?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the set of all sets that are not members of themselves&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quick, does it contain itself? Bertrand Russell&#039;s pursuit of this paradox forced a major realignment of axiomatic set theory.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q.E.D.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Proofs in geometry and algebra, in fact, all mathematics, end with this statement. Q.E.D. = &#039;&#039;Quod Erat Demonstrandum&#039;&#039; = which was to be demonstrated. Some math professors after putting a difficult proof on the board and after writing QED jokingly translate it as &amp;quot;quite easily done.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 1079==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lemberg, Léopol, Lvov, Lviv and Lwów&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Names applied to the city by its various rulers. Today it&#039;s Lviv, but its citizens are sometimes called Leopolitans.&lt;br /&gt;
&lt;br /&gt;
==Page 1080==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Glowny Dworzec&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Polish: Main Station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Iron Gate . . . the Defile of Kazan&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://donsmaps.com/irongatesoverview.html Two historical sites] along the Danube. The Iron Gate, 100 miles east of Belgrad, separated the Balkan and the Carpathian ranges. The Kazan Defile is further upstream near Belgrade where the Danube has dangerous currents and whirlpools.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;There was music...attended to&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Thelonius Monk&#039;s music was once described this way. Quotation, reference being sought.&lt;br /&gt;
&lt;br /&gt;
Also reminds me of John Cage&#039;s idea of an &#039;anarchic harmony&#039;, where all individual sounds have the same value and importance (and require to be listened to by themselves, &amp;quot;each note insisted on being attended to&amp;quot;), and &#039;dissonant&#039; as they may appear, form a &#039;harmony&#039; of individual sounds, &amp;quot;non-obstructive and interpenetrating&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 1081==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tarboosh&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Fez_(clothing) A fez].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the man in the tarboosh&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
So Lord Overlunch has been a secret operator in all this? He is apparently an agent of Shamballa.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Ferrary sale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Philipp_von_Ferrary Philipp von Ferrary] was a legendary stamp collector. Wishing to make his unequaled collection accessible to the public, on January 30, 1915 he willed it to the Postmuseum in Berlin, along with funds for maintenance, 30,000 guldens. But as a citizen of Austria living in France, World War I put him at risk. Leaving his several hundred albums in the Austrian embassy, he fled to Switzerland in 1917. He died soon after, and so did not see the dismantling of his life&#039;s work after the war. The French government confiscated Ferrary&#039;s collection, claiming it as a war reparation. The massive assemblage was auctioned off between 1921 and 1926, in 14 separate sales, realizing some 30 million francs. Many of the rare stamps of today proudly bear an &amp;quot;ex-Ferrary&amp;quot; in their provenance.&lt;br /&gt;
&lt;br /&gt;
[[image:Gul_tre_skilling_banco.jpg|thumb|150px|The Treskilling Yellow|right]]&#039;&#039;&#039;Swedish three-skilling yellow&#039;&#039;&#039;&amp;lt;br /&amp;gt;A valuable [http://en.wikipedia.org/wiki/Tre_Skilling_Yellow Swedish postage stamp] because it was issued, in 1855, printed on yellow colored paper (which was for the eight-skilling stamp) instead of the customary green. It is now estimated to be worth over US$2 million.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;since the Spanish Lady passed through&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The great influenza pandemic of 1918-20. The disease got the name &amp;quot;Spanish flu&amp;quot; because Spain, neutral in the World War and therefore not censoring its press, was the country where the spread of the illness was most openly reported.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Chez Rosalie&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An Italian restaurant in Montparnasse, Paris.&lt;br /&gt;
&lt;br /&gt;
==Page 1082==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hesitation Waltz&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of [http://en.wikipedia.org/wiki/Waltz#Various_styles_of_waltz many styles of waltz]. In the 1910s a form called the &amp;quot;Hesitation Waltz&amp;quot; incorporated Hesitations and was danced to fast music. A Hesitation is basically a halt on the standing foot during the full waltz measure, with the moving foot suspended in the air or slowly dragged.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;bandoneón&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Musical instrument similar to an accordion, named for its inventor Heinrich Band, heavily used in Argentine tango music.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the taxis, battered veterans of the mythic Marne&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
World War, First Battle of the Marne, 1914. To shore up their Sixth Army the French commandeered 600 Paris taxicabs and used them to carry 6000 reserve troops to the front.&lt;br /&gt;
&lt;br /&gt;
==Page 1083==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;bals musettes&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: dance halls, with the music provided by an accordion band. cf [http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_864-891#Page_891 page 891]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Garçons de &#039;71&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Interesting [http://www.centennialofflight.gov/essay/Lighter_than_air/military_balloons_in_Europe/LTA4G2.htm note and pic] here.&lt;br /&gt;
&lt;br /&gt;
[[image:Penny-Black.png|thumb|100px|The Penny Black, 1840|right]]&#039;&#039;&#039;Penny Black&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Penny_Black The Penny Black], the world&#039;s first official adhesive postage stamp, was issued by the United Kingdom of Great Britain and Ireland on 1 May 1840.&lt;br /&gt;
&lt;br /&gt;
==Page 1084==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Puisieulx&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the 17 Grand Cru (highest level of classification) of Champagne.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;no longer a matter of gravity&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Page 1085==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pugnax and Ksenija&#039;s Generations&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pugnax seems to be over 30 years old already, having been no longer a pup in 1893. p. 5. Long lived for a natural dog, not necessarily for a cartoon dog like Scooby Doo and Pugnax.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. what Lew Basnight &amp;quot;came to think of as grace&amp;quot;. [[ATD_26-56#Page_42|p. 42]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;Gravity and Grace, a reference to Simone Weil.&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_1040-1062&amp;diff=16136</id>
		<title>ATD 1040-1062</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_1040-1062&amp;diff=16136"/>
		<updated>2014-04-10T17:28:12Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 1040==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Pacific Electric Building and its new Coles P.E. Buffet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Cole%27s_Pacific_Electric_Buffet Cole&#039;s Pacific Electric Buffet] opened in 1908 on the ground floor of the fabled [http://en.wikipedia.org/wiki/Pacific_Electric_Building Pacific Electric Building]. It is one of Los Angeles&#039;s oldest restaurants and claims (in contest with [http://en.wikipedia.org/wiki/Philippe%27s Philippe&#039;s], another restaurant in the neighborhood dating back to 1908) to have been the originator of the [http://en.wikipedia.org/wiki/French_dip_sandwich French dip sandwich]. Philippe&#039;s and the French dip sandwich were both recently featured in the outstanding PBS documentary [http://en.wikipedia.org/wiki/Sandwiches_That_You_Will_Like Sandwiches That You Will Like].&lt;br /&gt;
&lt;br /&gt;
==Page 1041==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;living in Lincolnwood&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Perhaps a bilocation.  During Prohibition, the area was called Tessville.  It was notorious for speakeasies that were outside the jurisdiction of Chicago police.  The town cleaned up its act and was renamed Lincolnwood in 1936.  Only at that time did it become a place that someone might retire to.&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&#039;&#039;&#039;Dr. Ghloix&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
He was also the alienist of the Vormance expedition ([[ATD_119-148#Page 132|page 132]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shadow-factories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Movie studios.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Thetis Pomidor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Thetis the Silver-Footed is a Nereid (sea nymph) in Greek mythology. She is the mother of Achilles, who seeks to prevent his death by dipping him in the water of the river Styx (holding him by the famously vulnerable heel), by trying to prevent him from joining the war at Troy, and by persuading him not to try to avenge Patroclus. In the end she has made for him the magnificent shield he carries in his duel with Hector.&lt;br /&gt;
&lt;br /&gt;
Pomidor is the Polish word for &amp;quot;tomato&amp;quot; (possibly other languages too). (A &amp;quot;tomato&amp;quot; = a &amp;quot;hottie&amp;quot; in mid 20th century slang).&lt;br /&gt;
&lt;br /&gt;
==Page 1042==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Erno Rapée&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1891-1945, Hungarian-born composer for American movies. He published a book of &amp;quot;photoplay music&amp;quot; for the silents.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Shalimar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Excessively evocative name for a detective&#039;s moll; [http://en.wikipedia.org/wiki/Shalimar the Wikipedia disambiguation page] leads to many of the meanings.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mezzanine Perkins&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Her given name suggests a physical attribute also called &amp;quot;balcony,&amp;quot; while her surname makes a nice fit with another desirable quality, &amp;quot;perkiness.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Chester LeStreet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Chester le Street is a town in the north east of England. Home of Durham County Cricket club, amongst other things.&lt;br /&gt;
&lt;br /&gt;
TRP almost certainly picked up on the name during research for &#039;Mason &amp;amp; Dixon&#039;. Dixon was a native of County Durham, which is home to a number of odd place names (e.g. Pity Me, No Place). Chester-le-Street is roughly 15 miles south of Newcastle upon Tyne. &lt;br /&gt;
&lt;br /&gt;
I imagine TRP keeping long lists of potential character names from odd terminology which he runs across in his research...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vertex Club&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The vertex is the intersection of two lines of an angle, the zero point on a graph/grid. Recalls the V Note in &#039;&#039;V.&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balcony&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A platform that protrudes outward from the home. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Miss Jardine Maraca&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Beach Boys guitarist [http://www.aljardine.com Al Jardine,] who bears a reasonably common surname? Rude teenagers in the 1960s sometimes used the word &amp;quot;maracas&amp;quot; when they didn&#039;t want to come right out and refer to a girl&#039;s bazongas.&lt;br /&gt;
&lt;br /&gt;
==Page 1043==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the days just before the earthquake&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quake of June 29, 1925, destroyed the center of Santa Barbara and occasioned rebuilding to a &amp;quot;Mission-style&amp;quot; plan.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;chifferobe&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From &#039;&#039;chiffonier&#039;&#039; + &#039;&#039;wardrobe&#039;&#039;, a combination chest of drawers and wardrobe for hanging clothes.  Pronounced &amp;quot;SHIF-uh-rohb.&amp;quot;  Also &#039;&#039;chifforobe&#039;&#039;, &#039;&#039;chiffrobe&#039;&#039;, or &#039;&#039;chiffarobe&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
The disposal of an old chifferobe is a plot point in Harper Lee&#039;s &#039;&#039;To Kill a Mockingbird&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hop&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Marijuana.&lt;br /&gt;
&lt;br /&gt;
==Page 1044==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoked a Fatima&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sometime in the mid-20th century, this American cigarette brand sponsored a radio program starring Basil Rathbone.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Possibly not relevant, but given the marijuana reference, the choice of this particular cigarette brand also echoes the phrase &amp;quot;smoke a fatty&amp;quot;, i.e. a big joint of marijuana.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Page 1045==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glass mattes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Scenes painted on glass could be filmed along with the action, so that large or intricate backgrounds did not have to be built to full scale.&lt;br /&gt;
&lt;br /&gt;
==Page 1046==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Olga Nethersole&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
British actress and producer, 1863-1941; had successful tours in the U.S. and elsewhere.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mrs. Fiske&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
American actress Minnie Maddern Fiske, 1865-1932; a leading figure on the stage; made movies of two of her theatrical productions.&lt;br /&gt;
&lt;br /&gt;
==Page 1047==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Li&#039;l Jailbirds&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Some points in common with the Little Tough Guys, Dead End Kids, East Side Kids and other movie series; [http://en.wikipedia.org/wiki/Little_Tough_Guys see the Wikipedia entry.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;one-reel comedies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A reel of film ran off in something over 12 minutes.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orthochromatic film&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Film with low sensitivity to red light. The human face reflects a lot of red light, which made little impression on the film, so that faces tended to look dark in the projected image. Adaptations in the studio included green makeup to bring the face into highlight.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;it&#039;s a silent movie&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This is an anachronism. It&#039;s about 1925 here (if &amp;quot;just before the earthquake&amp;quot; on page 1043 still holds for this passage), talkies don&#039;t come around until 1927 &#039;&#039;(The Jazz Singer)&#039;&#039;, and until then, all films (with a few experimental exceptions), &amp;quot;silent&amp;quot; would not have been necessary to mention. Later, &amp;quot;silent film&amp;quot; comes in as a retronym, like &amp;quot;pocket watch&amp;quot; after the introduction of wrist watches, and &amp;quot;analog watch&amp;quot; after the introduction of digital watches.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;birch beer&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Carbonated soft drink made with birch bark or oil, typically popular in northeastern U.S. and Newfoundland.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed peppers they liked to call &amp;quot;mangoes&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This term for bell peppers occurs in the Midwest and especially southern Ohio.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;rat cheese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Informal for cheddar.&lt;br /&gt;
&lt;br /&gt;
==Page 1048==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a P.E. stop&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;P.E.&amp;quot; stands for &amp;quot;Pacific Electric.&amp;quot; The Pacific Electric Railway (AAR reporting mark is PE), also known as the Red Car system, was a mass transit system in Southern California using streetcars, light rail and buses. At its greatest extent, around 1925, the system connected cities in Los Angeles and Orange Counties, and to Riverside County and San Bernardino County in the Inland Empire. [http://en.wikipedia.org/wiki/Pacific_Electric_Railway Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;runs through the time between the picture was taken and now in a matter of seconds&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The reason this may sound plausible is that analog computers were used in just this way to generate artillery firing tables. But in the artillery case, the parameters of motion were given; photographic film does not record this information.&lt;br /&gt;
&lt;br /&gt;
==Page 1049==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Intolerance&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Intolerance: Love&#039;s Struggle Throughout the Ages (1916) was D.W. Griffith&#039;s follow-up to &#039;&#039;Birth of a Nation&#039;&#039;.&lt;br /&gt;
Intolerance and its effects are examined in four historical eras. In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city&#039;s downfall. In Judea, the hypocritical Pharisees condemn Jesus Christ. In 1572 Paris, unaware of the impending St. Bartholomew&#039;s Day Massacre, two young Huguenots prepare for marriage. Finally, in modern America, social reformers destroy the lives of a young woman and her beloved. The sets were reportedly spectacular, and on a huge scale.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the &#039;&#039;Times&#039;&#039; bombing&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.usc.edu/libraries/archives/la/scandals/times.html The Bombing of the &#039;&#039;Los Angles Times&#039;&#039;], October 1, 1910.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the constant term in the primitive, which differentiation has taken to zero&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Last part first: differentiation is the operation of finding the rate of change of a quantity; a constant doesn&#039;t change, so its differentiation yields a result of zero. The &amp;quot;primitive&amp;quot; is the function that was differentiated; if it contained a constant term, that has vanished and must be restored. Reconstruction of the primitive therefore involves reversing the differentiation (finding the &amp;quot;indefinite integral&amp;quot;) and setting the correct value of the constant term. By guesswork in this instance. No, it doesn&#039;t work, but remember that this is &#039;&#039;alchemy&#039;&#039; we&#039;re talking about.&lt;br /&gt;
&lt;br /&gt;
Or &#039;Pataphysics.&lt;br /&gt;
&lt;br /&gt;
Consider a pun on &amp;quot;primitive&amp;quot; in Pynchon&#039;s worldview...the primitive being a good thing, now vanished.&lt;br /&gt;
&lt;br /&gt;
==Page 1050==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;his official . . . life . . . a completely different life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The reconstruction of the &amp;quot;primitive&amp;quot; (page 1049) entails fixing a value for the constant term. The operator can choose the &amp;quot;official&amp;quot; value and get Lew&#039;s &amp;quot;supposed-to-be&amp;quot; life as output, or can choose a different value and track some unofficial life. The machine can&#039;t tell the difference.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Louis Le Prince&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1842-90. Inventor in 1888 of the &amp;quot;chronophotographe&amp;quot; process. Widely acknowledged to be first to photograph motion. He vanished from a train.&lt;br /&gt;
&lt;br /&gt;
==Page 1051==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;mazuma&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Slang; Yiddish derived from Hebrew: money.&lt;br /&gt;
&lt;br /&gt;
==Page 1052==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a company-issued Bulldog&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A Bulldog is a small, &amp;quot;snubbie&amp;quot; revolver, with a very high power-to-weight ratio, perfect for carrying in the pocket as a concealed weapon or, in Deuce&#039;s case, in a shoulder holster. First referred to in the &amp;quot;Beavers of the Brain&amp;quot; song, [[ATD 171-198#Page 183|p. 183]]&lt;br /&gt;
&lt;br /&gt;
==Page 1053==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;em mick bastards bombed the &#039;&#039;Times&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
James and Joseph McNamara ultimately pleaded guilty to the bombing (see [[#Page 1049|page 1049]] and [[#Page 1058|page 1058]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dago dynamiters&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Deuce must have acquired this bit of alliterative bigotry somewhere and randomly dropped it into his rant.&lt;br /&gt;
&lt;br /&gt;
==Page 1054==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Universal Dream Casino&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a &amp;quot;dream casino&amp;quot; has been used by some writers to describe the &#039;ideal&#039;&lt;br /&gt;
gambling place as in the phrase, &amp;quot;Bugsy Siegel&#039;s dream casino&amp;quot; in Vegas.&lt;br /&gt;
A &#039;dream casino&#039;--real betting, it seems--company for women exists. &lt;br /&gt;
From the context, and novel&#039;s themes, I suggest that this phrase means&lt;br /&gt;
all of Lake&#039;s possible, fantasizable fates, played out as &#039;chance&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Chinese fourths&#039;&#039;&#039;&amp;lt;br&amp;gt; The interval of a fourth in music consists of 2 whole-tones plus one half-tone. The following are all fourths: from do to fa, re to sol, mi to la; fa to ti is a tritone. In the context here, the 2 notes in the interval are being played simultaneously. In the music of the Western world (North America, Europe, and Australia), if one plays parallel fourths (e.g., do-fa to re-sol, to mi-la), it sounds like Chinese music. Authentic Chinese music is played using an Eastern scale which is different from the Western scale people in the West are used to, which is why Chinese music might sound out of tune (&amp;quot;jangling&amp;quot;) to someone from the West.&lt;br /&gt;
&lt;br /&gt;
==Page 1055==&lt;br /&gt;
&lt;br /&gt;
==Page 1056==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;it&#039;s no longer possible to go back the way they came&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A situation encountered before in &#039;&#039;AtD,&#039;&#039; for example Kit&#039;s predicament at the doubling of &#039;&#039;Stupendica.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Page 1057==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hamburger&#039;s&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.ulwaf.com/LA-1900s/08.08.html Hamburger&#039;s] opened in August, 1908, at the corner of Broadway, 8th, and Hill Streets. It was, at the time, &amp;quot;the biggest department store in town.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 1058==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;it wasn&#039;t Haymarket . . . It wasn&#039;t Ludlow. It wasn&#039;t the Palmer raids&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Haymarket bombing; Colorado coal war; Justice Department campaign against American leftists under Woodrow Wilson&#039;s attorney general Alexander M. Palmer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Virgil Maraca&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For Virgil, [[ATD_821-848#Page_825|see page 825.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...when the land was free, before it got hijacked by capitalist Christer Republicans for their long term evil purposes....&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
and once again (say it with me)  &amp;quot;No reference to the present day is intended or should be inferred.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gray Otis . . . the McNamaras . . . Brother Darrow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the McNamaras were accused of dynamiting the Los Angeles Times  building on October 1, 1910, resulting in the death of 21 persons. The crime was one of a nation-wide series intended to prevent the use of non-union materials and non-union labor. The defendants were strongly supported by the American Federation of Labor. Later the accused pleaded guilty, and James B. McNamara was sentenced to life imprisonment and John McNamara to imprisonment for 15 years. The pro-McNamara forces claimed that escaping gas, not a bomb, had destroyed the Times building. More extremist labor sympathizers charged that Otis himself had arranged the explosion.&lt;br /&gt;
&lt;br /&gt;
Harrison Gray Otis (1837-1917) was an American newspaper publisher who directed the Los Angeles Times from 1886 until after World War I, which he edited with an iron hand, becoming one of the most powerful figures in southern California. He made his newspaper a voice of Republican interests, and he opposed labor unions.&lt;br /&gt;
&lt;br /&gt;
The McNamara brothers trial, which ended just as it began with confessions of guilt by the McNamaras, set the cause of organized labor on the West Coast back by decades. [http://law.jrank.org/pages/2770/McNamara-Brothers-Trial-1911.html More...] &lt;br /&gt;
&lt;br /&gt;
It also nearly ruined the career of Clarence Darrow (1857-1938), one of America&#039;s leading criminal defense lawyers, who represented the McNamaras in the trial. Bert Franklin, on Darrow&#039;s payroll, was caught bribing two of the jurors in the McNamara trial. He plead ed guilty to jury tampering and he testified that Darrow had known and approved of the bribery efforts. &lt;br /&gt;
&lt;br /&gt;
Darrow was arrested and put on trial. When organized labor turned its back on Darrow&#039;s request for financial assistance, Darrow had to pay all the legal costs of the 13-week trial out of his own pocket. Darrow denied the charges, and on August 14 and 15, 1912, gave an impassioned closing speech to the jurors, in which he claimed that:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;I am not on trial for having sought to bribe a man named Lockwood. I am on trial because I have been a lover of the poor, a friend of the oppressed, because I have stood by Labor for all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
On August 15, 1912, the jury returned a verdict of not guilty after deliberating for less than an hour. [http://law.jrank.org/pages/2768/McNamara-Brothers-Trial-1911-Darrow-Tried-Bribing-Jurors.html More about Darrow&#039;s trial...]&lt;br /&gt;
&lt;br /&gt;
==Page 1059==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;paradiddle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In this sense perhaps more often &amp;quot;taradiddle.&amp;quot; Fiddle, finagle, wriggle. In strict pedantic usage &amp;quot;paradiddle&amp;quot; is a kind of quadruple stroke on the snare drum. Nothing pedantic about it, LeStreet is the drummer in the house band at the Vertex Club and a paradiddle is a 4-beat exercise pattern on the snare drum. E.g., R-R-L-R-L-L-R-L or R-L-R-R-L-R-L-L or etc. (there are lots of paradiddles). The purpose is to play them fast enough so that it sounds like a roll. Different patterns produce rolls that sound distinct from each other, very important to a jazz drummer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a barnstormer&#039;s Curtis JN&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An army surplus airplane from the World War, bought and flown by an itinerant pilot in aerobatic exhibitions. Nicknamed &amp;quot;Jenny,&amp;quot; the plane was pictured on a 1918 airmail stamp; some sheets had the center image printed upside down: the &amp;quot;Jenny Invert.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 1060==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;constant-term recalibration, or C.T.R.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[[ATD_1040-1062#Page_1050|See annotation to page 1050.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spagyrist&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Alchemist, especially one seeking cures. Follower of Paracelsus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Doddling&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(1) Frequent misspelling of &amp;quot;dawdling.&amp;quot; (2) Easy duty for an English bus conductor (e.g., issuing tickets but not supervising operations). (3) Sexual intercourse.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tree of Diana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Branching possibilities, alternate histories branching out from any given moment.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...one compassionate time-machine story, time travel in the name of love...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two come to mind: Robert Heinlein: &#039;&#039;The Door Into Summer&#039;&#039; and Jack Finney: &#039;&#039;Time and Again&#039;&#039;. In both a protagonist succcessfully chases an impossible love through time.&lt;br /&gt;
:And don&#039;t forget the special meaning of &amp;quot;compassionate&amp;quot; in &#039;&#039;AtD,&#039;&#039; &amp;quot;the Compassionate&amp;quot; = the Chums of Chance.&lt;br /&gt;
&lt;br /&gt;
A possibility: &amp;quot;The Compassionate&amp;quot; = &amp;quot;The Kindly Ones&amp;quot; = the Erinyes, or Furies, in Greek myth ? = The Chums of Chance.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Now, as if the terrible flood of time ...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This beautiful paragraph is reminiscent of the famous time travel sequence in George Pal&#039;s film [http://en.wikipedia.org/wiki/The_Time_Machine_(1960_film) The Time Machine].  But here, instead of history, wars, etc. Lew sees his love.  It is as if Pynchon is saying &amp;quot;This is how it &#039;&#039;should&#039;&#039; be done.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 1061==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;mathematical mists&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recalls Kit&#039;s dream on P.566, of equations permitting a view into possible worlds.&lt;br /&gt;
Also recalls Julian Barbour&#039;s work on probablity mists hovering over possible time capsules. Please see his book, [http://www.platonia.com/index.html &#039;&#039;The End of Time&#039;&#039;] for more details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Béthenod-Latour alternator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A high-frequency alternator, capable of producing continuous waves, important in the early development of wireless telegraphy and radio.&lt;br /&gt;
&lt;br /&gt;
==Page 1062==&lt;br /&gt;
&lt;br /&gt;
The material on Merle and Roswell in this chapter (pg. 1040-1062) completes the thread begun by the chapter (pg. 447-459) where Merle first meets meets Roswell.  The two chapters are like a pair of bookends.&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_336-357&amp;diff=16131</id>
		<title>ATD 336-357</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_336-357&amp;diff=16131"/>
		<updated>2014-02-25T19:36:42Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 351 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Page 336==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;R-girls&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Rail girls?&lt;br /&gt;
&lt;br /&gt;
Makes me think of b-girls, or bar girls [http://dictionary.reference.com/search?q=B-girls]. Seems appropriate, given the context, to imagine r-girls are the rails&#039; equivalent.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;White City&#039;&#039;&#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
The neighbourhood of extravagant buildings made for the World&#039;s Columbian Exposition of 1893. (First mentioned on [http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_1-25#Page_3 page 3]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jackson Park&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The site of the 1893 World&#039;s Columbian Exposition. [http://en.wikipedia.org/wiki/Jackson_Park_%28Chicago%29 Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;hoping for some glimpse of her White City, but saw only the darkened daytime one&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;The White City... impressed everyone who saw it (at least before air pollution began to darken the façades) that plans were considered to refinish the [alabaster] exteriors in marble or some other material. These plans had to be abandoned in July 1894 when much of the fair grounds was destroyed in a fire. The fire occurred at the height of the Pullman Strike; since the strikers set other fires that very week, it is possible the fire was set by disgruntled Pullman employees.&amp;quot; [http://en.wikipedia.org/wiki/Columbian_Exposition_of_1893 Wikipedia]&lt;br /&gt;
&lt;br /&gt;
Pynchon has mentioned the decay of the White City earlier in the novel.&lt;br /&gt;
&lt;br /&gt;
==Page 337==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mrs. Dragsaw&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Speculation: dragsaw [http://www.answers.com/topic/dragsaw-1 (pic)] is a real word [http://www.answers.com/topic/dragsaw (definition)] and certainly a funny name, especially for a woman hiring waitresses in a restaurant that serves lunch. Pynchon has a penchant for funny, if not outrageous, names.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Chillicothe&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
City in Ross County, Ohio.  [http://en.wikipedia.org/wiki/Chillicothe,_Ohio wiki]&lt;br /&gt;
&lt;br /&gt;
==Page 338==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;grubstake&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
funds or supplies advanced to a mining prospector (or a person starting a business) in return for a promised share of the profits.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;One day up in the theater district...penis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Again a reference to the newly-emerging gay subculture.  The theater district was part of the Tenderloin and supplied many of that area&#039;s clients.  The acting world was a longtime haven for otherwise closeted LGBT people.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maude Adams&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
American actress, 1872-1953. First to play Peter Pan on the American stage (1905). [http://en.wikipedia.org/wiki/Maude_Adams Wikipedia article.] &#039;&#039;&#039;Not to be confused with Bond Girl Maud Adams!&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mock Duck&#039;s boys&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the era of soysage, sunburgers and seitan, Mock Duck has just about dropped from public consciousness. A gluten-based vegetarian substance with at least an imagined resemblance to roast duck. Oriental grocers sometimes still carry it.&lt;br /&gt;
  &lt;br /&gt;
Actually, Mock Duck was a Tong leader in New York City, most active 1900&lt;br /&gt;
through 1912.  Sai Wing Mock, aka &amp;quot;Mock Duck&amp;quot; was renowned for his eccentric&lt;br /&gt;
combat style; while hatchets, clubs and knives were standard weapons in&lt;br /&gt;
street-gang warfare, Mock Duck&#039;s method was to sow chaos and fear by crouching&lt;br /&gt;
in the center of the street, putting his head down, drawing two .44s and firing&lt;br /&gt;
wildly in all directions.  (He was reportedly a terrible shot.)&lt;br /&gt;
(While Pynchon does add a lot of goofy names and implausible characters to his&lt;br /&gt;
fictions, it&#039;s the inclusions of the real ones that hold the history&lt;br /&gt;
together.)[[User:Infanttyrone|Infanttyrone]] 16:10, 11 December 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 339==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;en deshabille&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
partly dressed in a loose manner.&lt;br /&gt;
&lt;br /&gt;
:more precisely, in this case, the French word for what Americans call a &amp;quot;négligée&amp;quot; (strange to translate a French word with another French word!). Very light indoor garment that one would never wear outside the house. &amp;quot;En déshabillé&amp;quot; literally means &amp;quot;in a déshabillé&amp;quot; or &amp;quot;wearing a déshabillé&amp;quot;.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Modestine&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A 19th century first name. Perhaps a pun on the fact that she has not been modest.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;let&#039;s say a &#039;&#039;short vacation&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Maternity leave.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hop Fung&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Not sure, but &amp;quot;wing hop fung&amp;quot; supposedly means &amp;quot;together forever prosper&amp;quot; [http://www.winghopfung.com/about.html]. Anyone?&lt;br /&gt;
&lt;br /&gt;
: Wing=Forever, Hop=Together, Fung=Prosper&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Celestial&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Chinese. &amp;quot;Celestial Empire&amp;quot; is a translation of one of the native names for China.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lobbygow&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;A hanger-on, go-between, or message runner, particularly one involved in the drug traffic—the speculation being that such persons usually hang about in lobbies&amp;quot; [http://mouthfulsfood.com/forums//lofiversion/index.php/t15.html cite]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Chop Suey stories!&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Chinese in America making an industry out of fulfilling the natives&#039; fantasies. Both the white-slavery dramatizations (&amp;quot;comediettas&amp;quot;) and the dish chop suey itself are inauthentic but expected by Anglo tourists.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;On Leong&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
One of the many Chinese-American societies originally created for mutual support and protection (a &#039;&#039;tong&#039;&#039; [http://en.wikipedia.org/wiki/Tong_%28organization%29]) that became a criminal organization. The On Leong were influential in many major American cities around the turn of the century.&lt;br /&gt;
&lt;br /&gt;
Also known as the On Leong Laborer and Merchant Association [http://usinfo.state.gov/eap/Archive_Index/Chinese_Criminal_Enterprises.html]&lt;br /&gt;
&lt;br /&gt;
==Page 340==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hip Sing&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Like the On Leong, an influential Chinese-American criminal organization [http://usinfo.state.gov/eap/Archive_Index/Chinese_Criminal_Enterprises.html].&lt;br /&gt;
&lt;br /&gt;
Perhaps also a &amp;quot;hip&amp;quot; parody of the cook in &#039;&#039;Bonanza&#039;&#039;, Hop Sing.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bloody Angle&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Site of 20 hours of sustained combat at the Battle of Spotsylvania, 1864, thought possibly the most severe sustaned engagement of the American Civil War [http://www.cr.nps.gov/hps/ABPP/BATTLES/va048.htm].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Word had gotten around&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Dahlia&#039;s experiences on Broadway play out like a perverse parody of Theodore Dreiser&#039;s Sister Carrie. Like Dahlia, Dreiser&#039;s heroine is a small town girl who makes the transition from bit-part player to star. Furthermore, Dahlia arrives in New York City in 1900, the same year that Sister Carrie was published.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dally in performance&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
These acts seem quite similar to the Living Theater, which emerged several decades later. [http://en.wikipedia.org/wiki/The_Living_Theatre Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;morning-hat&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Not sure if it refers to a specific hat or a family of hats, but It was used in the title of a fashion article published in the New York Times on Feb. 23rd, 1908 [http://query.nytimes.com/mem/archive-free/pdf?res=9F0CE3D81F3EE233A25750C2A9649C946997D6CF]. &lt;br /&gt;
Most likely a casual girl hat, opposed to evening wear.&lt;br /&gt;
&lt;br /&gt;
==Page 341==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;highbinders&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Members of a Chinese-American criminal gang. (The word later came to apply to corrupt politicians.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;day club&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Speculation: what Pynchon is humorously calling a [http://www.thefreedictionary.com/nightstick nightstick] used in the daytime.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Glans penis&#039;&#039;&#039;&#039;&#039;-&#039;&#039;&#039;shaped helmets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[[Image:glans-penis-shaped-helmet.jpg|thumb|&#039;&#039;Glans penis&#039;&#039;-shaped police helmet|right]] The odd, short-brimmed helmets worn by police officers in New York around the turn of the century and still worn by English police today [http://policehelmets.homestead.com/].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mock Duck...firing two revolvers at a time in all directions&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Incredibly, Pynchon seems to be referencing the Hong Kong films of John Woo. The image of the Chinese gangster firing two guns simultaneously is a Woo trademark, first popularized in the 1986 film &#039;&#039;A Better Tomorrow&#039;&#039; and repeated in subsequent Woo films such as &#039;&#039;The Killer&#039;&#039; (1989) and &#039;&#039;Hard-Boiled&#039;&#039; (1992). The image was so closely associated with Woo&#039;s favorite leading man, Chow Yun-Fat, that it was even reprised for Chow&#039;s subsequent films in Hollywood.&lt;br /&gt;
According to Woo, the image of the outlaw firing two guns simultaneously was inspired by the final scene of &#039;&#039;Butch Cassidy and the Sundance Kid&#039;&#039;. This is interesting in light of the Butch Cassidy references in the Telluride section of ATD. [http://en.wikipedia.org/wiki/John_Woo#Trivia [wikipedia]]&lt;br /&gt;
&lt;br /&gt;
There is an actual Tong leader being referenced here; Mock Duck was known for his two-gun style, but his methods were much different than Chow Yun-Fat&#039;s.  [http://en.wikipedia.org/wiki/Mock_Duck Wikipedia Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 342==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tin Pan Alley&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tin Pan Alley is the name given to the collection of New York City-centered music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. [http://en.wikipedia.org/wiki/Tin_Pan_Alley Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;acid magenta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Acid dye is a member of a class of dye that is applied from an acidic solution. [http://en.wikipedia.org/wiki/Acid_dye]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Con McVeety&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Investigation of the origins of family names on the North American continent has revealed that early immigrants bearing the name Veety or a variant (Veety has been written as MacVittie, MacVittye, MacVittae, MacWittie, MacWitty and many more) include: Alan MacWittie who settled in New England in 1685; Duncan McVittie arrived in Philadelphia Pa. in 1775. [http://www.houseofnames.com/xq/asp.fc/qx/veety-family-crest.htm]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;worst acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Itself a cliche, &#039;&#039;e.g&#039;&#039;, Woody Allen&#039;s &#039;&#039;Broadway Danny Rose.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Page 343==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;..seven-fifty a week..silent discussion.. &amp;quot;Ten?&amp;quot; and the deal was done.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Curious deal here inluding the oxymoron but surely not cents nor dollars.&amp;lt;br&amp;gt;&lt;br /&gt;
Ten dollars in 1900 has the purchasing power in 2005 of&lt;br /&gt;
: $239.93  using the Consumer Price Index &lt;br /&gt;
: $205.36  using the GDP deflator &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dime museum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Dime_museum Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absquatulate &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
to leave quickly or in a hurry. The phrase &amp;quot;in some haste to absquatulate&#039; seems a bit redundant.  &lt;br /&gt;
&lt;br /&gt;
Found this interesting piece of knowledge on Freedictionary.com [http://www.thefreedictionary.com/] which explains the origins of a lot of the words used in AtD:&lt;br /&gt;
&amp;quot;In the 19th century, the vibrant energy of American English appeared in the use of Latin affixes to create jocular pseudo-Latin &amp;quot;learned&amp;quot; words. (...) Absquatulate has a prefix ab-, &amp;quot;away from,&amp;quot; and a suffix -ate, &amp;quot;to act upon in a specified manner,&amp;quot; affixed to a nonexistent base form -squatul-, probably suggested by squat. Hence the whimsical absquatulate, &amp;quot;to squat away from.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Olio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A random collection (very roughly equivalent to the Spanish word &#039;&#039;zarzuela&#039;&#039;). In music halls and variety theater an olio, here an act or acts unrelated to the &amp;quot;real&amp;quot; show, would go up in front of the curtain during long scene changes.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;australian cockroach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is very unlikely that it was an Australian Cockroach (Periplaneta australasiae), which has a length of 3.0cm - 3.5cm (approx 1 1/4&amp;quot;-1 3/8&amp;quot;). Most likely refers to another (unwinged) species, called the Rhinoceros Cockroach or Giant Burrowing Cockroach (Macropanesthia rhinoceros) which is indigenous to Australia and can weigh up to 35 g (1.2 oz) and measure up to 3.15 in (80 mm) [http://en.wikipedia.org/wiki/Rhinoceros_cockroach] Still a far cry from &amp;quot;the size of a sewer rat&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bogoslaw Borowicz&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borowicz is a polish name, patronymic from a pet form of Borowy, or from Borzyslaw, Bolebor, or some other personal name formed with the element bor ‘to fight’.&lt;br /&gt;
&lt;br /&gt;
Found a reference to a Bogoslaw Borowicz in a scientific paper entitled &amp;quot;During Latency, Herpes Simplex Virus Type 1 DNA Is Associated&lt;br /&gt;
with Nucleosomes in a Chromatin Structure&amp;quot; (!), published in 1989 in The Journal of Virology. [http://jvi.asm.org/cgi/reprint/63/2/943.pdf]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Floor show&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Floorshow is a series of acts at a night club. That anyone could take this literally as &amp;quot;a display of floors&amp;quot; is both hilarious and very Pynchonian.&lt;br /&gt;
&lt;br /&gt;
==Page 344==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;strange tilings...mathematical issues&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
This passage alludes to aperiodic tilings [http://en.wikipedia.org/wiki/Aperiodic_tiling Wikipedia] such as the one discovered by Roger Penrose [http://en.wikipedia.org/wiki/Penrose_tiling Wikipedia]. See &amp;quot;The wallpaper in particular presented not a repeating pattern at all&amp;quot; [[ATD_171-198#Page_182|in annotations to p. 182.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Ictibus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The Latin word &#039;&#039;ictus&#039;&#039; is from the past participle of īcere, to  stike, blow, stab, wound; it can also refer to the wound itself.  &#039;&#039;Ictibus&#039;&#039;, is the ablative plural case for &#039;&#039;ictus&#039;&#039;, thus we have Dr. Took-away-the-wounds.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Safe-Deflector Hat&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Dave Garroway supposedly had a hat that calculated the angle to be safe from falling bricks, if I recall correctly. [http://en.wikipedia.org/wiki/Dave_Garroway Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Odo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Something to do with [http://www.catholic-forum.com/saints/sainto26.htm Saint Odo], patron saint of rain?&lt;br /&gt;
&lt;br /&gt;
Perhaps a reference to &#039;&#039;Star Trek&#039;&#039;: Odo was the shape-shifting security officer of the space station &#039;&#039;Deep Space 9&#039;&#039;. [http://memory-alpha.org/en/wiki/Odo Star Trek Wiki]&lt;br /&gt;
&lt;br /&gt;
Or to the anarchist Odo in Ursula LeGuin&#039;s novel &#039;&#039;The Dispossessed.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
In any case, Odo&#039;s onstage speech reflects the Mad Scientist&#039;s lab assistant in dozens of horror movies.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;figurante&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
a dancer; a ballet girl.&lt;br /&gt;
:also the (feminized) French term for &amp;quot;extra&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a coon revue&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Musical entertainment with African-American performers—or just as likely white performers in blackface—doing skits and singing songs that perpetuated a range of stereotypes: step-dancing, exaggerated dialect, lax morals, etc. Coon material was extremely popular in New York and elsewhere in the Jim Crow era (and it hasn&#039;t disappeared yet). For a partial list of coon references in &#039;&#039;AtD,&#039;&#039; [[ATD_26-56#Page_48|see annotation to p. 48.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Williams and Walker&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Bert Williams and George Walker, well-known vaudevillians who sometimes billed themselves as &amp;quot;The Two Real Coons.&amp;quot; Williams was first to cross the color line as a headliner in the Ziegfeld Follies. [http://www.si.umich.edu/chico/Harlem/text/williams_walker.html Here] is a good account of their careers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Calpurnia... Mrs. Caesar&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Calpurnia was the wife of Julius Caesar and is a minor character in Shakespeare&#039;s play. She&#039;s a model of rectitude and courage, not someone who would like the subordinating title &#039;Mrs&#039; which is thus a joke.&lt;br /&gt;
&lt;br /&gt;
==Page 345==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Liu Bing&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
One of three approaches to exegesis are possible here. &amp;lt;br&amp;gt;&lt;br /&gt;
:1) The name is a Chinese pun on English sounds and meanings.&amp;lt;br&amp;gt;&lt;br /&gt;
:2) The name is a reference to someone with this name.&amp;lt;br&amp;gt;&lt;br /&gt;
:3) The name is a reference to Chinese meanings in a Chinese or English pun.&amp;lt;br&amp;gt;&lt;br /&gt;
An example of the first approach:&amp;lt;br&amp;gt;&lt;br /&gt;
:Lubing? Like Lew Basnight as Lube-ass night [http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_26-56#Page_36 see notes for page 36].&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Two examples from the second approach:&amp;lt;br&amp;gt;&lt;br /&gt;
:Here, it is a woman, but in history Liu Bing was&amp;lt;br&amp;gt;&lt;br /&gt;
:1) The birth name of Emperor Chong of the Han Dynasty (143-145) who became emperor at the age of 1, and died a year later.&amp;lt;br&amp;gt;&lt;br /&gt;
:2) A high-ranking official of the Song Dynasty, (lived 433-477).&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Third approach: mix and match meanings for &amp;quot;Liu&amp;quot; and Bing&amp;quot;.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Liu can mean: &lt;br /&gt;
:lovely; beautiful; tassel; pomegranate; to flow; to spread; to circulate; to move clear; deep (of water); swift; precious stone; leave (message); to retain; to stay; to remain; to keep; to preserve; tumor; sulfur; bessemerizing of matte; lutetium; pure gold; sewing of wind; bay horse with black mane; large horned-owl; willow; skein; tuft; lock; creel; fish basket; the number 6; a clod of earth; land; the sound of the wind; to soar; to stroll; walk a horse; to stroll; to linger; dripping of rain from eaves, reheat by steaming&lt;br /&gt;
&lt;br /&gt;
Bing can mean: &lt;br /&gt;
:soldiers; a force; an army; weapons; arms; military; war-like; ice; arrow-quiver; Trachycarpus excelsa; &#039;&#039;&#039;arecas&#039;&#039;&#039;; the third of the ten heavenly stems; the third position; third; number three; get rid of; put aside; reject; keep control; hold back; sad; mournful; bright; glorious; authority; handle; hilt;  bright; brilliant; luminous(surname); to grasp; hold; maintain natural property or endowment; report to (a superior)bright ; shining, splendid(surname); ancient city name; happy; plate; scabbard; round flat cake; cookie; cake; pastry; furthermore; (not) at all; simultaneously; also; together with; to combine; to join; to merge amalgamate; combine; nightmare; start to sleep; ailment; sickness; illness; disease; fall ill; sick; defect.&lt;br /&gt;
&lt;br /&gt;
So, Liu Bing might mean &#039;&#039;&#039;&amp;quot;lovely arecas,&amp;quot;&#039;&#039;&#039; &amp;quot;six cookies,&amp;quot; &amp;quot;gold handle,&amp;quot; &amp;quot;six soldiers&amp;quot; etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Courage,&#039;&#039; Camille&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;Coo-RAZH,&#039;&#039; of course. The play &#039;&#039;Camille&#039;&#039; was adapted from &#039;&#039;The Lady of the Camellias&#039;&#039; (&#039;&#039;La dame aux camélias,&#039;&#039; 1848) by Alexandre Dumas the Younger. In all French versions the character&#039;s name is Marguerite, so this gag only works in English-speaking countries. This phrase also appears in &#039;&#039;Inherent Vice&#039;&#039;, pg. 314. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lillian Russell&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
American actress and singer (1860-1922) [http://en.wikipedia.org/wiki/Lillian_Russell Wikipedia entry]. Yes, she generally did wear a hat in her photos.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Verbena&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Continuing Pynchon&#039;s running joke of naming AtD&#039;s women after flowering herbs.[http://en.wikipedia.org/wiki/Verbena Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I.J. &amp;amp;amp; K. Smokefoot&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Speculation: Smokefoot is the name of a song written by Bobby Keys, Jim Gordon, and Jim Price. It appears on the 1972 album &amp;quot;Bobby Keys.&amp;quot; [http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=11:wjfixqw5ldae~T1 Bobby Keys] was a very much in demand session sax player, appearing on many well-known albums, including the Stones&#039; &amp;quot;Sticky Fingers&amp;quot; where he plays an extended solo on &amp;quot;Can&#039;t You Hear Me Knockin.&amp;quot; While this is not at all related to what&#039;s going on in AtD at the moment, it is a way that Pynchon comes up with names and Pynchon surely knows who Bobby Keys is.&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;Along with speculation,&#039;&#039; the name Smokefoot has some nonmusical grounding. There&#039;s a fairly numerous and widespread American clan named Rauchfuss. Their surname, obviously, is German—like those of some nonfictional department store magnates (Gimbel, Bergdorf, Saks). If the first immigrant Rauchfuss had translated his name into English it would have come out Smokefoot. Although a moderately large Google search does not turn up a Rauchfuss or Smokefoot in the business, it is &#039;&#039;&#039;not&#039;&#039;&#039; irrelevant that one form of this name is current in the population.&lt;br /&gt;
&lt;br /&gt;
Quaternions based on &#039;i * j * k&#039;.&lt;br /&gt;
:Not too sure about this connection: the choice of &#039;&#039;i&#039;&#039;, &#039;&#039;j&#039;&#039;, and &#039;&#039;k&#039;&#039; in the definition of quaternary space is arbitrary, as are &#039;&#039;x&#039;&#039;, &#039;&#039;y&#039;&#039;, and &#039;&#039;z&#039;&#039; in more conventional definitions of three-dimensional space. Could just be that Pynchon just wrote a little three letter sequence in alphabetical order. Is there anything in the text that would support the connection between the department store and quaternions?&lt;br /&gt;
::Well, &#039;&#039;x, y&#039;&#039; and &#039;&#039;z&#039;&#039; are just as arbitrary—but when you see the sequence you think &amp;quot;coordinates, 3-space, vectors.&amp;quot; So &#039;&#039;i j k&#039;&#039; in the book&#039;s context does suggest a link to quaternion notation. This merits a closer look.&lt;br /&gt;
&lt;br /&gt;
::Besides the quaternion interpretation, the letters i,j,k commonly represent the standard basis vectors of R^3.  There&#039;s little doubt that Pynchon had these meanings in mind when he chose those three letters.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ladies&#039; Mile&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Broadway from 9th to 23rd Streets, Gilded Age location of all the most fashionable shops [http://www.preserve2.org/ladiesmile/]&lt;br /&gt;
&lt;br /&gt;
==Page 346==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sussurant&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Whispering, making a low continuous indistinct sound [http://dictionary.reference.com/search?q=susurrant]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Jachin and Boaz&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
The two pillars on the porch of Solomon&#039;s Temple.  [http://en.wikipedia.org/wiki/Boaz_and_Jachin Wikipedia entry].  They also appear on the Tarot card of The High Priestess in the A.E. Waite Rider deck, whose designer, Pamela Colman Smith, is mentioned in &#039;&#039;ATD&#039;&#039; at p. 186. [http://en.wikipedia.org/wiki/The_High_Priestess Wikipedia entry]. The two names could also be a possible reference to Freemasonry [http://www.freemasons-freemasonry.com/larsonwilliam.html], an institution that occasionally appears in Pynchon&#039;s work. Pillars named Jachin and Boaz apparently figure in the nomenclature of Masonic temples.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;just a kid&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Dally was born c1889, so 14 or 15?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;newly introduced&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Paris 1900? [http://en.wikipedia.org/wiki/Escalator Wikipedia]&lt;br /&gt;
&lt;br /&gt;
==Page 347==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yosemite Falls&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For pictures see [http://en.wikipedia.org/wiki/Yosemite_Falls Wikipedia].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Her Mother Never Told Her&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Her mother never told her the things a young girl should know.&amp;lt;br&amp;gt;&lt;br /&gt;
About the ways of college men, and how they come and go, (mostly....go).&amp;lt;br&amp;gt; &lt;br /&gt;
Now age has taken her beauty, and sin has left its sad scar;&amp;lt;br&amp;gt; &lt;br /&gt;
So remember your mothers and sisters, boys, and let her sleep under the bar&amp;quot; [http://www.mudcat.org/thread.cfm?threadid=2332 Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Tombs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
NYC prison.&lt;br /&gt;
&lt;br /&gt;
==Page 348==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bleeker Street&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cultural center of bohemian Greenwich Village, which at this time was a haven for leftists including Emma Goldman and John Reed.  In later years it became an art showcase for talent including Hendrix, Springsteen, Bob Dylan, Bill Cosby, Richard Pryor, et. al.  [http://en.wikipedia.org/wiki/Bleecker_Street Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Saturday night in Kipperville&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Most likely a reference to the story &#039;&#039;Mike Mulligan and His Steam Shovel&#039;&#039; by Virginia Lee Burton, wherein Mike and promises to dig the cellar for Popperville&#039;s new town hall in one day using his steam shovel Mary Anne. The citizens from Kipperville and other nearby towns all come to watch. [[Mike Mulligan and His Steam Shovel|Read the Amazon description]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;arecas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Areca is a genus of about 50 species of single-stemmed palms in the family Arecaceae, found in humid tropical forests from Malaysia to the Solomon Islands. [http://en.wikipedia.org/wiki/Areca wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demimondaine&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A [http://www.thefreedictionary.com/demimondaine woman] belonging to the [http://www.thefreedictionary.com/demimonde demimonde]; a woman whose sexual promiscuity places her outside respectable society.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;soubrettes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lady&#039;s maids; maid-servants. &amp;lt;ref&amp;gt;Def.2. &#039;&#039;&#039;The Oxford English Dictionary&#039;&#039;&#039; 2nd Ed. 1989.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Perrier Jouet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Brand of expensive Champagne.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ticker-tape machines&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Before the crawl at the bottom of the screen, you could get a Dow-Jones ticker installed in your home or office to bring you the latest from the market. Other ticker services delivered news, sports scores, etc., all printed out on a narrow paper tape. On days of special celebration, New York City allowed people to throw ticker tape from buildings—which on any other day would be a misdemeanor—hence the fossil expression &amp;quot;ticker-tape parade.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 349==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Oomie Vamplet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Pure speculation: [http://www.urbandictionary.com/define.php?term=oomie oomie]. Vamplet has a [http://onlinedictionary.datasegment.com/word/vamplet definition], but also sounds like a vamp (a woman who uses her sex appeal to entrap and exploit men) who is small. Also, to vamp in music is to improvise simple accompaniment or variation of a tune.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kate Chase Sprague&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kate Chase Sprague was the daughter of Civil War era cabinet member Salmon P. Chase and wife of Rhode Island Governor William Sprague.  She was accused of having had an affair with New York Senator Roscoe Conkling.  [http://en.wikipedia.org/wiki/Kate_Chase wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Congo violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
evidently a real color: Violet dyes: trisulphon violet 2B, Congo violet; &lt;br /&gt;
from a patent application, # 4025164. www.patentsonline. A quite dark violet, I think, is implied...lots of associations to Congo.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Funiculi, Funicula&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A very popular Neapolitan song composed in 1880 by Italian composer Luigi Denza (cf p.353) to commemorate the opening of the first &#039;&#039;&#039;funicular&#039;&#039;&#039; (inclined railway) on Mount Vesuvius. The song&#039;s huge success made the Neapolitan songs spreading all over the world. In the &#039;50s Mario Lanza made this song popular in the US but with slightly changed English lyrics. For the lyrics in its original Neapolitan dialect and English see [http://www.vesuvioinrete.it/funicolare/e_funicolare_funiculi.htm].&lt;br /&gt;
&lt;br /&gt;
At least three times in &#039;&#039;AtD&#039;&#039; we have an instrumental tag to identify the nationality of a person entering the scene. Here it&#039;s the Italian one (never mind that Zombini&#039;s family comes from northern Italy, not Naples); there&#039;s also a four-note plinka-plinka to announce a Chinese person (on page ???) and an alphorn solo to cue a Swiss person (page ???).&lt;br /&gt;
&lt;br /&gt;
==Page 350==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Chinchito&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Little Bug.&amp;quot; (Wasn&#039;t Herve Villachaise supposed to be well endowed?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;in the wallpaper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf Lew on cyclomite.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mickey Finn&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mickey Finn in the punch is a drug-laced (clasically chloral hydrate) knockout drink. See [http://en.wikipedia.org/wiki/Mickey_Finn_%28drugs%29 Wikipedia].&lt;br /&gt;
&lt;br /&gt;
==Page 351==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sweet Caporal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A [http://www.adclassix.com/ads/55sweetcaporal.htm brand] of cigarette.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;came for me&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
On page 69 Erlys left this note: &amp;quot;I&#039;ll be back for her when I can.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[file:Apthorp.jpg|thumb|caption|The Apthorp, 1909| 250px|left]]&#039;&#039;&#039;&amp;quot;a French flat in a recently-erected building on upper Broadway&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This is most likely [http://en.wikipedia.org/wiki/The_Apthorp the Apthorp] apartment building, which is 12 stories and on upper Broadway, with French-style apartments and modeled on the Pitti Palace. It was completed in 1908. However, I believe in &#039;&#039;Against the Day&#039;&#039; the year is 1903. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pitti Palace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Palazzo Pitti is a vast mainly Renaissance palace in Florence. [http://en.wikipedia.org/wiki/Palazzo_Pitti Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;grattacielo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: skyscraper.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bria&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Daughter of Erlys Mills and Luca Zombini.&lt;br /&gt;
&lt;br /&gt;
==Page 352==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Little Nemo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A full-page color cartoon [http://en.wikipedia.org/wiki/Little_Nemo_in_Slumberland Wikipedia] by Winsor McCay, started on October 15, 1905.  Published in the &amp;lt;i&amp;gt;New York Herald&amp;lt;/i&amp;gt; until 1911.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;melted icebox ice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(How nasty would this have been?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;majolica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tin-glazed earthenware [http://en.wikipedia.org/wiki/Majolica wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Fletcher&#039;s Castoria&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A patent medicine composed of senna, sodium bicarbonate, essence of wintergreen, taraxicum, sugar and water, used as a laxative. [http://en.wikipedia.org/wiki/Castoria Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;three-cent pieces&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The U.S. minted three-cent coins until 1889.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Forza del Destino&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally, the &amp;quot;force of destiny.&amp;quot; An opera by Verdi [http://en.wikipedia.org/wiki/La_Forza_del_Destino wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cretino&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cretin&lt;br /&gt;
&lt;br /&gt;
==Page 353==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Luigi Denza&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Luigi Denza (2846-1922) was an Italian composer. In 1898, he moved to London and became a professor of singing at at the Royal Academy of Music.&lt;br /&gt;
Among the hundreds of songs he wrote, the most popular one was the Neapolitan song (1880) &#039;&#039;Funiculi, Funicula&#039;&#039; (cf 349). [http://en/wikipedia.org/wiki/Luigi_Denza Wikipedia].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Psyche knot&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The knot in which Psyche kept her hair, as shown in ads for White Rock mineral water during this time frame.  [http://www.whiterocking.org/pwc.html Pictures here].&lt;br /&gt;
&lt;br /&gt;
Here are instructions on how to prepare a [http://frazzledfrau.tripod.com/titanic/psyche.htm Psyche knot].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;also known as New York City, and found there true disappearance&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
...just as Pynchon himself did, hiding in plain sight in New York City for years. From this [http://nymag.com/arts/books/features/48268/ New York Magazine story:]   &lt;br /&gt;
&amp;quot; &#039;He&#039;s disappeared, and no one will ever find him, because that&#039;s how he wants it,&#039; says a man walking past the entrance to Pynchon&#039;s apartment building.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 354==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;bella&amp;quot;&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sweetheart; beauty.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Friuli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
an area of northeastern Italy with its own particular cultural and historical identity. [http://en.wikipedia.org/wiki/Friuli Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;donkey salami&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian sausage-makers do use donkey meat; look for &#039;&#039;salame d&#039;asino&#039;&#039; or &#039;&#039;mortadella di asino.&#039;&#039; It is not imported into the U.S.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
From Robert Musil&#039;s &#039;&#039;The Man Without Qualitites&#039;&#039; p. 939 of the 1995 translation by S. Wilkins.  Musil and his lead character Ulrich had both served in the Austro-Hungarian army.&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;Considering the window display of German intellect, Ulrich was reminded of an old army joke: &amp;quot;Mortadella.&amp;quot; This had been the nickname of an unpopular general, after the popular Italian sausage, and if anyone wondered why, the answer was: &amp;quot;Part pig, part donkey.&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;like Austria, with gestures&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:One of the finest news films ever shown on TV concerned a regional election in this part of Italy. The candidates spoke excellent German but used their arms and hands in a highly un-German way.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;platinum black&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;a fine black powder of platinum; used as a catalyst in chemical reactions&amp;quot; [http://www.answers.com/topic/platinum-black cite] &lt;br /&gt;
&lt;br /&gt;
Pynchon may also have had in mind a black hole or &amp;quot;Black Body Radiation,&amp;quot; which was discovered around 1900. In physics a black body is an ideal body that absorbs without reflection all of the electromagnetic radiation (light is one of them) incident on its surface. [http://en.wikipedia.org/wiki/Blackbody_radiation Wikipedia].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;affondato, vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian for &amp;quot;Sunk, isn&#039;t it?&amp;quot; as in the battleship game.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bloody horror shows&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A reference to the Grand Guignol theater in Paris, which opened in 1897, known for its gory shows.  [http://en.wikipedia.org/wiki/Grand_guignol Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
==Page 355==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Doubles the image...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Suggestive of quantum doubling, i.e. universe splitting in one version/solution of the Multiverse problem.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;capisci?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: you understand?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Houdini&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Harry_Houdini Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Porca miseria&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
All-purpose Italian expletive, not too crude. Translates into English as damn!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Malibran&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The 900-seat theather was built in 1677 for drama, opera and classical concerts. It was originally named Teatro di San Giovanni Crisostomo and later changed to Teatro Malibran to honor Maria Malibran, a well-known soprano of the early 19th century. During its long history the theather has been refurbished and rennovated numerous times, most recently in 2001. It is a beautiful landmark theather. It&#039;s doubtful Teatro Malibran is a proper venue for magic shows. For the beautiful indoor and outdoor pictures [http://www.noehill.com/med/med2002/malibran.asp Teatro Malibran].&lt;br /&gt;
&lt;br /&gt;
==Page 356==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Stupendica&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Example of Pynchon&#039;s marvelous ship names (e.g. &#039;&#039;USS Scaffold&#039;&#039; and &#039;&#039;Susannah Squaducci&#039;&#039; in &#039;&#039;V.&#039;&#039;); perhaps a play on &#039;&#039;Titanic&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Chinese Gong Effect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;East Rumelian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
East Rumelia was an autonomous Bulgarian province, fomerly an Ottoman dependency south of the Balkans. After the Russo-Turkish War of 1877 it was to be ruled by Turkey but with a Christian prince as part of a complex territorial power-balance agreeable to all Powers at the 1878 Congress of Berlin. Interestingly, an area in which the Glagolitic alphabet was propounded (see P.252).&lt;br /&gt;
&lt;br /&gt;
==Page 357==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bert Snidell&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bert Snidell was first mentioned on page 75.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hindoo shuffle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hindoo, or Hindu, shuffle is one of numerous ways of shuffling playing cards. For a description [http://en.wikipedia.org/wiki/Shuffling_playing_cards#Hindu_shuffle Wikipedia].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;French drop&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A well-known vanishing act of a small object involving sleight of hands. [http://en.wikipedia.org/wiki/French_drop Wikipedia].&lt;br /&gt;
&lt;br /&gt;
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&lt;div&gt;[[File:pynchon-simpsons.jpg|250px|right]]&#039;&#039;&#039;Thomas Ruggles Pynchon, Jr.&#039;&#039;&#039; (born May 8, 1937) is an American writer based in New York City. He is noted for his dense and complex works of fiction. Hailing from Long Island, Pynchon spent two years in the United States Navy and earned an English degree from Cornell University. After publishing several short stories in the late 1950s and early 1960s, he began composing the novels for which he is best known today: &#039;&#039;[http://v.pynchonwiki.com/wiki/ V.]&#039;&#039; (1963), &#039;&#039;[http://cl49.pynchonwiki.com/wiki/ The Crying of Lot 49]&#039;&#039; (1966), &#039;&#039;[http://gravitys-rainbow.pynchonwiki.com/wiki/ Gravity&#039;s Rainbow]&#039;&#039; (1973), &#039;&#039;[http://vineland.pynchonwiki.com/wiki/ Vineland]&#039;&#039; (1990), &#039;&#039;[http://masondixon.pynchonwiki.com/wiki/ Mason &amp;amp; Dixon]&#039;&#039; (1997), &#039;&#039;[http://against-the-day.pynchonwiki.com/wiki/ Against the Day]&#039;&#039; (2006), [http://inherent-vice.pynchonwiki.com/wiki/ &#039;&#039;Inherent Vice&#039;&#039;] (2009), and [http://bleedingedge.pynchonwiki.com/wiki/ &#039;&#039;Bleeding Edge&#039;&#039;] (2013).&lt;br /&gt;
&lt;br /&gt;
Pynchon is regarded by many readers and critics as one of the finest contemporary authors. He is a MacArthur Fellow and a recipient of the National Book Award, and is regularly cited as a contender for the Nobel Prize in Literature. Both his fiction and non-fiction writings encompass a vast array of subject matter, styles and themes, including (but not limited to) the fields of history, science and mathematics. Pynchon is also known for his avoidance of personal publicity: very few photographs of him have ever been published, and rumors about his location and identity have been circulated since the 1960s.&lt;br /&gt;
&lt;br /&gt;
==Biography==&lt;br /&gt;
Thomas Pynchon was born in 1937 in Glen Cove, Long Island, New York, one of three children of Thomas Ruggles Pynchon, Sr. (1907-1995) and Katherine Frances Bennett (1909-1996). His earliest American ancestor, [http://en.wikipedia.org/wiki/William_Pynchon William Pynchon], emigrated to the [http://en.wikipedia.org/wiki/Massachusetts_Bay_Colony Massachusetts Bay Colony] with the Winthrop Fleet in 1630, and thereafter a long line of Pynchon descendants found wealth and repute on American soil. Pynchon&#039;s family background and aspects of his ancestry have provided source material for his fictions, particularly in the Slothrop family histories related in &amp;quot;The Secret Integration&amp;quot; (1964) and &#039;&#039;[http://gravitys-rainbow.pynchonwiki.com/wiki/ Gravity&#039;s Rainbow]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
For those curious about the latest biographical details, [http://www.vulture.com/2013/08/thomas-pynchon-bleeding-edge.html &amp;quot;On the Thomas Pynchon Trail: From the Long Island of His Boyhood to the ‘Yupper West Side’ of His New Novel&amp;quot;] fills in some holes without betraying any confidences or really private information.&lt;br /&gt;
&lt;br /&gt;
===Childhood and education===&lt;br /&gt;
Pynchon attended Oyster Bay High School, where he was awarded &amp;quot;student of the year&amp;quot; and contributed short fictional pieces to his school newspaper: &amp;quot;Voice of the Hamster&amp;quot;,&amp;lt;ref&amp;gt;[http://themodernword.com/pynchon/pynchon_hamster.html &amp;quot;Voice of the Hamster&amp;quot;]&amp;lt;/ref&amp;gt;  &amp;quot;The Boys&amp;quot;,&amp;lt;ref&amp;gt;[http://www.themodernword.com/pynchon/pynchon_boys.html &amp;quot;The Boys&amp;quot;]&amp;lt;/ref&amp;gt; and &amp;quot;Ye Legend of Sir Stupid and the Purple Knight&amp;quot;.&amp;lt;ref&amp;gt;[http://www.themodernword.com/pynchon/pynchon_knight.html &amp;quot;Ye Legend of Sir Stupid and the Purple&amp;quot;]&amp;lt;/ref&amp;gt;  These works featured many of the themes and literary devices he would use throughout his career: silly names, rampant drug use, and paranoia. After graduating in 1953 at the age of 16, he studied engineering physics at Cornell University, but left at the end of his second year to serve in the U.S. Navy. In 1957, Pynchon returned to Cornell to pursue a degree in English. His first published story, &amp;quot;The Small Rain&amp;quot;, appeared in the &#039;&#039;Cornell Writer&#039;&#039; in May 1959, and narrates an actual experience of a friend who had served in the army; subsequently, however, episodes and characters throughout Pynchon&#039;s fiction draw freely upon his own experiences in the navy. &lt;br /&gt;
&lt;br /&gt;
While at Cornell, Pynchon became a friend of [http://en.wikipedia.org/wiki/Richard_Fariña Richard Fariña], and both briefly led what Pynchon has called a &amp;quot;micro-cult&amp;quot; around Oakley Hall&#039;s 1958 novel &#039;&#039;[http://en.wikipedia.org/wiki/Warlock_(novel) Warlock]&#039;&#039;. (He later reminisced about his college days in the introduction he wrote in 1983 for Fariña&#039;s novel &#039;&#039;[http://en.wikipedia.org/wiki/Been_Down_So_Long_It_Looks_Like_Up_to_Me Been Down So Long It Looks Like Up to Me],&#039;&#039; first published in 1966.) Pynchon also reportedly attended lectures given by [http://en.wikipedia.org/wiki/Vladimir_Nabokov Vladimir Nabokov], who then taught literature at Cornell. While Nabokov later said that he had no memory of Pynchon (although Nabokov&#039;s wife, Vera, who graded her husband&#039;s class papers, commented that she remembered his distinctive handwriting; his later handwriting appears unexceptional), other teachers at Cornell, like the novelist James McConkey, recall him as being a gifted and exceptional student. In 1958, Pynchon and Cornell classmate Kirkpatrick Sale wrote part or all of a science-fiction musical, &#039;&#039;Minstral Island&#039;&#039;, which portrayed a dystopian future in which IBM rules the world. [http://www.themodernword.com/pynchon/paper_gibbs.html] Pynchon received his BA in June 1959.&lt;br /&gt;
&lt;br /&gt;
===&#039;&#039;V.&#039;&#039;===&lt;br /&gt;
After leaving Cornell, Pynchon began to work on his first novel. From February 1960 to September 1962, he was employed as a technical writer at Boeing in Seattle, where he compiled safety articles for the &#039;&#039;Bomarc Service News,&#039;&#039;&amp;lt;ref&amp;gt;Wisnicki 2000-1&amp;lt;/ref&amp;gt; a support newsletter for the BOMARC surface-to-air missile deployed by the U.S. Air Force. Pynchon&#039;s experiences at Boeing inspired his depictions of the &amp;quot;[http://en.wikipedia.org/wiki/Yoyodyne Yoyodyne]&amp;quot; corporation in &#039;&#039;[http://en.wikipedia.org/wiki/V. V.]&#039;&#039; and &#039;&#039;[http://cl49.pynchonwiki.com/wiki/ The Crying of Lot 49],&#039;&#039; and both his background in physics and the technical journalism he undertook at Boeing provided much raw material for &#039;&#039;[http://gravitys-rainbow.pynchonwiki.com/wiki/ Gravity&#039;s Rainbow].&#039;&#039; When it was published in 1963, Pynchon&#039;s novel &#039;&#039;V.&#039;&#039; won a William Faulkner Foundation Award for best first novel of the year.&lt;br /&gt;
&lt;br /&gt;
After resigning from Boeing, Pynchon spent time in New York and Mexico before moving to California, where he was reportedly based for much of the 1960s and early 1970s, most notably in an apartment in Manhattan Beach, in Southern California.&amp;lt;ref&amp;gt;Frost 2003&amp;lt;/ref&amp;gt; Pynchon during this period embraced the lifestyle and values of the hippie counterculture, which he would later make use of in his 1990 novel &#039;&#039;[http://vineland.pynchonwiki.com/wiki/ Vineland].&#039;&#039;&amp;lt;ref&amp;gt;Gordon 1994&amp;lt;/ref&amp;gt; In 1964, his application to study mathematics as a graduate student at the University of California, Berkeley, was turned down.&amp;lt;ref name=&amp;quot;royster2005&amp;quot;&amp;gt;Royster 2005&amp;lt;/ref&amp;gt; In 1966, he wrote a first-hand report on the aftermath and legacy of the Watts riots in Los Angeles. Entitled &amp;quot;A Journey Into the Mind of Watts,&amp;quot; the article was published in the &#039;&#039;New York Times Magazine.&#039;&#039;&amp;lt;ref&amp;gt;Pynchon 1966&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
From the mid-1960s Pynchon has also regularly provided blurbs and introductions for a wide range of novels and non-fiction works. One of the first of these pieces was a brief review of Hall&#039;s &#039;&#039;Warlock&#039;&#039; which appeared, along with comments by seven other writers on &amp;quot;neglected books&amp;quot;, as part of a feature entitled &amp;quot;A Gift of Books&amp;quot; in the December 1965 issue of &#039;&#039;Holiday.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
===&#039;&#039;The Crying of Lot 49&#039;&#039;===&lt;br /&gt;
&lt;br /&gt;
In April 1964, Pynchon wrote to his agent, Candida Donadio, that he was facing a creative crisis, with four novels in progress, and that &amp;quot;If they come out on paper anything like they are inside my head then it will be the literary event of the millennium.&amp;quot;&amp;lt;ref&amp;gt;Gussow 1998&amp;lt;/ref&amp;gt; In December 1965, Pynchon politely turned down an offer to teach literature at Bennington College, writing that he had resolved, two or three years earlier, to write three novels at once.&amp;lt;ref&amp;gt;McLemee 2006&amp;lt;/ref&amp;gt; Pynchon called the decision &amp;quot;a moment of temporary insanity,&amp;quot; but noted that he was &amp;quot;too stubborn to let any of them go, let alone all of them.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Pynchon&#039;s second novel, &#039;&#039;[http://cl49.pynchonwiki.com/wiki/ The Crying of Lot 49],&#039;&#039; was published a few months later in 1966. Whether it was one of the three or four novels Pynchon had in progress is unknown, but in a 1965 letter to Donadio, Pynchon had written that he was in the middle of writing a book that he called a &amp;quot;potboiler.&amp;quot; When the book grew to 155 pages, he called it, &amp;quot;a short story, but with gland trouble,&amp;quot; and hoped that Donadio &amp;quot;can unload it on some poor sucker.&amp;quot; This would suggest that &#039;&#039;Crying of Lot 49&#039;&#039; was &#039;&#039;not&#039;&#039; one of the four novels Pynchon was writing as of 1964, but no answer is certain.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The Crying of Lot 49&#039;&#039; won the Richard and Hilda Rosenthal Foundation Award shortly after publication. Although more concise and linear in its structure than Pynchon&#039;s other novels, its labyrinthine plot features an ancient, underground mail service known as &amp;quot;The Tristero&amp;quot; or &amp;quot;Trystero,&amp;quot; a parody of a [http://en.wikipedia.org/wiki/revenge_play Jacobean revenge drama] entitled &amp;quot;The Courier&#039;s Tragedy,&amp;quot; and a corporate conspiracy involving the bones of World War II American GIs being used as charcoal cigarette filters. It proposes a series of seemingly incredible interconnections between these and other similarly bizarre revelations that confront the novel&#039;s protagonist, Oedipa Maas. Like &#039;&#039;V,&#039;&#039; the novel contains a wealth of references to science and technology and to obscure historical events, and both books dwell upon the detritus of American society and culture. &#039;&#039;The Crying of Lot 49&#039;&#039; also continues Pynchon&#039;s habit of composing parodic song lyrics and punning names, and referencing aspects of popular culture within his prose narrative. In particular, it incorporates several allusions to the Beatles and Nabokov&#039;s &#039;&#039;Lolita.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
In 1968, Pynchon was one of 447 signatories to the &amp;quot;Writers and Editors War Tax Protest.&amp;quot; Full-page advertisements in &#039;&#039;The New York Post&#039;&#039; and &#039;&#039;The New York Review of Books&#039;&#039; listed the names of those who had pledged not to pay &amp;quot;the proposed 10% income tax surcharge or any war-designated tax increase,&amp;quot; and stated their belief &amp;quot;that American involvement in Vietnam is morally wrong&amp;quot;.&amp;lt;ref&amp;gt;&#039;&#039;New York Review of Books&#039;&#039; 1968:9&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; and Pynchon&#039;s rise to prominence===&lt;br /&gt;
Pynchon&#039;s most celebrated novel is his third, &#039;&#039;[http://gravitys-rainbow.pynchonwiki.com/wiki/ Gravity&#039;s Rainbow]&#039;&#039;, published in 1973. An intricate and allusive fiction which combines and elaborates on many of the themes of his earlier work, including preterition, paranoia, racism, colonialism, conspiracy, synchronicity, and [[entropy]], the novel has spawned a wealth of commentary and critical material, including two reader&#039;s guides,&amp;lt;ref&amp;gt;Fowler 1980; Weisenburger 1988&amp;lt;/ref&amp;gt; books and scholarly articles, on-line concordances and discussions,&amp;lt;ref&amp;gt;[http://www.hyperarts.com/pynchon/ Pynchon HyperArts]&amp;lt;/ref&amp;gt; and art works, and is regarded as one of the archetypal texts of American literary postmodernism. The major portion of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; takes place in London and Europe in the final months of the Second World War and the weeks immediately following VE Day, and is narrated for the most part from within the historical moment in which it is set. In this way, Pynchon&#039;s text enacts a type of dramatic irony whereby neither the characters nor the various narrative voices are aware of specific historical circumstances, such as the Holocaust, which are, however, very much to the forefront of the reader&#039;s understanding of this time in history. Such an approach generates dynamic tension and moments of acute self-consciousness, as both reader and author seem drawn ever deeper into the &amp;quot;plot&amp;quot;, in various senses of that term. Encyclopedic in scope, the novel also displays enormous erudition in its treatment of an array of material drawn from the fields of psychology, chemistry, mathematics, history, religion, music, literature and film. Perhaps appropriately for a book so suffused with engineering knowledge, Pynchon reportedly wrote the first draft of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; in longhand on engineer&#039;s graph paper (aka &amp;quot;quadrille&amp;quot; paper), in California and Mexico City.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; was a joint winner of the 1974 National Book Award for Fiction, along with Isaac Bashevis Singer&#039;s &#039;&#039;A Crown of Feathers and Other Stories&#039;&#039;. In the same year, the fiction jury unanimously recommended &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; for the Pulitzer Prize; however, the Pulitzer board vetoed the jury&#039;s recommendation, describing the novel as &amp;quot;unreadable&amp;quot;, &amp;quot;turgid&amp;quot;, &amp;quot;overwritten&amp;quot;, and in parts &amp;quot;obscene&amp;quot;, and no prize was awarded.&amp;lt;ref&amp;gt;Kihss 1974&amp;lt;/ref&amp;gt; In 1975, Pynchon declined the William Dean Howells Medal of the American Academy of Arts and Letters.&lt;br /&gt;
&lt;br /&gt;
===Post-&#039;&#039;Gravity&#039;s Rainbow&#039;&#039;===&lt;br /&gt;
A collection of Pynchon&#039;s early short stories, entitled &#039;&#039;[http://en.wikipedia.org/wiki/Slow_Learner Slow Learner]]&#039;&#039;, was published in 1984, with a lengthy autobiography|autobiographical introduction. In October of the same year, an article entitled &amp;quot;Is It O.K. to Be a Luddite?&amp;quot; was published in the &#039;&#039;New York Times Book Review&#039;&#039;. In April 1988, Pynchon contributed an extensive review of Gabriel García Marquéz&#039;s novel, &#039;&#039;Love in the Time of Cholera&#039;&#039;, to the &#039;&#039;New York Times&#039;&#039;, under the title &amp;quot;The Heart&#039;s Eternal Vow&amp;quot;. Another article, entitled &amp;quot;Nearer, My Couch, to Thee&amp;quot;, was published in June 1993 in the &#039;&#039;New York Times Book Review&#039;&#039;, as one in a series of articles in which various writers reflected on each of the Seven Deadly Sins. Pynchon&#039;s subject was &amp;quot;Sloth&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
===&#039;&#039;Vineland&#039;&#039;===&lt;br /&gt;
Pynchon&#039;s fourth novel, &#039;&#039;[http://vineland.pynchonwiki.com/wiki/ Vineland]&#039;&#039;, was published in 1990. The novel is set in California in the 1980s and 1960s, and describes the relationship between an FBI COINTELPRO agent and a female radical filmmaker. Its strong socio-political undercurrents detail the constant battle between authoritarianism and communalism, and the nexus between resistance and complicity, but with a typically Pynchonian sense of humor. &lt;br /&gt;
&lt;br /&gt;
In 1988, he received a MacArthur Fellowship and, since the early 1990s at least, many observers have mentioned Pynchon as a Nobel Prize contender.&amp;lt;ref&amp;gt;See, for example, Grimes 1993, CNN Book News 1999, Ervin 2000&amp;lt;/ref&amp;gt; Renowned American literary critic Harold Bloom has named him as one of the four major American novelists of his time, along with Don DeLillo, Philip Roth, and Cormac McCarthy. &lt;br /&gt;
&lt;br /&gt;
===&#039;&#039;Mason &amp;amp; Dixon&#039;&#039;===&lt;br /&gt;
Pynchon&#039;s fifth novel, &#039;&#039;[http://masondixon.pynchonwiki.com/wiki/ Mason &amp;amp; Dixon]&#039;&#039;, was published in 1997. Pynchon began writing it as early as January 1975.&amp;lt;ref&amp;gt;Gussow&amp;lt;/ref&amp;gt; The meticulously-researched novel is a sprawling saga recounting the lives and careers of the English astronomer, [http://en.wikipedia.org/wiki/Charles_Mason Charles Mason], and his partner, the surveyor [http://en.wikipedia.org/wiki/Jeremiah_Dixon Jeremiah Dixon], and the birth of the American Republic. While it received some negative reviews, the great majority of commentators acknowledged it as a welcome return to form, and some, including Bloom, have called it Pynchon&#039;s greatest work to date.&lt;br /&gt;
&lt;br /&gt;
After the publication of &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;, a user by the online name of [[Martin Scribler]] posted a handful of messages on the Pynchon-L mailing list denouncing many members of that group as &amp;quot;dunces all&amp;quot; for discussing their own neuroses over actual literary discussion. Due to the high quality of Martin Scriblers&#039; posts, their message, and the historical significance of his name (alluding to an 18th-century satire of pretentious erudition), many have speculated that Pynchon himself wrote these posts.&lt;br /&gt;
&lt;br /&gt;
===&#039;&#039;Against the Day&#039;&#039;===&lt;br /&gt;
&lt;br /&gt;
A variety of rumors pertaining to the subject matter of Pynchon&#039;s next book have circulated over a number of years. Most specific of these were comments made by the former German minister of culture, Michael Naumann, who stated that he assisted Pynchon in his research about &amp;quot;a Russian mathematician [who] studied for [http://en.wikipedia.org/wiki/David_Hilbert David Hilbert] in Göttingen&amp;quot;, and that the new novel would trace the life and loves of [http://en.wikipedia.org/wiki/Sofia_Kovalevskaya Sofia Kovalevskaya]. &lt;br /&gt;
&lt;br /&gt;
In July 2006, a new untitled novel by Pynchon was announced along with a synopsis written by Pynchon himself, which appeared on Amazon.com, stating that the novel&#039;s action takes place between the [http://en.wikipedia.org/wiki/World&#039;s_Columbian_Exposition 1893 Chicago World&#039;s Fair] and the time immediately following World War I. &amp;quot;With a worldwide disaster looming just a few years ahead,&amp;quot; Pynchon writes in his Book Description, &amp;quot;it is a time of unrestrained corporate greed, false religiosity, moronic fecklessness, and evil intent in high places. No reference to the present day is intended or should be inferred.&amp;quot; He promises cameos by [http://en.wikipedia.org/wiki/Nikola_Tesla Nikola Tesla], [http://en.wikipedia.org/wiki/Bela_Lugosi Bela Lugosi] and [http://en.wikipedia.org/wiki/Groucho_Marx Groucho Marx], as well as &amp;quot;stupid songs&amp;quot; and &amp;quot;strange sexual practices&amp;quot;. Subsequently, the title of the new book was reported as &#039;&#039;Against the Day&#039;&#039; and a Penguin spokesperson confirmed that the synopsis was Pynchon&#039;s.&amp;lt;ref&amp;gt;Patterson 2006b; Italie 2006&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Against the Day&#039;&#039; was released November 21, 2006 and is 1,085 pages long in the first edition hardcover. The book was given almost no promotion by Penguin and professional book reviewers were given little time in advance to review the book, presumably in accord with Pynchon&#039;s wishes. An edited version of Pynchon&#039;s synopsis was used as the jacket flap copy and Kovalevskaya does appear, although as only one of over a hundred characters.&lt;br /&gt;
&lt;br /&gt;
There has been no consensus among professional book reviewers, although many agree that it is by turns brilliant and exhausting ([http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_Reviews Complete Reviews]). An [http://against-the-day.pynchonwiki.com/wiki/index.php?title=Main_Page &#039;&#039;Against the Day&#039;&#039; wiki] was launched on the same day the novel was published to help readers keep track of the numerous characters, events and themes.&lt;br /&gt;
&lt;br /&gt;
==Themes and influence==&lt;br /&gt;
Along with its emphasis on loftier themes such as racism, imperialism and religion, and its cognizance and appropriation of many elements of traditional high culture and literary form, Pynchon&#039;s work also demonstrates a strong affinity with the practitioners and artifacts of low culture, including comic books and animated cartoons, pulp fiction, popular films, television programs, cookery, urban myths, conspiracy theories, and folk art. This blurring of the conventional boundary between &amp;quot;High&amp;quot; and &amp;quot;low&amp;quot; culture, sometimes interpreted as a &amp;quot;deconstruction&amp;quot;, is seen as one of the defining characteristics of postmodernism.&lt;br /&gt;
&lt;br /&gt;
In particular, Pynchon has revealed himself in his fiction and non-fiction as an aficionado of popular music. Song lyrics and mock musical numbers appear in each of his novels, and, in his autobiographical introduction to the &#039;&#039;Slow Learner&#039;&#039; collection of early stories, he reveals a fondness for both jazz and rock and roll. The character McClintic Sphere in &#039;&#039;V.&#039;&#039; is a fictional composite of master jazz musicians such as [http://en.wikipedia.org/wiki/Ornette_Coleman Ornette Coleman], [http://en.wikipedia.org/wiki/Charlie_Parker Charlie Parker] and [http://en.wikipedia.org/wiki/Thelonious_Monk Thelonious Monk]. In &#039;&#039;The Crying of Lot 49&#039;&#039;, the lead singer of &amp;quot;The Paranoids&amp;quot; sports &amp;quot;a [[The Beatles|Beatle]] haircut&amp;quot; and sings with an English accent. In the closing pages of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, there is an apocryphal report that [[Tyrone Slothrop]], the novel&#039;s protagonist, played kazoo and harmonica as a guest musician on a record released by [http://en.wikipedia.org/wiki/The_Fool_(band) The Fool] in the 1960s (having magically recovered the latter instrument, his &amp;quot;harp&amp;quot;, in a German stream in 1945, after losing it down the toilet in 1939 at the Roseland Ballroom in Roxbury, Massachusetts, to the strains of the jazz standard &amp;quot;Cherokee&amp;quot;, upon which tune Charlie Parker was simultaneously inventing bebop in New York, as Pynchon describes). In &#039;&#039;Vineland&#039;&#039;, both Zoyd Wheeler and Isaiah Two Four are also musicians: Zoyd played keyboards in a &#039;60s surf band called &amp;quot;The Corvairs&amp;quot;, while Isaiah played in a punk band called &amp;quot;Billy Barf and the Vomitones&amp;quot;. In &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;, one of the characters plays on the &amp;quot;Clavier&amp;quot; the varsity drinking song which will later become &amp;quot;The Star-Spangled Banner&amp;quot;.  &lt;br /&gt;
&lt;br /&gt;
In his &#039;&#039;[http://en.wikipedia.org/wiki/Slow_Learner Slow Learner]&#039;&#039; introduction, Pynchon acknowledges a debt to the anarchic bandleader Spike Jones, and in 1994, he penned a 3000-word set of liner notes for the album &#039;&#039;Spiked!&#039;&#039;, a collection of Jones&#039;s recordings released on the short-lived BMG Catalyst label. Pynchon also wrote the liner notes for &#039;&#039;Nobody&#039;s Cool&#039;&#039;, the second album of indie rock band Lotion, in which he states that &amp;quot;rock and roll remains one of the last honorable callings, and a working band is a miracle of everyday life. Which is basically what these guys do.&amp;quot; He is also known to be a fan of Roky Erickson.&lt;br /&gt;
&lt;br /&gt;
In terms of literary influences and affinity, an eclectic catalogue of Pynchonian precursors has been proposed by readers and critics. Beside overt references in the novels to writers as disparate as Henry Adams, Isaac Asimov, Giorgio de Chirico, Ludwig Wittgenstein, Emily Dickinson, Rainer Maria Rilke, Jorge Luis Borges, Ishmael Reed, Ralph Waldo Emerson, Patrick O&#039;Brian, and Umberto Eco, and to an eclectic mix of iconic religious and philosophical sources, credible comparisons with works by Rabelais, Cervantes, Laurence Sterne, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Charles Dickens, Joseph Conrad, Thomas Mann, William Burroughs, Ralph Ellison, Patrick White, and Toni Morrison have also been made. Some commentators have detected similarities with those writers in the Modernist tradition who wrote extremely long novels dealing with large metaphysical or political issues. Examples of such works might include &#039;&#039;Ulysses&#039;&#039; by James Joyce, &#039;&#039;A Passage to India&#039;&#039; by E.M. Forster, &#039;&#039;The Apes of God&#039;&#039; by Wyndham Lewis, &#039;&#039;The Man Without Qualities&#039;&#039; by Robert Musil, or &#039;&#039;The Castle&#039;&#039; by Franz Kafka. In his &amp;quot;Introduction&amp;quot; to &#039;&#039;Slow Learner&#039;&#039;, Pynchon explicitly acknowledges his debt to Beat Generation writers, and expresses his admiration for Jack Kerouac&#039;s &#039;&#039;On the Road&#039;&#039; in particular; he also reveals his familiarity with literary works by T. S. Eliot, Ernest Hemingway, Henry Miller, Saul Bellow, Herbert Gold, Philip Roth and Norman Mailer, and non-fiction works by Helen Waddell, Norbert Wiener and Isaac Asimov. Other contemporary American authors whose fiction is often categorised alongside Pynchon&#039;s include John Hawkes, Kurt Vonnegut, Joseph Heller, Donald Barthelme, John Barth, William Gaddis, Don DeLillo, and Joseph McElroy. Younger contemporary writers who have been touted as heirs apparent to Pynchon include David Foster Wallace, William Vollmann, Richard Powers, David Mitchell, Neal Stephenson, Dave Eggers, Christopher Wunderlee, and &amp;quot;Tommaso Pincio&amp;quot; whose pseudonym is an Italian rendering of Pynchon&#039;s name.&lt;br /&gt;
&lt;br /&gt;
Investigations and digressions into the realms of human sexuality, psychology, sociology, mathematics, science, and technology recur throughout Pynchon&#039;s works. One of his earliest short stories, &amp;quot;Low-lands&amp;quot; (1960), features a meditation on [http://en.wikipedia.org/wiki/Werner_Heisenberg Heisenberg&#039;s] [http://en.wikipedia.org/wiki/uncertainty_principle uncertainty principle] as a metaphor for telling stories about one&#039;s own experiences. His next published work, &amp;quot;Entropy&amp;quot; (1960), introduced [http://en.wikipedia.org/wiki/entropy the concept] which was to become synonymous with Pynchon&#039;s name (though Pynchon later admitted the &amp;quot;shallowness of [his] understanding&amp;quot; of the subject, and noted that choosing an abstract concept first and trying to construct a narrative around it was &amp;quot;a lousy way to go about writing a story&amp;quot;). Another early story, &amp;quot;Under the Rose&amp;quot; (1961), includes amongst its cast of characters a cyborg set anachronistically in Victorian-era Egypt (a type of writing now called steampunk). This story, significantly reworked by Pynchon, appears as Chapter 3 of &#039;&#039;V.&#039;&#039; &amp;quot;The Secret Integration&amp;quot; (1964), Pynchon&#039;s last published short story, is a sensitively-handled coming-of-age tale in which a group of young boys face the consequences of the American policy of racial integration. At one point in the story, the boys attempt to understand the new policy by way of the [http://en.wikipedia.org/wiki/antiderivative mathematical operation], the only sense of the word with which they are familiar. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The Crying of Lot 49&#039;&#039; also alludes to entropy and [http://en.wikipedia.org/wiki/communication_theory communication theory], and contains scenes and descriptions which parody or appropriate [http://en.wikipedia.org/wiki/calculus calculus], [http://en.wikipedia.org/wiki/Zeno&#039;s_paradoxes Zeno&#039;s paradoxes], and the thought experiment known as [http://en.wikipedia.org/wiki/Maxwell&#039;s_demon Maxwell&#039;s demon]. At the same time, the novel also investigates homosexuality, celibacy and both medically-sanctioned and illicit psychedelic drug use. &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; describes many varieties of sexual fetishism (including sado-masochism, coprophilia and a borderline case of tentacle rape), and features numerous episodes of drug use, most notably marijuana but also cocaine, naturally occurring hallucinogens, and the mushroom &#039;&#039;Amanita muscaria.&#039;&#039; &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; also derives much from Pynchon&#039;s background in mathematics: at one point, the geometry of garter belts is compared with that of cathedral spires, both described as mathematical singularities. His most recent novel, &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;, explores the scientific, theological, and sociocultural foundations of the [http://en.wikipedia.org/wiki/Age_of_Enlightenment Age of Reason] whilst also depicting the relationships between actual historical figures and fictional characters in intricate detail and, like &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, is an archetypal example of the genre of historiographical metafiction.&lt;br /&gt;
&lt;br /&gt;
Pynchon&#039;s work has been cited as an influence and inspiration by many writers, musicians, artists and filmmakers, including Laurie Anderson, T. Coraghessan Boyle, David Cronenberg, Don DeLillo, Paul Di Filippo, William Gibson, Max P. Häring, Elfriede Jelinek, Adrian Voyd from [http://www.SexAntToys.com Sex Ant Toys], Rick Moody, Arturo Perez-Reverte, Richard Powers, Adam Rapp, Salman Rushdie, Zak Smith, Neal Stephenson, Bruce Sterling and the Definitive Jux hip-hop producer/CEO/emcee El-P. Thanks to his influence on Gibson and Stephenson in particular, Pynchon became one of the progenitors of cyberpunk fiction. Though the term &amp;quot;cyberpunk&amp;quot; did not become prevalent until the early 1980s, many readers retroactively include &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; in the genre, along with other works&amp;amp;mdash;&#039;&#039;e.g.,&#039;&#039; Samuel R. Delany&#039;s &#039;&#039;Nova&#039;&#039; and many works of Philip K. Dick&amp;amp;mdash;which seem, after the fact, to anticipate cyberpunk styles and themes. The encyclopedic nature of Pynchon&#039;s novels also led to some attempts to link his work with the short-lived [http://en.wikipedia.org/wiki/hypertext_fiction hypertext fiction] movement of the 1990s.&amp;lt;ref&amp;gt;Page 2002; Krämer 2005&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Gravity&#039;s Rainbow&#039;&#039; and the more recent &#039;&#039;Mason &amp;amp; Dixon&#039;&#039; both feature wildly eccentric characters, episodes of frenzied action and frequent digressions on topics which are seemingly tangential to the central narrative. These characteristics, combined with the novels&#039; imposing lengths, have led critic James Wood to classify Pynchon&#039;s work as hysterical realism. Other writers whose work has been labelled as hysterical realism include Rushdie, Stephenson, Wunderlee and Zadie Smith.&lt;br /&gt;
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==Media scrutiny==&lt;br /&gt;
Relatively little is known about Thomas Pynchon as a private person; he has had few known contacts with journalists for more than forty years. Only a few photos of him are known to exist, nearly all from his high school and college days, and his whereabouts have often remained undisclosed. &lt;br /&gt;
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A review of &#039;&#039;V.&#039;&#039; in the &#039;&#039;New York Times Book Review&#039;&#039; described Pynchon as &amp;quot;a recluse&amp;quot; living in Mexico, thereby introducing the media label which has pursued Pynchon throughout his career.&amp;lt;ref&amp;gt;Plimpton 1963: 5&amp;lt;/ref&amp;gt; Nonetheless, Pynchon&#039;s absence from the public spotlight is one of the notable features of his life, and it has generated many rumors and apocryphal anecdotes. &lt;br /&gt;
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===1970s and 1980s===&lt;br /&gt;
After the publication and success of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, interest mounted in finding out more about the identity of the author. At the 1974 National Book Award ceremony, the president of Viking Press, Tom Guinzberg, arranged for double-talking comedian [http://www.irwincorey.com/ &amp;quot;Professor&amp;quot; Irwin Corey] to accept the prize on Pynchon&#039;s behalf.&amp;lt;ref name=&amp;quot;royster2005&amp;quot;/&amp;gt;  Many of the assembled guests had no idea who Corey was, and, having never seen the author, they assumed that it was Pynchon himself on the stage delivering Corey&#039;s trademark torrent of rambling, pseudo-scholarly verbiage.&amp;lt;ref&amp;gt;Corey 1974&amp;lt;/ref&amp;gt; Towards the end of Corey&#039;s address a streaker ran through the hall, adding further to the confusion.&lt;br /&gt;
&lt;br /&gt;
An article published in the &#039;&#039;Soho Weekly News&#039;&#039; claimed that Pynchon was in fact J. D. Salinger.&amp;lt;ref&amp;gt;Batchelor 1976&amp;lt;/ref&amp;gt; Pynchon&#039;s written response to this theory was simple: &amp;quot;Not bad. Keep trying.&amp;quot;&amp;lt;ref&amp;gt; Reported in Tanner 1982&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Thereafter, the first piece to provide substantial information about Pynchon&#039;s personal life was a biographical account written by a former Cornell University friend, Jules Siegel, and published in &#039;&#039;Playboy&#039;&#039; magazine. In his article, Siegel reveals that Pynchon had a [[complex (psychology)|complex]] about his teeth and underwent extensive and painful reconstructive surgery, was nicknamed &amp;quot;Tom&amp;quot; at Cornell and attended Mass diligently, acted as best man at Siegel&#039;s wedding, and that he later also had an affair with Siegel&#039;s wife. Siegel recalls Pynchon saying he did attend some of Vladimir Nabokov&#039;s lectures at Cornell but that he could hardly make out what Nabokov was saying because of his thick Russian accent. Siegel also records Pynchon&#039;s comment that &amp;quot;[e]very weirdo in the world is on my wavelength&amp;quot;,&amp;lt;ref&amp;gt;Siegel 1977&amp;lt;/ref&amp;gt; an observation borne out by the crankiness and zealotry which has attached itself to his name and work in subsequent years, particularly across the Internet.&lt;br /&gt;
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===1990s===&lt;br /&gt;
Pynchon&#039;s avoidance of celebrity and public appearances caused journalists to continue to speculate about his identity and activities, and reinforced his reputation within the media as &amp;quot;reclusive&amp;quot;. More astute readers and critics recognized that there were and are perhaps aesthetic (and ideological) motivations behind his choice to remain aloof from public life. For example, the protagonist in Janette Turner Hospital&#039;s short story, &amp;quot;For Mr. Voss or Occupant&amp;quot; (1991), explains to her daughter that she is writing&lt;br /&gt;
:a study of authors who become reclusive. Patrick White, Emily Dickinson, J. D. Salinger, Thomas Pynchon. The way they create solitary characters and personae and then disappear into their fictions.&amp;lt;ref&amp;gt;Hospital 1995: 361-2&amp;lt;/ref&amp;gt;&lt;br /&gt;
More recently, book critic Arthur Salm has written that&lt;br /&gt;
:the man simply chooses not to be a public figure, an attitude that resonates on a frequency so out of phase with that of the prevailing culture that if Pynchon and Paris Hilton were ever to meet&amp;amp;mdash;the circumstances, I admit, are beyond imagining&amp;amp;mdash;the resulting matter/antimatter explosion would vaporize everything from here to Tau Ceti IV.&amp;lt;ref&amp;gt;Salm 2004&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Belying this reputation somewhat, Pynchon has published a number of articles and reviews in the mainstream American media, including words of support for Salman Rushdie and his then-wife, Marianne Wiggins, after the fatwa was pronounced against Rushdie by the Iranian leader, Ayatollah Ruhollah Khomeini.&amp;lt;ref&amp;gt;Pynchon 1989&amp;lt;/ref&amp;gt; In the following year, Rushdie&#039;s enthusiastic review of Pynchon&#039;s &#039;&#039;Vineland&#039;&#039; prompted Pynchon to send him another message hinting that if Rushdie were ever in New York, the two should arrange a meeting. Eventually, the two did meet, and Rushdie found himself surprised by how much Pynchon resembled the mental image Rushdie had formed beforehand.&amp;lt;ref&amp;gt;Hitchens 1997&amp;lt;/ref&amp;gt;&lt;br /&gt;
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In the early 1990s, Pynchon married his literary agent, Melanie Jackson &amp;amp;mdash; a great-granddaughter of Theodore Roosevelt &amp;amp;mdash; and fathered a son, Jackson, in 1991. The disclosure of Pynchon&#039;s location in New York, after many years in which he was believed to be dividing his time between Mexico and northern California, led some journalists and photographers to try to track him down. Shortly before the publication of &#039;&#039;Mason &amp;amp; Dixon&#039;&#039; in 1997, a CNN camera crew filmed him in Manhattan. Angered by this invasion of his privacy, he rang CNN asking that he not be identified in the footage of the street scenes near his home. When asked about his reclusive nature, he remarked, &amp;quot;My belief is that &#039;recluse&#039; is a code word generated by journalists ... meaning, &#039;doesn&#039;t like to talk to reporters&#039;.&amp;quot; CNN also quoted him as saying, &amp;quot;Let me be unambiguous. I prefer not to be photographed.&amp;quot;&amp;lt;ref&amp;gt;CNN 1997&amp;lt;/ref&amp;gt; The next year, a reporter for the &#039;&#039;Sunday Times&#039;&#039; managed to snap a photo of him as he was walking with his son.&amp;lt;ref&amp;gt;Bone 1998&amp;lt;/ref&amp;gt;&lt;br /&gt;
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After several references to Pynchon&#039;s work and reputation were made on NBC&#039;s &#039;&#039;The John Larroquette Show,&#039;&#039; Pynchon (through his agent) reportedly contacted the show&#039;s producers to offer suggestions and corrections. When a local Pynchon sighting became a major plot point in a 1994 episode of the show, Pynchon was sent the script for his approval; as well as providing the title of a fictitious work to be used in one episode (&amp;quot;Pandemonium of the Sun&amp;quot;), the novelist apparently vetoed a final scene that called for an extra playing him to be filmed from behind, walking away from shot.&amp;lt;ref&amp;gt;CNN 1997; Glenn 2003&amp;lt;/ref&amp;gt; Also during the 1990s, Pynchon apparently befriended members of the band Lotion and attended a number of their shows, culminating in the liner notes he contributed for the band&#039;s 1995 album &#039;&#039;Nobody&#039;s Cool&#039;&#039;. The novelist then conducted an interview with the band (&amp;quot;Lunch With Lotion&amp;quot;) for &#039;&#039;Esquire&#039;&#039; in June 1996 in the lead-up to the publication of &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;. More recently, Pynchon provided faxed answers to questions submitted by author David Hajdu and permitted excerpts from his personal correspondence to be quoted in Hajdu&#039;s 2001 book, &#039;&#039;Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.&#039;&#039;&amp;lt;ref&amp;gt;Warner 2001&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Pynchon&#039;s attempt to maintain his personal privacy and have his work speak for itself has resulted in a number of outlandish rumors and hoaxes over the years. Indeed, claims that Pynchon was the Unabomber or a sympathizer with the Waco Branch Davidians after the 1993 siege were upstaged in the mid-1990s by the invention of an elaborate rumor insinuating that Pynchon and one &amp;quot;[http://en.wikipedia.org/wiki/Wanda_Tinasky Wanda Tinasky]&amp;quot; were the same person. A spate of letters authored under that name had appeared in the late 1980s in the &#039;&#039;Anderson Valley Advertiser&#039;&#039; in Anderson Valley, California. The style and content of those letters were said to resemble Pynchon&#039;s, and Pynchon&#039;s &#039;&#039;Vineland&#039;&#039;, published in 1990, also takes place in northern California, so it was suggested that Pynchon may have been in the area at that time, conducting research. A collection of the Tinasky letters was eventually published as a paperback book in 1996; however, Pynchon himself denied having written the letters, and no direct attribution of the letters to Pynchon was ever made. &amp;quot;Literary detective&amp;quot; Donald Foster subsequently showed that the &#039;&#039;Letters&#039;&#039; were in fact written by an obscure Beat writer called Tom Hawkins, who had murdered his wife and then committed suicide in 1988. Foster&#039;s evidence was conclusive, including finding the typewriter on which the &amp;quot;Tinasky&amp;quot; letters had been written.&amp;lt;ref&amp;gt;Foster 2000&amp;lt;/ref&amp;gt;&lt;br /&gt;
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In 1998, over 120 letters that Pynchon had written to his longtime agent, Candida Donadio, were donated by the family of private collector, Carter Burden, to the Pierpont Morgan Library in New York City. The letters ranged from 1963 to 1982, thus covering some of the author&#039;s most creative and prolific years. Although the Morgan Library originally intended to allow scholars to view the letters, at Pynchon’s request, the Burden family and &lt;br /&gt;
Morgan Library agreed to seal these letters until after Pynchon&#039;s death.&lt;br /&gt;
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===2000s===&lt;br /&gt;
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After 9/11, a supposed &amp;quot;interview&amp;quot; with Pynchon was published in an issue of &#039;&#039;Playboy&#039;&#039; Japan, entitled &amp;quot;Most News is Propaganda. Bin Laden May Not Exist.&amp;quot; It purported to be a talk with Pynchon on the events of 9/11 and Osama Bin Laden. Its authenticity is uncertain. [[Pynchon_playboy|Rough translation of the Pynchon &amp;quot;interview&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- [[Image:Pynchon-Simpsons-001.jpg|right|thumb|200px|Pynchon depicted in &#039;&#039;[[The Simpsons]]&#039;&#039; episode &amp;quot;Diatribe of a Mad Housewife&amp;quot;. His &#039;&#039;Simpsons&#039;&#039; appearances are the only times that Pynchon&#039;s voice has been broadcast in the media.]] --&amp;gt;&lt;br /&gt;
Responding ironically to the image which has been manufactured in the media over the years, during 2004, Pynchon made two cameo appearances on the animated television series &#039;&#039;The Simpsons&#039;&#039;. The first occurs in the episode &amp;quot;Diatribe of a Mad Housewife&amp;quot;, in which Marge Simpson becomes a novelist. He plays himself, with a paper bag over his head, and provides a blurb for the back cover of Marge&#039;s book, speaking in a broad Long Island accent: &amp;quot;Here&#039;s your quote: Thomas Pynchon loved this book, almost as much as he loves cameras!&amp;quot; He then starts yelling at passing cars: &amp;quot;Hey, over here, have your picture taken with a reclusive author! Today only, we&#039;ll throw in a free autograph! But, wait! There&#039;s more!&amp;quot; The second appearance occurs in &amp;quot;All&#039;s Fair in Oven War,&amp;quot; which was the sixteenth-season premiere. In this appearance, Pynchon&#039;s dialogue consists entirely of puns on his novel titles (&amp;quot;These wings are &#039;V&#039;-licious! I&#039;ll put this recipe in &#039;The Gravity&#039;s Rainbow Cookbook&#039;, right next to &#039;The Frying of Latke 49&#039;.&amp;quot;). Pynchon makes a third, non-speaking cameo, when he is seen at the fictional WordLoaf convention in the 18th season (2006) episode, &amp;quot;Moe&#039;N&#039;a Lisa.&amp;quot;  The episode first aired on November 19, 2006, the Sunday before Pynchon&#039;s sixth novel, &#039;&#039;Against the Day&#039;&#039;, was released, perhaps as part of an increasingly unusual publicity campaign.&lt;br /&gt;
&lt;br /&gt;
In July of 2006, Amazon.com created a page showing an upcoming 992-page, untitled, Thomas Pynchon novel. A description of the soon-to-be published novel appeared on Amazon purporting to be written by Pynchon himself. The description was soon taken down, prompting speculation over its authenticity, but the blurb was soon back up along with the title of Pynchon&#039;s new novel, &#039;&#039;Against the Day&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Shortly before &#039;&#039;Against the Day&#039;&#039; was published, Pynchon&#039;s prose appeared in the program for &amp;quot;The Daily Show: Ten Fu@#ing Years (The Concert)&amp;quot;, a retrospective on Jon Stewart&#039;s comedy-news broadcast &#039;&#039;The Daily Show.&#039;&#039;&amp;lt;ref&amp;gt;Pynchon, Thomas.  [http://themodernword.com/pynchon/pynchon_essays_dailyshow.html &amp;quot;The Evolution of &#039;&#039;The Daily Show&#039;&#039;&amp;quot;].  Printed in program notes (16 November 2006).&amp;lt;/ref&amp;gt;  Only weeks later, Pynchon sent a one-page, typewritten letter to &#039;&#039;The Daily Telegraph,&#039;&#039; defending fellow writer Ian McEwan against plagiarism charges.  (McEwan had been accused of copying details from the late Lucilla Andrews&#039;s autobiography, &#039;&#039;No Time for Romance.&#039;&#039;)  His sentiment echoes thoughts on literary theft expressed over two decades earlier in the &#039;&#039;Slow Learner&#039;&#039; introduction; the letter concludes,&lt;br /&gt;
:Memoirs of the Blitz have borne indispensable witness, and helped later generations know something of the tragedy and heroism of those days. For Mr. McEwan to have put details from one of them to further creative use, acknowledging this openly and often, and then explaining it clearly and honorably, surely merits not our scolding, but our gratitude.&amp;lt;ref&amp;gt;Pynchon, Thomas.  [http://themodernword.com/pynchon/pynchon_essays_mcewan.html &amp;quot;Words for Ian McEwan&amp;quot;] (6 December 2006)&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Works==&lt;br /&gt;
* &#039;&#039;[[V.]]&#039;&#039; (1963), winner of [[William Faulkner Foundation]] Award&lt;br /&gt;
* &#039;&#039;[[The Crying of Lot 49]]&#039;&#039; (1966), winner of Richard and Hilda Rosenthal Foundation Award&lt;br /&gt;
* &#039;&#039;[[Gravity&#039;s Rainbow]]&#039;&#039; (1973), 1974 [[National Book Award]] for fiction, judges&#039; unanimous selection for [[Pulitzer Prize]] overruled by advisory board, awarded William Dean Howells Medal of the American Academy of Arts and Letters in 1975 (award declined)&lt;br /&gt;
* &#039;&#039;[[Slow Learner]]&#039;&#039; (1984), collection of early short stories&lt;br /&gt;
* &#039;&#039;[[Vineland]]&#039;&#039; (1990)&lt;br /&gt;
* &#039;&#039;[[Mason &amp;amp; Dixon]]&#039;&#039; (1997)&lt;br /&gt;
* &#039;&#039;[[Against the Day]]&#039;&#039; (21 November, 2006)&lt;br /&gt;
&lt;br /&gt;
As well as fictional works, Pynchon has written essays, introductions, and reviews addressing subjects as diverse as missile security, the Watts Riots, Luddism and the work of Donald Barthelme. Some of his non-fiction pieces have appeared in the &#039;&#039;New York Times Book Review&#039;&#039; and &#039;&#039;The New York Review of Books&#039;&#039;, and he has contributed blurbs for books and records. His 1984 Introduction to the &#039;&#039;Slow Learner&#039;&#039; collection of early stories is significant for its autobiographical candor. He has written introductions to at least two books, including the 1992 collection of Donald Barthelme&#039;s stories, &#039;&#039;The Teachings of Don B.&#039;&#039; and, more recently, the Penguin Centenary Edition of George Orwell&#039;s novel &#039;&#039;Nineteen Eighty-Four,&#039;&#039; which was published in 2003.&lt;br /&gt;
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==External Links==&lt;br /&gt;
* [http://uncyclopedia.org/wiki/Thomas_Pynchon Uncyclopedia&#039;s Pynchon Bio]&lt;br /&gt;
* [http://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1001&amp;amp;context=libraryscience Thomas Pynchon: A Brief Chronology (PDF)]&lt;br /&gt;
* [http://www.randomhouse.co.uk/thomaspynchon/ Official UK publisher&#039;s site]&lt;br /&gt;
* [http://en.wikipedia.org/wiki/Thomas_Pynchon Wikipedia entry for Thomas Pynchon]&lt;br /&gt;
* [http://www.thomaspynchon.com/ ThomasPynchon.com]&lt;br /&gt;
* [http://www.ottosell.de/pynchon/ Otto Sell&#039;s Pynchon Index]&lt;br /&gt;
* [http://waste.org/pynchon-l The Pynchon-L mailing list]	&lt;br /&gt;
* &#039;&#039;[http://www.pynchonnotes.com/ Pynchon Notes],&#039;&#039; a journal operated by Miami University in Oxford, Ohio &lt;br /&gt;
* [http://pynchonoid.blogspot.com/ Pynchonoid Blog]&lt;br /&gt;
* [http://www.pynchon.pomona.edu/ San Narciso Pynchon Page], hosted in Claremont, California - this site hasn&#039;t been updated in years...&lt;br /&gt;
* [http://www.themodernword.com/pynchon/index.html Spermatikos Logos]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
:&#039;&#039;&#039;&#039;&#039;This page, though not necessarily others in the Pynchon Wiki, is licensed under the terms of the [[Pynchon Wiki:Text of the GNU Free Documentation License|GNU Free Documentation License 1.2.]]&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Notes and references==&lt;br /&gt;
&lt;br /&gt;
:&amp;lt;small&amp;gt;&#039;&#039;This article was originally based on the [http://en.wikipedia.org/wiki/Main_Page Wikipedia] page [http://en.wikipedia.org/wiki/Thomas_Pynchon Thomas Pynchon], accessed 30 November 2006, last modified [http://en.wikipedia.org/w/index.php?title=Thomas_Pynchon&amp;amp;oldid=91019157 23:00 UTC, 29 November 2006].  Principal authors of that page include Wikipedia users Abaca, Anville, Nixdorf and Zafiroblue05.  Used under the terms of the [http://www.gnu.org/copyleft/fdl.html GNU FDL 1.2.]&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
* Batchelor, J.C. &amp;quot;Thomas Pynchon is not Thomas Pynchon, or, This is End of the Plot Which Has No Name&amp;quot;. &#039;&#039;Soho Weekly News&#039;&#039;, 22 April 1976.&lt;br /&gt;
* Bone, James. [http://www.suntimes.co.za:80/1998/06/07/lifestyle/life01.htm &amp;quot;Who the hell is he?]&amp;quot; &#039;&#039;Sunday Times&#039;&#039; (South Africa), 7 June 1998.&lt;br /&gt;
* CNN. &amp;quot;[http://cgi.cnn.com/US/9706/05/pynchon/ Where&#039;s Thomas Pynchon?]&amp;quot; 5 June 1997.&lt;br /&gt;
* CNN Book News. &amp;quot;[http://www.cnn.com/books/news/9909/29/nobel.prize/index.html Early Nobel announcement prompts speculation]&amp;quot;. 29 September 1999.&lt;br /&gt;
* Corey, Irwin. &amp;quot;[http://www.irwincorey.org/routines.html Transcript of National Book Award acceptance speech]&amp;quot;, delivered 18 April 1974.&lt;br /&gt;
* Ervin, Andrew. &amp;quot;[http://citypaper.net/articles/091400/ae.books.shtml Nobel Oblige]&amp;quot;. &#039;&#039;Philadelphia City Paper&#039;&#039; 14&amp;amp;ndash;21 September 2000.&lt;br /&gt;
* Foster, Don. &#039;&#039;Author Unknown: On the Trail of Anonymous&#039;&#039;. Henry Holt, New York, 2000.&lt;br /&gt;
* Fowler, Douglas. &#039;&#039;A Reader&#039;s Guide to [[Gravity&#039;s Rainbow]]&#039;&#039;. Ardis Press, 1980.&lt;br /&gt;
* Frost, Garrison. &amp;quot;[http://www.theaesthetic.com/NewFiles/pynchon.html Thomas Pynchon and the South Bay]&amp;quot;. &#039;&#039;The Aesthetic&#039;&#039;, 2003.&lt;br /&gt;
* Getlin, Josh. &amp;quot;[http://www.calendarlive.com/printedition/calendar/cl-wk-quick22.3jun22,0,5673134.story?coll=cl-calendar Pynchon Novel Out in December]&amp;quot;. &#039;&#039;LA Times&#039;&#039;, 22 June 2006.&lt;br /&gt;
* Glenn, Joshua. &amp;quot;[http://www.boston.com/news/globe/ideas/articles/2003/10/19/pynchon_and_homer/ Pynchon and Homer]&amp;quot;. &#039;&#039;Boston Globe&#039;&#039;, 19 October 2003.&lt;br /&gt;
* Gordon, Andrew. &amp;quot;[http://web.clas.ufl.edu/users/agordon/pynchon.htm Smoking Dope with Thomas Pynchon: A Sixties Memoir]&amp;quot;.&lt;br /&gt;
* Grimes, William. [http://www.nytimes.com/books/98/01/11/home/28957.html &amp;quot;Toni Morrison Is &#039;93 Winner Of Nobel Prize in Literature&amp;quot;]. &#039;&#039;New York Times Book Review&#039;&#039;, 8 October 1993.&lt;br /&gt;
* Gussow, Mel. &#039;&#039;Pynchon&#039;s Letters Nudge His Mask.&#039;&#039; &#039;&#039;New York Times,&#039;&#039; 4 March 1998.&lt;br /&gt;
* Hitchens, Christopher. &amp;quot;[http://www.findarticles.com/p/articles/mi_m1295/is_n10_v61/ai_19841067 Salman Rushdie: Even this colossal threat did not work. Life goes on.]&amp;quot; &#039;&#039;The Progressive&#039;&#039;, October 1997.&lt;br /&gt;
* Hospital, Janette Turner. &#039;&#039;Collected Stories 1970-1995&#039;&#039;. University of Queensland Press, 1995.&lt;br /&gt;
* Italie, Hillel. &amp;quot;[http://news.yahoo.com/s/ap/20060720/ap_en_ot/books_thomas_pynchon_1 New Thomas Pynchon Novel is on the way]&amp;quot; &#039;&#039;Associated Press&#039;&#039;, 20 July 2006.&lt;br /&gt;
* Kihss, Peter. &amp;quot;Pulitzer Jurors; His Third Novel&amp;quot;. &#039;&#039;The New York Times&#039;&#039;, 8 May 1974, p. 38.&lt;br /&gt;
* Krämer, Oliver. &amp;quot;[http://www.sicetnon.org/modules.php?op=modload&amp;amp;name=PagEd&amp;amp;file=index&amp;amp;topic_id=40&amp;amp;page_id=208 Interview mit John M. Krafft, Herausgeber der &#039;Pynchon Notes&#039;]&amp;quot;. &#039;&#039;Sic et Non.&#039;&#039;&lt;br /&gt;
* McLemee, Scott. &#039;&#039;[http://www.insidehighered.com/views/2006/11/15/mclemee You Hide, They Seek]&#039;&#039; &#039;&#039;Inside Higher Ed&#039;&#039;, 15 November 2006. &lt;br /&gt;
* &#039;&#039;New York Review of Books&#039;&#039;. &amp;quot;Writers and Editors War Tax Protest&amp;quot; (advertisement). Vol. 10, No. 3, 15 February 1968, p. 9.&lt;br /&gt;
* Page, Adrian. &amp;quot;Towards a poetics of hypertext fiction&amp;quot;. In &#039;&#039;The Question of Literature: The Place on the Literary in Contemporary Theory&#039;&#039;, edited by Elizabeth B Bissell. Manchester University Press, 2002. ISBN 0-71905-744-2.&lt;br /&gt;
* Patterson, Troy (a). &amp;quot;[http://www.slate.com/id/2146152 Did the master make an appearance on his Amazon page?]&amp;quot; &#039;&#039;Slate&#039;&#039;, 20 July 2006.&lt;br /&gt;
* Patterson, Troy (b). &amp;quot;[http://www.slate.com/id/2146272 Mystery solved]&amp;quot; &#039;&#039;Slate&#039;&#039;, 20 July 2006.&lt;br /&gt;
* Plimpton, George. &amp;quot;Mata Hari with a Clockwork Eye, Alligators in the Sewer&amp;quot;. Rev. of &#039;&#039;V.&#039;&#039; &#039;&#039;New York Times Book Review&#039;&#039;, 21 April 1963, p. 5.&lt;br /&gt;
* Pynchon, Thomas. &amp;quot;[http://www.themodernword.com/pynchon/pynchon_essays_watts.html A Journey into the Mind of Watts]&amp;quot;. &#039;&#039;New York Times Magazine&#039;&#039;, 12 June 1966, pp. 34-35, 78, 80-82, 84.&lt;br /&gt;
* Pynchon, Thomas. &amp;quot;[http://www.themodernword.com/pynchon/pynchon_essays_rushdie.html Words for Salman Rushdie]&amp;quot;. &#039;&#039;[[New York Times Book Review]]&#039;&#039;, 12 March 1989, p. 29.&lt;br /&gt;
* Pynchon, Thomas.  [http://www.amazon.com/gp/product/159420120X/ Editorial review on &#039;&#039;Untitled Thomas Pynchon&#039;&#039;], [[Amazon.com]] 14 July 2006.&lt;br /&gt;
* Roeder, Bill. &amp;quot;After the Rainbow&amp;quot;. &#039;&#039;Newsweek&#039;&#039; 92, 7 August 1978.&lt;br /&gt;
* Royster, Paul. &amp;quot;[http://digitalcommons.unl.edu/libraryscience/2/ Thomas Pynchon: A Brief Chronology]&amp;quot;. Faculty Publications, University of Nebraska-Lincoln, 2005.&lt;br /&gt;
* Salm, Arthur. &amp;quot;A screaming comes across the sky (but not a photo)&amp;quot;. San Diego &#039;&#039;Union-Tribune&#039;&#039;, 8 February 2004.&lt;br /&gt;
* Siegel, Jules. &amp;quot;Who is Thomas Pynchon, and why did he take off with my wife?&amp;quot; &#039;&#039;Playboy&#039;&#039;, March 1977.&lt;br /&gt;
* Tanner, Tony. &#039;&#039;Thomas Pynchon&#039;&#039;. Methuen &amp;amp; Co., 1982.&lt;br /&gt;
* Ulin, David. &amp;quot;[http://www.salon.com/april97/media/media970425.html Gravity&#039;s End]&amp;quot;. &#039;&#039;Salon&#039;&#039;, 25 April 1997.&lt;br /&gt;
* Warner, Simon. &amp;quot;[http://www.popmatters.com/books/features/010802-hadju.shtml A king, a queen and two knaves?: An Interview with David Hajdu]&amp;quot;. &#039;&#039;Pop Matters&#039;&#039;, 2 August 2001.&lt;br /&gt;
* Weisenburger, Steven C. &#039;&#039;A [[Gravity&#039;s Rainbow]] Companion: Sources and Contexts for Pynchon&#039;s Novel&#039;&#039;. University of Georgia Press, 1988.&lt;br /&gt;
* Wisnicki, Adrian. &amp;quot;A Trove of New Works by Thomas Pynchon? Bomarc Service News Rediscovered.&amp;quot; &#039;&#039;Pynchon Notes&#039;&#039; 46-49 (2000-1), pp. 9-34.&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16128</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16128"/>
		<updated>2014-01-14T20:08:10Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q-weapon&amp;quot; (Q = Quaternion) is, it appears, a camera of some sort, that uses an eyeball-size icosahedron (see at right). And there actually are Quarternion cameras:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;To make a camera you typically use three vectors: Position, View, and Up (or you may call them what you like). For a first person camera - which we will be using - we&#039;re only going to consider rotating the View vector. With quaternions we can rotate a vector around an arbitrary axis (same as with axis-angles) very easily. [http://www.gamedev.net/page/resources/_/technical/math-and-physics/a-simple-quaternion-based-camera-r1997]&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD_557-587#Page_557|&#039;&#039;&#039;p. 557&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;as if this mysterious Q-weapon were a common firearm and he hoping the seller would allow him a few courtesy &#039;&#039;shots&#039;&#039;&amp;quot; [Emphasis added]&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot; (Obviously, a camera is a time-based weapon because it &#039;&#039;stops&#039;&#039; Time...)&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;?&lt;br /&gt;
&lt;br /&gt;
Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. &lt;br /&gt;
&lt;br /&gt;
Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Is the Q-Weapon a ... camera?&#039;&#039;&#039;&lt;br /&gt;
The device that Roswell and Merle show unlocks Time, animating the photograph. But is this the Q-weapon or a device that take photos produced by the Q-weapon and reanimates them? - [[ATD_1018-1039#Page 1036|See page 1036]])&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16127</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16127"/>
		<updated>2014-01-11T20:32:24Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q-weapon&amp;quot; (Q = Quaternion) is, it appears, a camera of some sort, that uses an eyeball-size icosahedron (see at right). And there actually are Quarternion cameras:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;To make a camera you typically use three vectors: Position, View, and Up (or you may call them what you like). For a first person camera - which we will be using - we&#039;re only going to consider rotating the View vector. With quaternions we can rotate a vector around an arbitrary axis (same as with axis-angles) very easily. [http://www.gamedev.net/page/resources/_/technical/math-and-physics/a-simple-quaternion-based-camera-r1997]&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD_557-587#Page_557|&#039;&#039;&#039;p. 557&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;as if this mysterious Q-weapon were a common firearm and he hoping the seller would allow him a few courtesy &#039;&#039;shots&#039;&#039;&amp;quot; [Emphasis added]&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot; (Obviously, a camera is a time-based weapon because it &#039;&#039;stops&#039;&#039; Time...)&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? &lt;br /&gt;
&lt;br /&gt;
Is the Q-Weapon a ... camera? It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. &lt;br /&gt;
&lt;br /&gt;
Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16126</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16126"/>
		<updated>2014-01-11T20:30:59Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q-weapon&amp;quot; (Q = Quaternion) is, it appears, a camera of some sort, that uses an eyeball-size icosahedron (see at right). And there actually are Quarternion cameras:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;To make a camera you typically use three vectors: Position, View, and Up (or you may call them what you like). For a first person camera - which we will be using - we&#039;re only going to consider rotating the View vector. With quaternions we can rotate a vector around an arbitrary axis (same as with axis-angles) very easily. [http://www.gamedev.net/page/resources/_/technical/math-and-physics/a-simple-quaternion-based-camera-r1997]&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD_557-587#Page_557|&#039;&#039;&#039;p. 557&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;as if this mysterious Q-weapon were a common firearm and he hoping the seller would allow him a few courtesy &#039;&#039;shots&#039;&#039;&amp;quot; [Emphasis added]&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot; (Obviously, a camera is a time-based weapon because it &#039;&#039;stops&#039;&#039; Time...)&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16125</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16125"/>
		<updated>2014-01-11T20:26:18Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q-weapon&amp;quot; (Q = Quaternion) is, it appears, a camera of some sort, that uses an eyeball-size icosahedron (see at right). And there actually are [ Quarternion cameras]:&lt;br /&gt;
&lt;br /&gt;
:To make a camera you typically use three vectors: Position, View, and Up (or you may call them what you like). For a first person camera - which we will be using - we&#039;re only going to consider rotating the View vector. With quaternions we can rotate a vector around an arbitrary axis (same as with axis-angles) very easily. [http://www.gamedev.net/page/resources/_/technical/math-and-physics/a-simple-quaternion-based-camera-r1997]&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD_557-587#Page_557|&#039;&#039;&#039;p. 557&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;as if this mysterious Q-weapon were a common firearm and he hoping the seller would allow him a few courtesy &#039;&#039;shots&#039;&#039;&amp;quot; [Emphasis added]&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16124</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16124"/>
		<updated>2014-01-11T20:19:58Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q-weapon&amp;quot; is, it appears, a camera of some sort, that uses an eyeball-size icosahedron (see at right).&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD_557-587#Page_557|&#039;&#039;&#039;p. 557&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;as if this mysterious Q-weapon were a common firearm and he hoping the seller would allow him a few courtesy &#039;&#039;shots&#039;&#039;&amp;quot; [Emphasis added]&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16123</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16123"/>
		<updated>2014-01-11T20:19:03Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q-weapon&amp;quot; is, it appears, a camera of some sort, that uses an eyeball-size icosahedron (see at right). The &amp;quot;Q&amp;quot; may be a reference to the physics/engineering term [http://en.wikipedia.org/wiki/Q_factor &amp;quot;Q factor&amp;quot;] &amp;amp;#151; the quality factor or Q factor is a dimensionless parameter that describes how under-damped an oscillator or resonator is, or equivalently, characterizes a resonator&#039;s bandwidth relative to its center frequency. [http://en.wikipedia.org/wiki/Crystal_oscillator Crystal oscillator]]&lt;br /&gt;
&lt;br /&gt;
[http://en.wikipedia.org/wiki/Pinhole_camera Pinhole camera]&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD_557-587#Page_557|&#039;&#039;&#039;p. 557&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;as if this mysterious Q-weapon were a common firearm and he hoping the seller would allow him a few courtesy &#039;&#039;shots&#039;&#039;&amp;quot; [Emphasis added]&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16122</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16122"/>
		<updated>2014-01-11T20:17:43Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q-weapon&amp;quot; is, it appears, a camera of some sort, that uses an eyeball-size icosahedron (see at right). The &amp;quot;Q&amp;quot; may be a reference to the physics/engineering term [http://en.wikipedia.org/wiki/Q_factor &amp;quot;Q factor&amp;quot;] &amp;amp;#151; the quality factor or Q factor is a dimensionless parameter that describes how under-damped an oscillator or resonator is, or equivalently, characterizes a resonator&#039;s bandwidth relative to its center frequency. [http://en.wikipedia.org/wiki/Crystal_oscillator Crystal oscillator]]&lt;br /&gt;
&lt;br /&gt;
[http://en.wikipedia.org/wiki/Pinhole_camera Pinhole camera]&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD_557-587#Page_557|&#039;&#039;&#039;p. 557&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;as if this mysterious Q-weapon were a common firearm and he hoping the seller would allow him a few courtesy &#039;&#039;shots&#039;&#039;&amp;quot; [Emphasis added]&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16121</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16121"/>
		<updated>2014-01-11T18:56:37Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q-weapon&amp;quot; is, it appears, a camera of some sort, that uses an eyeball-size icosahedron (see at right). The &amp;quot;Q&amp;quot; may be a reference to the physics/engineering term [http://en.wikipedia.org/wiki/Q_factor &amp;quot;Q factor&amp;quot;] &amp;amp;#151; the quality factor or Q factor is a dimensionless parameter that describes how under-damped an oscillator or resonator is, or equivalently, characterizes a resonator&#039;s bandwidth relative to its center frequency. [http://en.wikipedia.org/wiki/Crystal_oscillator Crystal oscillator]]&lt;br /&gt;
&lt;br /&gt;
[http://en.wikipedia.org/wiki/Pinhole_camera Pinhole camera]&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16120</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16120"/>
		<updated>2014-01-11T18:56:00Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q-weapon&amp;quot; is, it appears, a camera of some sort, that uses an eyeball-size icosahedron. The &amp;quot;Q&amp;quot; may be a reference to the physics/engineering term [http://en.wikipedia.org/wiki/Q_factor &amp;quot;Q factor&amp;quot;] &amp;amp;#151; the quality factor or Q factor is a dimensionless parameter that describes how under-damped an oscillator or resonator is, or equivalently, characterizes a resonator&#039;s bandwidth relative to its center frequency. [http://en.wikipedia.org/wiki/Crystal_oscillator Crystal oscillator]]&lt;br /&gt;
&lt;br /&gt;
[http://en.wikipedia.org/wiki/Pinhole_camera Pinhole camera]&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16119</id>
		<title>Q-weapon and Photography</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Q-weapon_and_Photography&amp;diff=16119"/>
		<updated>2014-01-11T18:55:19Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a work in progress from [[User:WikiAdmin|WikiAdmin]] 15:44, 27 February 2007 (PST).&lt;br /&gt;
&lt;br /&gt;
[[image:The_Photographer.jpg|caption|thumb|Contre-jour emphasizes the outline of the man and the tunnel entrance. The ground reflections show the position of the man.|left|150px]]There&#039;s a persistent theme of photography in &#039;&#039;Against the Day&#039;&#039; &amp;amp;#151; and the title itself is the English translation of the French  term &#039;&#039;contre-jour&#039;&#039; (&amp;quot;against the day&amp;quot; or &amp;quot;against the daylight&amp;quot;). &amp;quot;Contre-jour&amp;quot; is also a photographic effect that refers to photographs where the camera is pointed directly toward the source of light, creating backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes.&amp;lt;p style=&amp;quot;clear:both&amp;quot;&amp;gt;&amp;lt;/p&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File: icosahedron.gif|right]]The &amp;quot;Q&amp;quot; in &amp;quot;Q-weapon&amp;quot; is, it appears, a camera of some sort, that uses an eyeball-size icosahedron. The &amp;quot;Q&amp;quot; may be a reference to the physics/engineering term [http://en.wikipedia.org/wiki/Q_factor &amp;quot;Q factor&amp;quot;] &amp;amp;#151; the quality factor or Q factor is a dimensionless parameter that describes how under-damped an oscillator or resonator is, or equivalently, characterizes a resonator&#039;s bandwidth relative to its center frequency. [http://en.wikipedia.org/wiki/Crystal_oscillator Crystal oscillator]]&lt;br /&gt;
&lt;br /&gt;
[http://en.wikipedia.org/wiki/Pinhole_camera Pinhole camera]&lt;br /&gt;
&lt;br /&gt;
=====Photographic references in &#039;&#039;Against the Day&#039;&#039;...=====&lt;br /&gt;
&lt;br /&gt;
[[ATD 1-25#Page 22|&#039;&#039;&#039;p. 22&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;As if the half-light ruling this perhaps even unmapped periphery were not a simple scarcity of streetlamps but deliberately provided in the interests of mercy, as a necessary veiling for the faces here, which held an urgency somehow too intense for the full light of day and those innocent American visitors with their Kodaks and parasols who might somehow happen across this place&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 72|&#039;&#039;&#039;p. 72&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:As years went along, the film got faster, the exposure times shorter, the cameras lighter. Premo came out with a celluloid film pack allowing you to shoot twelve at a time, which sure beat glass plates, and Kodak started selling its “Brownie,” a little box camera that weighed practically nothing. Merle could bring it anywhere as long as he held everything steady in the frame, and by then—the old glass plate folding models having weighed in at three pounds plus plates—he had learned to breathe, calm as a sharpshooter, and the images showed it, steady, deep, sometimes, Dally and Merle agreed, more real, though they never got into “real” that far.&lt;br /&gt;
&lt;br /&gt;
[[ATD 57-80#Page 80|&#039;&#039;&#039;p. 80&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Lately Merle had been visited by a strange feeling that &amp;quot;photography&amp;quot; and &amp;quot;alchemy&amp;quot; were just two ways of getting at the same thing &amp;amp;#151; redeeming light from the inertia of precious metals. And maybe his and Dally&#039;s long road out here was not the result of any idle drift but more of a secret imperative, like the force of gravity, from all the silver he&#039;d been developing out into the pictures he&#039;d been taking over these years--as if silver were alive, with a soul and a voice, and he&#039;d been working for it as much as it for him.&lt;br /&gt;
&lt;br /&gt;
[[ATD 97-118#Page 114|&#039;&#039;&#039;p. 114&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Through a highly secret technical process, developed in Japan at around the same time Dr. Mikimoto was producing his first cultured pearls, portions of the original aragonite &amp;amp;#151; which made up the nacreous layers of the pearl &amp;amp;#151; had, through “induced paramorphism,” as it was known to the artful sons of Nippon, been selectively changed here and there to a different form of calcium carbonate &amp;amp;#151; namely, to microscopic crystals of the doubly-refracting calcite known as Iceland spar.&lt;br /&gt;
&lt;br /&gt;
[[ATD 273-295#Page 292|&#039;&#039;&#039;p. 292&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Each carried a pocket Kodak with its shutter ingeniously connected to a small magnesium flashlight, so as to synchronize the two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 374-396#Page 383|&#039;&#039;&#039;p. 383&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Federales&#039;ve got photos, I&#039;ve seen &#039;m.&amp;quot; &amp;quot;Nobody ever looks like their &#039;mug,&#039; &lt;br /&gt;
&lt;br /&gt;
[[ATD 397-428#Page 417|&#039;&#039;&#039;p. 417&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:I see them pointing something back at me — not exactly a weapon — an enigmatic object.&lt;br /&gt;
&lt;br /&gt;
[[ATD 429-459#Page 454|&#039;&#039;&#039;p. 454&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:It never occurred to him to question how this preoccupation had come about, whether by way of photography and its convergence of silver, time, and light or just with Dally out of the house finding Time so heavy on his hands that he was obliged to bring it a little closer to his face, squint at it from different angles, maybe try to see if it could be taken apart to figure how it might actually work. From here on, the alchemy, the tinkering, the photography would be relegated to day jobs of one kind or another. The nights, the flights and journeys proper to night, would be dedicated to the Mysteries of Time&lt;br /&gt;
&lt;br /&gt;
[[ATD 525-556#Page 553|&#039;&#039;&#039;p. 553&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:For the sunlight had to it the same interior darkness as the watery dusk last night &amp;amp;#151; it was like passing through an all-surrounding photographic negative... &lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 558|&#039;&#039;&#039;p. 558&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;A weapon based on Time [...] With a Time-weapon you could become the most feared person in history.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 565|&#039;&#039;&#039;p. 565&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:a crystal about the size of a human eyeball ... a true icosahedron&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 566|&#039;&#039;&#039;p. 566&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:then already in such a crystal, implicit, embodied there, is that high planetary velocity, that immoderately vast energy, which someone has now come up with a way to couple in to ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
:On the other hand, if it were with someone who understood and appreciate it...&lt;br /&gt;
&lt;br /&gt;
:Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one [...] Within the mirror, the scalar term, with the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&lt;br /&gt;
&lt;br /&gt;
[[ATD 557-587#Page 567|&#039;&#039;&#039;p. 567&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit gives the Q-weapon to Umeki&lt;br /&gt;
&lt;br /&gt;
[[ATD 748-767#Page 751|&#039;&#039;&#039;p. 751&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:Last stop on the line was Baku on the Caspian Sea, where he had the impression, though not the photographic evidence, of a very remote sandswept oil port, night in the daytime...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 974|&#039;&#039;&#039;p. 974&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Kit runs into Umeki in Constantinople where she&#039;s posted to the Japanese embassy at Constantinople as a “mathematical attaché,” on some mysterious mission on behalf of the technical establishment of her country&lt;br /&gt;
&lt;br /&gt;
Umeki meets Auberon Halfcourt in Constantinople and she was &amp;quot;fascinated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 946-975#Page 975|&#039;&#039;&#039;p. 975&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
Does Halfcourt now have the crystal? &amp;quot;And so.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1037|&#039;&#039;&#039;p. 1037&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:one day they&#039;d need something that would turn infrared light to electricity, or double-refract it at a particular angle of polarization, and there, invisible under a pile of stuff accumulated since, would be the very item.&lt;br /&gt;
&lt;br /&gt;
:Merle ... took from a wall safe a brilliant red crystal, brought it over to a platinoid housing and carefully slid it into place. &amp;quot;Lorandite &amp;amp;#151; brought out of Macedonia before the Balkan Wars, pure thallium arsenosulfide, purer quality than you can find anymore.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[ATD 1018-1039#Page 1038|&#039;&#039;&#039;p. 1038&#039;&#039;&#039;]]&amp;lt;br /&amp;gt;&lt;br /&gt;
:&amp;quot;Good thing I never had a snap of you &amp;amp;#151; those fellows could&#039;ve shown me everything you&#039;ve been up to all these years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]). The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may name-connect to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time. Also, possible connection might be to the 19th C. French photographer [http://images.google.com/images?hl=en&amp;amp;q=Edouard+Baldus+++&amp;amp;btnG=Search+Images&amp;amp;gbv=2 Edouard Baldus] (1813-1889).&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=16118</id>
		<title>ATD 557-587</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=16118"/>
		<updated>2014-01-11T18:47:36Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 565 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under [[Q]] in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
See also [[Q-weapon and Photography]]...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
More like an actual negro. Dr V. Ganesh Rao, as was explained earlier, literally transforms after each quaternionic yoga pose.   &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&amp;lt;br&amp;gt;&lt;br /&gt;
Classical musicians have a whole culture of viola-player jokes. Like drummers in rock bands.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. [[Q-weapon_and_Photography|Is the Q-weapon a camera?]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera?) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
&lt;br /&gt;
mouchard: informer&lt;br /&gt;
&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; meant &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a inexpensive way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&amp;lt;br&amp;gt;&lt;br /&gt;
Well, a bit more than that: a burgher was a &#039;citizen&#039;, but not everyone had that status. Originally town-dweller of the craftsman or merchant class, probably a member of a guild, and thus eligible to serve in the corporation or town council. Later it comes to mean something like &#039;bourgeois&#039;, which has the same origin, and later still just a &#039;solid citizen&#039;. In Germanic-speaking countries today it&#039;s just a citizen in the broadest sense, someone who has citizenship.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably a regular icosahedron, where the sides are formed by 20 equilateral triangles: [[File:Icosahedron.gif|Icosahedron]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
::Umeki refers on page 564 to &#039;Minkowskian space-time&#039;, which is a geometrical interpretation of Special Relativity, so she must be well aware of Einstein&#039;s theory. In fact, this reference to Minkowski, and those at pp 594 and 602, seem to place these episodes after 1908. However, p 596 seems to make Kit&#039;s stay in Göttingen contemporary with the 1905 revolution in Russia. So... either Umeki and Yashmeen have knowledge of Minkowski&#039;s theories before he makes them public, or (and this gets my vote) it just isn&#039;t possible to construct a consistent, real-world chronology for the novel.&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
::Some of the repetitions of the M-M experiment, all yielding the same result, were performed by Morley with Dayton C. Miller. In the 1920s Miller conducted his own aether-drift experiments, recording &#039;&#039;positive&#039;&#039; results (i.e. apparently detecting the aether) and in 1925 was awarded an &#039;American Society for the Advancement of Science&#039; prize for this work. So it was certainly not universally accepted that the original M-M experiment made the aether hypothesis untenable: it was believed by some scientists that the experiment had simply been a failure. Check out &#039;&#039;The Golem&#039;&#039; by Harry Collins and Trevor Pinch for the whole story.&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
Kimura is Umeki&#039;s colleague who worked with De Forest on vector analysis for syntotic wireless under Gibbs at Yale. (see p. 532 and p. 29)  I think this wiki would be more useful if we focused more on internal text references rather than Google-happy idle speculation. Pynchon is pretty conscientious about providing all we need to know within the text itself.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Pozsony (or Pressburg; now Bratislava, Slovakia) and Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compagnie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok or Beijing (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compagnie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
Quite the contrary, Dally is thinking she feels &amp;quot;at home&amp;quot; as opposed to Kit on 567 who doesn&#039;t know what home is anymore. Note too that the Zombini family have deep &amp;quot;roots&amp;quot; in Italy, and &amp;quot;roots&amp;quot; or small people are exactly part of Dally&#039;s quest and what Merle warns that wildcrafting &#039;seng has to be approached with whispers and carefully (p. 70) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
:Actually, [http://gondolablog.blogspot.com/2009/04/sandolo-in-venezia.html smaller].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember [[ATD 243-272#Page 256|page 256]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hunter Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. [[ATD 119-148#Page 129|page 129]] for reference to the &amp;quot;Venice&amp;quot; phase of Hunter Penhallow&#039;s painting career&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
Not exactly. This subplot doesn&#039;t precisely overlap with the trespasser plot, though I think Hunter has seen that version of our future. I know we have a rule against spoilers but we should feel free to go back to previous pages in the text to help us in understanding what&#039;s going on even at a basic plot level. So Hunter is from a line of crystal tycoons but stows away on Etienne Malus (p. 129) which also stows away the Destoyer (p. 144) and brings that creature back to New York where Hunter flees by being rescued by some  &amp;quot;curious mass conveyance&amp;quot; (p.155) to some futuristic world. Now Hunter has come back from the future, though he doesn&#039;t know how he got to Venice. Maybe just some rift in space-time that Miles theorizes about.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &amp;lt;br&amp;gt;&lt;br /&gt;
And it&#039;s Pirate Prentice&#039;s &#039;job&#039; in GR and presumably the whole first section of GR is one of Pirate&#039;s &#039;dreams not his own&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;]. (The title of the work in this Web Gallery of Art is: &amp;quot;The Stealing of the Dead Body of St Mark.&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
I&#039;d like to add that Pynchon already made up a quote of the Gospel of Thomas in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p. 537, as an epigraph of Part III, Episode 24: &amp;quot;Dear Mom, I put a couple of people in Hell today . . . &amp;quot;. The author cited his source as &amp;quot;Oxyrhynchus papyrus number classified,&amp;quot; which is both correct (the Infancy being a part of the apocryphal Gospel of Thomas which was found on papyri discovered in a Nile river village called Oxyrhynchus) and wrong: the so-called Thomas didn&#039;t write that Jesus ever said that to his mother! At least in the papyri that were published… See Weisenburger 2006, (&#039;&#039;A Companion to&#039;&#039; GR), p. 282.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
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&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathematicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
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&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
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&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
taverns (&#039;&#039;osteria&#039;&#039; is a tavern)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
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&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
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==Page 584==&lt;br /&gt;
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&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
Wolf + Putzi sounds a bit like Wuffli. Peter Wuffli was the CEO of UBS (Union Bank of Switzerland) [http://www.ubs.com] from December 2001 to June 2007. He unexpectedly resigned in Jun07, some months before the subprime crisis, in which UBS had to take large financial losses, exploded. [http://www.ubs.com/1/e/investors/releases.html?newsId=127571]&lt;br /&gt;
&lt;br /&gt;
Possibly related, or possibly not-- Putzi&#039;s is the club in Cuxhaven where the beleaguered Tyrone Slothrop tries to pick up his forged papers in Gravity&#039;s Rainbow. (Home of the Eisenkröte!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt; [[Image:Topo.jpg|thumb|Topo Boats|right]]&lt;br /&gt;
A topo is a guide for a crag or climbing area; a shortened form of &amp;quot;topographic map&amp;quot; of any type of surface topology. But what is Pynchon referring to? Topo is &amp;quot;rat&amp;quot; in Italian and &amp;quot;awkward person&amp;quot; in Spanish. The Greek topos means &amp;quot;place&amp;quot; or &amp;quot;commonplace&amp;quot; None seems to refer to a &amp;quot;day out on the water&amp;quot; or a &amp;quot;day off work&amp;quot; as it seems to imply here. Interesting Pynchonesque tidbit found while researching the root source of the word topology: A term used to refer to the continuity of space and spatial properties, such as connectivity, that are unchanged after distortion. (Thanks to the The University of Melbourne&#039;s GIS glossary) Topology includes the study of the surface of an object, such a as a the paint of a canvas painting and the transformations such surfaces can undergo mathematically, including through imaginary domains.&lt;br /&gt;
&lt;br /&gt;
:Pynchon writes &amp;quot;Some artist friends had a &#039;&#039;topo&#039;&#039; for the day.&amp;quot; He is referring to the boat they rented.  It means &amp;quot;mouse&amp;quot; in Italian and is apparently the name of a small traditional Venetian fishing boat now used for [http://www.veniceword.com/special.html touring]. As for mathematical topology, Pynchon&#039;s topological metaphors reach a crescendo in the next chapter. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
Exactly the first commenter&#039;s point, I think. The ghosts of the future or &amp;quot;traces of consciousness&amp;quot; (p. 578) of his time-travel in the future (via the curious mass conveyance through a futuristic landcape, which Hunter was eventually disenchanted with) prevents Hunter from signing on to Tancredi&#039;s futurism. Pynchon is fleshing out Hunter&#039;s backstory, albeit vaguely or, if you wish, poetically. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“One must begin by accepting Hell -- by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for ([http://against-the-day.pynchonwiki.com/wiki/index.php?title=H Hell]) A book that takes us through Dante&#039;s gate twice (158, 401), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell&amp;quot; (553), and ends with the words &amp;lt;i&amp;gt;AtD&amp;lt;/i&amp;gt; ends with, may be good practice for taking Tancredi&#039;s advice. &lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hell in a small bounded space ... But the finite space would expand rapidly&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tancredi is probably envisioning the onset of [http://en.wikipedia.org/wiki/World_war_i World War I], which hangs over the entire novel.  The war began with the assassination of Archduke Ferdinand, an event in land-locked Bosnia that led to a chain-reaction triggering of formal alliances and national interests, i.e. an infernal machine.  The cultural changes brought on by the war, continuing through the Twentieth Century, include the suppression of Christianity in Eastern Europe and its decline as an ideology in the West. Of course, this is also an allusion to an actual chain-reaction, an atomic bomb, which begins with a small implosion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important than density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=16117</id>
		<title>ATD 557-587</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=16117"/>
		<updated>2014-01-11T18:47:04Z</updated>

		<summary type="html">&lt;p&gt;WikiAdmin: /* Page 565 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under [[Q]] in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
See also [[Q-weapon and Photography]]...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
More like an actual negro. Dr V. Ganesh Rao, as was explained earlier, literally transforms after each quaternionic yoga pose.   &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&amp;lt;br&amp;gt;&lt;br /&gt;
Classical musicians have a whole culture of viola-player jokes. Like drummers in rock bands.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. [[Q-weapon_and_Photography|Is the Q-weapon a camera?]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera?) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
&lt;br /&gt;
mouchard: informer&lt;br /&gt;
&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; meant &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a inexpensive way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&amp;lt;br&amp;gt;&lt;br /&gt;
Well, a bit more than that: a burgher was a &#039;citizen&#039;, but not everyone had that status. Originally town-dweller of the craftsman or merchant class, probably a member of a guild, and thus eligible to serve in the corporation or town council. Later it comes to mean something like &#039;bourgeois&#039;, which has the same origin, and later still just a &#039;solid citizen&#039;. In Germanic-speaking countries today it&#039;s just a citizen in the broadest sense, someone who has citizenship.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably a regular icosahedron, where the sides are formed by 20 equilateral triangles. For a picture see [[File:Icosahedron.gif|Icosahedron]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
::Umeki refers on page 564 to &#039;Minkowskian space-time&#039;, which is a geometrical interpretation of Special Relativity, so she must be well aware of Einstein&#039;s theory. In fact, this reference to Minkowski, and those at pp 594 and 602, seem to place these episodes after 1908. However, p 596 seems to make Kit&#039;s stay in Göttingen contemporary with the 1905 revolution in Russia. So... either Umeki and Yashmeen have knowledge of Minkowski&#039;s theories before he makes them public, or (and this gets my vote) it just isn&#039;t possible to construct a consistent, real-world chronology for the novel.&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
::Some of the repetitions of the M-M experiment, all yielding the same result, were performed by Morley with Dayton C. Miller. In the 1920s Miller conducted his own aether-drift experiments, recording &#039;&#039;positive&#039;&#039; results (i.e. apparently detecting the aether) and in 1925 was awarded an &#039;American Society for the Advancement of Science&#039; prize for this work. So it was certainly not universally accepted that the original M-M experiment made the aether hypothesis untenable: it was believed by some scientists that the experiment had simply been a failure. Check out &#039;&#039;The Golem&#039;&#039; by Harry Collins and Trevor Pinch for the whole story.&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
Kimura is Umeki&#039;s colleague who worked with De Forest on vector analysis for syntotic wireless under Gibbs at Yale. (see p. 532 and p. 29)  I think this wiki would be more useful if we focused more on internal text references rather than Google-happy idle speculation. Pynchon is pretty conscientious about providing all we need to know within the text itself.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Pozsony (or Pressburg; now Bratislava, Slovakia) and Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compagnie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok or Beijing (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compagnie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
Quite the contrary, Dally is thinking she feels &amp;quot;at home&amp;quot; as opposed to Kit on 567 who doesn&#039;t know what home is anymore. Note too that the Zombini family have deep &amp;quot;roots&amp;quot; in Italy, and &amp;quot;roots&amp;quot; or small people are exactly part of Dally&#039;s quest and what Merle warns that wildcrafting &#039;seng has to be approached with whispers and carefully (p. 70) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
:Actually, [http://gondolablog.blogspot.com/2009/04/sandolo-in-venezia.html smaller].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember [[ATD 243-272#Page 256|page 256]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hunter Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. [[ATD 119-148#Page 129|page 129]] for reference to the &amp;quot;Venice&amp;quot; phase of Hunter Penhallow&#039;s painting career&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
Not exactly. This subplot doesn&#039;t precisely overlap with the trespasser plot, though I think Hunter has seen that version of our future. I know we have a rule against spoilers but we should feel free to go back to previous pages in the text to help us in understanding what&#039;s going on even at a basic plot level. So Hunter is from a line of crystal tycoons but stows away on Etienne Malus (p. 129) which also stows away the Destoyer (p. 144) and brings that creature back to New York where Hunter flees by being rescued by some  &amp;quot;curious mass conveyance&amp;quot; (p.155) to some futuristic world. Now Hunter has come back from the future, though he doesn&#039;t know how he got to Venice. Maybe just some rift in space-time that Miles theorizes about.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &amp;lt;br&amp;gt;&lt;br /&gt;
And it&#039;s Pirate Prentice&#039;s &#039;job&#039; in GR and presumably the whole first section of GR is one of Pirate&#039;s &#039;dreams not his own&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;]. (The title of the work in this Web Gallery of Art is: &amp;quot;The Stealing of the Dead Body of St Mark.&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
I&#039;d like to add that Pynchon already made up a quote of the Gospel of Thomas in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p. 537, as an epigraph of Part III, Episode 24: &amp;quot;Dear Mom, I put a couple of people in Hell today . . . &amp;quot;. The author cited his source as &amp;quot;Oxyrhynchus papyrus number classified,&amp;quot; which is both correct (the Infancy being a part of the apocryphal Gospel of Thomas which was found on papyri discovered in a Nile river village called Oxyrhynchus) and wrong: the so-called Thomas didn&#039;t write that Jesus ever said that to his mother! At least in the papyri that were published… See Weisenburger 2006, (&#039;&#039;A Companion to&#039;&#039; GR), p. 282.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathematicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
taverns (&#039;&#039;osteria&#039;&#039; is a tavern)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 584==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
Wolf + Putzi sounds a bit like Wuffli. Peter Wuffli was the CEO of UBS (Union Bank of Switzerland) [http://www.ubs.com] from December 2001 to June 2007. He unexpectedly resigned in Jun07, some months before the subprime crisis, in which UBS had to take large financial losses, exploded. [http://www.ubs.com/1/e/investors/releases.html?newsId=127571]&lt;br /&gt;
&lt;br /&gt;
Possibly related, or possibly not-- Putzi&#039;s is the club in Cuxhaven where the beleaguered Tyrone Slothrop tries to pick up his forged papers in Gravity&#039;s Rainbow. (Home of the Eisenkröte!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt; [[Image:Topo.jpg|thumb|Topo Boats|right]]&lt;br /&gt;
A topo is a guide for a crag or climbing area; a shortened form of &amp;quot;topographic map&amp;quot; of any type of surface topology. But what is Pynchon referring to? Topo is &amp;quot;rat&amp;quot; in Italian and &amp;quot;awkward person&amp;quot; in Spanish. The Greek topos means &amp;quot;place&amp;quot; or &amp;quot;commonplace&amp;quot; None seems to refer to a &amp;quot;day out on the water&amp;quot; or a &amp;quot;day off work&amp;quot; as it seems to imply here. Interesting Pynchonesque tidbit found while researching the root source of the word topology: A term used to refer to the continuity of space and spatial properties, such as connectivity, that are unchanged after distortion. (Thanks to the The University of Melbourne&#039;s GIS glossary) Topology includes the study of the surface of an object, such a as a the paint of a canvas painting and the transformations such surfaces can undergo mathematically, including through imaginary domains.&lt;br /&gt;
&lt;br /&gt;
:Pynchon writes &amp;quot;Some artist friends had a &#039;&#039;topo&#039;&#039; for the day.&amp;quot; He is referring to the boat they rented.  It means &amp;quot;mouse&amp;quot; in Italian and is apparently the name of a small traditional Venetian fishing boat now used for [http://www.veniceword.com/special.html touring]. As for mathematical topology, Pynchon&#039;s topological metaphors reach a crescendo in the next chapter. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
Exactly the first commenter&#039;s point, I think. The ghosts of the future or &amp;quot;traces of consciousness&amp;quot; (p. 578) of his time-travel in the future (via the curious mass conveyance through a futuristic landcape, which Hunter was eventually disenchanted with) prevents Hunter from signing on to Tancredi&#039;s futurism. Pynchon is fleshing out Hunter&#039;s backstory, albeit vaguely or, if you wish, poetically. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“One must begin by accepting Hell -- by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for ([http://against-the-day.pynchonwiki.com/wiki/index.php?title=H Hell]) A book that takes us through Dante&#039;s gate twice (158, 401), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell&amp;quot; (553), and ends with the words &amp;lt;i&amp;gt;AtD&amp;lt;/i&amp;gt; ends with, may be good practice for taking Tancredi&#039;s advice. &lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hell in a small bounded space ... But the finite space would expand rapidly&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tancredi is probably envisioning the onset of [http://en.wikipedia.org/wiki/World_war_i World War I], which hangs over the entire novel.  The war began with the assassination of Archduke Ferdinand, an event in land-locked Bosnia that led to a chain-reaction triggering of formal alliances and national interests, i.e. an infernal machine.  The cultural changes brought on by the war, continuing through the Twentieth Century, include the suppression of Christianity in Eastern Europe and its decline as an ideology in the West. Of course, this is also an allusion to an actual chain-reaction, an atomic bomb, which begins with a small implosion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important than density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
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		<title>ATD 557-587</title>
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&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under [[Q]] in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
See also [[Q-weapon and Photography]]...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
More like an actual negro. Dr V. Ganesh Rao, as was explained earlier, literally transforms after each quaternionic yoga pose.   &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&amp;lt;br&amp;gt;&lt;br /&gt;
Classical musicians have a whole culture of viola-player jokes. Like drummers in rock bands.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. [[Q-weapon_and_Photography|Is the Q-weapon a camera?]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera?) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
&lt;br /&gt;
mouchard: informer&lt;br /&gt;
&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; meant &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a inexpensive way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&amp;lt;br&amp;gt;&lt;br /&gt;
Well, a bit more than that: a burgher was a &#039;citizen&#039;, but not everyone had that status. Originally town-dweller of the craftsman or merchant class, probably a member of a guild, and thus eligible to serve in the corporation or town council. Later it comes to mean something like &#039;bourgeois&#039;, which has the same origin, and later still just a &#039;solid citizen&#039;. In Germanic-speaking countries today it&#039;s just a citizen in the broadest sense, someone who has citizenship.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably a regular icosahedron, where the sides are formed by 20 equilateral triangles. For a picture see [http://against-the-day.pynchonwiki.com/wiki/index.php?title=File:Icosahedron.gif Icosahedron].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
::Umeki refers on page 564 to &#039;Minkowskian space-time&#039;, which is a geometrical interpretation of Special Relativity, so she must be well aware of Einstein&#039;s theory. In fact, this reference to Minkowski, and those at pp 594 and 602, seem to place these episodes after 1908. However, p 596 seems to make Kit&#039;s stay in Göttingen contemporary with the 1905 revolution in Russia. So... either Umeki and Yashmeen have knowledge of Minkowski&#039;s theories before he makes them public, or (and this gets my vote) it just isn&#039;t possible to construct a consistent, real-world chronology for the novel.&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
::Some of the repetitions of the M-M experiment, all yielding the same result, were performed by Morley with Dayton C. Miller. In the 1920s Miller conducted his own aether-drift experiments, recording &#039;&#039;positive&#039;&#039; results (i.e. apparently detecting the aether) and in 1925 was awarded an &#039;American Society for the Advancement of Science&#039; prize for this work. So it was certainly not universally accepted that the original M-M experiment made the aether hypothesis untenable: it was believed by some scientists that the experiment had simply been a failure. Check out &#039;&#039;The Golem&#039;&#039; by Harry Collins and Trevor Pinch for the whole story.&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
Kimura is Umeki&#039;s colleague who worked with De Forest on vector analysis for syntotic wireless under Gibbs at Yale. (see p. 532 and p. 29)  I think this wiki would be more useful if we focused more on internal text references rather than Google-happy idle speculation. Pynchon is pretty conscientious about providing all we need to know within the text itself.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Pozsony (or Pressburg; now Bratislava, Slovakia) and Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compagnie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok or Beijing (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compagnie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
Quite the contrary, Dally is thinking she feels &amp;quot;at home&amp;quot; as opposed to Kit on 567 who doesn&#039;t know what home is anymore. Note too that the Zombini family have deep &amp;quot;roots&amp;quot; in Italy, and &amp;quot;roots&amp;quot; or small people are exactly part of Dally&#039;s quest and what Merle warns that wildcrafting &#039;seng has to be approached with whispers and carefully (p. 70) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
:Actually, [http://gondolablog.blogspot.com/2009/04/sandolo-in-venezia.html smaller].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember [[ATD 243-272#Page 256|page 256]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hunter Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. [[ATD 119-148#Page 129|page 129]] for reference to the &amp;quot;Venice&amp;quot; phase of Hunter Penhallow&#039;s painting career&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
Not exactly. This subplot doesn&#039;t precisely overlap with the trespasser plot, though I think Hunter has seen that version of our future. I know we have a rule against spoilers but we should feel free to go back to previous pages in the text to help us in understanding what&#039;s going on even at a basic plot level. So Hunter is from a line of crystal tycoons but stows away on Etienne Malus (p. 129) which also stows away the Destoyer (p. 144) and brings that creature back to New York where Hunter flees by being rescued by some  &amp;quot;curious mass conveyance&amp;quot; (p.155) to some futuristic world. Now Hunter has come back from the future, though he doesn&#039;t know how he got to Venice. Maybe just some rift in space-time that Miles theorizes about.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &amp;lt;br&amp;gt;&lt;br /&gt;
And it&#039;s Pirate Prentice&#039;s &#039;job&#039; in GR and presumably the whole first section of GR is one of Pirate&#039;s &#039;dreams not his own&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;]. (The title of the work in this Web Gallery of Art is: &amp;quot;The Stealing of the Dead Body of St Mark.&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
I&#039;d like to add that Pynchon already made up a quote of the Gospel of Thomas in &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;, p. 537, as an epigraph of Part III, Episode 24: &amp;quot;Dear Mom, I put a couple of people in Hell today . . . &amp;quot;. The author cited his source as &amp;quot;Oxyrhynchus papyrus number classified,&amp;quot; which is both correct (the Infancy being a part of the apocryphal Gospel of Thomas which was found on papyri discovered in a Nile river village called Oxyrhynchus) and wrong: the so-called Thomas didn&#039;t write that Jesus ever said that to his mother! At least in the papyri that were published… See Weisenburger 2006, (&#039;&#039;A Companion to&#039;&#039; GR), p. 282.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathematicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
taverns (&#039;&#039;osteria&#039;&#039; is a tavern)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 584==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
Wolf + Putzi sounds a bit like Wuffli. Peter Wuffli was the CEO of UBS (Union Bank of Switzerland) [http://www.ubs.com] from December 2001 to June 2007. He unexpectedly resigned in Jun07, some months before the subprime crisis, in which UBS had to take large financial losses, exploded. [http://www.ubs.com/1/e/investors/releases.html?newsId=127571]&lt;br /&gt;
&lt;br /&gt;
Possibly related, or possibly not-- Putzi&#039;s is the club in Cuxhaven where the beleaguered Tyrone Slothrop tries to pick up his forged papers in Gravity&#039;s Rainbow. (Home of the Eisenkröte!)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt; [[Image:Topo.jpg|thumb|Topo Boats|right]]&lt;br /&gt;
A topo is a guide for a crag or climbing area; a shortened form of &amp;quot;topographic map&amp;quot; of any type of surface topology. But what is Pynchon referring to? Topo is &amp;quot;rat&amp;quot; in Italian and &amp;quot;awkward person&amp;quot; in Spanish. The Greek topos means &amp;quot;place&amp;quot; or &amp;quot;commonplace&amp;quot; None seems to refer to a &amp;quot;day out on the water&amp;quot; or a &amp;quot;day off work&amp;quot; as it seems to imply here. Interesting Pynchonesque tidbit found while researching the root source of the word topology: A term used to refer to the continuity of space and spatial properties, such as connectivity, that are unchanged after distortion. (Thanks to the The University of Melbourne&#039;s GIS glossary) Topology includes the study of the surface of an object, such a as a the paint of a canvas painting and the transformations such surfaces can undergo mathematically, including through imaginary domains.&lt;br /&gt;
&lt;br /&gt;
:Pynchon writes &amp;quot;Some artist friends had a &#039;&#039;topo&#039;&#039; for the day.&amp;quot; He is referring to the boat they rented.  It means &amp;quot;mouse&amp;quot; in Italian and is apparently the name of a small traditional Venetian fishing boat now used for [http://www.veniceword.com/special.html touring]. As for mathematical topology, Pynchon&#039;s topological metaphors reach a crescendo in the next chapter. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
Exactly the first commenter&#039;s point, I think. The ghosts of the future or &amp;quot;traces of consciousness&amp;quot; (p. 578) of his time-travel in the future (via the curious mass conveyance through a futuristic landcape, which Hunter was eventually disenchanted with) prevents Hunter from signing on to Tancredi&#039;s futurism. Pynchon is fleshing out Hunter&#039;s backstory, albeit vaguely or, if you wish, poetically. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“One must begin by accepting Hell -- by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for ([http://against-the-day.pynchonwiki.com/wiki/index.php?title=H Hell]) A book that takes us through Dante&#039;s gate twice (158, 401), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell&amp;quot; (553), and ends with the words &amp;lt;i&amp;gt;AtD&amp;lt;/i&amp;gt; ends with, may be good practice for taking Tancredi&#039;s advice. &lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hell in a small bounded space ... But the finite space would expand rapidly&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tancredi is probably envisioning the onset of [http://en.wikipedia.org/wiki/World_war_i World War I], which hangs over the entire novel.  The war began with the assassination of Archduke Ferdinand, an event in land-locked Bosnia that led to a chain-reaction triggering of formal alliances and national interests, i.e. an infernal machine.  The cultural changes brought on by the war, continuing through the Twentieth Century, include the suppression of Christianity in Eastern Europe and its decline as an ideology in the West. Of course, this is also an allusion to an actual chain-reaction, an atomic bomb, which begins with a small implosion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important than density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>WikiAdmin</name></author>
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