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		<title>ATD 557-587</title>
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		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 586 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under Q in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. What becomes of the Q-weapon after Umeki (possibly) gives it to Halfcourt in Constantinople? ([[ATD_1018-1039#Page 1036|See page 1036...]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; means &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a shamefully cheap way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably an regular icosahedron, where the sides are formed by 20 equilateral triangles. For a picture see [http://mathworld.wolfram.com/Icosahedron.html Icosahedron].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Bratislava (Czechoslovakia), Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compaignie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. The current one is from Paris to Vienna, to be discontinue on June 9, 2007.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compaignie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;when she was born&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf Pretenders/Chryssie Hynde.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember p256.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A local wine produced in the hills north of Venice.&amp;lt;br /&amp;gt;&lt;br /&gt;
Well, actually &#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &lt;br /&gt;
&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathemateicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
:blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
tavern?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 584==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A topo is a guide for a crag or climbing area.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“One must begin by accepting Hell -- by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for ([http://against-the-day.pynchonwiki.com/wiki/index.php?title=H Hell]) A book that takes us through Dante&#039;s gate twice (158, 401), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell&amp;quot; (553), and ends with the words &amp;lt;i&amp;gt;AtD&amp;lt;/i&amp;gt; ends with, may be good practice for taking Tancredi&#039;s advice. &lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important that density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14237</id>
		<title>ATD 557-587</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14237"/>
		<updated>2007-11-29T16:41:11Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 586 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under Q in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. What becomes of the Q-weapon after Umeki (possibly) gives it to Halfcourt in Constantinople? ([[ATD_1018-1039#Page 1036|See page 1036...]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; means &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a shamefully cheap way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably an regular icosahedron, where the sides are formed by 20 equilateral triangles. For a picture see [http://mathworld.wolfram.com/Icosahedron.html Icosahedron].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Bratislava (Czechoslovakia), Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compaignie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. The current one is from Paris to Vienna, to be discontinue on June 9, 2007.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compaignie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;when she was born&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf Pretenders/Chryssie Hynde.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember p256.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A local wine produced in the hills north of Venice.&amp;lt;br /&amp;gt;&lt;br /&gt;
Well, actually &#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &lt;br /&gt;
&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathemateicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
:blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
tavern?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 584==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A topo is a guide for a crag or climbing area.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“One must begin by accepting Hell -- by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for Hell. ([http://against-the-day.pynchonwiki.com/wiki/index.php?title=H])A book that takes us through Dante&#039;s gate twice (158, 401), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell&amp;quot; (553), and ends with the words &amp;lt;i&amp;gt;AtD&amp;lt;/i&amp;gt; ends with, may be good practice for taking Tancredi&#039;s advice. &lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important that density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14236</id>
		<title>ATD 557-587</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14236"/>
		<updated>2007-11-29T16:39:58Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 586 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under Q in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. What becomes of the Q-weapon after Umeki (possibly) gives it to Halfcourt in Constantinople? ([[ATD_1018-1039#Page 1036|See page 1036...]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; means &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a shamefully cheap way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably an regular icosahedron, where the sides are formed by 20 equilateral triangles. For a picture see [http://mathworld.wolfram.com/Icosahedron.html Icosahedron].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Bratislava (Czechoslovakia), Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compaignie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. The current one is from Paris to Vienna, to be discontinue on June 9, 2007.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compaignie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;when she was born&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf Pretenders/Chryssie Hynde.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember p256.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A local wine produced in the hills north of Venice.&amp;lt;br /&amp;gt;&lt;br /&gt;
Well, actually &#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &lt;br /&gt;
&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathemateicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
:blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
tavern?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 584==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A topo is a guide for a crag or climbing area.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“One must begin by accepting Hell -- by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for Hell. A book that takes us through Dante&#039;s gate twice (158, 401), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell&amp;quot; (553), and ends with the words &amp;lt;i&amp;gt;AtD&amp;lt;/i&amp;gt; ends with, may be good practice for taking Tancredi&#039;s advice. ([http://against-the-day.pynchonwiki.com/wiki/index.php?title=H])&lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important that density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14235</id>
		<title>ATD 557-587</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14235"/>
		<updated>2007-11-29T16:39:07Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 586 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under Q in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. What becomes of the Q-weapon after Umeki (possibly) gives it to Halfcourt in Constantinople? ([[ATD_1018-1039#Page 1036|See page 1036...]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; means &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a shamefully cheap way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably an regular icosahedron, where the sides are formed by 20 equilateral triangles. For a picture see [http://mathworld.wolfram.com/Icosahedron.html Icosahedron].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Bratislava (Czechoslovakia), Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compaignie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. The current one is from Paris to Vienna, to be discontinue on June 9, 2007.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compaignie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;when she was born&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf Pretenders/Chryssie Hynde.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember p256.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A local wine produced in the hills north of Venice.&amp;lt;br /&amp;gt;&lt;br /&gt;
Well, actually &#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &lt;br /&gt;
&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathemateicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
:blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
tavern?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 584==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A topo is a guide for a crag or climbing area.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“One must begin by accepting Hell -- by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for Hell. A book that takes us through Dante&#039;s gate twice (158, 401), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell&amp;quot; (553), and ends with the words &amp;lt;i&amp;gt;AtD&amp;lt;/i&amp;gt; ends with, may be good practice for taking Tancredi&#039;s advice.&lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important that density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14234</id>
		<title>ATD 557-587</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14234"/>
		<updated>2007-11-29T16:38:28Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 586 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under Q in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. What becomes of the Q-weapon after Umeki (possibly) gives it to Halfcourt in Constantinople? ([[ATD_1018-1039#Page 1036|See page 1036...]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; means &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a shamefully cheap way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably an regular icosahedron, where the sides are formed by 20 equilateral triangles. For a picture see [http://mathworld.wolfram.com/Icosahedron.html Icosahedron].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Bratislava (Czechoslovakia), Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compaignie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. The current one is from Paris to Vienna, to be discontinue on June 9, 2007.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compaignie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;when she was born&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf Pretenders/Chryssie Hynde.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember p256.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A local wine produced in the hills north of Venice.&amp;lt;br /&amp;gt;&lt;br /&gt;
Well, actually &#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &lt;br /&gt;
&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathemateicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
:blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
tavern?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 584==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A topo is a guide for a crag or climbing area.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“One must begin by accepting Hell-by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for Hell. A book that takes us through Dante&#039;s gate twice (158, 401), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell&amp;quot; (553), and ends with the words &amp;lt;i&amp;gt;AtD&amp;lt;/i&amp;gt; ends with, may be good practice for taking Tancredi&#039;s advice.&lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important that density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14233</id>
		<title>ATD 557-587</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14233"/>
		<updated>2007-11-29T16:34:32Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 586 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under Q in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. What becomes of the Q-weapon after Umeki (possibly) gives it to Halfcourt in Constantinople? ([[ATD_1018-1039#Page 1036|See page 1036...]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; means &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a shamefully cheap way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably an regular icosahedron, where the sides are formed by 20 equilateral triangles. For a picture see [http://mathworld.wolfram.com/Icosahedron.html Icosahedron].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Bratislava (Czechoslovakia), Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compaignie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. The current one is from Paris to Vienna, to be discontinue on June 9, 2007.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compaignie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;when she was born&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf Pretenders/Chryssie Hynde.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember p256.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A local wine produced in the hills north of Venice.&amp;lt;br /&amp;gt;&lt;br /&gt;
Well, actually &#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &lt;br /&gt;
&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathemateicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
:blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
tavern?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 584==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A topo is a guide for a crag or climbing area.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“One must begin by accepting Hell-by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for Hell. A book that takes us through Dante&#039;s gate twice (158, 401), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell&amp;quot; (553), and ends with the words &amp;lt;i&amp;gt;AtD&amp;lt;b&amp;gt; ends with, may be good practice for taking Tancredi&#039;s advice.&lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important that density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14232</id>
		<title>ATD 557-587</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_557-587&amp;diff=14232"/>
		<updated>2007-11-29T16:31:02Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 586 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 557==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Viktor Mulciber&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Well, no benign associations with &amp;quot;Mulciber&amp;quot;! Mulciber is an alternative name of the Roman god Vulcan, the god of fire and volcanoes, and the manufacturer of art, arms, iron, and armor for gods and heroes. Mulciber is also the name of a character in John Milton&#039;s &#039;&#039;Paradise Lost&#039;&#039;, the architect of the demon city of Pandemonium. When Pynchon was alluded to on The John Larroquette Show [80s or 90s], the book he was said to be working on was called &#039;&#039;Pandemonium of the Sun&#039;&#039;.&amp;lt;br&amp;gt;&lt;br /&gt;
In the Harry Potter books, Mulciber is a Death Eater, a minor Dark Wizard.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bespoke&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
made to order, hence hand-made and expensive. Somewhere in the novel is a reference to 1 Savile Row, the address of Gieves and Hawkes, a very traditional English tailor.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Basil Zaharoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Sir Basil Zaharoff, originally Zacharias Basileios, (1849, Muğla, Turkey - 1936, Monte Carlo, Monaco) was a Greek arms trader and financier, the director and chairman of the Vickers munitions firm during World War I [http://en.wikipedia.org/wiki/Zaharoff_Basil].  He also turns up as an international arms dealer in Reilly, Ace of Spies.&lt;br /&gt;
&lt;br /&gt;
In addition to the arms-dealing and being semi-fictionalized, Zaharoff is also notable for bribing the Japanese Admiral, helping to incorporate the company that eventually became British Petroleum, and through his association with Louis II of Monaco, the purchase of the Société des Bains de Mer, which ran the famous Monte Carlo casino.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains of history... run&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Karl Marx, in &#039;&#039;Das Kapital&#039;&#039;, referred to wars as the &amp;quot;express trains of history&amp;quot; because they can spark societal or national crises, marking a historical turning point, and they can release economic, social, and moral forces of unforeseen power and dimensions, making any return to the status quo impossible.&lt;br /&gt;
Also notice TRP&#039;s steady referencing of &#039;railroads&#039; in a negative way. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Q-weapon&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible allusion to Professor Kokintz&#039;s &amp;quot;Q-bomb&amp;quot; in &#039;&#039;The Mouse That Roared&#039;&#039; (1959) or to James Bond&#039;s master armorer Q. It could also be an allusion to the character &amp;quot;Q&amp;quot; in Star Trek where the name &amp;quot;Q&amp;quot; is also shared by other members of the Q Continuum. Q is a mischievous omnipotent being who has taken an interest in humans. He also has a flair for the dramatic, with a mercurial personality that switches between a joking, camp style and a more ominous and even dangerous manner. While he is boastful, condescending and threatening, he arguably has humanity&#039;s best interests at heart. In the episode &amp;quot;The Q and the Gray&amp;quot; (&#039;&#039;Star Trek: Voyager&#039;&#039; - 3rd season), Q weapons are provided to the crew of the Voyager to free Q and Janeway, who have been captured by rebels. [http://www.answers.com/topic/the-q-and-the-grey Synopsis]; [http://en.wikipedia.org/wiki/Q_(Star_Trek) Wikipedia].  Looney Tunes character Marvin the Martian possesses an earth-destroying weapon known as the Illudium Q-36 Explosive Space Modulator.&lt;br /&gt;
&lt;br /&gt;
In this context, the Q stands for &amp;quot;Quaternion.&amp;quot; See under Q in the alphabetical index.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Balkan &#039;&#039;komitadji&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Originally, members of the rebel gangs (&amp;quot;committees&amp;quot;), controlled from Sofia, who made forays into Macedonia, the chief object of Bulgarian expansionism before WWI. The word was also commonly used for Serbian irregular fighters.&lt;br /&gt;
&lt;br /&gt;
:See this slightly different [http://en.wikipedia.org/wiki/Komitadji Komitadji].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;waybill&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ancestor of what Fedex and UPS call &amp;quot;shipping document&amp;quot;; it identifies the article shipped and contains necessary addresses and instructions.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;metamorphosed into an American Negro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf honorary Negro (Frank above).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nipponese&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;peach&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plum, actually.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertzian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Electromagnetic waves, first demonstrated by [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Heinrich Hertz] (Cf [[ATD_318-335#Page 318|page 318:Hertz]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;they cannot strictly . . . longitudinal as well as transverse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hertz&#039;s theory and Maxwell&#039;s equations describe &#039;&#039;transverse&#039;&#039; waves in which the electric and magnetic fields are perpendicular to the direction of travel; no longitudinal waves--with vibrations parallel to the direction of travel--are permitted. In air, sound waves are longitudinal; what&#039;s suggested here is a new wave that does not fit the Hertz-Maxwell paradigm.&lt;br /&gt;
&lt;br /&gt;
==Page 558==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;scalar part&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Quaternion equivalent of the real part.&amp;lt;br&amp;gt;&lt;br /&gt;
A scalar quantity in geometry has magnitude but not direction. The length of a line segment is a scalar.&amp;lt;br&amp;gt;&lt;br /&gt;
Time is a scalar term. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;baritone in a barbershop quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.barbershop.org/web/groups/public/documents/pages/pub_id_000827.hcsp Quote]:Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or &amp;quot;barbershop&amp;quot; sevenths) that give barbershop its distinctive, &amp;quot;full&amp;quot; sound.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;viola in a string quartet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Two violins, a viola, and a violoncello make up a string quartet. The viola is between the others in pitch and is generally considered to have been given the least interesting parts in Classical and Romantic music for string quartet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Term&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The three parts of a quaternion that are multiples of &#039;&#039;&#039;i&#039;&#039;&#039;, &#039;&#039;&#039;j&#039;&#039;&#039; and &#039;&#039;&#039;k&#039;&#039;&#039; (Cf [[ATD_525-556#Page 525|page 525: Quaternions]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fulfiller of the Trinity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the name of the first atom bomb detonated at Los Alamos. Alluded to earlier as the &amp;quot;Anti-Stone&amp;quot; (Webb and Merle, p.78). The origin of the name Trinity for this event is uncertain. It is commonly thought that Robert Oppenheimer provided the name, which would seem logical, but even this is not definitely known. A leading theory is that Oppenheimer did select it, and that he did so with reference to the divine Hindu trinity of Brahma (the Creator), Vishnu (the Preserver), and Shiva (the Destroyer). Oppenheimer had an avid interest in Sanskrit literature (which he had taught himself to read), and following the Trinity test is reported to have recited a passage from the Bhagavad-Gita that is quoted earlier in this wiki.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The usage of the Tibetan Mount Kailash, the holy dwelling place of Shiva, God of destruction and regeneration, on p. 437 seems to support this.&lt;br /&gt;
&lt;br /&gt;
Also, a religious allusion to the three-person Godhead in Christian theology. &amp;lt;br&amp;gt;&lt;br /&gt;
Also, third ATD meaning!, a college in Dublin mentioned on page 560.&lt;br /&gt;
&lt;br /&gt;
Also,&amp;quot;the Destroyer, the fulfiller of the trinity&amp;quot; recalls the Destroyer on page 154, the meteorite, and thus relates &#039;&#039;that&#039;&#039; passage to the Anti-Stone.&lt;br /&gt;
&lt;br /&gt;
Also, in Jungian Psychology the &#039;fulfiller&#039; of the trinity, making it a complete four-aspect entity, is the &#039;shadow&#039;, or traditionally, the devil (the force always excluded and seen as bad in Christian theology). Cf. C. G. Jung, &amp;quot;Versuch einer psychologischen Deutung des Trinitätsdogmas&amp;quot;, Gesammelte Werke  11, especially p.179-94. Interestingly, Jung uses the term &#039;quaternarisch&#039; for this. More Q-talk, then.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the pulselessness of salvation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
salvation lies outside of time?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;A weapon based on Time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time is why there is entropy, that key Pynchonian term. Pynchon has created a brilliant metaphor that uses the concept uniquely. The Q-weapon, at the heart of which lies &amp;quot;a crystal about the size of a human eyeball&amp;quot; is based on Time. What becomes of the Q-weapon after Umeki (possibly) gives it to Halfcourt in Constantinople? ([[ATD_1018-1039#Page 1036|See page 1036...]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;...you could become the most feared person in history.&amp;quot; ... &amp;quot;I&#039;d rather be loved,&amp;quot; said Root.&#039;&#039;&#039;&amp;lt;br &amp;gt;&lt;br /&gt;
Echoes Machiavelli&#039;s famous aphorism, &amp;quot;It is much safer to be feared than loved.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;laterite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mineral structure formed by erosion, see [http://en.wikipedia.org/wiki/Laterite Wikipedia]. Laterite is typically rich in metal oxides and poor in organic matter.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ostend&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Ostend]]. Ostend (Dutch: Oostende, French &amp;amp; German: Ostende) is a Belgian municipality located in the Flemish province of West Flanders. It comprises the villages of Mariakerke, Stene and Zandvoorde, and the city of Ostend proper – the largest at the Belgian coast. Wikipedia.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Inner Boulevards&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
streets in Brussels.&amp;quot;In spite of the competition of the Central or Inner Boulevards, the Montagne de la Cour still remains the principal street for shopping in Brussels.&amp;quot; &amp;quot;Brussels&amp;quot;, Antiques Digest, 1904.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gare du Midi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest railway station in Brussels and a haunt of prostitutes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;gevaert&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Edouard Gevaert&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It seems this gentleman is fictional. although there are some interesting, but tenuous, connections. Agfa-Gevaert is the current owner of the [[W#wardenclyffe|Wardenclyffe Tower]] facility which housed the Tesla Tower. [http://www.maerlant.be/photherel/student/nvgevaert.htm Lieven Gevaert] (1868-1935) was a Belgian industrialist who founded Gevaert &amp;amp; Co. which produced photographic paper, in 1894. The company specialized in &amp;quot;daylight&amp;quot; paper, which relies on the event of exposure of the positive image through daylight, as opposed to development paper which is based on a process of special manipulation with chemicals. (Are photographs &amp;quot;stolen goods&amp;quot;? &amp;quot;Unworldy go-betweens&amp;quot;? Is the Q-Weapon a ... camera? No. It unlocks Time, animating the photograph - [[ATD_1018-1039#Page 1036|See page 1036]]) Agfa (Actien-Gesellschaft für Anilin-Fabrikation) was founded in 1864 as a manufacturer of dies and stains. In World War II, it became part of IG Farben (prominent in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=IG_Farben_References &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]. The Allies broke up IG Farben after the war and Agfa emerged as an individual company. And, well, there &#039;&#039;was&#039;&#039; a Dutch arms dealer named Edouard de Beaumont (1841-1895) who has a rifle named after him. Yes, a stretch... Upon further reflection, I believe &amp;quot;Edouard&amp;quot; may refer to [http://en.wikipedia.org/wiki/Muybridge Eadweard Muybridge] (Edouard was a variant spelling he earlier used) and his photographic experiments with &#039;&#039;freezing&#039;&#039; motion/Time.&lt;br /&gt;
&lt;br /&gt;
==Page 559==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krupp field-piece&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Krupps are an ancient German family, famous for making weapons. A field-piece is a light-cannon.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaguely glandular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Describes Belgium, it seems.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ostinato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A continually repeated musical phrase or rhythm.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;poleaxed&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Stunned, brought to a mental standstill. (A poleaxe was used in slaughterhouses.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lost to silence&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Not silent, or very?)Very&lt;br /&gt;
&lt;br /&gt;
==Page 560==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Wellington Hippodrome&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A race track in Ostend. (Cf [[ATD_525-556#Page 528|page 528:Hippodrome]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estacade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
:A dike of piles in the sea, a river, etc., to check the approach of an enemy. [http://www.thefreedictionary.com/Estacade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;mousmée... mouchard&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French: a young Japanese woman; a police spy.&lt;br /&gt;
:When Henry James revised &#039;&#039;The Princess Casamassima&#039;&#039; for the 1909 New York edition, the phrase &amp;quot;middle-class spy&amp;quot; in the 1886 text became &#039;&#039;mouchard&#039;&#039;. Source: note by Patricia Crick in Penguin Classics edition.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;always lead an irregular life&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf GR.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maria Bayley Hamilton&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hamilton&#039;s wife !!!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;council meeting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
==Page 561==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brougham Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was on this site that the [[H#hamilton|mathematician William Rowan Hamilton]],  in a flash of genius, came upon the formula for Quaternions and scratched it into the stone of the bridge.&lt;br /&gt;
&lt;br /&gt;
About the bridge, the carving, photos of them, a couple of mathematicians&#039; impression of the bridge, etc, see [http://math.ucr.edu/home/baez/octonions/node24.html Brougham Bridge].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;on the stone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The bridge is evidently a stone bridge. Stone, a natural thing, is a good for Pynchon. Hamilton&#039;s action is metaphorically a deeply religious moment. &amp;quot;Pentecostal&amp;quot; wherein the Quaternions &#039;descend&#039; to earth [in the thoughts of men].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;i² = j² = k² = ijk = –1&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 525|page 525:Quaternion]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecostal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost (&amp;lt; Greek πεντηκοστή [ἡμέρα], pentekostē [hēmera], &amp;quot;the fiftieth day&amp;quot;) is the fiftieth day after Easter Sunday, which corresponds to the tenth day after Ascension Thursday. It is a feast in the Christian liturgical calendar — symbolically related to the Jewish festival of Shavuot — that commemorates the descent of the Holy Spirit upon the Apostles and the followers of Jesus on that day, as described in the Book of Acts, Chapter 2. Pentecost is also called &amp;quot;Whitsunday&amp;quot; (deriving from &amp;quot;Wit Sunday&amp;quot;) in UK and other English-speaking areas.&lt;br /&gt;
&lt;br /&gt;
Almost needless to say, the Pentecostal revelation is what is supposed to happen at the end of &amp;quot;Lot 49&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;official Mischief Opportunity&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
like &#039;shore leave&#039;, it seems.  To leave the rules of the Organization and create mischief.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;absinthe spoons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
absinthe spoons have slits whereon are placed sugar cubes through which one pours the absinthe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;cravats&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cravat is the neckband forerunner of the modern, tailored necktie. From the end of the 16th century, the term &amp;quot;band&amp;quot; applied to any long-strip neckcloth that was not a &amp;quot;ruff&amp;quot;; the ruff—a starched, pleated white linen strip—started its fashion career earlier in the 16th century as neckcloth that could be changed-a-fresh to keep the neck of a doublet from becoming too-soiled or as a bib or a napkin. A &amp;quot;band&amp;quot; could indicate a plain, attached shirt collar or a detachable &amp;quot;falling band&amp;quot; that draped over the doublet collar.&amp;lt;br&amp;gt;&lt;br /&gt;
Necktie fashions have changed over time. The modern cravat originated in the 1630s when Western Europeans saw Croats wearing extravagant neck scarves; the French word &#039;&#039;cravate&#039;&#039; means &amp;quot;Croatian cavalryman.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;four-door farce&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(See eg Bogdanovich&#039;s &amp;quot;What&#039;s Up, Doc?&amp;quot;)&lt;br /&gt;
This is also a pun on the name of Georges Feydeau, French writer of farces who was writing when Pynchon&#039;s novel is set. One of the recurring physical jokes involves sets with many doors and people coming in and out, just missing each other....&lt;br /&gt;
&lt;br /&gt;
The ranking of farces by door number is mostly jocular. Neil Simon&#039;s &#039;&#039;Rumors&#039;&#039; is a fine example of a seven-door farce.&lt;br /&gt;
&lt;br /&gt;
==Page 562==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Minque&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
the fish auction house.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 18 miles east of Ostende, Cf [[ATD_525-556#Page 531|page 531:Bruges]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghent&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A city about 40 miles southeast by east from Ostend, Cf [[ATD_525-556#Page 531|page 531:Ghent]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;carillons . . . carillonneur&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.gcna.org/crlnexp.html carillon] was popular in Belgium before it caught on in most other places. It comprises a set of bells, matched in character, forming a scale (a couple of chromatic octaves or even more), with the beaters or clappers mechanically linked to a keyboard. A later development replaced muscle power with electromechanical linkages. In a still later &amp;quot;advance,&amp;quot; the carillon was automated with music-box-like control. The American practice of playing recorded bells through loudspeakers is a shamefully cheap way to imitate carillon music.&amp;lt;br&amp;gt;&lt;br /&gt;
The carillonneur is the master at the keyboard.&amp;lt;br&amp;gt;&lt;br /&gt;
English-style bell ringing is a totally different pursuit, using (often imperfectly) tuned bells actuated in nonmelodic sequences. The bells, not the clappers, are swung with ropes. The effect of an eight-bell &amp;quot;peal&amp;quot; and a team of ringers with plenty of time on their hands—as heard by this American contributor in Bristol one spring Sunday—is perfectly charming.&amp;lt;br&amp;gt;&lt;br /&gt;
By the way: The word &amp;quot;carillon&amp;quot; is derived from the Latin &amp;quot;quaternio&amp;quot; (= consisting of four elements)...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanseatic&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Hansa or Hanseatic League (definitely a creation of &amp;quot;the Christian North,&amp;quot; next paragraph) was a great mercantile system that held itself above national rule.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;burghers&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
middle-class married men&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;silted up&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
backed up, underwater, with mud; i.e. neglected, because replaced by railroads.  -As it silted up &amp;quot;back in the 1400s&amp;quot; we can safely exclude the influence of railroads.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Damme and Sluis&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Port cities near Bruges, heavily dependent on them from the 14th Century.&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.damme-online.com/gb/communities/damme.htm Damme] and [http://www.damme-online.com/gb/arounddamme/sluis.htm Sluis]. For an overview map, showing cannals, roads etc, of the general area around Bruges-Damme-Sluis see [http://www.damme-online.com/gb/maps/generaloverview.htm Bruges-Damme-Sluis]&lt;br /&gt;
&lt;br /&gt;
==Page 563==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trusted his intuitiveness&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Woevre is a natural killer.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;Jou moerskont!&amp;quot;&#039;&#039;... Afrikaans&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly &amp;quot;you horse&#039;s ass&amp;quot;? --More likely something like &amp;quot;mother&#039;s cunt&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
==Page 564==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;voices of everyone he had ever put to death had been ... scored for some immense choir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A possible reference to &#039;&#039;Star Wars&#039;&#039;: Obi-wan experiences the obliteration of an entire planet as &amp;quot;a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced.&amp;quot; [http://www.imdb.com/title/tt0076759/quotes]&lt;br /&gt;
&lt;br /&gt;
Also another potentially time-less event, all of Woevre&#039;s murders collapsed into a single moment.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;choir&amp;quot; image occurs several times in &#039;&#039;AtD.&#039;&#039; [[ATD_1-25#Page_19|One example.]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I cannot bear it ... this terrible light...&amp;quot;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Shades of the Kirghiz Light in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=The_Kirghiz_Light &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Voetsak&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Afrikaans (maybe Dutch too): Go away! Also spelled &#039;&#039;voertsek&#039;&#039; or &#039;&#039;voetsek.&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Borrowed in English with the spelling &#039;&#039;footsack.&#039;&#039; The Urban Dictionary, which often excites skepticism, has [http://www.urbandictionary.com/define.php?term=footsack a useful entry] with a marginally plausible etymology. In [http://www.worldwideschool.org/library/books/lit/drama/Finished/chap5.html &#039;&#039;Finished&#039;&#039; (1916),] novelist H. Rider Haggard glossed it this way: &amp;quot;Among Europeans he rejoiced in the name of Footsack, a Boer Dutch term which is generally addressed to troublesome dogs and means &#039;Get out.&#039;&amp;quot; And in a defective 1943 book for young readers, &#039;&#039;Great Caesar&#039;s Ghost&#039;&#039; (by Manning Coles, creator of gentleman op Tommy Hambledon), an English merchant seaman says, &amp;quot;Get out, &#039;op it, vamoose, footsack, imshi, or I&#039;ll—&amp;quot; [http://www.absp.org.uk/words/interjections.html &#039;&#039;Imshi&#039;&#039;] is British service slang for &amp;quot;go.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;starers&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Those who stared at Kit earlier.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dramatic performance&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
referring to &#039;No&#039;?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;tobacco-stricken&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A smoker&#039;s deep or gritty voice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;half-silvering&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
A design for an optical [http://en.wikipedia.org/wiki/Beam_splitter beam splitter] that causes half of the incident light to be transmitted and the other half to be reflected.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the fatal number four&amp;amp;#8212;to a Japanese mind&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Japanese character for number &amp;quot;four&amp;quot; has the same pronunciation as that of character &amp;quot;death&amp;quot;.&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_243-272#Page 258|page 258:Japanese character for &amp;quot;four&amp;quot;]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;four cusps... index-surface&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;co-conscious&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 527|page 527:co-conscious]]. Repeat here: &amp;quot;mental processes outside the main stream of consciousness but sometimes available to it - from Merriam-Webster&#039;s Medical Dictionary.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Third use, I think. Who/what is co-conscious here? (First time, page 478; then page 527.)&lt;br /&gt;
&lt;br /&gt;
Could it be the dimly perceived consciousness of one&#039;s double in the adjacent, alternate world? Or one&#039;s consciousness of that world?&lt;br /&gt;
&lt;br /&gt;
==Page 565==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;true icosahedron&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably an regular icosahedron, where the sides are formed by 20 equilateral triangles. For a picture see [http://mathworld.wolfram.com/Icosahedron.html Icosahedron].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;12+8... pyrites&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pyrite crystals form a structure that can be decomposed into unit cells that contain (part of) 12 sulphur atoms and 8 iron atoms.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riemann sphere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Riemann_sphere Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Felix Klein&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
German mathematician ([http://en.wikipedia.org/wiki/Felix_Klein Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;ebonite&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An early plastic([http://en.wikipedia.org/wiki/Ebonite Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ohmic Drift Compensator&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
ohm = the practical meter-kilogram-second unit of electric resistance equal to the resistance of a circuit in which a potential difference of one volt produces a current of one ampere; The Ohmic Drift Compensator &amp;amp;#151; a key component of the Q-weapon &amp;amp;#151; &amp;quot;regulates how much light is allowed to enter the silvering of the mirror! Special kind of refraction! Calibrated against imaginary index! Dangerous! Of the essence!&#039;&amp;quot; See also [[ATD 525-556#Page 541|Page 541]]. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of the earth . . . kinetic energy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Einstein in 1905 showed most of this argument to be nonsense, but if Lorentz&#039;s paper is still recent (next entry) the shift in thinking may not have happened yet.&amp;lt;br&amp;gt;&lt;br /&gt;
:Since the earth&#039;s mean orbital speed ( ~ 30 km/s) is rather small in comparison with the speed of light ( ~ 300,000 km/s), no relativistic correction is needed in calculating earth&#039;s orbital kinetic energy. And in a reference frame anchored on the Sun, the earth&#039;s kinetic eneregy, &#039;&#039;E = ½ m v²&#039;&#039;, where &#039;&#039;m&#039;&#039; is the earth mass and &#039;&#039;v&#039;&#039; it&#039;s orbital speed, still holds. Einstein showed only that it is no longer true against the nonexistent stationary &#039;&#039;æther&#039;&#039;. Of course, it is irrelevant to an earthbound weapon tried to make use of this energy against a person who is standing on the earth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Recently Lorentz&#039;s paper&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Lorentz&#039;s 1904 &amp;quot;Electromagnetic phenomena in a system moving with any velocity less than that of light&amp;quot; ([http://www.soso.ch/wissen/hist/SRT/L-1904.pdf PDF])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lorentz . . . Fitzgerald . . . along the axis of motion&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It was the phenomenon of the Lorentz-Fitzgerald contraction, together with the abolition of the æther by Michelson and Morley, that led Einstein to his theory of special relativity.&lt;br /&gt;
:Michelson and Morley did NOT abolish the æther. Their experiement (1887), attempting to detect the light speed change due to the effect of the æther wind, was a total failure, and they could not explain the negative result.&lt;br /&gt;
::OK, would you accept &amp;quot;the abolition of the æther hypothesis in consequence of Michelson and Morley&#039;s work&amp;quot;? In fact, that negative result—replicated many times since—did render the notion of the luminiferous æther untenable, as the next two paragraphs make clear.&lt;br /&gt;
:The Lorentz-Fitzgerald contraction hypothesis was proposed to explain the &amp;quot;null&amp;quot; result of the Michelson-Morley experiment but still keeping the æther. (see paragraph 8 of Lorentz&#039;s 1904 paper above). Lorentz considered the contraction was not physically real but a device to explain the Michelson-Morley experiment. ([http://en.wikipedia.org/wiki/Lorentz_Fitzgerald_contraction_hypothesis Lorentz_Fitzgerald Contraction]).&lt;br /&gt;
&lt;br /&gt;
:Einstein (1905) derived the Lorentz contraction directly, without assuming the existence of the æther, from the &#039;&#039;Principle of Relativity&#039;&#039; (ie different observers moving at a constant speed with respect to each other find the laws of physics to be identical and find the speed of light to be the same), and proved that Lorentz-Fitzgerald contraction hypothesis had been &amp;quot;ad-hoc&amp;quot;. And Einstein explain the failure of Michelson-Morley experiment by abolishing the æther !&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lord Rayleigh [...] wonders if such motion might not cause a crystalline body to become double refracting&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
John William Strutt, third Baron Rayleigh (1842-1919) was one of the very few members of higher nobility who won fame as an outstanding scientist. Lord Rayleigh&#039;s first researches were mainly mathematical, concerning optics and vibrating systems, but his later work ranged over almost the whole field of physics, covering sound, wave theory, colour vision, electrodynamics, electromagnetism, light scattering, flow of liquids, hydrodynamics, density of gases, viscosity, capillarity, elasticity, and photography.  &lt;br /&gt;
&lt;br /&gt;
This specific reference is to Lord Rayleigh&#039;s paper published in the &#039;&#039;Proceedings of the Royal Society of London. Series A, Containing Papers of a Mathematical and Physical Character&#039;&#039;, Vol. 98, No. 692 (Jan. 3, 1921), pp. 284-296, entitled &amp;quot;Double Refraction and Crystalline Structure of Silica Glass.&amp;quot; The introduction:&lt;br /&gt;
&lt;br /&gt;
:Silica glass, as is well known, may be produced by the fusion of clear crystalline quartz. In this way a clear transparent product is obtained. The present paper deals only with this kind of silica glass. The cruder variety, known as vitreosil, which is prepared from sand, is not free enough from bubbbles and striae to allow satisfactory observation.&lt;br /&gt;
&lt;br /&gt;
:That silica glass may be doubly refracting was noticed in casual observations, made to test its suitability for windows, in my experiments on the scattering of light by gases. It soon become clear that this double refraction could not in all cases be due to stress, but was to be attributed to something of the nature of crystalline structure. At the same time, the double refraction is very weak indeed compared with that of crystalline quartz.&lt;br /&gt;
&lt;br /&gt;
:Glasses have generally been considered essentially amorphous, and, indeed, this property would usually be invoked in the definition of a glass. It may be that, in view of the present results, the definition will need to be modified, though this point is hardly ripe for discussion. In the meantime, I still use the term silica glass.&lt;br /&gt;
&lt;br /&gt;
:I have not met with similar effects in any of the ordinary complex glasses. When these are doubly refracting, it is always attributable to strain. [http://links.jstor.org/sici?sici=0950-1207(19210103)98%3A692%3C284%3ADRACSO%3E2.0.CO%3B2-7]&lt;br /&gt;
&lt;br /&gt;
==Page 566==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In a dream...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This passage, describing Kit&#039;s dream of Umeki and the message it conveys, pulls together many of the main themes of &#039;&#039;Against the Day&#039;&#039;, tying things together in a way that Pynchon seldom does, almost as if he&#039;s providing a rather large piece of the puzzle to help the reader understand the novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Deep among the equations describing the behavor of light, field equations, Vector and Quaternion equations, lies a set of directions, an intinerary, a map to a hidden space. Double refraction appears again and again as a key element, permitting a view into a Creation set just to the side of this one, so close as to overlap, where the membrane between the worlds, in many places, has become too frail, too permeable, for safety.... Within the mirror, with the scalar term, within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark intinerary, the corrupted pilgrim&#039;s guide, the nameless Station before the first, in the lightless uncreated, where salvation does not yet exist.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
This is rather a good description of &#039;&#039;AtD&#039;&#039; itself. It is a (inevitably) &amp;quot;corrupted pilgrim&#039;s guide&amp;quot;, but is the guide corrupted, or the pilgrim?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;analogies&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Pynchonian heuristics.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the corrupted pilgrim&#039;s guide, the nameless Station before the first&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. p. 436 &#039;&#039;&#039;holy pilgrimages. One defines a destination, proceeds through a series of stations...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lightless uncreated&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Gnostic heresy?)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;...within the daylit and obvious and taken-for-granted has always lain, as if in wait, the dark itinerary, the corrupted pilgrim&#039;s guide, the names Station before the first, in the lightless uncreated, where salvation does not yet exist.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Compare with &amp;quot;daylit America . . . its steadfast denial of night&amp;quot; ([[ATD_724-747#Page 732|page 732]]), &#039;&#039;AtD&#039;&#039; epigraph, Thelonious Monk&#039;s &amp;quot;It&#039;s always night, or we wouldn&#039;t need light.&amp;quot; &#039;&#039;&#039;and&#039;&#039;&#039; &amp;quot;the boys expressed wonder at how much more infected with light the night-time terrains passing below them had become [...] they felt themselves in uneasy witness to some final conquest, a triumph over night whose motive none could quite grasp&amp;quot; ([[ATD 1018-1039#Page 1032|p. 1032]]); &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;stuffed sinus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sinus/nasal congestion. It is like looking out onto a new world when one&#039;s sinus finally clears after days of congestion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Konichiwa&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;sic&#039;&#039; for &amp;quot;Konnichiwa / Kon nichi wa&amp;quot; -- Japanese greeting.&lt;br /&gt;
&lt;br /&gt;
==Page 567==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;new Puccini opera&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Obviously, [http://en.wikipedia.org/wiki/Madame_Butterfly Madame Butterfly]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[Americans] can&#039;t ever die of shame&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
shameless, unlike the Japanese&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Kimura-san&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Kimura ( &amp;quot;tree village&amp;quot;) is the 18th most common Japanese surname.&lt;br /&gt;
-san is used as a courtesy title in Japanese-speaking areas as a suffix to the given name, surname, or title of the person being addressed, regardless of age or gender: Yamamoto san; sensei-san.&amp;lt;br&amp;gt;&lt;br /&gt;
Chimera-san?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borel-Clerc... &amp;quot;La Matchiche&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Popular vaudeville song from 1903. &amp;quot;La Matchiche&amp;quot; is French for the Brazilian dance Maxixe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;western anchor&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
What about France, Spain, Portugal? Belgium is a port country with a highly developed transportation system into all of these countries. .....it was the first country to industrialize in Europe....Wikipedia. &lt;br /&gt;
&lt;br /&gt;
In addition, Ostend is the westernmost port. It remains today a major Continental ferry terminus for North Sea crossings, including the fastest surface route, the hydrofoil.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Orient Express&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The first [http://mikes.railhistory.railfan.net/r045.html Orient Express] (1883-1914), connecting the English Channel with the Black Sea, is one of the most famous trains in Europe. It ran from Calais and Paris to Bucharest (Romania), passing through Strasbourg (France), Munich (Germany), Vienna (Austria), Bratislava (Czechoslovakia), Budapest (Hungary). From Bucharest it went through Bulgaria and then, by ferry, to Istanbul of Turkey. The original Orient Express was operated by  Compaignie Internationale des Wagons-Lits. Ever since the original Orient Express started operation, the name has become synonymous with luxury travel. After World I there were various railway routes had the name of Orient Express. The current one is from Paris to Vienna, to be discontinue on June 9, 2007.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Trans-Siberian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://www.transsib.ru/Eng/history-phases.htm Trans-Siberian] is a railway route connecting Moscow (Europe) to Vladivostok (Far East Asia). Taking a journey by the Trans-Siberian Railway has long been considered an experience with mythological proportions. It is the longest continuous rail line on earth - about 6,000 miles over one third of the globe. In 1891, Czar Alexander III drew up planes for the Trans-Siberian and initiated its construction, and a more or less continuous route was completed in 1905. It took many more years to make the route smoothly operative.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the Berlin-to-Baghdad&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The [http://en.wikipedia.org/wiki/Baghdad_Railway Berlin-Baghdad (also Basra) Railway] was the route of German&#039;s expansion from Europe to the Persian Gulf, from which trade goods and supplies could be directly exchanged with the farthest of the German colonies and the world.  It could also supply German industry directly with oil. Its conception (1888) and completion a couple of years later engendered great opposition from Russia, France and England as part of the &amp;quot;Great Game&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[[ATD 429-459#Page_433|See annotation at page 433]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Compaignie Internationale des Wagons-Lits&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;International Sleeping-Car Company&amp;quot;, [http://en.wikipedia.org/wiki/Carlson_Wagonlit Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;two hundred francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;None of that, Hakkabut. Hold your tongue.&amp;quot; And, turning to Rosette, the captain said, &amp;quot;If, sir, I understand right, you require some silver five-franc pieces for your operation?&amp;quot;&lt;br /&gt;
&amp;quot;Forty,&amp;quot; said Rosette, surlily.&lt;br /&gt;
&amp;quot;Two hundred francs!&amp;quot; whined Hakkabut.-- On a Comet, Jules Verne&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;theory of sets&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Set theory is the mathematical theory of sets, which represent collections of abstract objects. It encompasses the everyday notions, introduced in primary school, of collections of objects, and the elements of, and membership in, such collections. In most modern mathematical formalisms, set theory provides the language in which mathematical objects are described. It is (along with logic and the predicate calculus) one of the axiomatic foundations for mathematics, allowing mathematical objects to be constructed formally from the undefined terms of &amp;quot;set&amp;quot; and &amp;quot;set membership&amp;quot;. It is in its own right a branch of mathematics and an active field of mathematical research. Wikipedia&amp;lt;br&amp;gt;&lt;br /&gt;
:The members of a set can be, say, [Mike, Mary, Jack, Richard, Ron, Umeki, . . . . . .], the employees of a company, or the passengers of the train leaving the station; they need NOT be abstract. Cf [[ATD_525-556#Page 535|page 525:set theory]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bruges Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Belgium: Bruges canal. For a picture of the canal see [http://cruises.about.com/library/pictures/baltic/blbruges19.htm Bruges Canal].&lt;br /&gt;
&lt;br /&gt;
==Page 568==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vaporetto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Venetian water-bus.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Canal&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The main canal that runs through the heart of Venice and down past San Marco, the city&#039;s main square.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Marco end&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above. This is where Florian&#039;s (appears in the novel) is situated.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Piazzetta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A small piazza.  The large square in front of St Mark&#039;s is the Piazza San Marco.  The smaller side square running beside the Palazzo Ducale down to the canal is the Piazzetta San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Giorgio Maggiore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A rather over-ornate church on the Grand Canal opposite San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;spreading... cloak&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cliche/allusion?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;live here forever&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon special-pleading that Dally isn&#039;t just another tourist.&lt;br /&gt;
Or is this just a typical reaction of the tourist? And a Pynchonesque longing for home?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Teatro Verdi in Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A 1200+ seat theatre built in late-eighteenth century in Trieste for classical music, opera and ballet ([http://selectitaly.com/events.php?product_id=27&amp;amp;city_id=122 Teatro Verdi]). With its stately columns, elaborate adornments and lush elegance it is rather an unlikely venue for magic show. Another unlikely venue for magic show is Teatro Malibran in Venice (next page).&lt;br /&gt;
&lt;br /&gt;
==Page 569==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Malibran... Polo&#039;s house&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Teatro Malibran, built at the site of Marco Polo&#039;s house, which was destroyed in 1596.&lt;br /&gt;
:It is still there ! Cf [[ATD_336-357#Page 355|page 355:Teatro Malibran]] and the external link (for photos, etc) listed there.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;pincette&amp;quot; pass&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably from the [http://en.wikipedia.org/wiki/Pincer_movement pincer movement] of military strategy.&lt;br /&gt;
:Professor Hoffman&#039;s &#039;&#039;Modern Magic&#039;&#039; (1876) describes three &amp;quot;passes with coins,&amp;quot; La Pincette, Le Tourniquet and La Coulée. Amazon has the book for sale if anyone wants to look up the details.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;profondes&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;Large pockets in tail coats which can be used for vanishes or productions&amp;quot;, [http://en.wikipedia.org/wiki/List_of_conjuring_terms Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Vincenzo Miserere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Misero means poor, pitiful, miserable, etc.  Psalm 51 (sometimes numbered as 50) is known as the Miserere because it begins (in Latin) Miserere mei Deus (Have mercy on me, God).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;train to Trieste&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Venice and Trieste are on the opposite sides (about 70 miles apart) of the same gulf : Gulf of Venice.  Taking a train from Venice to Trieste would mean taking a route several times lengthier than a ferry.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Svegli&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The fictional professor&#039;s name comes from the Italian &#039;&#039;sveglio&#039;&#039; for &amp;quot;clever, dextrous, skillful.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;shark leather&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Different from sharkskin?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Specchiere&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Mirror-maker&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;glassmakers on Murano&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Murano Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;today&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
When is that?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;guaglion&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Naples dialect: &#039;&#039;guaglione&#039;&#039; is boy. (It first appeared on page 531).&lt;br /&gt;
&lt;br /&gt;
==Page 570==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;another one of his stories&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
(Jackson Pynchon should highlight all the AtD passages that originated as bedtime stories.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;TERAPIA&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;therapy&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Servolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An island in the Venetian archipelago, [http://en.wikipedia.org/wiki/San_Servolo Wikipedia], [http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;q=45.418654+N,+12.35698+E&amp;amp;ie=UTF8&amp;amp;z=17&amp;amp;ll=45.418651,12.35698&amp;amp;spn=0.006891,0.010793&amp;amp;t=k&amp;amp;om=1&amp;amp;iwloc=addr Google Maps]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Palazzo Ducale&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ducal Palace in Venice, residence of the Doge. It&#039;s by San Marco.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;manicomio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;madhouse&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;paramorfico&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
paramorphic - see the entry for [[P|Paramorphoscope]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;uterine vellum&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Vellum Vellum] produced from the skin of an unborn calf&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch, rouge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Products used in the grinding of lenses and mirrors.&lt;br /&gt;
&lt;br /&gt;
==Page 571==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Doppiatrice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian: the Doubler. &lt;br /&gt;
&lt;br /&gt;
Perhaps an analogue of the diffraction grating that splits the electron into two &amp;quot;alternate&amp;quot; electrons in Schrodinger&#039;s thought experiment on quantum effects, source here of a sort of human quantum splitting, an alternate universe creator.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ettore Sananzolo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Maskelyne cabinet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
After Neville Maskelyne, from &#039;&#039;Mason and Dixon.&#039;&#039; Maskelyne was sent at the same time as M and D to record the Transit of Venus on St. Helena. He became Astronomer Royal while they were in America.&lt;br /&gt;
&lt;br /&gt;
While Maskelyne is indeed a real person, the name is very suggestive of mescaline.  The two do not seem to be &amp;quot;related.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
More likely a descendant, [http://en.wikipedia.org/wiki/John_Nevil_Maskelyne John Nevil Maskelyne.] --[[User:Jeffersonista|Jordan]] 13:46, 25 January 2007 (PST)&lt;br /&gt;
&lt;br /&gt;
==Page 572==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;smoke back into a cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Time&#039;s arrow/ entropy motif.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hard-as-a-rock black cigar&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The quality of a cigar is usually higher with dark, more tightly-wrapped tobacco. Vincenzo has a fine one, it seems. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thumping&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
sound/feeling of a water-bus?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;salso&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Longest river in Sicily.Its small deltaic system there is dominated by marine processes rather than fluvial ones. It is a seasonal torrent, with brief but violent floods during the winter rains (from November to February), Is this what riding the salso in and back out again means? Riding the floods from the winter rains?&lt;br /&gt;
&lt;br /&gt;
Hardly. &#039;Salso&#039; (ital.) means &#039;salty&#039;, so this is probably a poetical word for &#039;the sea&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sandoli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  The sandolo is a type of boat used in Venice, similar to a gondola but (I believe) larger.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;trains pulling in&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Famous early film.&lt;br /&gt;
&lt;br /&gt;
==Page 573==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Polo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is one of the six districts (sestieri) of Venice. (The other five are:  Cannaregio, Dorsoduro, Santa Croce, San Marco, and Castello.) It (with Santa Croce and Dorsoduro) is located at the south side of the Grand Canal just across the Rialto bridge from San Marco. The San Polo district is the second most important area of Venice in terms of historical immportance and attractions for the tourists. It is the home to the Rialto market, the old artisan quarters of Venice, and the stunning Frari church.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cannareggio&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It is commonly spelled Cannaregio. It is located north of the Grand Canal, and is one of the few parts of the city where Venetians still live in great numbers. [http://en.wikipedia.org/wiki/Cannaregio Canaregio].&lt;br /&gt;
&lt;br /&gt;
==Page 574==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;thirty years older&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
About 65yo?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;that day&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In NYC when Dally showed up.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;when she was born&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf Pretenders/Chryssie Hynde.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Stronzo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian curse word, roughly &amp;quot;asshole&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;In bocc&#039; al lupo!&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From the Roman dialect, in which the Italians – including Rocco and Pino – seem to speak. Meaning, literally, &amp;quot;In the &lt;br /&gt;
mouth of the wolf,&amp;quot; and idiomatically, &amp;quot;Good luck.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specifically, as supported by the show business context, the good-luck wish among actors: &amp;quot;Break a leg!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;campielli&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???  Small squares.  A campo is literally a field and by extension a large square in a town.  A campiello is a small square.  I believe Venice has only one Piazza (San Marco) and the other squares are campi and campielli.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;impersonation of itself&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
echoes &amp;quot;the mountains had become geometrical impersonations of themselves&amp;quot;, p. 394&lt;br /&gt;
&lt;br /&gt;
==Page 575==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Riva&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? Probably Riva del Vin by the Grand Canal; a great tourist attraction from where one can view the historical Rialto Bridge. (The word &#039;&#039;riva&#039;&#039; itself means &#039;&#039;river bank&#039;&#039;). [http://arglist.com/cgi-bin/image?gallery=venice&amp;amp;name=20050525-025 Riva del Vin] and[http://www.altravistavenezia.it/_VirtualTours/VA/Rialto_Riva_del_Vin/rialto_riva_del_vin.html Rialto-Riva del Vin]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;middy blouses&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the style of a midshipman&#039;s blouse (shirt).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;not yet been rebuilt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Remember p256.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;lucciole&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
prostitutes&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;fondamenta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A waterside street in Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ombreta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
??? A local wine produced in the hills north of Venice.&amp;lt;br /&amp;gt;&lt;br /&gt;
Well, actually &#039;&#039;ombreta de vin&#039;&#039; means &amp;quot;a glass of wine&amp;quot; in Venetian dialect.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;light&#039;s good here&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Old joke about drunk looking for car keys under streetlight though he dropped them somewhere else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;inside that labyrinth . . . microcosm of all Venice&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hologram has this property, that a little chip broken off it contains the entire image. This is, however, a specific reference to Fractal &amp;amp;#151; non-Euclidian &amp;amp;#151; Geometry ... self-similarity over scale. A fractal is an object or quantity that displays self-similarity, in a somewhat technical sense, on all scales. The object need not exhibit exactly the same structure at all scales, but the same &amp;quot;type&amp;quot; of structures must appear on all scales. A plot of the quantity on a log-log graph versus scale then gives a straight line, whose slope is said to be the fractal dimension. The prototypical example for a fractal is the length of a coastline measured with different length rulers. The shorter the ruler, the longer the length measured, a paradox known as the coastline paradox, mentioned by Pynchon on [[ATD_821-848#Page_821|page 821: coastline approaching infinite length]].&lt;br /&gt;
:Good argument for the fractal reference, better than the original one for the hologram metaphor. Hunter is not making smaller and smaller paintings (&amp;quot;chips&amp;quot;) but rather exploiting an observation about scale.&lt;br /&gt;
&lt;br /&gt;
==Page 576==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rio&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
narrow waterway in Venice (Cf [[ATD_243-272#Page 245|page 245:&#039;&#039;rio&#039;&#039;]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;twelve soldi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A soldo is a small coin.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;franc... ten francs&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One &amp;quot;franc&amp;quot;: a french coin. Not much, even for standard of the times.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Santos-Dumont style&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf [[ATD_525-556#Page 529|page 529:Monsieur Santos-Dumont]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Canaletto&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Real name: [http://www.wga.hu/bio/c/canalett/biograph.html Zuane Antonio Canal] (1697-1768), a well-known scenery painter at the time. He went to England in 1746 and returned to Venice in 1755.&amp;lt;br&amp;gt;&lt;br /&gt;
Venetian landscape painter, 1697-1768, famous for his paintings of Venice ([http://www.artericerca.com/ven_set/Canaletto/canaletto.htm Italian website]).&lt;br /&gt;
&lt;br /&gt;
As described, Penhallow&#039;s pictures are reminiscent, in spirit and in some ways content, of John Singer Sargent&#039;s Venetian paintings. Sargent also later painted one of the most haunting images of World War I, [http://jssgallery.org/Paintings/Gassed/Gassed.htm &amp;quot;Gassed&amp;quot;], showing a column of men blinded by mustard gas feeling their way to an aid station.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Beppo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Allusion to Byron&#039;s poem &amp;quot;Beppo - A Venetian Story&amp;quot;. Beppo is a husband who&#039;s been away for many years and then, returning, reclaims his wife from another man.&lt;br /&gt;
&lt;br /&gt;
Beppo = Mouse, diminutive of Giuseppi. There is also Beppo Levi (born on May 14, 1875 in Turin, Italy, died on August 28, 1961 in Rosario, Argentina) Italian mathematician, director of the Mathematics Institute of the National University of the Littoral from 1939 to 1961. His work included the mathematics of alternative spaces[http://en.wikipedia.org/wiki/Beppo_Levi].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;pitch&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From Merriam-Webster Dictionary: &#039;&#039;chiefly British: an outdoor site (as for camping or doing business).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bauer-Grünwald&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An expensive hotel near San Marco in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;demobilized from a war that nobody knew about . . . seeking refuge from time&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow, one of the Trespassers?&lt;br /&gt;
&lt;br /&gt;
==Page 577==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a time-traveler from the future&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hunter Penhallow IS a Trespasser.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;Safe&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Recent art-movie title? I think safe here means safe without allusion.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;neutral hour?&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is any moment in Time apolitical?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Castello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Castello is the largest of the six sestieri of Venice. The district grew up from the thirteenth century around a naval dockyard on what was originally the Isole Gemini.&lt;br /&gt;
&lt;br /&gt;
Not sure on the derivation of Isole Gemini; but Gemini, like Pisces (cf. Fomalhaut, the brightest star in the Pisces constellation) and Sagittarius, are the dual signs of western astrology in keeping with &amp;quot;bi-locations,&amp;quot; Deuce Kindred, Renfrew/Werfner, mirrors, etc.  &lt;br /&gt;
&lt;br /&gt;
Jyotisha (Indian astrology) includes Virgo as a dual sign or dvisvabha rashis -- thus forming a Quaternity (4 signs or rashis)of Duality. It&#039;s interesting that Pynchon does not say Gemini and Pisces directly, but alludes to them behind Castello and Fomalhaut. Be on the lookout for twins, fish, virgins and centaurs!&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Evening Gun&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;At reveille the morning gun goes off; and at retreat, the evening&amp;quot;. From &lt;br /&gt;
a history description. Here is a site with picture.http://www.ziplink.net/~edkreutz/1f.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dr. Grace&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Renowned, full-bearded 19th-century English cricket player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Charing Cross&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Charing Cross Railway Station, London. The original station was opened on 11 January 1864 by the South East Railway. Now, over 37 million people pass through Charing Cross every year. Situated on the forecourt of the stations is the Eleanor Cross, from which point road distances from London are measured. For more see [http://www.networkrail.co.uk/aspx/795.aspx#history Charing Cross].&lt;br /&gt;
&lt;br /&gt;
==Page 578==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dorsoduro&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of Venice. The Dorsoduro district is a relatively central area of the city, located on the opposie side of the Grand Canal from the San Marco district. But, at the smae time it offers the visitor a chance to explore a delightful part of the city free from the crowds of San Marco.&lt;br /&gt;
The Accademia Gallery, Peggy Gugggenheim Museum, and the Santa della Maria Salute Church (one of the most famous landmarks of Venice) are all located here. [http://www.tours-italy.com/venice/guide_dorsoduro.htm Dorsoduro].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;pensione&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A cheap Italian hotel, like a bed and breakfast.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;La Calcina&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A historical hotel. La Calcina means &#039;&#039;The Lime House&#039;&#039;, because the hotel was built on a 17th-century lime production site. It is located on the Zattere promenade, at the foot of the Calcina Bridge. Various Bohemian artists frequented the Café of the hotel, and John Ruskin indeed stayed at the hotel from February 13 to May 23, 1877. For the historical background of the hotel see [http://www.lacalcina.com/HTML/en/calcina_storia_en.html La Calcina].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eminent ghosts, Turner and Whistler, Ruskin, Browning....&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Evokes Lytton Strachey&#039;s &#039;&#039;Eminent Victorians&#039;&#039; and this Quaternity of artists were eminent indeed (though not the subject of Strachey&#039;s book).  All had a conection to Venice, and the note on Ruskin at the La Calcina above could be true of the other three as well.  &lt;br /&gt;
&lt;br /&gt;
Robert Browning became a ghost in Venice in 1887.  Of particular historic significance, Browning was the first person to ever have his voice heard after his death.  Thomas Edison recorded Browning reading his poem &amp;quot;How They Brought Good News from Ghent to Aix&amp;quot; including the poet&#039;s apologies for forgetting the words.  The recording was first played in Venice in 1890.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;&amp;quot;traces of conciousness&amp;quot;. Psychical Research beginning to open these matters..streaming by&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Possible allusion to Joyce&#039;s &amp;quot;stream of conciousness&amp;quot;. Ulysses is also set in 1904, the year Joyce met his wife. &lt;br /&gt;
&lt;br /&gt;
But that is not the stream of consciousness refered to here, and it is the wrong &amp;quot;James.&amp;quot;  William James actually coined the term &amp;quot;stream of consciousness.&amp;quot;  Joyce was not the first to use it as a literary technique either -- he just perfected it in a way not seen before -- except perhaps in Proust.&lt;br /&gt;
&lt;br /&gt;
Considering the context in AtD concerns ghosts and the very next sentence begins with a mention of Psychical Research, &amp;quot;traces of consciousness&amp;quot; is not so much stream of consciousness as a trailing vapor or whisp of consciousness that streams by as a &amp;quot;kind of ghost.&amp;quot;  Think in terms of thought transference, ESP, mediums, hypnosis, hallucinations, ghosts.  More than a few characters in this novel are involved in these things.&lt;br /&gt;
&lt;br /&gt;
In order to study these phenomena, three dons of Trinity College, Cambridge founded The Society for Psychical Research in 1882.  William James helped to found the American branch and was president of the group for a while.  &lt;br /&gt;
&lt;br /&gt;
There are recurring parallels in AtD to a famous James quote from &#039;&#039;Varieties of Religious Experience&#039;&#039;: &lt;br /&gt;
&lt;br /&gt;
Our normal waking consciousness . . . is but one special type of consciousness, whilst all about it, parted from it by the flimsiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus and at a touch they are all there in all their completeness . . . No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Zattere&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An area of wide waterfront pavements in Venice.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;...in hotels, the way your dreams are often, alarmingly, not your own?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One more possible allusion to Proust, including also the following paragraph. At the beginning of the &#039;&#039;Recherche&#039;&#039;, the main character, Marcel, spends a sleepless night in a hotel room, surrounded by memories he can&#039;t make sense of. &lt;br /&gt;
&lt;br /&gt;
In &#039;&#039;Lot 49&#039;&#039; Oedipa Maas considers all the dreams and memories stored in the mattresses of transients&#039; hotels, and of the information destroyed when they burned.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;cimici&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latin: bedbug.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;to pick up traces of the dreams of whoever slept there just before them&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf. the Tom Waits song &amp;quot;9th &amp;amp; Hennepin&amp;quot;: &amp;quot;And all the rooms they smell like diesel / And you take on the dreams of the ones who have slept there&amp;quot;. [http://www.tomwaitslibrary.com/lyrics/raindogs/9thandhennepin.html Lyrics]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bora&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
a regional wind, blowing each winter.&lt;br /&gt;
&lt;br /&gt;
==Page 579==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;vino forte&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
strong wine.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brindisi, Squinzano, . . . Brletta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
They are the cities in  Puglia (Apula) region of southeast Italy, ie. at the &amp;quot;heel of the Italian Boot&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tintoretto&#039;s &#039;&#039;Abduction . . .&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [http://www.egypttoday.com/article.aspx?ArticleID=3374 here]&lt;br /&gt;
&lt;br /&gt;
Tintoretto (1518-94), Venetian painter. Originally named Jacopo Robusti, because of his father&#039;s profession of &#039;&#039;tintore&#039;&#039; (dye) he was nicknamed as [http://www.wga.hu/bio/t/tintoret/biograph.html Tintoretto]. The most successful painter of Venetian school in the generation after Titian. His drawings, unlike Michelangelo&#039;s detailed life studies, are brilliant, rapid notations, bristling with energy, and his color is more somber and mystical than Titian&#039;s. For a better, can be enlarged, view of his [http://www.wga.hu/index1.html &#039;&#039;Abduction of the Body of St. Mark (1562-66)&#039;&#039;].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Accademia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The major art-gallery in Dorsoduro, Venice&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Titian&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
16th century Venetian painter.&amp;lt;br&amp;gt;&lt;br /&gt;
Vecellio Tiziano (1490-1576), better known as Titian, the greatest painter of the Venetain School and the leading light of the Italian Renaissance. Titian was recognized as a towering genius in his own time and his reputation as one of the giants of art has never been seriously questioned. He was supreme in every branch of painting and his achievements were so varied — ranging &amp;quot;from the joyous evocation of pagan antiquity . . . to the depths of tragedy in his late religious paintings&amp;quot; — that he has been an inspiration to artists of very different character. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. For more and Titian&#039;s paintings [http://www.wga.hu/bio/t/tiziano/biograph.html Titian].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Infancy Gospel of Thomas&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
One of the apocryphal scriptures. The Infancy Gospel of Thomas relates the miraculous deeds of Jesus before he turned twelve. [http://www.earlychristianwritings.com/infancythomas.html 1] [http://en.wikipedia.org/wiki/Gospel_of_Thomas Wikipedia on the Gospel of Thomas]&lt;br /&gt;
&lt;br /&gt;
→Actually, The Infancy Gospel of Thomas is not the same as the Gospel of Thomas. The former is a brief summary of Jesus&#039; misadventures as a child (as AtD notes, Jesus really is described as a hell-raiser and although at one point he brings a child named Zenon back from death, the Infancy Gospel mostly just makes a shallow exhibition of Jesus&#039; miraculous powers). The latter is a Gnostic text and a &amp;quot;collection of sayings, prophecies, proverbs, and parables of Jesus&amp;quot; (Willis Barnstone, &amp;quot;The Other Bible&amp;quot; p. 299).&lt;br /&gt;
&lt;br /&gt;
Also, I read through the whole Infancy Gospel of Thomas and could not find the particular parable that Pynchon describes. However, Pynchon&#039;s parable is in keeping with the style of this Gospel. Jesus gets in trouble--making adults irate--and then sets everything straight. This particular parable also does not appear in The Infancy Gospel of James, The Infacy Gospel of Pseudo-Matthew, or The Arabic Infancy Gospel.&lt;br /&gt;
&lt;br /&gt;
The reference to this Gospel is a double+ play on the twins/double/mirror motif.  First, as can be seen in this posting, there is confusion between the Gospel of Thomas and the Infancy Gospel of Thomas.  The two gospels appear to be the same, but they are different.  Second, the name &#039;&#039;Thomas&#039;&#039; means &#039;&#039;twin&#039;&#039;.  Also(+), Thomas is the doubting Thomas.&lt;br /&gt;
To doubt is to be &amp;quot;of two minds.&amp;quot;  The historic and theological significance of Thomas is loaded with themes relevant to this novel.&lt;br /&gt;
&lt;br /&gt;
==Page 580==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Pentecost story in Acts&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pentecost is a Christian holiday commemorating the descent of the Holy Spirit on Jesus&#039; followers and the beginning of the Christian church. Pentecost is celebrated by many (but not all) Christians on the Sunday 50 days after Easter. It often falls in early June. [[Acts II|Read the Biblical passages in Acts II...]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galilean dialect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Of Aramaic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Yes, well, it&#039;s redemption, isn&#039;t it, you expect chaos, you get order instead&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In the Infancy Gospel of Thomas and the Pentecost, first Jesus, then the Holy Ghost, act as Maxwell&#039;s Demon [http://en.wikipedia.org/wiki/Maxwell%27s_Demon]. In the Infancy Gospel story, Jesus sorts the randomly mixed dye molecules so that each garment comes out one color; in the Pentecost story the Holy Ghost causes a single language, just random noise to all but Galileans, to be heard as the many different languages of the listeners. Taking the two stories together, thermodynamic entropy is reversed, but the entropy of information is increased. This is the crux of &#039;&#039;Lot 49&#039;&#039;; here it is another &amp;quot;secular miracle&amp;quot;; order emerges from chaos. The mathemateicians, artists and similar seekers may bring forth a similar miracle, the ability to experience other dimensions, to understand the universe (See Kit&#039;s dream, P.566).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;rii&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Plural of &#039;&#039;rio&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Page 581==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;sotopòrteghi&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An open doorway for public access. (Cf [[ATD_243-272#Page 246|page 246:sotopòrteghi]].)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bodeo 10.4 mm&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A mass-produced Italian-made service revolver, initially made around 1889. Demand for them as guns was low, causing thousands of the weapons to be converted to table lamps. An interesting Pynchonian connection between light, manufacture, weapons, and war.&lt;br /&gt;
&lt;br /&gt;
==Page 582==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;foschetta&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Foschia&#039;&#039; in Italian means &amp;quot;fog&amp;quot;. &#039;&#039;Foschetta&#039;&#039; is a term for &amp;quot;light fog&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;masègni&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???&lt;br /&gt;
:blocks of Euganean trachyte used for paving, often marked off by bands of Istrian stone&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;patrone&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Probably meaning &#039;&#039;padrone&#039;&#039;, &amp;quot;master&amp;quot;. -- blicero2&lt;br /&gt;
:or female saint? not referring to Tonio but just as an expression.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;wine trains up from Puglia&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
???Puglia region is in southeast of Italy (at the &amp;quot;heel of the Italian Boot&amp;quot;). From page 578-579: &amp;quot;In September, when the vino forte arrived from Brindis, Squinzano, and Barletta . . .&amp;quot; These three cities are in Puglia. Cf [[ATD_557-587#Page 579|page 579:vino forte]] and [[ATD_557-587#Page 579|page 579:Brindisi, Squinzano, . . . Barletta]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Winter&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1904-1905?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;osterie&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
tavern?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Principessa Spongiatosta&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Is Pugnax&#039;s book from p6 at all relevant here?&lt;br /&gt;
:Yes! [[Princess_Casamassima,_The|&#039;&#039;The Princess Casamassima&#039;&#039;]] has several resonances with &#039;&#039;AtD.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ca&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Abbreviated form of &amp;quot;Casa,&amp;quot; Italian for &amp;quot;house.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Which appears to be multidimensional, or at any rate non-Euclidean, reminiscent of Zombini&#039;s cabinet.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Roman Composite order&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A classical order (style of building design) dating from late Roman times, formed by superimposing Ionic volute (volute = a spiral scroll ornament) on a Corinthian capital (capital = the head or crowning feature of a column). ([http://en.wikipedia.org/wiki/Composite_order Composite order]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;japonica&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Japanese honeysuckle.&lt;br /&gt;
&lt;br /&gt;
==Page 583==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Iron Bridge&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Ponte dell’Accademia - connecting the Venetian quarters (sestieri) San Marco and Dorsoduro - was constructed during the Austrian occupation in 1854. This steel construction got replaced ca. 1933 by a wooden bridge (which was replaced by yet another wooden bridge in 1985) [http://en.wikipedia.org/wiki/Ponte_dell&#039;Accademia Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Le Havre&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
French port city on the Atlantic (English Channel).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;ma via&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Meaning &amp;quot;come on!&amp;quot;, in Italian. -- blicero2&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;third eyes touching&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The third eye, as existing on some reptiles is a dorsal organ that is receptive to light, otherwise known as the &#039;&#039;pineal eye&#039;&#039;.  Since the two half-sisters are obviously not reptiles, this reference might allude to the figurative third eye, or the eye of the mind, heart or soul.  When the two touch foreheads, they are able to peer into each other consciences, by way of these third eyes. [http://www.thefreedictionary.com/third+eye /Dictionary Entry]&lt;br /&gt;
&lt;br /&gt;
==Page 584==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Swiss insurance salesman. Wolf. No, Putzi.&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Bria&#039;s had so many beaux she gets them confused? One was a wolf; the other a putz?&lt;br /&gt;
:&#039;&#039;Wolf&#039;&#039; is an uncommon given name but also a diminutive of Wolfgang. &#039;&#039;Putzi&#039;&#039; does not come from a given name; it&#039;s like &amp;quot;sweetiepie,&amp;quot; a nickname for a cute boy.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;topo&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A topo is a guide for a crag or climbing area.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dogana&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Custom House, built on a wedge of land called &#039;&#039;Punta della Dogana&#039;&#039; (Custom Point). This wedge of land is at the entrance of the Grand Canal, as described in the text: &amp;quot;where the Grand Canal and the Lagoon meet&amp;quot;. The original 14th-century customs tower was replaced by a colonnaded building named the &#039;&#039;Dogana de Mare&#039;&#039; (Sea Customs Post). See picture [http://uk.encarta.msn.com/media_1041505867_761562189_-1_1/Punta_della_Dogana_Venice.html Punta della Dogana]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Andrea Tancredi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artist and acquaintence made by Hunter Penhallow in Venice.  His name is likely derived from the Gioacchino Rossini opera &#039;&#039;Tancredi&#039;&#039; or the Voltaire play by the same name.  [http://en.wikipedia.org/wiki/Tancredi Wikipedia Entry]&amp;lt;br /&amp;gt;&lt;br /&gt;
Tancredi, restored, is a tragedy. the soldier Tancredi and his family have been stripped of their estates and inheritances, and he himself has been banished since his youth. Two more noble families — headed by Argirio and Orbazzano — have been warring for years. Wikipedia.&lt;br /&gt;
Tancredi presides in exile...he is mortally wounded at the end after learning the person he thought betrayed the heroine did not. &lt;br /&gt;
&lt;br /&gt;
:Actually, per [[T#tancredi|my entry in the Alpha index]], more likely the name connects with Tancredi, the time-traveling character in &#039;&#039;City of Death&#039;&#039;, a four-part serial in the British science fiction television series &#039;&#039;Dr. Who&#039;&#039; which involves time travel and bilocation. Tancredi is the sole survivor of the Jagaroth race, an evil people who destroyed themselves in a war some 400 million years ago. Tancredi explains that a few escaped in a dilapidated spacecraft and found Earth in a primeval, lifeless stage of its development. The ship disintegrated upon takeoff and [[Scaroth]] tells of how he was fractured in time, splinters of his being were scattered across time and space, all identical, none complete. Whereas, in &#039;&#039;City of Death&#039;&#039;, Tancredi,  one of the Scaroff &amp;quot;splinters&amp;quot; living in Renaissance Italy, is plotting to create multiple Mona Lisa&#039;s for fraudulent purposes, &#039;&#039;Against the Day&#039;&#039;&#039;s Tancredi is fighting art fraud. [http://en.wikipedia.org/wiki/City_of_Death Read the synopsis of &#039;&#039;City of Death&#039;&#039;]; The name &amp;quot;Andrea&amp;quot; &#039;&#039;could&#039;&#039; be a reference to the protagonist Andrea Marsh, a time-traveler in the 1889 novel, &#039;&#039;Timeless Love&#039;&#039; by Judy Hinson ([[Timeless Love|synopsis]]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Seurat and Signac&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
George Seurat (1859-1891) and Paul Signac (1863-1935), French painters who developed pointillism.  [http://en.wikipedia.org/wiki/Pointillism Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Divisionism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Term invented by Paul Signac to describe the Neo-Impressionist separation of colour into dots or patches applied directly to the canvas. From Grove Dictionary of Art. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Marinetti&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Italian poet Filippo Tommaso Marinetti was the first among [the Futurists] to produce a manifesto of their artistic philosophy in his Manifesto of Futurism (1909)(see below).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Futurists&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Practitioners or followers of Futurism, an early 20th century art movement that is considered the genesis of Cubism, Dada and Art Deco.  [http://en.wikipedia.org/wiki/Futurism_%28art%29 Wikipedia entry].Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of speed, technology and violence. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;brutalism&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above and The Futurists were often condemned as fascistic in their manifestos and outlook. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Torcello&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A lonely Venetian island: very peaceful and beautiful with a church and little else.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;primitivo&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A kind of red wine (same as the original Zinfandel, actually).&lt;br /&gt;
&lt;br /&gt;
==Page 585==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;green-and-lavender&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another clashing color scheme.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;sirocco&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A hot dust-laden wind from the Libyan deserts that blows on the northern Mediterranean coast chiefly in Italy, Malta, and Sicily. &amp;lt;br&amp;gt;&lt;br /&gt;
The correct spelling in Italian is &#039;&#039;Scirocco&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;San Michele&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice. It is associated with the sestiere of Cannaregio from which it lies a short distance north east. &lt;br /&gt;
Walls of San Michele.Along with neighbouring San Cristoforo della Pace, the island was a popular place for local travellers and fishermen to land. Mauro Codussi&#039;s Chiesa di San Michele in Isola of 1469, the first Renaissance church in Venice, and a monastery lie on the island.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;futuristic vehicle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See p. 155 [[ATD_149-170#Pages_154-155|and annotations.]] Of course, the machine-inspired Futurists would remind Hunter of this vehicle that &#039;had borne him to safety&#039;!&lt;br /&gt;
&lt;br /&gt;
Why? Hunter isn&#039;t the Futurist here and doesn&#039;t seem to share the same naive faith in Progress that Tancredi does.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the chill, comfortless faith in science and rationality...&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Max_Weber Max Weber&#039;s] concept of rationality, and the [[Routinization of Charisma|routinization/rationalization of charisma]], is a prominent theme in [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=R#routinization &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;] &amp;amp;#151; a spontaneous and charismatic source of authority is eventually &amp;quot;rationalized&amp;quot; and brought under the control of processes and rules. In Pynchon&#039;s view, it is a movement toward Death and thematically related to entropy &amp;amp;#151; a prominent theme in [http://v.pynchonwiki.com/wiki/index.php?title=E#entropy &#039;&#039;V.&#039;&#039;] &amp;amp;#151; and, in [http://masondixon.pynchonwiki.com/wiki/index.php?title=F#fengshui &#039;&#039;Mason &amp;amp; Dixon&#039;&#039;], bad &#039;&#039;Feng Shui&#039;&#039; and the reduction of the fuzzy boundaries between Pennsylvania and Maryland into a straight line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Preliminary Studies...&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Artists often do &#039;preliminary studies&#039;..&#039;infernal machine&#039; comes out of Futurism&#039;s ideas.&lt;br /&gt;
&lt;br /&gt;
==Page 586==&lt;br /&gt;
&#039;&#039;&#039;“The term ‘infernal’ is not applied lightly or even metaphorically. One &lt;br /&gt;
must begin by accepting Hell -— by understanding that Hell is real...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See multiple citations for Hell. A book that takes us through Dante&#039;s gate (twice), has Ryder Thorn warn us explicitly that &amp;quot;this world.. will die and descend into Hell,&amp;quot; and ends with a city floating in heaven and &amp;quot;They fly toward grace,&amp;quot; may be good practice for taking Tancredi&#039;s advice.&lt;br /&gt;
     &lt;br /&gt;
&#039;&#039;&#039;Always with us.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Gospel of Matthew. &amp;quot;The poor you will always have with you&amp;quot;. Here reference is to born-again Christers.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;vero?&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Literally meaning &#039;&#039;true&#039;&#039; in Italian, here it is used as you would use: &amp;quot;Are you talking of an infernal machine, &#039;&#039;aren&#039;t you&#039;&#039; ?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;We desire transformation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Aligns the explosion-loving Tancredi with the Rilke-quoting Blicero from Gravity&#039;s Rainbow. &#039;&amp;quot;Want the Change,&amp;quot; Rilke said, &amp;quot;O be inspired by the Flame!&amp;quot;&#039; (GR p.97)&lt;br /&gt;
&lt;br /&gt;
It also might be helpful to recall that Shiva, who has been referred to implicitly numerous times already in ATD, is the transformative/destructive deity of the Hindi Trimurti.&lt;br /&gt;
&lt;br /&gt;
This section also sets up Tancredi as an opposite of Hunter, who on p.577 wants to find a &amp;quot;neutral hour&amp;quot;, that &amp;quot;goes neither forwards or back&amp;quot;, and on the same page &amp;quot;felt no desire to join in, quite the opposite.&amp;quot; Hunter himself is much like Katje from GR. Page 97 again: &amp;quot;But not Katje: No mothlike plunge. He must conclude that secretly she fears the change...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;orpiment yellow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A yellow color pigment ([http://en.wikipedia.org/wiki/Orpiment Wikipedia])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nürnberg violet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An artificial color pigment discovered in 1868 in the city of Nuremberg&lt;br /&gt;
&lt;br /&gt;
==Page 587==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;The energies of motion, the grammatical tyrannies of becoming, in divisionismo we discover how to break them apart into their component frequencies . . . we define a smallest element, a dot of color which becomes the basic unit of reality . . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This seems to describe both the kind of painting done by Tancredi and atomic research. Breaking material into its atomic unit, the basic unit of reality, is literally part of the &amp;quot;energies of motion.&amp;quot;&lt;br /&gt;
This also describes how a television set works.  The screen is composed of millions of tiny dots that, taken together, create moving pictures. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Brownian movement&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Also called Brownian motion. It is the irregular motion of small particles suspended in a liquid or a gas, caused by the bombardment of the particles by molecules of the medium&lt;br /&gt;
first divscovered by botanist Robert Brown (1773-1858) in 1827. Einstein in one of his four &#039;&#039;Annus Mirabilis Papers&#039;&#039; of 1905 explained the random motion using molecular kinetic theory of heat. Cf [[ATD_397-428#Page 412|page 412:young Einstein]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;I really love the old dump&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
For the same reason Dally does: Venice has what Pynchon called (in &#039;&#039;V.&#039;&#039;) &amp;quot;Temporal Bandwidth&amp;quot;: a life in a depth of time, a simultaneous humane immersion in past, present and future. The canals of industrialized Belgium are silted up, the connections to its Hanse past lost, paved and tracked over. This has not, and cannot, happen to Venice; even a Futurist painter cannot carry out the appaling modernization he describes. Venice is a place to hide from the future; indeed, in terms of physical destruction, the world wars barely touched La Serenisima.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nebbia, nebbietta, foschia, caligo, sfumato&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Varieties of fog.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;speed of sound&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Air temperature is more important that density.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;La Velocità del Suono&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Italian, &amp;quot;speed of sound&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=H&amp;diff=14231</id>
		<title>H</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=H&amp;diff=14231"/>
		<updated>2007-11-29T16:18:54Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Hadamard, Jacques (1865-1963)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
590; French mathematician best known for his proof of the prime number theorem in 1896; [http://en.wikipedia.org/wiki/Jacques_Hadamard Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hadley, Dr. Edgar&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
311; at Miners&#039; Hospital&lt;br /&gt;
&lt;br /&gt;
[[image:reynaldo-hahn.gif|thumb|Reynaldo Hahn|right]]&amp;lt;div id=&amp;quot;hahn&amp;quot;&amp;gt;&#039;&#039;&#039;Hahn, Reynaldo (1874-1947)&#039;&#039;&#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
1065; his tune from &#039;&#039;Ciboulette&#039;&#039;; Reynaldo Hahn (born August 9, 1875 in Caracas, Venezuela, died January 28, 1947 in Paris, France) was a naturalised French composer, conductor, music critic and diarist. Best known as a composer of songs, he wrote in the French classical tradition of the &#039;&#039;mélodie&#039;&#039;. The fine craftsmanship, remarkable beauty, and originality of his works capture the insouciance of &#039;&#039;la belle époque&#039;&#039;. His operetta &#039;&#039;Ciboulette&#039;&#039; (1923) remains in popular repertoire. He also composed the operetta &#039;&#039;Mozart&#039;&#039; for [[G#guitry|Sacha Guitry]].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Halász, Lajos&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
720; a local sensitive in Buda-Pesth&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Halfcourt, Lietenant-Colonel G. Auberon&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
222; &amp;quot;formerly a squadron commander in the Eighteenth Hussars&amp;quot;; stationed in Kashgar (&amp;quot;spiritual capital of Inner Asia&amp;quot;), 630; at the &amp;quot;palatial Hotel Tarim&amp;quot; 753; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Halfcourt, Yashmeen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
221-222; at T.W.I.T., and ward (not biological daughter) of G. Auberon Halfcourt; 489; aka &amp;quot;Pinky&amp;quot; 493; discussing G&amp;amp;ouml;ttingen with Cyprian Latewood, 499; to G&amp;amp;ouml;ttingen, 503; in G&amp;amp;ouml;ttingen, 589; parents were Russian, 595; &amp;quot;&#039;&#039;she&#039;&#039; is the world&amp;quot; 596; inspiration for Hilbert-P&amp;amp;oacute;ya Conjecture, 604; &amp;quot;grandiose coat of arms&amp;quot; 677; encounters Cyprian in Vienna, 716; &amp;quot;bedeviled by two or three powers at once&amp;quot; 717-18; letter to her father, 748-750; dream of her father, 749; her hair and &amp;quot;those mystical waterfalls that hide the Hidden Worlds of the Tibetan lamas, 760; &amp;quot;the local word for jade is &#039;&#039;yashm&#039;&#039;&amp;quot; 761; working in a dress shop in Mariahilf, 802; in Trieste with Cyprian, 811; meets Reef in Venice, 855; in Torino w/Reef, 1072;&lt;br /&gt;
&lt;br /&gt;
[[image:halkata.jpg|thumb|&#039;&#039;Halkata&#039;&#039; - The Ring|right]]&#039;&#039;&#039;Halkata&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
955; aka &#039;&#039;Hulkata&#039;&#039;, aka &amp;quot;The Ring&amp;quot; &amp;amp;#150; a stone arch that Reef, Yashmeen and Lubjica pass beneath. The Ring is located on the Karandila, a hilltop 1050m above sealevel in Sliven, a town in southeast Bulgaria in the eastern part of the Thracian plain. It is a rock protrusion with an interesting, yet peculiar hole in the center. According to myth, one would change gender upon passing through the ring.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Halley, Edmond (1656-1742)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
115; English astronomer, geophysicist, mathematician, meteorologist, and physicist who proposed, in 1692, that the earth was hollow; [http://en.wikipedia.org/wiki/Edmond_Halley Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hamilton, Maria Bayley&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
560; Sir Hamilton&#039;s wife;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hamlet&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
760; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;hamilton&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Hamilton, Sir William Rowan (1805-1865)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
99; Sir Hamilton was an Irish mathematician, physicist, and astronomer who made important contributions to the development of optics, dynamics, and algebra. His discovery of [[ATD-Q#quaternions|quaternions]] is perhaps his best known investigation; his illumination &amp;quot;at [[Brougham_Bridge|Brougham Bridge]] in Ireland in 1845, 99; 132; 526; 535; Quaternions discover &#039;&#039;him&#039;&#039;, 560-61; [http://en.wikipedia.org/wiki/William_Rowan_Hamilton Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hanna, Mark (1837-1904)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
979; his &amp;quot;miserable stooge&amp;quot; President McKinley; Marcus Alonzo Hanna, best known as Mark Hanna, was an industrialist and Republican politician from Cleveland, Ohio. He rose to fame as the campaign manager of the successful Republican Presidential candidate William McKinley in the U.S. Presidential election of 1896, in what is considered the forerunner of the modern political campaign, and subsequently became one of the most powerful members of the U.S. Senate. [http://en.wikipedia.org/wiki/Mark_Hanna Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hardy, Godfrey Harold &amp;quot;G. H.&amp;quot; (1877-1947)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
239, 438; a prominent English mathematician, known for his achievements in number theory and mathematical analysis. He was called &amp;quot;Harold&amp;quot; by a few close friends, and otherwise &amp;quot;G. H.&amp;quot;; [http://en.wikipedia.org/wiki/G._H._Hardy Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harald the Ruthless (1015-1066)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
127; Norwegian  Harald Hardraade, or Hardråde king of Norway (1045–66). His harsh suppression of lesser Norwegian chieftains cost him their military support in his unsuccessful struggle to conquer Denmark (1045–62). The son of Sigurd Sow (Syr), a chieftain in eastern Norway, and of Estrid, mother of the Norwegian king Olaf II Haraldsson (St. Olaf), Harald fought at the age of 15 against the Danes.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harriman, Brother&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
130; works for Scarsdale Vibe&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Haruspices&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
729; in the Marco Zoppo painting &#039;&#039;The Sack of Rome&#039;&#039;; HARUSPICES, or Aruspices (perhaps &amp;quot;entrail observers,&amp;quot; cf. Skt. hira, Gr. xop87&#039; 7), a class of soothsayers in Rome. Their art (&#039;&#039;disciplina&#039;&#039;) consisted especially in deducing the will of the gods from the appearance presented by the entrails of the slain victim. From [http://www.1911encyclopedia.org/Haruspices 1911 Ed. of the Encyclopedia Brittanica]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hashim, Tariq&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
766; book-dealer in Bukhara&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hassan&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
765; Doosra&#039;s &amp;quot;loyal lieutenant&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hatch&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
646;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hats&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
10; &amp;quot;bonnet,&amp;quot; 28; &amp;quot;stovepipe hat,&amp;quot; 29; 37; &amp;quot;straw hats,&amp;quot; 39; &amp;quot;scorcher cap,&amp;quot; 42; &amp;quot;forests of hatracks bearing an entire Museum of Hat History,&amp;quot; 43; &amp;quot;flowered bonnet-brim,&amp;quot; 70; &amp;quot;coolie hats,&amp;quot; 109; 145; 162; 207; 211; 226; 232, hatpin issues; 233, slouch hats, drugs and hats; 269; 273; 283, headgear; 284; 286-8; 292, &amp;quot;beaver sombreros; 294; 299, &amp;quot;canvas miner&#039;s cap&amp;quot;; 314; 315; &amp;quot;high-hat technical school,&amp;quot; 318; 337; 340; &amp;quot;The Phenomenal Dr. Ictibus and His Safe-Deflector Hat,&amp;quot; 344; 345; 358; 366; 369; &amp;quot;hatbrims,&amp;quot; 376; &amp;quot;hatbrims,&amp;quot; 384; &amp;quot;hatbrims,&amp;quot; &amp;quot;red bandannas round their heads,&amp;quot; 390; &amp;quot;pearl-gray bowlers,&amp;quot; 399; &amp;quot;stiff-hatted security,&amp;quot; 410; &amp;quot;Medicine Hat, Alberta,&amp;quot; 432; &amp;quot;no time even to take off his hat,&amp;quot; &amp;quot;gondolier&#039;s hat,&amp;quot; 445; &amp;quot;&#039;&#039;&#039;cap&#039;&#039;&#039;,&amp;quot; 446; 447; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Hausknochen&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
589; 592;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hawaii&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
69; South Sea islands tattoo artists; volcano, 411; [[ATD-U#uke|See also Ukuleles]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hawkes, Sophrosyne&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
932; &amp;quot;typewriter lass&amp;quot; at Whitehall who runs off with Ratty McHugh&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Haymarket Bomb&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
25; The Haymarket Riot on May 4, 1886, in Chicago is the origin of international May Day observances and in popular literature inspired the caricature of &amp;quot;a bomb-throwing anarchist.&amp;quot; The causes of the incident are still controversial, although deeply polarized attitudes separating the business class and the working class in late 19th century Chicago are generally acknowledged as having precipitated the tragedy and its aftermath; 111; 176; [http://en.wikipedia.org/wiki/Haymarket_bombing Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Headingly&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
236; Should be spelled Headingley, at least in this world. Suburb of Leeds, England. Headingley is home to the Yorkshire cricket team and a venue for international cricket matches since 1899.  Headingley was the scene of some Direct Action in 1975: an England v. Australia Test Match was abandoned after supporters of wrongly-convicted prisoner George Davis ruined the pitch; [http://en.wikipedia.org/wiki/George_Davis_%28armed_robber%29 Wikipedia entry]  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Headingly bomb&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
608; and Lew Basright;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;head of Jochanaan&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
626; from the opera &amp;quot;Salome&amp;quot; by Richard Strauss, the head of John the Baptist; Salome, who demanded of King Herod, who lusted after her, John the Baptist&#039;s head on a platter as the price for her allowing him to have her; Salome had desired John the Baptist, but had been rebuffed.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Heaven&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;quot;unattainable as Heaven,&amp;quot; 146; &amp;quot;Heavenly City,&amp;quot; 165; 293;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Heaviside, Oliver (1850-1925)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
98; English electrical engineer who adapted complex numbers to the study of electrical circuits, and was co-discoverer of the rate of energy transfer by an electromagnetic field; &#039;&#039;Electromagnetic Theory&#039;&#039; (1893); 533; &amp;quot;Walt Whitman of English Physics&amp;quot; 535; [http://en.wikipedia.org/wiki/Oliver_Heaviside Wikipedia entry]; [[Heaviside|A good article on Heaviside]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Heden, Sven&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
436;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hegel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
538;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Heinrich&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
597; Gunther von Quassel&#039;s &amp;quot;intimate&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Held, Anna&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
334;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Helgustaðir&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
126; Located in East Iceland, one of the world&#039;s best-known sources of Icelandic spar.&lt;br /&gt;
[http://giantcrystals.strahlen.org/europe/helgustadir.htm| web page about the site, with photos]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Heide&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
915; &amp;quot;horrible little bourgeoise&amp;quot; in &#039;&#039;The Burgher King&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hell&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Gas valve as &amp;quot;the very mouth of Hell,&amp;quot; 12; &amp;quot;Chicago winter, that is a sub-zero-degrees version of Hell,&amp;quot; 41; &amp;quot;&#039;&#039;&#039;infernal&#039;&#039;&#039; side to the story,&amp;quot; 78; &amp;quot;Hell with electric lights,&amp;quot; 79; 131; &amp;quot;I AM THE WAY INTO THE DOLEFUL CITY — DANTE,&amp;quot; from Canto III of &#039;&#039;Il Inferno,&#039;&#039; 154; Johannesburg as hell, 168; &amp;quot;Jeshimon was like a religious painting of hell used to scare kids in Sunday school,&amp;quot; 210; &amp;quot;&#039;Hell it is,&#039;&amp;quot; 215; &amp;quot;some old, numinous, center-of-the-world willingness to raise species of hell that hadn&#039;t been invented yet,&amp;quot; 274; 282; 372; 377; 379; 382; Hierarchy is &amp;quot;&#039;sure&#039;s &amp;quot;heck&amp;quot; too good for&#039;&amp;quot; the Chums, 397; &amp;quot;down in Hell&#039;s / Kitchen,&amp;quot; 400; &amp;quot;I AM THE WAY INTO THE DOLEFUL CITY — DANTE,&amp;quot; 401; Chums &amp;quot;ready to deal with Hell itself,&amp;quot; 418; 516; 517; 527; &amp;quot;This world... will die, and descend into Hell,&amp;quot; 553; &amp;quot;One &lt;br /&gt;
must begin by accepting Hell — by understanding that Hell is real,&amp;quot; 586; see also [[T#telluric|&#039;&#039;&#039;Telluric Interior&#039;&#039;&#039;]] and [[T#telluride|&#039;&#039;&#039;Telluride&#039;&#039;&#039;]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Helm&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
780; on the &#039;&#039;Bol&#039;shaia Igra&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Henry, Emile (1872-1894)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
87; French anarchist, who on February 12, 1894 detonated a bomb at the Café Terminus in the Parisian Gare Saint-Lazare killing one person and wounding twenty; [http://en.wikipedia.org/wiki/Emile_Henry Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Herbert, Victory&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
512;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hercules&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
455;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Herman&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
182; bartender at Anarchists&#039; Saloon&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hern&amp;amp;aacute;ndez, Braulio&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
983; &amp;quot;former lieutenant governor&amp;quot; of Chihuahua who &amp;quot;had just taken the silver-mining town of Santa Eulalia&amp;quot;;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Herodotus  (484 BC–ca. 425 BC)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
957; Herodotus of Halicarnassus was a Dorian Greek historian who lived in the 5th century BC and is regarded as the &amp;quot;Father of History&amp;quot;. [http://en.wikipedia.org/wiki/Herodotus Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hershel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
39; bellman at the Esthonia Hotel&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hertz, Heinrich Rudolf (1857-1894)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
121; &amp;quot;extra Hertzian rays&amp;quot;; German physicist and mechanician for whom the hertz, an SI unit, is named. In 1888, he was the first to demonstrate the existence of electromagnetic radiation by building an apparatus to produce UHF radio waves; 318; 330; 438; [http://en.wikipedia.org/wiki/Heinrich_Rudolf_Hertz Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hesitation Waltz&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
1082; A style of waltz which arose in the 1910s and incorporated Hesitations and was danced to fast music. A Hesitation is basically a halt on the standing foot during the full waltz measure, with the moving foot suspended in the air or slowly dragged.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hesychasts&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
960; adherents to Hesychasm, an eremitic tradition of prayer in Eastern Orthodox Christianity (Gk: ἡσυχάζω hesychazo: &amp;quot;to keep stillness&amp;quot;). Hesychastic practice bears some superficial resemblance to mystical prayer or meditation in Eastern religions (eg Buddhism, Sufism, Hinduism). [http://en.wikipedia.org/wiki/Hesychasts Wikipedia]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hierarchy&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
415; 417; Chums of Chance&#039;s invisible superiors&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;High Albedo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
493; A property of a surface that describes its ability to reflect and reject heat. High albedo surfaces have both a light color (high solar reflectance) and a high emmittance (can reject heat back to the environment).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;high-grading&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
196; In mining, high grading is the theft and concealement of valuable ore by miners for personal profit. Common during the United States gold rush, high graders would usually conceal gold ore in a pocket or lunch pail, or internally within the body, and later attempt to fence it on the black market; 486;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hilbert, Dr. David (1862-1943)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
324; German mathematician, recognized as one of the most influential and universal mathematicians of the 19th and early 20th centuries. He invented or developed a broad range of fundamental ideas, in invariant theory, the axiomatization of geometry, and with the notion of Hilbert space, one of the foundations of functional analysis. Among the students of Hilbert, there were Hermann Weyl, the champion of chess Emanuel Lasker, Ernst Zermelo, and Carl Gustav Hempel. John von Neumann was his assistant. At the University of Göttingen, Hilbert was surrounded by a social circle of some of the most important mathematicians of the 20th century, such as Emmy Noether and Alonzo Church; &amp;quot;Spectral Theory&amp;quot; 499; 600; 625; 633; [http://en.wikipedia.org/wiki/David_Hilbert Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hill, Joe (1879-1915)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
216; born Joel Emmanuel Hägglund, and also known as Joseph Hillström, Joe Hill was a radical songwriter, labor activist and member of the Industrial Workers of the World, also known as the Wobblies. He was executed for murder after a controversial trial. After his death, he became the subject of a folksong; 463; [http://en.wikipedia.org/wiki/Joe_Hill Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hindoo Shuffle&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
357; magic trick&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hinton, C. Howard&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
591;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hip Sing&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
340; rival tong of On Leong, New York City&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;History&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
29; &amp;quot;a warm invitation to rewrite history,&amp;quot; 45; &amp;quot;duties to history and blood,&amp;quot; 127; &amp;quot;&#039;&#039;Historia Hammaburgensis Ecclesiae,&#039;&#039;&amp;quot; 128; &amp;quot;the great silent struggle that was the history of the place,&amp;quot; 129; &amp;quot;Mathematics and History,&amp;quot; 130; 149; &amp;quot;as-yet-unwritten history,&amp;quot; 151; 152; 222-223; &amp;quot;certain hidden geometries of History,&amp;quot; 373; 376; 381; 393; 418; &amp;quot;light might be a &#039;&#039;secret determinant of history&#039;&#039;, 431; 448; 559; and field operatives (&amp;quot;history &amp;amp;#151; Time&#039;s pathology&amp;quot;), 828; Northern powers who &amp;quot;manipulate other people&#039;s history but produce none of their own [...] lives are the units of exchange&amp;quot; 828; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;H.M.S. &#039;&#039;Megaera&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
108; frigate; Megaera (Greek: Μεγαιρα, &amp;quot;the jealous one&amp;quot;) is one of the Erinyes in Greek Mythology. She is the cause of jealousy and envy, and causes people to commit crimes, especially marital infidelity. Like her sisters Alecto and Tisiphone, she was born of the blood of Uranus when Cronus castrated him.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hole card&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
684; In blackjack, the facedown card that the dealer gets. In stud and hold ‘em poker, the facedown cards dealt to each player.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hole-in-the-Wall Gang&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
287; name given to a gang in the American Wild West, which took its name from the Hole-in-the-Wall Pass in Johnson County, Wyoming, where several outlaw gangs had their hideouts. The Gang was not simply one large organized gang of outlaws, but rather was made up of several separate gangs, all operating out of the Hole-in-the-Wall Pass, using it as their base of operations. The gangs formed a coalition, each planning and carrying out its own robberies with very little interaction with the other gangs. At times, members of one gang would ride along with other gangs, but usually each gang operated separately, meeting up only when they were each at the hideout at the same time; [http://en.wikipedia.org/wiki/Hole_in_the_Wall_Gang Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Holliday, Doc (1851-1887)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
25; John Henry &amp;quot;Doc&amp;quot; Holliday was an American dentist, gambler and gunfighter of the Old West frontier, who is usually remembered for his associations with Wyatt Earp and the Gunfight at the O.K. Corral; &amp;quot;rejoinder to Frank McLaury at the O.K. Corral&amp;quot; 647-48; [http://en.wikipedia.org/wiki/Doc_Holliday Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hollow Earth&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
115; Chums of Chance&#039;s journey into, 115; H. Penhallow&#039;s journey, 155; 274; 327; hoosegow in Guanojuana, 380; 391; &amp;quot;hidden cave of rainwater&amp;quot; 393; [http://en.wikipedia.org/wiki/Hollow_earth Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Holloway&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
933; prison where Jenny McHugh was&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Holmes, Sherlock&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
689;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Horses&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
127; &amp;quot;one of the last live horses in the Metropolitan area,&amp;quot; 150; at Armageddon, 443; grazing in the Quadrangle, 451; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hotel Borealis&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
129; where Vormance Expedition set up headquarters;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hôtel de Deux Continents&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
911; where Kit tends bar in Constantinople&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hotel Noctambulo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
462; where insomnia prevails, in Fickle Creek&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hotel Neue Mutzenbacher&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
702, aka &amp;quot;The Mutzi&amp;quot; in Vienna &amp;quot;near the Imperial Stables&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hot Sauce&#039;&#039;&#039;&lt;br /&gt;
&amp;quot;&#039;&#039;¡Cuidado Cabrón! Salsa Explosiva La Original&#039;&#039;,&amp;quot; 129-30; &amp;quot;Gigot Grillé à la Sauce Piquante,&amp;quot; 443;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Houdini, Harry&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
355;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hour of the Rat&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
675; according to the [[Time_in_OldJapan|time keeping in pre-modern Japan]], the Hour of the Rat was from 11pm till 1am.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hrisoula&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
975; taverna cat in Corfu&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hsiang-Chiao&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
260; Deuce Kindred&#039;s &amp;quot;on-again-off-again romance with&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Huerta, General&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
376; &amp;quot;brutal heart, bloody mind&amp;quot;; &amp;quot;goes after Yaquis or Mayas&amp;quot; 389; leading government forces against Orozco, 986; [http://en.wikipedia.org/wiki/Victoriano_Huerta Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Humfried&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
588; at G&amp;amp;ouml;ttingen; 592; 597; muttering in strange language, 622;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hungarians&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
46;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hypatia (AD 370(?)-415)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
717; Hypatia of Alexandria was a Greek mathematician, astronomer, teacher, and head of the Platonist school at Alexandria about AD 400. Hypatia wrote commentaries on the astronomical canon of Ptolemy and did work on conic sections . Her works are lost, but are referred to in the Suda lexicon. She was the daughter of the mathematician and philosopher Theon of Alexandria (he was also the last head of the Museum at Alexandria); [http://en.wikipedia.org/wiki/Hypatia/ Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;hypodermic syringe&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
23;  [[hypodermic syringe | DISCUSSION ]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hypopsammotic Survival Apparatus&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
425; invented by Roswell Bounce, &amp;quot;providing a practical way to submerge oneself beneath the sands and still be able to breath, walk around, and so forth&amp;quot;&lt;br /&gt;
&lt;br /&gt;
{{ATD_Alpha_Nav}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=The_Sentiment_of_Loss&amp;diff=3900</id>
		<title>The Sentiment of Loss</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=The_Sentiment_of_Loss&amp;diff=3900"/>
		<updated>2006-12-16T14:39:08Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Thomas Pynchon writes elegant prose, which is often profound and sometimes heartbreakingly beautiful. Some of the more poignant sentiment in the early pages of ATD regards loss -- the loss of barely-known kindred spirits and sons or brothers long loved. If one searches the text for less literal examples of &amp;quot;loss&amp;quot;, the pages of this, at times, sorrowful book will likely reveal such examples. Here are a few of the more literal examples:&lt;br /&gt;
&lt;br /&gt;
:pp. 87-88 (Webb Traverse)&lt;br /&gt;
:Across the Ohio in a hill town whose name he soon couldn&#039;t remember, there was a dark-haired girl Webb&#039;s age whose name, Teresa, he would never forget. They were out wlking the wagon ruts, just beyond a fenceline the hills went rushing away, the sky was clouded over, it might&#039;ve been between rain showers, and young Webb was all ready to unburden his heart, which like the sky was about to reveal something beyond itself. He almost did tell her. They both seemed to see it coming, and later, heading west, he carried with him that silence that had stretched on between them until there was no point anymore. He might have stayed, otherwise, snuck off from the wagons, headed back to her. She might have found a way to come after him, too, but that was a dream, really, he didn&#039;t know, would never know, how she felt.&lt;br /&gt;
&lt;br /&gt;
:p. 106 (Mayva Traverse)&lt;br /&gt;
:&#039;I&#039;ll never see you again.&#039; No. She didn&#039;t say that. But she might&#039;ve, so easy. A look from him. Any small gesture of collapse from his careful, young man&#039;s posture back into the boy she wanted, after all, to keep.&lt;br /&gt;
&lt;br /&gt;
:p. 137 (Constance Penhallow)&lt;br /&gt;
:She looked to every horizon, taking her time, saving south for last. Not a wisp of smoke, not the last, wind-muted cry of a steam siren, only the good-bye letter waiting this morning on her work-table, held now like a crushed handkerchief in her pocket, in which he had given her his heart -- but which she could not open again and read for fear that through some terrible magic she had never learned to undo, it might have become, after all, a blank sheet.&lt;br /&gt;
&lt;br /&gt;
:p. 191 (Lake Traverse)&lt;br /&gt;
:Lake came back to the cabin once to get some of her things. The place echoed with desertion. Webb was on shift, Mayva was out running chores. All her brothers were long gone, the one she missed most being Kit, for they were the two youngest and had shared a kind of willfulness, a yearning for the undreamt-of destiny, or perhaps no more than a stubborn aversion to settling for the everyday life of others.&lt;br /&gt;
&lt;br /&gt;
:p.317 (Dahlia and Merle Rideout)&lt;br /&gt;
:They had been in and out of each other&#039;s arms so often, she had no uneasiness with good-bye &#039;&#039;abrazos&#039;&#039;. Merle, who had a sense of the bets on the table here, knew he better not spook her now. Neither of them had ever had much interest in breaking each other&#039;s heart. In theory they both knew she had to move on, though all he wanted right now was to wait, even just another day. But he knew that feeling, and he guessed it would pass.&lt;br /&gt;
&lt;br /&gt;
In his long, thoughtful review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; in the NY Times Book Review of 11 March 1973, Richard Locke wrote:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;In all of Pynchon&#039;s books there is also an element of soft lyrical sadness, a longing for a tryst with a lost love. But this tenderness is most often inextricable from a drift into passiveness, self-pity, withdrawal, emotional impotence, or it is the feeling that links victim and executioner.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(Please add anything of a similar vein or, of course, change what&#039;s already written.) &amp;lt;br&amp;gt;&lt;br /&gt;
[[User:Strangecultist|Strangecultist]] 17:31, 3 December 2006 (PST)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=The_Sentiment_of_Loss&amp;diff=3899</id>
		<title>The Sentiment of Loss</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=The_Sentiment_of_Loss&amp;diff=3899"/>
		<updated>2006-12-16T14:38:42Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Thomas Pynchon writes elegant prose, which is often profound and sometimes heartbreakingly beautiful. Some of the more poignant sentiment in the early pages of ATD regards loss -- the loss of barely-known kindred spirits and sons or brothers long loved. If one searches the text for less literal examples of &amp;quot;loss&amp;quot;, the pages of this, at times, sorrowful book will likely reveal such examples. Here are a few of the more literal examples:&lt;br /&gt;
&lt;br /&gt;
:pp. 87-88 (Webb Traverse)&lt;br /&gt;
:Across the Ohio in a hill town whose name he soon couldn&#039;t remember, there was a dark-haired girl Webb&#039;s age whose name, Teresa, he would never forget. They were out wlking the wagon ruts, just beyond a fenceline the hills went rushing away, the sky was clouded over, it might&#039;ve been between rain showers, and young Webb was all ready to unburden his heart, which like the sky was about to reveal something beyond itself. He almost did tell her. They both seemed to see it coming, and later, heading west, he carried with him that silence that had stretched on between them until there was no point anymore. He might have stayed, otherwise, snuck off from the wagons, headed back to her. She might have found a way to come after him, too, but that was a dream, really, he didn&#039;t know, would never know, how she felt.&lt;br /&gt;
&lt;br /&gt;
:p. 106 (Mayva Traverse)&lt;br /&gt;
:&#039;I&#039;ll never see you again.&#039; No. She didn&#039;t say that. But she might&#039;ve, so easy. A look from him. Any small gesture of collapse from his careful, young man&#039;s posture back into the boy she wanted, after all, to keep.&lt;br /&gt;
&lt;br /&gt;
:p. 137 (Constance Penhallow)&lt;br /&gt;
:She looked to every horizon, taking her time, saving south for last. Not a wisp of smoke, not the last, wind-muted cry of a steam siren, only the good-bye letter waiting this morning on her work-table, held now like a crushed handkerchief in her pocket, in which he had given her his heart -- but which she could not open again and read for fear that through some terrible magic she had never learned to undo, it might have become, after all, a blank sheet.&lt;br /&gt;
&lt;br /&gt;
:p. 191 (Lake Traverse)&lt;br /&gt;
:Lake came back to the cabin once to get some of her things. The place echoed with desertion. Webb was on shift, Mayva was out running chores. All her brothers were long gone, the one she missed most being Kit, for they were the two youngest and had shared a kind of willfulness, a yearning for the undreamt-of destiny, or perhaps no more than a stubborn aversion to settling for the everyday life of others.&lt;br /&gt;
&lt;br /&gt;
:p.317 (Dahlia and Merle Rideout)&lt;br /&gt;
:They had been in and out of each other&#039;s arms so often, she had no uneasiness with good-bye &#039;&#039;abrazos&#039;&#039;. Merle, who had a sense of the bets on the table here, knew he better not spook her now. Neither of them had ever had much interest in breaking each other&#039;s heart. In theory they both knew she had to move on, though all he wanted right now was to wait, even just another day. But he knew that feeling, and he guessed it would pass.&lt;br /&gt;
&lt;br /&gt;
In his long, thoughtful review of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039; in the NY Times Book Review of 11 March 1973, Richard Locke wrote:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;In all of Pynchon&#039;s books there is also an element of soft lyrical sadness, a longing for a tryst with a lost love. But this tenderness is most often inextricable from a drift into passiveness, self-pity, withdrawal, emotional impotence, or it is the feeling that links victiim and executioner.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(Please add anything of a similar vein or, of course, change what&#039;s already written.) &amp;lt;br&amp;gt;&lt;br /&gt;
[[User:Strangecultist|Strangecultist]] 17:31, 3 December 2006 (PST)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_119-148&amp;diff=3509</id>
		<title>ATD 119-148</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_119-148&amp;diff=3509"/>
		<updated>2006-12-09T00:47:22Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 138 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 121==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Ray-rush&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf contemporary telecom bandwidth auctions.&lt;br /&gt;
&lt;br /&gt;
==Page 122==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dazzle-painting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A camouflage painting technique used on WWI ships.[http://www.gotouring.com/razzledazzle/articles/dazzle.html]&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;intelligence centers on the surface such as the Inter-Group Laboratory for Opticomagnetic Observation (I.G.L.O.O.), a radiational clearing-house in Northern Alaska&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Perhaps a reference to the High Frequency Active Auroral Research Program (HAARP) site in Gakonka, AK, which is ostensibly engaged in ionospheric research [http://en.wikipedia.org/wiki/Haarp (Wikipedia entry)]. Also suggestive of the ECHELON network [http://en.wikipedia.org/wiki/ECHELON (Wikipedia entry)], comprising a number of signals intelligence sites, which are capable of intercepting a wide variety of communications signals throughout the world. Also, Pynchon often creates humorous or fanciful acronyms: W.A.S.T.E. (&#039;&#039;The Crying of Lot 49&#039;&#039;), A.C.H.T.U.N.G. (&#039;&#039;Gravity&#039;s Rainbow&#039;&#039;), etc. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lloyd&#039;s of the high spectrum [...] the next fateful Lutine announcement.&#039;&#039;&#039;&amp;lt;br&amp;gt;  The [http://en.wikipedia.org/wiki/Lutine HMS Lutine] (Lutine translates as &amp;quot;the tease&amp;quot;) was a ship commissioned in the French Royal Navy which was later given to the English Royal Navy during the Revolution.  In 1799 she sank in the North Sea while blockading Holland; her hold was full of gold.  Lloyd&#039;s of London, an independent insurance market still known for being willing to assume large insurance risks for the right price, had insured the gold, and paid the claim in full, acquiring nominal ownership of the still-unsalvaged cargo.&lt;br /&gt;
&lt;br /&gt;
Lloyd&#039;s used to ring a &#039;Lutine Bell&#039; to announce the fate of ships at risk. [http://en.wikipedia.org/wiki/Lloyd&#039;s_of_London#Miscellaneous [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;last eclipse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly Pike&#039;s Peak, 1878? [http://sunearth.gsfc.nasa.gov/eclipse/SEhistory/SEhistory.html (partial table)]&lt;br /&gt;
&lt;br /&gt;
==Page 123==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lookout telegraph&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Instead of attaching Pugnax&#039;s tail directly to a hammer that hits the gong, the gong is struck remotely via a telegraph line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Igor Padzhitnoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The whole passage that introduces the rival airship captain is a play on Tetris. Igor&#039;s surname is similar to that of the creator of Tetris, [http://en.wikipedia.org/wiki/Alexey_Pazhitnov Alexey Pazhitnov]. Also, the captain himself flies a ship called &amp;quot;The Great Game&amp;quot; and drops &amp;quot;bricks and masonry, always in the four-block fragments which had become his &amp;quot;signature,&amp;quot; to fall on and damage targets designated by his superiors.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Ice Pirates&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This turn of phrase echoes the spoof [http://www.imdb.com/title/tt0087451/ movie] of camraderie and dangerous &amp;quot;space herpes&amp;quot; that was released in 1984.  There&#039;s no textual evidence that Pynchon means to refer to the movie, but the satirical humor and outlandish situations presented in the film might be attractive to someone with his sensibilities.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tovarishchi Slutchainyi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tovarishchi translates as comrades; the literal translation of &amp;quot;Slutchainyi&amp;quot; is &amp;quot;accidental&amp;quot;, leading to one possible reading of the phrase being:  Chums of Chance.&amp;lt;br&amp;gt;&lt;br /&gt;
The phrase &amp;quot;Tovarishchi Slutchainyi&amp;quot; could also mean someone who is friends, but not intentionally, ie: perhaps people who are conscripted into a situation where they are forced to be communal. (Thanks to Anna Zaytseva for the idiomatic help!)&amp;lt;br&amp;gt;&lt;br /&gt;
A third reading is introduced when the homophonic correspondence between the final two syllables of Slutchainyi and Vice-President Cheney&#039;s name is noted.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;nasal dislocation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;Nose out of joint&#039; = offended, feelings hurt.&lt;br /&gt;
&lt;br /&gt;
==Page 124==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Na sobrat&#039; ya po nebo!&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
?&lt;br /&gt;
&lt;br /&gt;
==Page 125==&lt;br /&gt;
&#039;&#039;&#039;a &#039;&#039;roman-feuilleton&#039;&#039; by M. Eugène Sue&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A &#039;&#039;roman-feuilleton&#039;&#039; or serial novel. M. Eugène Sue was a French novelist roughly contemporary to Dumas père, with whom he has been compared. [http://en.wikipedia.org/wiki/Eugène_Sue Wikipedia entry on M. Eugène Sue] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;red as a cursed ruby representing a third eye in the brow of some idol of the incomprehensible&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Seems too random to not be a reference to something...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Isafjördr&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Seems to be in Iceland? &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The &amp;quot;extra man&amp;quot; of Arctic myth&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In his footnotes to &amp;quot;The Waste Land&amp;quot;, T.S. Eliot glosses the lines:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Who is the third who walks always beside you?&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;When I count, there are only you and I together&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;But when I look ahead up the white road&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;There is always another one walking beside you&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
with:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton&#039;s): it was related that the party of explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted.&amp;quot; [http://www.infoplease.com/t/lit/wasteland/thunder.html]&lt;br /&gt;
&lt;br /&gt;
See also [http://www.pbs.org/wgbh/nova/shackletonexped/dispatches/19991110.html NOVA Online: Shackleton&#039;s Antarctic Odyssey] &lt;br /&gt;
&amp;quot;Shackleton, for his part, attributed their astonishing success to something else: &#039;I know that during that long and racking march of 36 hours over the unnamed mountains and glaciers of South Georgia, it seemed to me often that we were four, not three.&#039; Worsley and Crean, uncannily, felt the same. When T. S. Eliot read Shackleton&#039;s account, he was inspired to write the passage at the head of this dispatch.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the true face&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible variant on Taoism&#039;s &amp;quot;The Tao that can be spoken of is not the true Tao&amp;quot; [http://catb.org/~esr/jargon/html/T/the-X-that-can-be-Y-is-not-the-true-X.html [cf]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bonzoline&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ivory substitute made from celluloid, used for billiard balls. [http://www.oedilf.com/db/Lim.php?Word=bonzoline [cite]]&lt;br /&gt;
&lt;br /&gt;
==Page 126==&lt;br /&gt;
&#039;&#039;&#039;inukshuk&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An inukshuk is a stone landmark used as a milestone or directional marker by the Inuit of the Canadian Arctic.  The Arctic Circle, dominated by permafrost, has few natural landmarks and thus the inuksuk was central to navigation across the barren tundra. [http://en.wikipedia.org/wiki/Inukshuk Wikipedia entry on Inukshuk]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a truth beyond the secular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon&#039;s use of the word &amp;quot;secular&amp;quot; is unusual. He previously had the Chums striving &amp;quot;to minimize contamination of the secular&amp;quot; on [[ATD_97-118#Page_113|page 113]], and here the Chums try to glimpse &amp;quot;some expression of a truth beyond the secular.&amp;quot; Neither of these statements makes much sense with the normal definitions in use today for &amp;quot;secular&amp;quot;-- what could this mean?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;They passed around rumors--the Captain was insane again, ice-pirates were hunting the &#039;&#039;Malus&#039;&#039; like whalers...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This phrase seems evocative of &#039;&#039;Moby Dick&#039;&#039;, not only in the intimation that the Captain might be insane and the rumors that might result, but also with the explicit references to &amp;quot;whalers&amp;quot; in the subsequent clause,  &amp;quot;the subtle insanity of Ahab.&amp;quot;   &#039;&#039;Moby Dick&#039;&#039; of course contains many scenes when two whaling ships come together to exchange messages.  Chapter 131, &amp;quot;The Pequod Meets the Delight,&amp;quot; features particularly sinister omens.  It is safe to say, however, that none of the captains who meets Ahab quite resembles Padzhitnoff or has a &amp;quot;signature&amp;quot; resembling the game of Tetris!  Pynchon once again lightly tweaks the &amp;quot;line&amp;quot; linking his body of work to Melville&#039;s. ([[ATD_57-80#Page_73|page 73]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Étienne-Louis Malus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [[ATD_97-118#Page_114|page 114]].&lt;br /&gt;
&lt;br /&gt;
==Page 127==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Constance Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hallow:  to set apart as holy, to honor greatly.  Her name then pairs the virtue of canstancy with honoring the pen.  Note also that her grandson, mentioned on page 128, is named Hunter and is an artist--In the hunt for the consecrated pen.&lt;br /&gt;
&lt;br /&gt;
Alternatively, the prefix &#039;&#039;pen-&#039;&#039; is Gaelic for &#039;&#039;head, principal,&#039;&#039; or &#039;&#039;chief,&#039;&#039; in which case the name would mean &amp;quot;Holiest.&amp;quot; It is also Latin for &#039;&#039;nearly, almost&#039;&#039; (as in &amp;quot;penultimate&amp;quot; or &amp;quot;peninsula&amp;quot;), rendering the name &amp;quot;nearly holy.&amp;quot; Given the Nordic origin of the Penhallow family, and the Germanic etymology of &amp;quot;hallow,&amp;quot; the Gaelic prefix may be more likely. On the other hand, the Latinate prefix suggests the state of preterition -- not quite holy and perhaps not saved...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harald the Ruthless&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Harald III Sigurdsson (1015 – September 25, 1066), later surnamed Harald Hardråde (meaning ruthless) was the king of Norway from 1047 until 1066. Harald was the last great Viking king of Norway and his invasion of England and death at the Battle of Stamford Bridge in 1066 proved a true watershed moment. It marked the end of the Viking age. In Norway, Harald&#039;s death also marked the beginning of the Christian era. [http://en.wikipedia.org/wiki/Harald_III_of_Norway Wikipedia entry on Harald the Ruthless] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ginnungagap&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In Norse mythology, Ginnungagap (&amp;quot;seeming emptiness&amp;quot; or &amp;quot;gaping gap&amp;quot;) was a vast chasm that existed before the ordering of the world. To the north of Ginnungagap lay the intense cold of Niflheim, to the south the insufferable heat of Muspelheim. At the beginning of time, the two met in the Ginnungagap; and where the heat met the frost, the frost drops melted and formed the substance eitr, which quickened into life in the form of the giant Ymir, the father of all Frost giants. [http://en.wikipedia.org/wiki/Ginnungagap Wikipedia entry on Ginnungagap]&lt;br /&gt;
&lt;br /&gt;
==Page 128==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hunter Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above, Constance Penhallow.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bay of Röerford&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Does not seem to exist, at least with this spelling.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lower-eighties&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latitudes from 80N to 85N (mainly Ellesmere Island). [http://www.athropolis.com/map2.htm [map]]&lt;br /&gt;
&lt;br /&gt;
==Page 129==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Meat Olaf&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Anagram. &lt;br /&gt;
:As a lesson on the dangers of over-interpretation: I asked a Norwegian friend whether this is truly a Norwegian dish, to which he replied &amp;quot;no,&amp;quot; making me feel stupid. [[User:Bleakhaus|Bleakhaus]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cuidado Cabrón&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cabrón is an offensive word in Spanish meaning a guy who is an asshole/dick/cuckold, but friends can also call each other Cabrón in a joking manner. So, &amp;quot;watch out, fucker!&amp;quot; hot sauce.&lt;br /&gt;
&lt;br /&gt;
==Page 130==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tsangpo-Brahmaputra country&#039;&#039;&#039;&lt;br /&gt;
The Yarlung Tsangpo/Brahmaputra river drains a large portion of the eastern Himalaya and southern Tibetan plateau as well as the eastern Himalayan syntaxis, one of the most tectonically active areas of the globe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Candlebrow University&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A fictional institute, created in the tradition of Lovecraft&#039;s Miskatonic University. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;quaternions&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Quaternions&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In mathematics, quaternions are a non-commutative extension of complex numbers. They were first described by the Irish mathematician [[ATD-H#hamilton|Sir William Rowan Hamilton]] in 1843 and applied to mechanics in three-dimensional space. At first, quaternions were regarded as pathological, because they disobeyed the commutative law ab = ba. Although they have been superseded in most applications by vectors, they still find uses in both theoretical and applied mathematics, in particular for calculations involving three-dimensional rotations. [http://en.wikipedia.org/wiki/Quaternion Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Fleetwood Vibe&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Fleetwood, like Scarsdale, is a wealthy suburb of New York City. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bucket-shop&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Business designed to cheat people. [http://en.wikipedia.org/wiki/Bucket_shop [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Flannelette&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Little washcloth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harriman... Schiff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Railroad magnate and financier behind Northern Pacific Railroad, c1901. [http://en.wikipedia.org/wiki/Northern_Pacific_Railroad [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 131==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Outer Hebrides&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
or Western Isles comprise an island chain off the west coast of Scotland. The population today is only 26,370, and there is no University.&lt;br /&gt;
&lt;br /&gt;
==Page 133==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ynglingsaga&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See also &amp;lt;i&amp;gt;Ynglinga Saga&amp;lt;/i&amp;gt;, or the story of the ancient Norse kings. [http://en.wikipedia.org/wiki/Ynglinga_saga Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;... even of days not yet transpired.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Reminiscent of the Borges short story &amp;quot;The Library of Babel&amp;quot; about an &amp;quot;infinite library&amp;quot; which contains every possible book. [http://en.wikipedia.org/wiki/Library_of_babel Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 134==&lt;br /&gt;
&#039;&#039;&#039;visitors from elsewhere, of non-human aspect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Extraterrestrials, perhaps? &amp;quot;Visitors&amp;quot;, in popular culture, is a term sometimes used to describe ETs. The alien race from the television miniseries &#039;&#039;V&#039;&#039; was named The Visitors. In the fictional world of &#039;&#039;South Park&#039;&#039;, aliens are referred to as &amp;quot;visitors&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;infinitesimal circle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf p58.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the sea-green, the ice-green, glass-green sea.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;Ulysses&#039;&#039;, James Joyce repeatedly describes the &amp;quot;snotgreen sea&amp;quot; (cf. Gabler edition, p. 4), itself an allusion to Homer&#039;s evocation of the &amp;quot;wine-dark sea&amp;quot;. Cf., also, ATD, p.127: &amp;quot; . . . a green headland, sheer green wals of ice, the greenness nearest the water . . . . &amp;quot;  In previous novels, Pynchon&#039;s use of color is almost always advised, as N.K. Hayles and M.B. Eiser note in their essay, &amp;quot;Coloring Gravity&#039;s Rainbow,&amp;quot; in which green is frequently associated with the natural world, uncontaminated by humanity.&lt;br /&gt;
&lt;br /&gt;
==Page 135==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mush-It-Away&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Takeaway (takeout fast food) for dogsledders.&lt;br /&gt;
&lt;br /&gt;
==Page 136==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;kedgework&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A set of pilings used to move a ship by hauling on its mooring or anchoring lines.&lt;br /&gt;
&lt;br /&gt;
==Page 138==&lt;br /&gt;
&#039;&#039;&#039;From the Journals of Mr. Fleetwood Vibe...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
So begins a short narrative, spanning pp.138-155, which bears some of the hallmarks characteristic of the fiction of H.P. Lovecraft: (1) a narrator (Fleetwood) who relates a series of horrible, cosmic events in the form of a memoir or journal entry; (2) a slumbering entity, or &amp;quot;visitor&amp;quot; (p149), mistaken for a more mundane object (meteorite, in this case), and; (3) the incapacity of humans to anticipate or respond to the foreignness of this cosmic vistior and its actions. Given that this horrible thing was retrieved from the Arctic, it is reminiscent of Lovecraft&#039;s &amp;quot;At the Mountains of Madness&amp;quot; (though, &#039;&#039;Antarctic&#039;&#039; in setting; 1931; [http://en.wikisource.org/wiki/At_the_Mountains_of_Madness Wikisource text of the novella]) and, given the meteor-like form of this visitor, &amp;quot;The Colour out of Space&amp;quot; (1927; [http://en.wikisource.org/wiki/The_Colour_Out_of_Space Wikisource text of the story]).&lt;br /&gt;
&lt;br /&gt;
In the period of ATD, museums around the world sought spectacular meteorites, e.g. the Cape York meteorite recovered by Arctic explorer Robert Peary.&lt;br /&gt;
[http://www.amnh.org/exhibitions/permanent/meteorites/what/capeyork.php]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nesselrode pudding&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From &#039;&#039;The Penguin Book of Food and Drink&#039;&#039;, ed. Paul Levy:&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;An iced pudding flavoured with chestnuts and dried fruit was invented by Monsieur Mony, chef for many years to the Russian diplomat, Count Nesselrode, in Paris [...] Glacé fruit and peel were a further embellishment to the Nesselrode by the time Proust was old enough to notice such things.&lt;br /&gt;
&lt;br /&gt;
==Page 139==&lt;br /&gt;
&#039;&#039;&#039;Dr. Counterfly... bearded&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Last seen as a boy with low rank.  Six years have elapsed, 1893-1899.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lenses proved to be...Nicol prisms&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Nicol Prism is a device to produce polarized light. It is made from a crystal of calcite (Iceland spar), which is cut along a precisely determined plane and then cemented back together with Canada balsam.  A picture can be found [http://web.grinnell.edu/physics/PMuseum/Nicol%20Prisms.html here], detailed diagrams of Nicol and other polarizing prisms are availabe [http://hyperphysics.phy-astr.gsu.edu/hbase/phyopt/polpri.html here].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nunatak&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Nunatak [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 140==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a large brass speaking-trumpet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
As in the ubiquitous W.A.S.T.E. symbolism in &#039;&#039;The Crying of Lot 49&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Breguet-style arrowheads&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A distinctive fine watch of French design, usually with open circles (&#039;moons&#039;) near the ends of the hands. [http://en.wikipedia.org/wiki/Breguet_(watch) Wikipedia entry] [http://www.rotarywatches.com/images/content/terminology/breguet_hands.jpg [pic]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Poulson&#039;s Telegraphone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Invented in 1898, the first magnetic recording machine was patented by Valdemar Poulson. The theory behind this machine was worked out theoretically by Oberlin Smith of the UK in 1888. Poulson&#039;s machine recorded by passing a thin wire across an electromagnet. Each minute section of the wire would retain its electromagnetic charge, thus recording the sound. Sound could be both recorded and played back. Unfortunately, because the machine&#039;s output wasn&#039;t very loud and there was no way to amplify the signal, the Telegraphone was not much of a success. [http://www.wou.edu/las/creativearts/music/MUS%20206%20Text.pdf External link]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a human caul&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
caul (Latin: Caput galeatum, literally, &amp;quot;head helmet&amp;quot;) is a thin, filmy membrane, the remnants of the amniotic sac, that covers or partly covers the newborn mammal immediately after birth. It is also the membrane enclosing the paunch of mammals, particularly as in pork and mutton butchery. In butchery, the caul is used as offal. A third meaning refers to a type of women&#039;s headdress.  &lt;br /&gt;
&lt;br /&gt;
The &amp;quot;second sight&amp;quot; Dr. Vormance refers to is the subject of Stephen King&#039;s novel &amp;lt;i&amp;gt;The Shining&amp;lt;/i&amp;gt;, wherein the child Danny Torrance, born with a caul, is possessed with the eponymous supernatural power.&lt;br /&gt;
&lt;br /&gt;
==Page 141==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;misfortunes of certain Egyptologists&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly a reference to the curse supposed to be attendant on the tomb of Tutankhamen, and upon which the death of George Herbert, who financed the expedition, was blamed.  The tomb was breached in Feb 1923, though, and that seems later than this episode, so it may just be a reference to general myth. [http://www.touregypt.net/featurestories/curse.htm [history]]&lt;br /&gt;
&lt;br /&gt;
==Page 143==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tungus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Siberian language. [http://en.wikipedia.org/wiki/Tungusic_languages [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 146==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lines&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The description of the single-file line at the train station basically describes current security conditions at American airports. A single line (i.e. linear thinking) does not seem to be a &#039;positive&#039; in the Pynchon world.  (See too the slaughterhouse on page 10.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Explorers&#039; Club&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Apparently in South Africa (the famous NYC one wasn&#039;t founded until 1904).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;War any moment&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Second Boer War started in October 1899. [http://en.wikipedia.org/wiki/Second_Boer_War [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the British poet-laureate’s commemorative verse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Reference to Alfred Austin. From Wikipedia: “As poet-laureate, his topical verses did not escape negative criticism; a hasty poem written in praise of the Jameson Raid in 1896 being a notable instance.” [http://en.wikipedia.org/wiki/Alfred_Austin Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
The questionable rhyme referred to is from that “hasty poem” --&lt;br /&gt;
&lt;br /&gt;
::They went across the veldt,&lt;br /&gt;
::As hard as they could pelt.&lt;br /&gt;
&lt;br /&gt;
From Wikipedia: “The Jameson Raid (December 29, 1895 - January 2, 1896) was a raid on Paul Kruger&#039;s Transvaal Republic carried out by Leander Starr Jameson and his Rhodesian and Bechuanaland policemen over the New Year weekend of 1895-96. It was intended to trigger an uprising by the primarily British expatriate workers (known as Uitlanders) in the Transvaal but failed to do so. The raid was ineffective and no uprising took place, but it did much to bring about the Second Boer War and the Second Matabele War.”  [http://en.wikipedia.org/wiki/Jameson_raid Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 147==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borchardt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1894 forerunner of Luger. [http://www.genitron.com/unique3.html [pic and info]]&lt;br /&gt;
&lt;br /&gt;
==Page 148==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the American Corporation, for instance, in which even the Supreme Court has recognized legal personhood &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Refers to Santa Clara County v. Southern Pacific Railroad Company (1886), during which Chief Justice Morrison R. Waite announced: &amp;quot;The court does not wish to hear argument on the question whether the provision in the Fourteenth Amendment to the Constitution, which forbids a State to deny to any person within its jurisdiction the equal protection of the laws, applies to these corporations. We are all of the opinion that it does.&amp;quot; [http://en.wikipedia.org/wiki/Santa_Clara_County_v._Southern_Pacific_Railroad  Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_119-148&amp;diff=3508</id>
		<title>ATD 119-148</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_119-148&amp;diff=3508"/>
		<updated>2006-12-09T00:44:58Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 138 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 121==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Ray-rush&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf contemporary telecom bandwidth auctions.&lt;br /&gt;
&lt;br /&gt;
==Page 122==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dazzle-painting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A camouflage painting technique used on WWI ships.[http://www.gotouring.com/razzledazzle/articles/dazzle.html]&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;intelligence centers on the surface such as the Inter-Group Laboratory for Opticomagnetic Observation (I.G.L.O.O.), a radiational clearing-house in Northern Alaska&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Perhaps a reference to the High Frequency Active Auroral Research Program (HAARP) site in Gakonka, AK, which is ostensibly engaged in ionospheric research [http://en.wikipedia.org/wiki/Haarp (Wikipedia entry)]. Also suggestive of the ECHELON network [http://en.wikipedia.org/wiki/ECHELON (Wikipedia entry)], comprising a number of signals intelligence sites, which are capable of intercepting a wide variety of communications signals throughout the world. Also, Pynchon often creates humorous or fanciful acronyms: W.A.S.T.E. (&#039;&#039;The Crying of Lot 49&#039;&#039;), A.C.H.T.U.N.G. (&#039;&#039;Gravity&#039;s Rainbow&#039;&#039;), etc. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lloyd&#039;s of the high spectrum [...] the next fateful Lutine announcement.&#039;&#039;&#039;&amp;lt;br&amp;gt;  The [http://en.wikipedia.org/wiki/Lutine HMS Lutine] (Lutine translates as &amp;quot;the tease&amp;quot;) was a ship commissioned in the French Royal Navy which was later given to the English Royal Navy during the Revolution.  In 1799 she sank in the North Sea while blockading Holland; her hold was full of gold.  Lloyd&#039;s of London, an independent insurance market still known for being willing to assume large insurance risks for the right price, had insured the gold, and paid the claim in full, acquiring nominal ownership of the still-unsalvaged cargo.&lt;br /&gt;
&lt;br /&gt;
Lloyd&#039;s used to ring a &#039;Lutine Bell&#039; to announce the fate of ships at risk. [http://en.wikipedia.org/wiki/Lloyd&#039;s_of_London#Miscellaneous [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;last eclipse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly Pike&#039;s Peak, 1878? [http://sunearth.gsfc.nasa.gov/eclipse/SEhistory/SEhistory.html (partial table)]&lt;br /&gt;
&lt;br /&gt;
==Page 123==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lookout telegraph&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Instead of attaching Pugnax&#039;s tail directly to a hammer that hits the gong, the gong is struck remotely via a telegraph line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Igor Padzhitnoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The whole passage that introduces the rival airship captain is a play on Tetris. Igor&#039;s surname is similar to that of the creator of Tetris, [http://en.wikipedia.org/wiki/Alexey_Pazhitnov Alexey Pazhitnov]. Also, the captain himself flies a ship called &amp;quot;The Great Game&amp;quot; and drops &amp;quot;bricks and masonry, always in the four-block fragments which had become his &amp;quot;signature,&amp;quot; to fall on and damage targets designated by his superiors.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Ice Pirates&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This turn of phrase echoes the spoof [http://www.imdb.com/title/tt0087451/ movie] of camraderie and dangerous &amp;quot;space herpes&amp;quot; that was released in 1984.  There&#039;s no textual evidence that Pynchon means to refer to the movie, but the satirical humor and outlandish situations presented in the film might be attractive to someone with his sensibilities.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tovarishchi Slutchainyi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tovarishchi translates as comrades; the literal translation of &amp;quot;Slutchainyi&amp;quot; is &amp;quot;accidental&amp;quot;, leading to one possible reading of the phrase being:  Chums of Chance.&amp;lt;br&amp;gt;&lt;br /&gt;
The phrase &amp;quot;Tovarishchi Slutchainyi&amp;quot; could also mean someone who is friends, but not intentionally, ie: perhaps people who are conscripted into a situation where they are forced to be communal. (Thanks to Anna Zaytseva for the idiomatic help!)&amp;lt;br&amp;gt;&lt;br /&gt;
A third reading is introduced when the homophonic correspondence between the final two syllables of Slutchainyi and Vice-President Cheney&#039;s name is noted.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;nasal dislocation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;Nose out of joint&#039; = offended, feelings hurt.&lt;br /&gt;
&lt;br /&gt;
==Page 124==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Na sobrat&#039; ya po nebo!&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
?&lt;br /&gt;
&lt;br /&gt;
==Page 125==&lt;br /&gt;
&#039;&#039;&#039;a &#039;&#039;roman-feuilleton&#039;&#039; by M. Eugène Sue&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A &#039;&#039;roman-feuilleton&#039;&#039; or serial novel. M. Eugène Sue was a French novelist roughly contemporary to Dumas père, with whom he has been compared. [http://en.wikipedia.org/wiki/Eugène_Sue Wikipedia entry on M. Eugène Sue] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;red as a cursed ruby representing a third eye in the brow of some idol of the incomprehensible&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Seems too random to not be a reference to something...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Isafjördr&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Seems to be in Iceland? &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The &amp;quot;extra man&amp;quot; of Arctic myth&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In his footnotes to &amp;quot;The Waste Land&amp;quot;, T.S. Eliot glosses the lines:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Who is the third who walks always beside you?&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;When I count, there are only you and I together&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;But when I look ahead up the white road&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;There is always another one walking beside you&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
with:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton&#039;s): it was related that the party of explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted.&amp;quot; [http://www.infoplease.com/t/lit/wasteland/thunder.html]&lt;br /&gt;
&lt;br /&gt;
See also [http://www.pbs.org/wgbh/nova/shackletonexped/dispatches/19991110.html NOVA Online: Shackleton&#039;s Antarctic Odyssey] &lt;br /&gt;
&amp;quot;Shackleton, for his part, attributed their astonishing success to something else: &#039;I know that during that long and racking march of 36 hours over the unnamed mountains and glaciers of South Georgia, it seemed to me often that we were four, not three.&#039; Worsley and Crean, uncannily, felt the same. When T. S. Eliot read Shackleton&#039;s account, he was inspired to write the passage at the head of this dispatch.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the true face&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible variant on Taoism&#039;s &amp;quot;The Tao that can be spoken of is not the true Tao&amp;quot; [http://catb.org/~esr/jargon/html/T/the-X-that-can-be-Y-is-not-the-true-X.html [cf]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bonzoline&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ivory substitute made from celluloid, used for billiard balls. [http://www.oedilf.com/db/Lim.php?Word=bonzoline [cite]]&lt;br /&gt;
&lt;br /&gt;
==Page 126==&lt;br /&gt;
&#039;&#039;&#039;inukshuk&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An inukshuk is a stone landmark used as a milestone or directional marker by the Inuit of the Canadian Arctic.  The Arctic Circle, dominated by permafrost, has few natural landmarks and thus the inuksuk was central to navigation across the barren tundra. [http://en.wikipedia.org/wiki/Inukshuk Wikipedia entry on Inukshuk]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a truth beyond the secular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon&#039;s use of the word &amp;quot;secular&amp;quot; is unusual. He previously had the Chums striving &amp;quot;to minimize contamination of the secular&amp;quot; on [[ATD_97-118#Page_113|page 113]], and here the Chums try to glimpse &amp;quot;some expression of a truth beyond the secular.&amp;quot; Neither of these statements makes much sense with the normal definitions in use today for &amp;quot;secular&amp;quot;-- what could this mean?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;They passed around rumors--the Captain was insane again, ice-pirates were hunting the &#039;&#039;Malus&#039;&#039; like whalers...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This phrase seems evocative of &#039;&#039;Moby Dick&#039;&#039;, not only in the intimation that the Captain might be insane and the rumors that might result, but also with the explicit references to &amp;quot;whalers&amp;quot; in the subsequent clause,  &amp;quot;the subtle insanity of Ahab.&amp;quot;   &#039;&#039;Moby Dick&#039;&#039; of course contains many scenes when two whaling ships come together to exchange messages.  Chapter 131, &amp;quot;The Pequod Meets the Delight,&amp;quot; features particularly sinister omens.  It is safe to say, however, that none of the captains who meets Ahab quite resembles Padzhitnoff or has a &amp;quot;signature&amp;quot; resembling the game of Tetris!  Pynchon once again lightly tweaks the &amp;quot;line&amp;quot; linking his body of work to Melville&#039;s. ([[ATD_57-80#Page_73|page 73]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Étienne-Louis Malus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [[ATD_97-118#Page_114|page 114]].&lt;br /&gt;
&lt;br /&gt;
==Page 127==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Constance Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hallow:  to set apart as holy, to honor greatly.  Her name then pairs the virtue of canstancy with honoring the pen.  Note also that her grandson, mentioned on page 128, is named Hunter and is an artist--In the hunt for the consecrated pen.&lt;br /&gt;
&lt;br /&gt;
Alternatively, the prefix &#039;&#039;pen-&#039;&#039; is Gaelic for &#039;&#039;head, principal,&#039;&#039; or &#039;&#039;chief,&#039;&#039; in which case the name would mean &amp;quot;Holiest.&amp;quot; It is also Latin for &#039;&#039;nearly, almost&#039;&#039; (as in &amp;quot;penultimate&amp;quot; or &amp;quot;peninsula&amp;quot;), rendering the name &amp;quot;nearly holy.&amp;quot; Given the Nordic origin of the Penhallow family, and the Germanic etymology of &amp;quot;hallow,&amp;quot; the Gaelic prefix may be more likely. On the other hand, the Latinate prefix suggests the state of preterition -- not quite holy and perhaps not saved...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harald the Ruthless&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Harald III Sigurdsson (1015 – September 25, 1066), later surnamed Harald Hardråde (meaning ruthless) was the king of Norway from 1047 until 1066. Harald was the last great Viking king of Norway and his invasion of England and death at the Battle of Stamford Bridge in 1066 proved a true watershed moment. It marked the end of the Viking age. In Norway, Harald&#039;s death also marked the beginning of the Christian era. [http://en.wikipedia.org/wiki/Harald_III_of_Norway Wikipedia entry on Harald the Ruthless] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ginnungagap&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In Norse mythology, Ginnungagap (&amp;quot;seeming emptiness&amp;quot; or &amp;quot;gaping gap&amp;quot;) was a vast chasm that existed before the ordering of the world. To the north of Ginnungagap lay the intense cold of Niflheim, to the south the insufferable heat of Muspelheim. At the beginning of time, the two met in the Ginnungagap; and where the heat met the frost, the frost drops melted and formed the substance eitr, which quickened into life in the form of the giant Ymir, the father of all Frost giants. [http://en.wikipedia.org/wiki/Ginnungagap Wikipedia entry on Ginnungagap]&lt;br /&gt;
&lt;br /&gt;
==Page 128==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hunter Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above, Constance Penhallow.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bay of Röerford&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Does not seem to exist, at least with this spelling.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lower-eighties&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latitudes from 80N to 85N (mainly Ellesmere Island). [http://www.athropolis.com/map2.htm [map]]&lt;br /&gt;
&lt;br /&gt;
==Page 129==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Meat Olaf&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Anagram. &lt;br /&gt;
:As a lesson on the dangers of over-interpretation: I asked a Norwegian friend whether this is truly a Norwegian dish, to which he replied &amp;quot;no,&amp;quot; making me feel stupid. [[User:Bleakhaus|Bleakhaus]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cuidado Cabrón&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cabrón is an offensive word in Spanish meaning a guy who is an asshole/dick/cuckold, but friends can also call each other Cabrón in a joking manner. So, &amp;quot;watch out, fucker!&amp;quot; hot sauce.&lt;br /&gt;
&lt;br /&gt;
==Page 130==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tsangpo-Brahmaputra country&#039;&#039;&#039;&lt;br /&gt;
The Yarlung Tsangpo/Brahmaputra river drains a large portion of the eastern Himalaya and southern Tibetan plateau as well as the eastern Himalayan syntaxis, one of the most tectonically active areas of the globe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Candlebrow University&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A fictional institute, created in the tradition of Lovecraft&#039;s Miskatonic University. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;quaternions&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Quaternions&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In mathematics, quaternions are a non-commutative extension of complex numbers. They were first described by the Irish mathematician [[ATD-H#hamilton|Sir William Rowan Hamilton]] in 1843 and applied to mechanics in three-dimensional space. At first, quaternions were regarded as pathological, because they disobeyed the commutative law ab = ba. Although they have been superseded in most applications by vectors, they still find uses in both theoretical and applied mathematics, in particular for calculations involving three-dimensional rotations. [http://en.wikipedia.org/wiki/Quaternion Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Fleetwood Vibe&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Fleetwood, like Scarsdale, is a wealthy suburb of New York City. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bucket-shop&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Business designed to cheat people. [http://en.wikipedia.org/wiki/Bucket_shop [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Flannelette&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Little washcloth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harriman... Schiff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Railroad magnate and financier behind Northern Pacific Railroad, c1901. [http://en.wikipedia.org/wiki/Northern_Pacific_Railroad [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 131==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Outer Hebrides&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
or Western Isles comprise an island chain off the west coast of Scotland. The population today is only 26,370, and there is no University.&lt;br /&gt;
&lt;br /&gt;
==Page 133==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ynglingsaga&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See also &amp;lt;i&amp;gt;Ynglinga Saga&amp;lt;/i&amp;gt;, or the story of the ancient Norse kings. [http://en.wikipedia.org/wiki/Ynglinga_saga Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;... even of days not yet transpired.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Reminiscent of the Borges short story &amp;quot;The Library of Babel&amp;quot; about an &amp;quot;infinite library&amp;quot; which contains every possible book. [http://en.wikipedia.org/wiki/Library_of_babel Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 134==&lt;br /&gt;
&#039;&#039;&#039;visitors from elsewhere, of non-human aspect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Extraterrestrials, perhaps? &amp;quot;Visitors&amp;quot;, in popular culture, is a term sometimes used to describe ETs. The alien race from the television miniseries &#039;&#039;V&#039;&#039; was named The Visitors. In the fictional world of &#039;&#039;South Park&#039;&#039;, aliens are referred to as &amp;quot;visitors&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;infinitesimal circle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf p58.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the sea-green, the ice-green, glass-green sea.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;Ulysses&#039;&#039;, James Joyce repeatedly describes the &amp;quot;snotgreen sea&amp;quot; (cf. Gabler edition, p. 4), itself an allusion to Homer&#039;s evocation of the &amp;quot;wine-dark sea&amp;quot;. Cf., also, ATD, p.127: &amp;quot; . . . a green headland, sheer green wals of ice, the greenness nearest the water . . . . &amp;quot;  In previous novels, Pynchon&#039;s use of color is almost always advised, as N.K. Hayles and M.B. Eiser note in their essay, &amp;quot;Coloring Gravity&#039;s Rainbow,&amp;quot; in which green is frequently associated with the natural world, uncontaminated by humanity.&lt;br /&gt;
&lt;br /&gt;
==Page 135==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mush-It-Away&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Takeaway (takeout fast food) for dogsledders.&lt;br /&gt;
&lt;br /&gt;
==Page 136==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;kedgework&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A set of pilings used to move a ship by hauling on its mooring or anchoring lines.&lt;br /&gt;
&lt;br /&gt;
==Page 138==&lt;br /&gt;
&#039;&#039;&#039;From the Journals of Mr. Fleetwood Vibe...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
So begins a short narrative, spanning pp.138-155, which bears some of the hallmarks characteristic of the fiction of H.P. Lovecraft: (1) a narrator (Fleetwood) who relates a series of horrible, cosmic events in the form of a memoir or journal entry; (2) a slumbering entity, or &amp;quot;visitor&amp;quot; (p149), mistaken for a more mundane object (meteorite, in this case), and; (3) the incapacity of humans to anticipate or respond to the foreignness of this cosmic vistior and its actions. Given that this horrible thing was retrieved from the Arctic, it is reminiscent of Lovecraft&#039;s &amp;quot;At the Mountains of Madness&amp;quot; (though, &#039;&#039;Antarctic&#039;&#039; in setting; 1931; [http://en.wikisource.org/wiki/At_the_Mountains_of_Madness Wikisource text of the novella]) and, given the meteor-like form of this visitor, &amp;quot;The Colour out of Space&amp;quot; (1927; [http://en.wikisource.org/wiki/The_Colour_Out_of_Space Wikisource text of the story]).&lt;br /&gt;
&lt;br /&gt;
In the period of ATD, museums around the world sought spectacular meteorites, e.g. the Cape York meteorite recovered by Arctic ecplorer Robert peary.&lt;br /&gt;
[http://www.amnh.org/exhibitions/permanent/meteorites/what/capeyork.php]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nesselrode pudding&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From &#039;&#039;The Penguin Book of Food and Drink&#039;&#039;, ed. Paul Levy:&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;An iced pudding flavoured with chestnuts and dried fruit was invented by Monsieur Mony, chef for many years to the Russian diplomat, Count Nesselrode, in Paris [...] Glacé fruit and peel were a further embellishment to the Nesselrode by the time Proust was old enough to notice such things.&lt;br /&gt;
&lt;br /&gt;
==Page 139==&lt;br /&gt;
&#039;&#039;&#039;Dr. Counterfly... bearded&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Last seen as a boy with low rank.  Six years have elapsed, 1893-1899.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lenses proved to be...Nicol prisms&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Nicol Prism is a device to produce polarized light. It is made from a crystal of calcite (Iceland spar), which is cut along a precisely determined plane and then cemented back together with Canada balsam.  A picture can be found [http://web.grinnell.edu/physics/PMuseum/Nicol%20Prisms.html here], detailed diagrams of Nicol and other polarizing prisms are availabe [http://hyperphysics.phy-astr.gsu.edu/hbase/phyopt/polpri.html here].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nunatak&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Nunatak [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 140==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a large brass speaking-trumpet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
As in the ubiquitous W.A.S.T.E. symbolism in &#039;&#039;The Crying of Lot 49&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Breguet-style arrowheads&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A distinctive fine watch of French design, usually with open circles (&#039;moons&#039;) near the ends of the hands. [http://en.wikipedia.org/wiki/Breguet_(watch) Wikipedia entry] [http://www.rotarywatches.com/images/content/terminology/breguet_hands.jpg [pic]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Poulson&#039;s Telegraphone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Invented in 1898, the first magnetic recording machine was patented by Valdemar Poulson. The theory behind this machine was worked out theoretically by Oberlin Smith of the UK in 1888. Poulson&#039;s machine recorded by passing a thin wire across an electromagnet. Each minute section of the wire would retain its electromagnetic charge, thus recording the sound. Sound could be both recorded and played back. Unfortunately, because the machine&#039;s output wasn&#039;t very loud and there was no way to amplify the signal, the Telegraphone was not much of a success. [http://www.wou.edu/las/creativearts/music/MUS%20206%20Text.pdf External link]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a human caul&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
caul (Latin: Caput galeatum, literally, &amp;quot;head helmet&amp;quot;) is a thin, filmy membrane, the remnants of the amniotic sac, that covers or partly covers the newborn mammal immediately after birth. It is also the membrane enclosing the paunch of mammals, particularly as in pork and mutton butchery. In butchery, the caul is used as offal. A third meaning refers to a type of women&#039;s headdress.  &lt;br /&gt;
&lt;br /&gt;
The &amp;quot;second sight&amp;quot; Dr. Vormance refers to is the subject of Stephen King&#039;s novel &amp;lt;i&amp;gt;The Shining&amp;lt;/i&amp;gt;, wherein the child Danny Torrance, born with a caul, is possessed with the eponymous supernatural power.&lt;br /&gt;
&lt;br /&gt;
==Page 141==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;misfortunes of certain Egyptologists&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly a reference to the curse supposed to be attendant on the tomb of Tutankhamen, and upon which the death of George Herbert, who financed the expedition, was blamed.  The tomb was breached in Feb 1923, though, and that seems later than this episode, so it may just be a reference to general myth. [http://www.touregypt.net/featurestories/curse.htm [history]]&lt;br /&gt;
&lt;br /&gt;
==Page 143==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tungus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Siberian language. [http://en.wikipedia.org/wiki/Tungusic_languages [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 146==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lines&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The description of the single-file line at the train station basically describes current security conditions at American airports. A single line (i.e. linear thinking) does not seem to be a &#039;positive&#039; in the Pynchon world.  (See too the slaughterhouse on page 10.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Explorers&#039; Club&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Apparently in South Africa (the famous NYC one wasn&#039;t founded until 1904).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;War any moment&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Second Boer War started in October 1899. [http://en.wikipedia.org/wiki/Second_Boer_War [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the British poet-laureate’s commemorative verse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Reference to Alfred Austin. From Wikipedia: “As poet-laureate, his topical verses did not escape negative criticism; a hasty poem written in praise of the Jameson Raid in 1896 being a notable instance.” [http://en.wikipedia.org/wiki/Alfred_Austin Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
The questionable rhyme referred to is from that “hasty poem” --&lt;br /&gt;
&lt;br /&gt;
::They went across the veldt,&lt;br /&gt;
::As hard as they could pelt.&lt;br /&gt;
&lt;br /&gt;
From Wikipedia: “The Jameson Raid (December 29, 1895 - January 2, 1896) was a raid on Paul Kruger&#039;s Transvaal Republic carried out by Leander Starr Jameson and his Rhodesian and Bechuanaland policemen over the New Year weekend of 1895-96. It was intended to trigger an uprising by the primarily British expatriate workers (known as Uitlanders) in the Transvaal but failed to do so. The raid was ineffective and no uprising took place, but it did much to bring about the Second Boer War and the Second Matabele War.”  [http://en.wikipedia.org/wiki/Jameson_raid Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 147==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borchardt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1894 forerunner of Luger. [http://www.genitron.com/unique3.html [pic and info]]&lt;br /&gt;
&lt;br /&gt;
==Page 148==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the American Corporation, for instance, in which even the Supreme Court has recognized legal personhood &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Refers to Santa Clara County v. Southern Pacific Railroad Company (1886), during which Chief Justice Morrison R. Waite announced: &amp;quot;The court does not wish to hear argument on the question whether the provision in the Fourteenth Amendment to the Constitution, which forbids a State to deny to any person within its jurisdiction the equal protection of the laws, applies to these corporations. We are all of the opinion that it does.&amp;quot; [http://en.wikipedia.org/wiki/Santa_Clara_County_v._Southern_Pacific_Railroad  Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_119-148&amp;diff=3507</id>
		<title>ATD 119-148</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_119-148&amp;diff=3507"/>
		<updated>2006-12-09T00:39:28Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 136 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 121==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Ray-rush&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf contemporary telecom bandwidth auctions.&lt;br /&gt;
&lt;br /&gt;
==Page 122==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dazzle-painting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A camouflage painting technique used on WWI ships.[http://www.gotouring.com/razzledazzle/articles/dazzle.html]&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;intelligence centers on the surface such as the Inter-Group Laboratory for Opticomagnetic Observation (I.G.L.O.O.), a radiational clearing-house in Northern Alaska&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Perhaps a reference to the High Frequency Active Auroral Research Program (HAARP) site in Gakonka, AK, which is ostensibly engaged in ionospheric research [http://en.wikipedia.org/wiki/Haarp (Wikipedia entry)]. Also suggestive of the ECHELON network [http://en.wikipedia.org/wiki/ECHELON (Wikipedia entry)], comprising a number of signals intelligence sites, which are capable of intercepting a wide variety of communications signals throughout the world. Also, Pynchon often creates humorous or fanciful acronyms: W.A.S.T.E. (&#039;&#039;The Crying of Lot 49&#039;&#039;), A.C.H.T.U.N.G. (&#039;&#039;Gravity&#039;s Rainbow&#039;&#039;), etc. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lloyd&#039;s of the high spectrum [...] the next fateful Lutine announcement.&#039;&#039;&#039;&amp;lt;br&amp;gt;  The [http://en.wikipedia.org/wiki/Lutine HMS Lutine] (Lutine translates as &amp;quot;the tease&amp;quot;) was a ship commissioned in the French Royal Navy which was later given to the English Royal Navy during the Revolution.  In 1799 she sank in the North Sea while blockading Holland; her hold was full of gold.  Lloyd&#039;s of London, an independent insurance market still known for being willing to assume large insurance risks for the right price, had insured the gold, and paid the claim in full, acquiring nominal ownership of the still-unsalvaged cargo.&lt;br /&gt;
&lt;br /&gt;
Lloyd&#039;s used to ring a &#039;Lutine Bell&#039; to announce the fate of ships at risk. [http://en.wikipedia.org/wiki/Lloyd&#039;s_of_London#Miscellaneous [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;last eclipse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly Pike&#039;s Peak, 1878? [http://sunearth.gsfc.nasa.gov/eclipse/SEhistory/SEhistory.html (partial table)]&lt;br /&gt;
&lt;br /&gt;
==Page 123==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lookout telegraph&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Instead of attaching Pugnax&#039;s tail directly to a hammer that hits the gong, the gong is struck remotely via a telegraph line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Igor Padzhitnoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The whole passage that introduces the rival airship captain is a play on Tetris. Igor&#039;s surname is similar to that of the creator of Tetris, [http://en.wikipedia.org/wiki/Alexey_Pazhitnov Alexey Pazhitnov]. Also, the captain himself flies a ship called &amp;quot;The Great Game&amp;quot; and drops &amp;quot;bricks and masonry, always in the four-block fragments which had become his &amp;quot;signature,&amp;quot; to fall on and damage targets designated by his superiors.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Ice Pirates&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This turn of phrase echoes the spoof [http://www.imdb.com/title/tt0087451/ movie] of camraderie and dangerous &amp;quot;space herpes&amp;quot; that was released in 1984.  There&#039;s no textual evidence that Pynchon means to refer to the movie, but the satirical humor and outlandish situations presented in the film might be attractive to someone with his sensibilities.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tovarishchi Slutchainyi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tovarishchi translates as comrades; the literal translation of &amp;quot;Slutchainyi&amp;quot; is &amp;quot;accidental&amp;quot;, leading to one possible reading of the phrase being:  Chums of Chance.&amp;lt;br&amp;gt;&lt;br /&gt;
The phrase &amp;quot;Tovarishchi Slutchainyi&amp;quot; could also mean someone who is friends, but not intentionally, ie: perhaps people who are conscripted into a situation where they are forced to be communal. (Thanks to Anna Zaytseva for the idiomatic help!)&amp;lt;br&amp;gt;&lt;br /&gt;
A third reading is introduced when the homophonic correspondence between the final two syllables of Slutchainyi and Vice-President Cheney&#039;s name is noted.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;nasal dislocation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;Nose out of joint&#039; = offended, feelings hurt.&lt;br /&gt;
&lt;br /&gt;
==Page 124==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Na sobrat&#039; ya po nebo!&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
?&lt;br /&gt;
&lt;br /&gt;
==Page 125==&lt;br /&gt;
&#039;&#039;&#039;a &#039;&#039;roman-feuilleton&#039;&#039; by M. Eugène Sue&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A &#039;&#039;roman-feuilleton&#039;&#039; or serial novel. M. Eugène Sue was a French novelist roughly contemporary to Dumas père, with whom he has been compared. [http://en.wikipedia.org/wiki/Eugène_Sue Wikipedia entry on M. Eugène Sue] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;red as a cursed ruby representing a third eye in the brow of some idol of the incomprehensible&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Seems too random to not be a reference to something...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Isafjördr&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Seems to be in Iceland? &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The &amp;quot;extra man&amp;quot; of Arctic myth&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In his footnotes to &amp;quot;The Waste Land&amp;quot;, T.S. Eliot glosses the lines:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Who is the third who walks always beside you?&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;When I count, there are only you and I together&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;But when I look ahead up the white road&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;There is always another one walking beside you&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
with:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton&#039;s): it was related that the party of explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted.&amp;quot; [http://www.infoplease.com/t/lit/wasteland/thunder.html]&lt;br /&gt;
&lt;br /&gt;
See also [http://www.pbs.org/wgbh/nova/shackletonexped/dispatches/19991110.html NOVA Online: Shackleton&#039;s Antarctic Odyssey] &lt;br /&gt;
&amp;quot;Shackleton, for his part, attributed their astonishing success to something else: &#039;I know that during that long and racking march of 36 hours over the unnamed mountains and glaciers of South Georgia, it seemed to me often that we were four, not three.&#039; Worsley and Crean, uncannily, felt the same. When T. S. Eliot read Shackleton&#039;s account, he was inspired to write the passage at the head of this dispatch.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the true face&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible variant on Taoism&#039;s &amp;quot;The Tao that can be spoken of is not the true Tao&amp;quot; [http://catb.org/~esr/jargon/html/T/the-X-that-can-be-Y-is-not-the-true-X.html [cf]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bonzoline&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ivory substitute made from celluloid, used for billiard balls. [http://www.oedilf.com/db/Lim.php?Word=bonzoline [cite]]&lt;br /&gt;
&lt;br /&gt;
==Page 126==&lt;br /&gt;
&#039;&#039;&#039;inukshuk&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An inukshuk is a stone landmark used as a milestone or directional marker by the Inuit of the Canadian Arctic.  The Arctic Circle, dominated by permafrost, has few natural landmarks and thus the inuksuk was central to navigation across the barren tundra. [http://en.wikipedia.org/wiki/Inukshuk Wikipedia entry on Inukshuk]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a truth beyond the secular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon&#039;s use of the word &amp;quot;secular&amp;quot; is unusual. He previously had the Chums striving &amp;quot;to minimize contamination of the secular&amp;quot; on [[ATD_97-118#Page_113|page 113]], and here the Chums try to glimpse &amp;quot;some expression of a truth beyond the secular.&amp;quot; Neither of these statements makes much sense with the normal definitions in use today for &amp;quot;secular&amp;quot;-- what could this mean?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;They passed around rumors--the Captain was insane again, ice-pirates were hunting the &#039;&#039;Malus&#039;&#039; like whalers...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This phrase seems evocative of &#039;&#039;Moby Dick&#039;&#039;, not only in the intimation that the Captain might be insane and the rumors that might result, but also with the explicit references to &amp;quot;whalers&amp;quot; in the subsequent clause,  &amp;quot;the subtle insanity of Ahab.&amp;quot;   &#039;&#039;Moby Dick&#039;&#039; of course contains many scenes when two whaling ships come together to exchange messages.  Chapter 131, &amp;quot;The Pequod Meets the Delight,&amp;quot; features particularly sinister omens.  It is safe to say, however, that none of the captains who meets Ahab quite resembles Padzhitnoff or has a &amp;quot;signature&amp;quot; resembling the game of Tetris!  Pynchon once again lightly tweaks the &amp;quot;line&amp;quot; linking his body of work to Melville&#039;s. ([[ATD_57-80#Page_73|page 73]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Étienne-Louis Malus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [[ATD_97-118#Page_114|page 114]].&lt;br /&gt;
&lt;br /&gt;
==Page 127==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Constance Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hallow:  to set apart as holy, to honor greatly.  Her name then pairs the virtue of canstancy with honoring the pen.  Note also that her grandson, mentioned on page 128, is named Hunter and is an artist--In the hunt for the consecrated pen.&lt;br /&gt;
&lt;br /&gt;
Alternatively, the prefix &#039;&#039;pen-&#039;&#039; is Gaelic for &#039;&#039;head, principal,&#039;&#039; or &#039;&#039;chief,&#039;&#039; in which case the name would mean &amp;quot;Holiest.&amp;quot; It is also Latin for &#039;&#039;nearly, almost&#039;&#039; (as in &amp;quot;penultimate&amp;quot; or &amp;quot;peninsula&amp;quot;), rendering the name &amp;quot;nearly holy.&amp;quot; Given the Nordic origin of the Penhallow family, and the Germanic etymology of &amp;quot;hallow,&amp;quot; the Gaelic prefix may be more likely. On the other hand, the Latinate prefix suggests the state of preterition -- not quite holy and perhaps not saved...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harald the Ruthless&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Harald III Sigurdsson (1015 – September 25, 1066), later surnamed Harald Hardråde (meaning ruthless) was the king of Norway from 1047 until 1066. Harald was the last great Viking king of Norway and his invasion of England and death at the Battle of Stamford Bridge in 1066 proved a true watershed moment. It marked the end of the Viking age. In Norway, Harald&#039;s death also marked the beginning of the Christian era. [http://en.wikipedia.org/wiki/Harald_III_of_Norway Wikipedia entry on Harald the Ruthless] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ginnungagap&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In Norse mythology, Ginnungagap (&amp;quot;seeming emptiness&amp;quot; or &amp;quot;gaping gap&amp;quot;) was a vast chasm that existed before the ordering of the world. To the north of Ginnungagap lay the intense cold of Niflheim, to the south the insufferable heat of Muspelheim. At the beginning of time, the two met in the Ginnungagap; and where the heat met the frost, the frost drops melted and formed the substance eitr, which quickened into life in the form of the giant Ymir, the father of all Frost giants. [http://en.wikipedia.org/wiki/Ginnungagap Wikipedia entry on Ginnungagap]&lt;br /&gt;
&lt;br /&gt;
==Page 128==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hunter Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above, Constance Penhallow.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bay of Röerford&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Does not seem to exist, at least with this spelling.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lower-eighties&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latitudes from 80N to 85N (mainly Ellesmere Island). [http://www.athropolis.com/map2.htm [map]]&lt;br /&gt;
&lt;br /&gt;
==Page 129==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Meat Olaf&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Anagram. &lt;br /&gt;
:As a lesson on the dangers of over-interpretation: I asked a Norwegian friend whether this is truly a Norwegian dish, to which he replied &amp;quot;no,&amp;quot; making me feel stupid. [[User:Bleakhaus|Bleakhaus]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cuidado Cabrón&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cabrón is an offensive word in Spanish meaning a guy who is an asshole/dick/cuckold, but friends can also call each other Cabrón in a joking manner. So, &amp;quot;watch out, fucker!&amp;quot; hot sauce.&lt;br /&gt;
&lt;br /&gt;
==Page 130==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tsangpo-Brahmaputra country&#039;&#039;&#039;&lt;br /&gt;
The Yarlung Tsangpo/Brahmaputra river drains a large portion of the eastern Himalaya and southern Tibetan plateau as well as the eastern Himalayan syntaxis, one of the most tectonically active areas of the globe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Candlebrow University&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A fictional institute, created in the tradition of Lovecraft&#039;s Miskatonic University. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;quaternions&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Quaternions&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In mathematics, quaternions are a non-commutative extension of complex numbers. They were first described by the Irish mathematician [[ATD-H#hamilton|Sir William Rowan Hamilton]] in 1843 and applied to mechanics in three-dimensional space. At first, quaternions were regarded as pathological, because they disobeyed the commutative law ab = ba. Although they have been superseded in most applications by vectors, they still find uses in both theoretical and applied mathematics, in particular for calculations involving three-dimensional rotations. [http://en.wikipedia.org/wiki/Quaternion Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Fleetwood Vibe&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Fleetwood, like Scarsdale, is a wealthy suburb of New York City. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bucket-shop&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Business designed to cheat people. [http://en.wikipedia.org/wiki/Bucket_shop [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Flannelette&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Little washcloth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harriman... Schiff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Railroad magnate and financier behind Northern Pacific Railroad, c1901. [http://en.wikipedia.org/wiki/Northern_Pacific_Railroad [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 131==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Outer Hebrides&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
or Western Isles comprise an island chain off the west coast of Scotland. The population today is only 26,370, and there is no University.&lt;br /&gt;
&lt;br /&gt;
==Page 133==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ynglingsaga&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See also &amp;lt;i&amp;gt;Ynglinga Saga&amp;lt;/i&amp;gt;, or the story of the ancient Norse kings. [http://en.wikipedia.org/wiki/Ynglinga_saga Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;... even of days not yet transpired.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Reminiscent of the Borges short story &amp;quot;The Library of Babel&amp;quot; about an &amp;quot;infinite library&amp;quot; which contains every possible book. [http://en.wikipedia.org/wiki/Library_of_babel Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 134==&lt;br /&gt;
&#039;&#039;&#039;visitors from elsewhere, of non-human aspect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Extraterrestrials, perhaps? &amp;quot;Visitors&amp;quot;, in popular culture, is a term sometimes used to describe ETs. The alien race from the television miniseries &#039;&#039;V&#039;&#039; was named The Visitors. In the fictional world of &#039;&#039;South Park&#039;&#039;, aliens are referred to as &amp;quot;visitors&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;infinitesimal circle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf p58.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the sea-green, the ice-green, glass-green sea.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;Ulysses&#039;&#039;, James Joyce repeatedly describes the &amp;quot;snotgreen sea&amp;quot; (cf. Gabler edition, p. 4), itself an allusion to Homer&#039;s evocation of the &amp;quot;wine-dark sea&amp;quot;. Cf., also, ATD, p.127: &amp;quot; . . . a green headland, sheer green wals of ice, the greenness nearest the water . . . . &amp;quot;  In previous novels, Pynchon&#039;s use of color is almost always advised, as N.K. Hayles and M.B. Eiser note in their essay, &amp;quot;Coloring Gravity&#039;s Rainbow,&amp;quot; in which green is frequently associated with the natural world, uncontaminated by humanity.&lt;br /&gt;
&lt;br /&gt;
==Page 135==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mush-It-Away&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Takeaway (takeout fast food) for dogsledders.&lt;br /&gt;
&lt;br /&gt;
==Page 136==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;kedgework&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A set of pilings used to move a ship by hauling on its mooring or anchoring lines.&lt;br /&gt;
&lt;br /&gt;
==Page 138==&lt;br /&gt;
&#039;&#039;&#039;From the Journals of Mr. Fleetwood Vibe...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
So begins a short narrative, spanning pp.138-155, which bears some of the hallmarks characteristic of the fiction of H.P. Lovecraft: (1) a narrator (Fleetwood) who relates a series of horrible, cosmic events in the form of a memoir or journal entry; (2) a slumbering entity, or &amp;quot;visitor&amp;quot; (p149), mistaken for a more mundane object (meteorite, in this case), and; (3) the incapacity of humans to anticipate or respond to the foreignness of this cosmic vistior and its actions. Given that this horrible thing was retrieved from the Arctic, it is reminiscent of Lovecraft&#039;s &amp;quot;At the Mountains of Madness&amp;quot; (though, &#039;&#039;Antarctic&#039;&#039; in setting; 1931; [http://en.wikisource.org/wiki/At_the_Mountains_of_Madness Wikisource text of the novella]) and, given the meteor-like form of this visitor, &amp;quot;The Colour out of Space&amp;quot; (1927; [http://en.wikisource.org/wiki/The_Colour_Out_of_Space Wikisource text of the story]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nesselrode pudding&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From &#039;&#039;The Penguin Book of Food and Drink&#039;&#039;, ed. Paul Levy:&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;An iced pudding flavoured with chestnuts and dried fruit was invented by Monsieur Mony, chef for many years to the Russian diplomat, Count Nesselrode, in Paris [...] Glacé fruit and peel were a further embellishment to the Nesselrode by the time Proust was old enough to notice such things.&lt;br /&gt;
&lt;br /&gt;
==Page 139==&lt;br /&gt;
&#039;&#039;&#039;Dr. Counterfly... bearded&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Last seen as a boy with low rank.  Six years have elapsed, 1893-1899.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lenses proved to be...Nicol prisms&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Nicol Prism is a device to produce polarized light. It is made from a crystal of calcite (Iceland spar), which is cut along a precisely determined plane and then cemented back together with Canada balsam.  A picture can be found [http://web.grinnell.edu/physics/PMuseum/Nicol%20Prisms.html here], detailed diagrams of Nicol and other polarizing prisms are availabe [http://hyperphysics.phy-astr.gsu.edu/hbase/phyopt/polpri.html here].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nunatak&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Nunatak [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 140==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a large brass speaking-trumpet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
As in the ubiquitous W.A.S.T.E. symbolism in &#039;&#039;The Crying of Lot 49&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Breguet-style arrowheads&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A distinctive fine watch of French design, usually with open circles (&#039;moons&#039;) near the ends of the hands. [http://en.wikipedia.org/wiki/Breguet_(watch) Wikipedia entry] [http://www.rotarywatches.com/images/content/terminology/breguet_hands.jpg [pic]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Poulson&#039;s Telegraphone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Invented in 1898, the first magnetic recording machine was patented by Valdemar Poulson. The theory behind this machine was worked out theoretically by Oberlin Smith of the UK in 1888. Poulson&#039;s machine recorded by passing a thin wire across an electromagnet. Each minute section of the wire would retain its electromagnetic charge, thus recording the sound. Sound could be both recorded and played back. Unfortunately, because the machine&#039;s output wasn&#039;t very loud and there was no way to amplify the signal, the Telegraphone was not much of a success. [http://www.wou.edu/las/creativearts/music/MUS%20206%20Text.pdf External link]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a human caul&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
caul (Latin: Caput galeatum, literally, &amp;quot;head helmet&amp;quot;) is a thin, filmy membrane, the remnants of the amniotic sac, that covers or partly covers the newborn mammal immediately after birth. It is also the membrane enclosing the paunch of mammals, particularly as in pork and mutton butchery. In butchery, the caul is used as offal. A third meaning refers to a type of women&#039;s headdress.  &lt;br /&gt;
&lt;br /&gt;
The &amp;quot;second sight&amp;quot; Dr. Vormance refers to is the subject of Stephen King&#039;s novel &amp;lt;i&amp;gt;The Shining&amp;lt;/i&amp;gt;, wherein the child Danny Torrance, born with a caul, is possessed with the eponymous supernatural power.&lt;br /&gt;
&lt;br /&gt;
==Page 141==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;misfortunes of certain Egyptologists&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly a reference to the curse supposed to be attendant on the tomb of Tutankhamen, and upon which the death of George Herbert, who financed the expedition, was blamed.  The tomb was breached in Feb 1923, though, and that seems later than this episode, so it may just be a reference to general myth. [http://www.touregypt.net/featurestories/curse.htm [history]]&lt;br /&gt;
&lt;br /&gt;
==Page 143==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tungus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Siberian language. [http://en.wikipedia.org/wiki/Tungusic_languages [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 146==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lines&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The description of the single-file line at the train station basically describes current security conditions at American airports. A single line (i.e. linear thinking) does not seem to be a &#039;positive&#039; in the Pynchon world.  (See too the slaughterhouse on page 10.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Explorers&#039; Club&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Apparently in South Africa (the famous NYC one wasn&#039;t founded until 1904).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;War any moment&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Second Boer War started in October 1899. [http://en.wikipedia.org/wiki/Second_Boer_War [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the British poet-laureate’s commemorative verse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Reference to Alfred Austin. From Wikipedia: “As poet-laureate, his topical verses did not escape negative criticism; a hasty poem written in praise of the Jameson Raid in 1896 being a notable instance.” [http://en.wikipedia.org/wiki/Alfred_Austin Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
The questionable rhyme referred to is from that “hasty poem” --&lt;br /&gt;
&lt;br /&gt;
::They went across the veldt,&lt;br /&gt;
::As hard as they could pelt.&lt;br /&gt;
&lt;br /&gt;
From Wikipedia: “The Jameson Raid (December 29, 1895 - January 2, 1896) was a raid on Paul Kruger&#039;s Transvaal Republic carried out by Leander Starr Jameson and his Rhodesian and Bechuanaland policemen over the New Year weekend of 1895-96. It was intended to trigger an uprising by the primarily British expatriate workers (known as Uitlanders) in the Transvaal but failed to do so. The raid was ineffective and no uprising took place, but it did much to bring about the Second Boer War and the Second Matabele War.”  [http://en.wikipedia.org/wiki/Jameson_raid Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 147==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borchardt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1894 forerunner of Luger. [http://www.genitron.com/unique3.html [pic and info]]&lt;br /&gt;
&lt;br /&gt;
==Page 148==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the American Corporation, for instance, in which even the Supreme Court has recognized legal personhood &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Refers to Santa Clara County v. Southern Pacific Railroad Company (1886), during which Chief Justice Morrison R. Waite announced: &amp;quot;The court does not wish to hear argument on the question whether the provision in the Fourteenth Amendment to the Constitution, which forbids a State to deny to any person within its jurisdiction the equal protection of the laws, applies to these corporations. We are all of the opinion that it does.&amp;quot; [http://en.wikipedia.org/wiki/Santa_Clara_County_v._Southern_Pacific_Railroad  Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_119-148&amp;diff=3506</id>
		<title>ATD 119-148</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_119-148&amp;diff=3506"/>
		<updated>2006-12-09T00:38:48Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: /* Page 130 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:&#039;&#039;&#039;&amp;lt;big&amp;gt;Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.&amp;lt;/big&amp;gt;&#039;&#039;&#039;&amp;lt;p&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Page 121==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Ray-rush&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf contemporary telecom bandwidth auctions.&lt;br /&gt;
&lt;br /&gt;
==Page 122==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;dazzle-painting&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A camouflage painting technique used on WWI ships.[http://www.gotouring.com/razzledazzle/articles/dazzle.html]&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;intelligence centers on the surface such as the Inter-Group Laboratory for Opticomagnetic Observation (I.G.L.O.O.), a radiational clearing-house in Northern Alaska&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
Perhaps a reference to the High Frequency Active Auroral Research Program (HAARP) site in Gakonka, AK, which is ostensibly engaged in ionospheric research [http://en.wikipedia.org/wiki/Haarp (Wikipedia entry)]. Also suggestive of the ECHELON network [http://en.wikipedia.org/wiki/ECHELON (Wikipedia entry)], comprising a number of signals intelligence sites, which are capable of intercepting a wide variety of communications signals throughout the world. Also, Pynchon often creates humorous or fanciful acronyms: W.A.S.T.E. (&#039;&#039;The Crying of Lot 49&#039;&#039;), A.C.H.T.U.N.G. (&#039;&#039;Gravity&#039;s Rainbow&#039;&#039;), etc. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lloyd&#039;s of the high spectrum [...] the next fateful Lutine announcement.&#039;&#039;&#039;&amp;lt;br&amp;gt;  The [http://en.wikipedia.org/wiki/Lutine HMS Lutine] (Lutine translates as &amp;quot;the tease&amp;quot;) was a ship commissioned in the French Royal Navy which was later given to the English Royal Navy during the Revolution.  In 1799 she sank in the North Sea while blockading Holland; her hold was full of gold.  Lloyd&#039;s of London, an independent insurance market still known for being willing to assume large insurance risks for the right price, had insured the gold, and paid the claim in full, acquiring nominal ownership of the still-unsalvaged cargo.&lt;br /&gt;
&lt;br /&gt;
Lloyd&#039;s used to ring a &#039;Lutine Bell&#039; to announce the fate of ships at risk. [http://en.wikipedia.org/wiki/Lloyd&#039;s_of_London#Miscellaneous [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;last eclipse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly Pike&#039;s Peak, 1878? [http://sunearth.gsfc.nasa.gov/eclipse/SEhistory/SEhistory.html (partial table)]&lt;br /&gt;
&lt;br /&gt;
==Page 123==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lookout telegraph&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Instead of attaching Pugnax&#039;s tail directly to a hammer that hits the gong, the gong is struck remotely via a telegraph line.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Igor Padzhitnoff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The whole passage that introduces the rival airship captain is a play on Tetris. Igor&#039;s surname is similar to that of the creator of Tetris, [http://en.wikipedia.org/wiki/Alexey_Pazhitnov Alexey Pazhitnov]. Also, the captain himself flies a ship called &amp;quot;The Great Game&amp;quot; and drops &amp;quot;bricks and masonry, always in the four-block fragments which had become his &amp;quot;signature,&amp;quot; to fall on and damage targets designated by his superiors.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Ice Pirates&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This turn of phrase echoes the spoof [http://www.imdb.com/title/tt0087451/ movie] of camraderie and dangerous &amp;quot;space herpes&amp;quot; that was released in 1984.  There&#039;s no textual evidence that Pynchon means to refer to the movie, but the satirical humor and outlandish situations presented in the film might be attractive to someone with his sensibilities.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tovarishchi Slutchainyi&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Tovarishchi translates as comrades; the literal translation of &amp;quot;Slutchainyi&amp;quot; is &amp;quot;accidental&amp;quot;, leading to one possible reading of the phrase being:  Chums of Chance.&amp;lt;br&amp;gt;&lt;br /&gt;
The phrase &amp;quot;Tovarishchi Slutchainyi&amp;quot; could also mean someone who is friends, but not intentionally, ie: perhaps people who are conscripted into a situation where they are forced to be communal. (Thanks to Anna Zaytseva for the idiomatic help!)&amp;lt;br&amp;gt;&lt;br /&gt;
A third reading is introduced when the homophonic correspondence between the final two syllables of Slutchainyi and Vice-President Cheney&#039;s name is noted.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;nasal dislocation&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;Nose out of joint&#039; = offended, feelings hurt.&lt;br /&gt;
&lt;br /&gt;
==Page 124==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Na sobrat&#039; ya po nebo!&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
?&lt;br /&gt;
&lt;br /&gt;
==Page 125==&lt;br /&gt;
&#039;&#039;&#039;a &#039;&#039;roman-feuilleton&#039;&#039; by M. Eugène Sue&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A &#039;&#039;roman-feuilleton&#039;&#039; or serial novel. M. Eugène Sue was a French novelist roughly contemporary to Dumas père, with whom he has been compared. [http://en.wikipedia.org/wiki/Eugène_Sue Wikipedia entry on M. Eugène Sue] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;red as a cursed ruby representing a third eye in the brow of some idol of the incomprehensible&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Seems too random to not be a reference to something...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Isafjördr&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Seems to be in Iceland? &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;The &amp;quot;extra man&amp;quot; of Arctic myth&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In his footnotes to &amp;quot;The Waste Land&amp;quot;, T.S. Eliot glosses the lines:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Who is the third who walks always beside you?&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;When I count, there are only you and I together&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;But when I look ahead up the white road&#039;&#039;&amp;lt;br&amp;gt; &lt;br /&gt;
&#039;&#039;There is always another one walking beside you&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
with:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton&#039;s): it was related that the party of explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted.&amp;quot; [http://www.infoplease.com/t/lit/wasteland/thunder.html]&lt;br /&gt;
&lt;br /&gt;
See also [http://www.pbs.org/wgbh/nova/shackletonexped/dispatches/19991110.html NOVA Online: Shackleton&#039;s Antarctic Odyssey] &lt;br /&gt;
&amp;quot;Shackleton, for his part, attributed their astonishing success to something else: &#039;I know that during that long and racking march of 36 hours over the unnamed mountains and glaciers of South Georgia, it seemed to me often that we were four, not three.&#039; Worsley and Crean, uncannily, felt the same. When T. S. Eliot read Shackleton&#039;s account, he was inspired to write the passage at the head of this dispatch.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the true face&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possible variant on Taoism&#039;s &amp;quot;The Tao that can be spoken of is not the true Tao&amp;quot; [http://catb.org/~esr/jargon/html/T/the-X-that-can-be-Y-is-not-the-true-X.html [cf]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bonzoline&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Ivory substitute made from celluloid, used for billiard balls. [http://www.oedilf.com/db/Lim.php?Word=bonzoline [cite]]&lt;br /&gt;
&lt;br /&gt;
==Page 126==&lt;br /&gt;
&#039;&#039;&#039;inukshuk&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An inukshuk is a stone landmark used as a milestone or directional marker by the Inuit of the Canadian Arctic.  The Arctic Circle, dominated by permafrost, has few natural landmarks and thus the inuksuk was central to navigation across the barren tundra. [http://en.wikipedia.org/wiki/Inukshuk Wikipedia entry on Inukshuk]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a truth beyond the secular&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Pynchon&#039;s use of the word &amp;quot;secular&amp;quot; is unusual. He previously had the Chums striving &amp;quot;to minimize contamination of the secular&amp;quot; on [[ATD_97-118#Page_113|page 113]], and here the Chums try to glimpse &amp;quot;some expression of a truth beyond the secular.&amp;quot; Neither of these statements makes much sense with the normal definitions in use today for &amp;quot;secular&amp;quot;-- what could this mean?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;They passed around rumors--the Captain was insane again, ice-pirates were hunting the &#039;&#039;Malus&#039;&#039; like whalers...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This phrase seems evocative of &#039;&#039;Moby Dick&#039;&#039;, not only in the intimation that the Captain might be insane and the rumors that might result, but also with the explicit references to &amp;quot;whalers&amp;quot; in the subsequent clause,  &amp;quot;the subtle insanity of Ahab.&amp;quot;   &#039;&#039;Moby Dick&#039;&#039; of course contains many scenes when two whaling ships come together to exchange messages.  Chapter 131, &amp;quot;The Pequod Meets the Delight,&amp;quot; features particularly sinister omens.  It is safe to say, however, that none of the captains who meets Ahab quite resembles Padzhitnoff or has a &amp;quot;signature&amp;quot; resembling the game of Tetris!  Pynchon once again lightly tweaks the &amp;quot;line&amp;quot; linking his body of work to Melville&#039;s. ([[ATD_57-80#Page_73|page 73]])&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Étienne-Louis Malus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See [[ATD_97-118#Page_114|page 114]].&lt;br /&gt;
&lt;br /&gt;
==Page 127==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Constance Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Hallow:  to set apart as holy, to honor greatly.  Her name then pairs the virtue of canstancy with honoring the pen.  Note also that her grandson, mentioned on page 128, is named Hunter and is an artist--In the hunt for the consecrated pen.&lt;br /&gt;
&lt;br /&gt;
Alternatively, the prefix &#039;&#039;pen-&#039;&#039; is Gaelic for &#039;&#039;head, principal,&#039;&#039; or &#039;&#039;chief,&#039;&#039; in which case the name would mean &amp;quot;Holiest.&amp;quot; It is also Latin for &#039;&#039;nearly, almost&#039;&#039; (as in &amp;quot;penultimate&amp;quot; or &amp;quot;peninsula&amp;quot;), rendering the name &amp;quot;nearly holy.&amp;quot; Given the Nordic origin of the Penhallow family, and the Germanic etymology of &amp;quot;hallow,&amp;quot; the Gaelic prefix may be more likely. On the other hand, the Latinate prefix suggests the state of preterition -- not quite holy and perhaps not saved...&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harald the Ruthless&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Harald III Sigurdsson (1015 – September 25, 1066), later surnamed Harald Hardråde (meaning ruthless) was the king of Norway from 1047 until 1066. Harald was the last great Viking king of Norway and his invasion of England and death at the Battle of Stamford Bridge in 1066 proved a true watershed moment. It marked the end of the Viking age. In Norway, Harald&#039;s death also marked the beginning of the Christian era. [http://en.wikipedia.org/wiki/Harald_III_of_Norway Wikipedia entry on Harald the Ruthless] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ginnungagap&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In Norse mythology, Ginnungagap (&amp;quot;seeming emptiness&amp;quot; or &amp;quot;gaping gap&amp;quot;) was a vast chasm that existed before the ordering of the world. To the north of Ginnungagap lay the intense cold of Niflheim, to the south the insufferable heat of Muspelheim. At the beginning of time, the two met in the Ginnungagap; and where the heat met the frost, the frost drops melted and formed the substance eitr, which quickened into life in the form of the giant Ymir, the father of all Frost giants. [http://en.wikipedia.org/wiki/Ginnungagap Wikipedia entry on Ginnungagap]&lt;br /&gt;
&lt;br /&gt;
==Page 128==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Hunter Penhallow&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See above, Constance Penhallow.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Bay of Röerford&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Does not seem to exist, at least with this spelling.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lower-eighties&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Latitudes from 80N to 85N (mainly Ellesmere Island). [http://www.athropolis.com/map2.htm [map]]&lt;br /&gt;
&lt;br /&gt;
==Page 129==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Meat Olaf&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Anagram. &lt;br /&gt;
:As a lesson on the dangers of over-interpretation: I asked a Norwegian friend whether this is truly a Norwegian dish, to which he replied &amp;quot;no,&amp;quot; making me feel stupid. [[User:Bleakhaus|Bleakhaus]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Cuidado Cabrón&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cabrón is an offensive word in Spanish meaning a guy who is an asshole/dick/cuckold, but friends can also call each other Cabrón in a joking manner. So, &amp;quot;watch out, fucker!&amp;quot; hot sauce.&lt;br /&gt;
&lt;br /&gt;
==Page 130==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tsangpo-Brahmaputra country&#039;&#039;&#039;&lt;br /&gt;
The Yarlung Tsangpo/Brahmaputra river drains a large portion of the eastern Himalaya and southern Tibetan plateau as well as the eastern Himalayan syntaxis, one of the most tectonically active areas of the globe.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Candlebrow University&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A fictional institute, created in the tradition of Lovecraft&#039;s Miskatonic University. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;quaternions&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&#039;&#039;&#039;Quaternions&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
In mathematics, quaternions are a non-commutative extension of complex numbers. They were first described by the Irish mathematician [[ATD-H#hamilton|Sir William Rowan Hamilton]] in 1843 and applied to mechanics in three-dimensional space. At first, quaternions were regarded as pathological, because they disobeyed the commutative law ab = ba. Although they have been superseded in most applications by vectors, they still find uses in both theoretical and applied mathematics, in particular for calculations involving three-dimensional rotations. [http://en.wikipedia.org/wiki/Quaternion Wikipedia entry].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Fleetwood Vibe&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Fleetwood, like Scarsdale, is a wealthy suburb of New York City. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;bucket-shop&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Business designed to cheat people. [http://en.wikipedia.org/wiki/Bucket_shop [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Flannelette&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Little washcloth.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Harriman... Schiff&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Railroad magnate and financier behind Northern Pacific Railroad, c1901. [http://en.wikipedia.org/wiki/Northern_Pacific_Railroad [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 131==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Outer Hebrides&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
or Western Isles comprise an island chain off the west coast of Scotland. The population today is only 26,370, and there is no University.&lt;br /&gt;
&lt;br /&gt;
==Page 133==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ynglingsaga&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
See also &amp;lt;i&amp;gt;Ynglinga Saga&amp;lt;/i&amp;gt;, or the story of the ancient Norse kings. [http://en.wikipedia.org/wiki/Ynglinga_saga Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;... even of days not yet transpired.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Reminiscent of the Borges short story &amp;quot;The Library of Babel&amp;quot; about an &amp;quot;infinite library&amp;quot; which contains every possible book. [http://en.wikipedia.org/wiki/Library_of_babel Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 134==&lt;br /&gt;
&#039;&#039;&#039;visitors from elsewhere, of non-human aspect&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Extraterrestrials, perhaps? &amp;quot;Visitors&amp;quot;, in popular culture, is a term sometimes used to describe ETs. The alien race from the television miniseries &#039;&#039;V&#039;&#039; was named The Visitors. In the fictional world of &#039;&#039;South Park&#039;&#039;, aliens are referred to as &amp;quot;visitors&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;infinitesimal circle&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Cf p58.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the sea-green, the ice-green, glass-green sea.&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
In &#039;&#039;Ulysses&#039;&#039;, James Joyce repeatedly describes the &amp;quot;snotgreen sea&amp;quot; (cf. Gabler edition, p. 4), itself an allusion to Homer&#039;s evocation of the &amp;quot;wine-dark sea&amp;quot;. Cf., also, ATD, p.127: &amp;quot; . . . a green headland, sheer green wals of ice, the greenness nearest the water . . . . &amp;quot;  In previous novels, Pynchon&#039;s use of color is almost always advised, as N.K. Hayles and M.B. Eiser note in their essay, &amp;quot;Coloring Gravity&#039;s Rainbow,&amp;quot; in which green is frequently associated with the natural world, uncontaminated by humanity.&lt;br /&gt;
&lt;br /&gt;
==Page 135==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mush-It-Away&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Takeaway (takeout fast food) for dogsledders.&lt;br /&gt;
&lt;br /&gt;
==Page 136==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;kedgework&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A set of pilings used to move a ship by hauling on it&#039;s mooring or anchoring lines.&lt;br /&gt;
&lt;br /&gt;
==Page 138==&lt;br /&gt;
&#039;&#039;&#039;From the Journals of Mr. Fleetwood Vibe...&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
So begins a short narrative, spanning pp.138-155, which bears some of the hallmarks characteristic of the fiction of H.P. Lovecraft: (1) a narrator (Fleetwood) who relates a series of horrible, cosmic events in the form of a memoir or journal entry; (2) a slumbering entity, or &amp;quot;visitor&amp;quot; (p149), mistaken for a more mundane object (meteorite, in this case), and; (3) the incapacity of humans to anticipate or respond to the foreignness of this cosmic vistior and its actions. Given that this horrible thing was retrieved from the Arctic, it is reminiscent of Lovecraft&#039;s &amp;quot;At the Mountains of Madness&amp;quot; (though, &#039;&#039;Antarctic&#039;&#039; in setting; 1931; [http://en.wikisource.org/wiki/At_the_Mountains_of_Madness Wikisource text of the novella]) and, given the meteor-like form of this visitor, &amp;quot;The Colour out of Space&amp;quot; (1927; [http://en.wikisource.org/wiki/The_Colour_Out_of_Space Wikisource text of the story]).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Nesselrode pudding&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
From &#039;&#039;The Penguin Book of Food and Drink&#039;&#039;, ed. Paul Levy:&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;quot;An iced pudding flavoured with chestnuts and dried fruit was invented by Monsieur Mony, chef for many years to the Russian diplomat, Count Nesselrode, in Paris [...] Glacé fruit and peel were a further embellishment to the Nesselrode by the time Proust was old enough to notice such things.&lt;br /&gt;
&lt;br /&gt;
==Page 139==&lt;br /&gt;
&#039;&#039;&#039;Dr. Counterfly... bearded&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Last seen as a boy with low rank.  Six years have elapsed, 1893-1899.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lenses proved to be...Nicol prisms&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A Nicol Prism is a device to produce polarized light. It is made from a crystal of calcite (Iceland spar), which is cut along a precisely determined plane and then cemented back together with Canada balsam.  A picture can be found [http://web.grinnell.edu/physics/PMuseum/Nicol%20Prisms.html here], detailed diagrams of Nicol and other polarizing prisms are availabe [http://hyperphysics.phy-astr.gsu.edu/hbase/phyopt/polpri.html here].&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;nunatak&#039;&#039;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Nunatak [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 140==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a large brass speaking-trumpet&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
As in the ubiquitous W.A.S.T.E. symbolism in &#039;&#039;The Crying of Lot 49&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Breguet-style arrowheads&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A distinctive fine watch of French design, usually with open circles (&#039;moons&#039;) near the ends of the hands. [http://en.wikipedia.org/wiki/Breguet_(watch) Wikipedia entry] [http://www.rotarywatches.com/images/content/terminology/breguet_hands.jpg [pic]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Poulson&#039;s Telegraphone&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Invented in 1898, the first magnetic recording machine was patented by Valdemar Poulson. The theory behind this machine was worked out theoretically by Oberlin Smith of the UK in 1888. Poulson&#039;s machine recorded by passing a thin wire across an electromagnet. Each minute section of the wire would retain its electromagnetic charge, thus recording the sound. Sound could be both recorded and played back. Unfortunately, because the machine&#039;s output wasn&#039;t very loud and there was no way to amplify the signal, the Telegraphone was not much of a success. [http://www.wou.edu/las/creativearts/music/MUS%20206%20Text.pdf External link]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;a human caul&#039;&#039;&#039; &amp;lt;br&amp;gt;&lt;br /&gt;
caul (Latin: Caput galeatum, literally, &amp;quot;head helmet&amp;quot;) is a thin, filmy membrane, the remnants of the amniotic sac, that covers or partly covers the newborn mammal immediately after birth. It is also the membrane enclosing the paunch of mammals, particularly as in pork and mutton butchery. In butchery, the caul is used as offal. A third meaning refers to a type of women&#039;s headdress.  &lt;br /&gt;
&lt;br /&gt;
The &amp;quot;second sight&amp;quot; Dr. Vormance refers to is the subject of Stephen King&#039;s novel &amp;lt;i&amp;gt;The Shining&amp;lt;/i&amp;gt;, wherein the child Danny Torrance, born with a caul, is possessed with the eponymous supernatural power.&lt;br /&gt;
&lt;br /&gt;
==Page 141==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;misfortunes of certain Egyptologists&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Possibly a reference to the curse supposed to be attendant on the tomb of Tutankhamen, and upon which the death of George Herbert, who financed the expedition, was blamed.  The tomb was breached in Feb 1923, though, and that seems later than this episode, so it may just be a reference to general myth. [http://www.touregypt.net/featurestories/curse.htm [history]]&lt;br /&gt;
&lt;br /&gt;
==Page 143==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Tungus&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Siberian language. [http://en.wikipedia.org/wiki/Tungusic_languages [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
==Page 146==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;lines&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The description of the single-file line at the train station basically describes current security conditions at American airports. A single line (i.e. linear thinking) does not seem to be a &#039;positive&#039; in the Pynchon world.  (See too the slaughterhouse on page 10.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Explorers&#039; Club&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Apparently in South Africa (the famous NYC one wasn&#039;t founded until 1904).&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;War any moment&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The Second Boer War started in October 1899. [http://en.wikipedia.org/wiki/Second_Boer_War [Wikipedia]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the British poet-laureate’s commemorative verse&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Reference to Alfred Austin. From Wikipedia: “As poet-laureate, his topical verses did not escape negative criticism; a hasty poem written in praise of the Jameson Raid in 1896 being a notable instance.” [http://en.wikipedia.org/wiki/Alfred_Austin Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
The questionable rhyme referred to is from that “hasty poem” --&lt;br /&gt;
&lt;br /&gt;
::They went across the veldt,&lt;br /&gt;
::As hard as they could pelt.&lt;br /&gt;
&lt;br /&gt;
From Wikipedia: “The Jameson Raid (December 29, 1895 - January 2, 1896) was a raid on Paul Kruger&#039;s Transvaal Republic carried out by Leander Starr Jameson and his Rhodesian and Bechuanaland policemen over the New Year weekend of 1895-96. It was intended to trigger an uprising by the primarily British expatriate workers (known as Uitlanders) in the Transvaal but failed to do so. The raid was ineffective and no uprising took place, but it did much to bring about the Second Boer War and the Second Matabele War.”  [http://en.wikipedia.org/wiki/Jameson_raid Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Page 147==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Borchardt&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
1894 forerunner of Luger. [http://www.genitron.com/unique3.html [pic and info]]&lt;br /&gt;
&lt;br /&gt;
==Page 148==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;the American Corporation, for instance, in which even the Supreme Court has recognized legal personhood &#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Refers to Santa Clara County v. Southern Pacific Railroad Company (1886), during which Chief Justice Morrison R. Waite announced: &amp;quot;The court does not wish to hear argument on the question whether the provision in the Fourteenth Amendment to the Constitution, which forbids a State to deny to any person within its jurisdiction the equal protection of the laws, applies to these corporations. We are all of the opinion that it does.&amp;quot; [http://en.wikipedia.org/wiki/Santa_Clara_County_v._Southern_Pacific_Railroad  Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
==Annotation Index==&lt;br /&gt;
{{ATD PbP}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3139</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3139"/>
		<updated>2006-12-04T15:16:05Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 12 &amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 31-32 &amp;quot;ridegerunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 548 line 24        &amp;quot;harbors,&amp;quot; comma should be period&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 563 line 36        &amp;quot;&#039;&#039;mo[d]erskont&#039;&#039;&amp;quot; (?)&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1034 line 7        &amp;quot;Thickbush&amp;quot; [vs. &amp;quot;Thick Bush&amp;quot; at 8.3]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3074</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3074"/>
		<updated>2006-12-03T15:45:57Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 12 &amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 31-32 &amp;quot;ridegerunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1034 line 7        &amp;quot;Thickbush&amp;quot; [vs. &amp;quot;Thick Bush&amp;quot; at 8.3]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3072</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3072"/>
		<updated>2006-12-03T15:45:30Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 12 &amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 31-32 &amp;quot;ridegerunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1034 line 7        &amp;quot;Thickbush&amp;quot; [vs. &amp;quot;Thick Bush&amp;quot;] at 8.3]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Talk:Errata&amp;diff=3067</id>
		<title>Talk:Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Talk:Errata&amp;diff=3067"/>
		<updated>2006-12-03T09:32:50Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There&#039;s a &amp;quot;that&amp;quot; which should be &amp;quot;than&amp;quot;, as well as a missing quotation mark, somewhere in the first 800 pages, but I was too foolish to note where I found them.  Don&#039;t I feel like a schmuck.  [[User:BlakeStacey|BlakeStacey]] 16:42, 2 December 2006 (PST)&lt;br /&gt;
&lt;br /&gt;
== Updates ==&lt;br /&gt;
&lt;br /&gt;
How do you think I feel mistyping the line for an error right in front of me?&lt;br /&gt;
&lt;br /&gt;
(Thanks for the catch, Bleakhaus!)&lt;br /&gt;
&lt;br /&gt;
I have all sympathy for Penguin (as long as they correct &#039;em.) This must have been a bear to proof, and perfection is not given to mortals... [[User:monte.davis|monte.davis]] 04:25, 3 December 2006 (EST)&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Talk:Errata&amp;diff=3066</id>
		<title>Talk:Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Talk:Errata&amp;diff=3066"/>
		<updated>2006-12-03T09:25:22Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There&#039;s a &amp;quot;that&amp;quot; which should be &amp;quot;than&amp;quot;, as well as a missing quotation mark, somewhere in the first 800 pages, but I was too foolish to note where I found them.  Don&#039;t I feel like a schmuck.  [[User:BlakeStacey|BlakeStacey]] 16:42, 2 December 2006 (PST)&lt;br /&gt;
&lt;br /&gt;
== Updates ==&lt;br /&gt;
&lt;br /&gt;
How do you think I feel mistyping the line for an error right in front of me?&lt;br /&gt;
&lt;br /&gt;
I have all sympathy for Penguin (as long as they correct &#039;em.) This must have been a bear to proof, and perfection is not given to mortals... [[User:monte.davis|monte.davis]] 04:25, 3 December 2006 (EST)&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Talk:Errata&amp;diff=3065</id>
		<title>Talk:Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Talk:Errata&amp;diff=3065"/>
		<updated>2006-12-03T09:23:41Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: Updates&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There&#039;s a &amp;quot;that&amp;quot; which should be &amp;quot;than&amp;quot;, as well as a missing quotation mark, somewhere in the first 800 pages, but I was too foolish to note where I found them.  Don&#039;t I feel like a schmuck.  [[User:BlakeStacey|BlakeStacey]] 16:42, 2 December 2006 (PST)&lt;br /&gt;
&lt;br /&gt;
== Updates ==&lt;br /&gt;
&lt;br /&gt;
How do you think I feel mistyping the line for an error right in front of me?&lt;br /&gt;
&lt;br /&gt;
I have all sympathy for Penguin (as long as they correct &#039;em.) This must have been a bear to proof, and perfection is not given to mortals...&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3064</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3064"/>
		<updated>2006-12-03T08:50:03Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line &#039;&#039;&#039;12&#039;&#039;&#039; 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
: I couln&#039;t find this one. [[User:Bleakhaus|Bleakhaus]] 18:08, 2 December 2006 (PST)&lt;br /&gt;
&lt;br /&gt;
Page 87 line &#039;&#039;&#039;31-32&#039;&#039;&#039; 	&amp;quot;ridegerunning&amp;quot;&lt;br /&gt;
:This one, either-- sure you got the right page? [[User:Bleakhaus|Bleakhaus]] 18:08, 2 December 2006 (PST)&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3063</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3063"/>
		<updated>2006-12-03T08:49:32Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line &#039;&#039;&#039;12&#039;&#039;&#039; 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
: I couln&#039;t find this one. [[User:Bleakhaus|Bleakhaus]] 18:08, 2 December 2006 (PST)&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegerunning&amp;quot;&lt;br /&gt;
:This one, either-- sure you got the right page? [[User:Bleakhaus|Bleakhaus]] 18:08, 2 December 2006 (PST)&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3062</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3062"/>
		<updated>2006-12-03T08:48:58Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
: I couln&#039;t find this one. [[User:Bleakhaus|Bleakhaus]] 18:08, 2 December 2006 (PST)&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegerunning&amp;quot;&lt;br /&gt;
:This one, either-- sure you got the right page? [[User:Bleakhaus|Bleakhaus]] 18:08, 2 December 2006 (PST)&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3055</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3055"/>
		<updated>2006-12-03T00:00:03Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;&#039;&#039;Tallis&#039;&#039; Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3054</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3054"/>
		<updated>2006-12-02T23:59:02Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	&#039;&#039;Culo&#039;&#039;,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3053</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3053"/>
		<updated>2006-12-02T23:58:12Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;&#039;&#039;Um&#039;&#039;&amp;quot; for &amp;quot;&#039;&#039;Un&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3052</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3052"/>
		<updated>2006-12-02T23:56:08Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;Um&amp;quot; for &amp;quot;Un&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3051</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3051"/>
		<updated>2006-12-02T23:55:36Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: update&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 63 line 14 &amp;quot;Unless,&amp;quot; Ed pointed out, [&amp;quot;]it &#039;&#039;is&#039;&#039; God.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 1071 line 35       &amp;quot;um&amp;quot; for &amp;quot;un&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3006</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3006"/>
		<updated>2006-12-02T04:11:12Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo,[&#039;]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3005</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3005"/>
		<updated>2006-12-02T03:56:28Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo should be followed by single quote&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 444 line 8         &amp;quot;Oasi[s]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3004</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=3004"/>
		<updated>2006-12-02T03:49:01Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Against the Day description|Front flap]]: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo should be followed by single quote&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1036 line 36       &amp;quot;querelans&amp;quot; [vs. &amp;quot;querulans&amp;quot; at 455.16]       &lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;br /&gt;
&lt;br /&gt;
[[Category:ATD]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2970</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2970"/>
		<updated>2006-12-01T23:19:33Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: updates&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Front flap: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo should be followed by single quote&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 518 line 1         &amp;quot;off&amp;quot; for &amp;quot;of&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 531 Line 13        &amp;quot;rende[z]vous&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 786 line 5         &amp;quot;th[r]ough&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=E&amp;diff=2965</id>
		<title>E</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=E&amp;diff=2965"/>
		<updated>2006-12-01T22:30:58Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Earp, Wyatt (1848-1929)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
37; a Teamster, sometime buffalo hunter, officer of the law, gambler, and saloon-keeper in the Wild West and the U.S. mining frontier from California to Alaska. [http://en.wikipedia.org/wiki/Wyatt_Earp Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Eastern Question&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
168; The &amp;quot;Eastern Question,&amp;quot; in European history, encompasses the diplomatic and political problems posed by the decay of the Ottoman Empire (Turkey). The expression does not apply to any one particular problem, instead comprehending a variety of issues raised during the eighteenth, nineteenth, and twentieth centuries, including instability in the European territories ruled by the Ottoman Empire; 226; 238; [http://en.wikipedia.org/wiki/Eastern_Question Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Eddas&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
142; The Edda are collections of poetically narrated folk-tales relating to Norse Mythology or Norse heroes. These are fragmentary parts of a (presumably) much larger skaldic tradition of oral narration which has been written down by scholars prior to the tales being lost absolutely. [http://en.wikipedia.org/wiki/Eddas Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Edison, Thomas Alva (1847-1931)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
34; Pierpont&#039;s arrangement with; Thomas Edison was an American inventor and businessman who developed many devices which greatly influenced life in the 20th century, including the electric incandescent lamp; scheme &amp;quot;using static electricity&amp;quot; 291; [http://en.wikipedia.org/wiki/Edison Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Eigenheit theory&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
324;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Einstein&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
412;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Electricity&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
97-98; [http://en.wikipedia.org/wiki/Electricity Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;embonpoint&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
25; plumpness: the bodily property of being well rounded&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Emmett&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
183;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Emmens, Dr. Stephen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
305; Early in 1897, the British chemist Stephen H. Emmens, then residing in New York, announced the discovery of a new element which fills the &amp;quot;vacant space existing in the sub-group of Group I&amp;quot;, and which he thought to be the intermediate matter from which silver and gold are formed. Dr. Emmens said: &amp;quot;Our claim is that the element in question is therefore neither silver nor gold, but which may, by our new physical methods, be converted into gold.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
In 1897, Dr. Emmens&#039; Argentaurum Laboratory on Staten Island produced over 660 ounces of gold from silver and sold it to the U.S. Assay Office. He revealed a few historical and technical details of his transmutation process in his book, &#039;&#039;Argentaurum Papers #1: Some Remarks Concerning Gravitation&#039;&#039;; [[Dr Stephen Emmens|Article on Dr. Stephen Emmens]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;English Rose&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
496;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;E.P.T.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
645; El Paso, Texas&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Epworth League&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
24;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ernest-Augustan Age&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
231; Ernest Augustus (1771-1851), aka the Duke of Cumberland, was the fifth son and eighth child of King George III of the United Kingdom and Queen Charlotte. He had a reputation as one of the least pleasant of the sons of George III. Politically an arch-reactionary, he opposed the 1828 Catholic Emancipation Bill proposed by the government of the Prime Minister, the Duke of Wellington. Rumor strongly suggested that he had murdered his valet, and other horrific stories told about him included rumors of incestuous relations with Princess Sophia, his sister. He is also alleged to have made an indecent assault on Sarah, Lady Lyndhurst, the wife of Lord Lyndhurst, three-time Lord Chancellor. There is, however, little to no historical evidence that any of these events were more than rumor; [http://en.wikipedia.org/wiki/Ernest_Augustus_I_of_Hanover Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ernst and Adolph&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
88; bartenders at Pap Wyman&#039;s Saloon&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;er-Raisuli, Mulai Ahmed&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
520; local warlord in Tangier&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Errata&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
This article lists errors we have found in the first U.S. edition of Against the Day.[[Errata]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Eskimo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
150;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Eskimoff, Madam Natalia&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
226; a &amp;quot;classic English Rose&amp;quot;; explosion at seance, 229; &amp;quot;the comely ecstatica&amp;quot; 230; 617; &amp;quot;the kindly ecstatic&amp;quot; 670; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Esperanto&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
533; the most widely spoken constructed international language. The name derives from Doktoro Esperanto, the pseudonym under which L. L. Zamenhof first published the Unua Libro in 1887. The word itself means &#039;one who hopes&#039;. Zamenhof&#039;s goal was to create an easy and flexible language as a universal second language to foster peace and international understanding; [http://en.wikipedia.org/wiki/Esperanto Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Espinero, El&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
390; Indian in Mexico&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Esthonia Hotel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
39;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Estrella&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
390; sister in law of Espinero; double of Stray Briggs, 393;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;eternal return&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
132; Eternal return (also known as &amp;quot;eternal recurrence&amp;quot;) is a concept which posits that the universe has been recurring, and will continue to recur in the exact same self-similar form an incomprehensible and infathomable quantity of times; 409; 452; &amp;quot;cursed to return, and return&amp;quot; 555; [http://en.wikipedia.org/wiki/Eternal_return Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Etienne-Louis Malus&#039;&#039;&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
114; schooner used by the Vormance Expedition; 118; 126;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Euler, Leonhard (1707-1783)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
115; Swiss mathematician and physicist. He developed important concepts and proved mathematical theorems in fields as diverse as calculus, number theory and topology.  He is widely considered to have proposed a theory that the earth is hollow, although according to an uncited suggestion in the [http://en.wikipedia.org/wiki/Hollow_Earth Hollow Earth] wikipedia article, this may result from a misreading of a thought experiment. 593; [http://en.wikipedia.org/wiki/Euler Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everett, Mexican Pete&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
190&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;evil&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
173; evildoers; wrongdoers, 209; evildoers, 210, 374;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;extra man&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
125; &amp;quot;of Arctic myth&amp;quot;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Perhaps akin to T. S. Eliot&#039;s lines from &#039;&#039;The Waste Land,&#039;&#039; &amp;quot;V. What the Thunder Said&amp;quot;:&lt;br /&gt;
&lt;br /&gt;
Who is the third who walks always beside you?&amp;lt;br&amp;gt; &lt;br /&gt;
When I count, there are only you and I together	&amp;lt;br&amp;gt;&lt;br /&gt;
But when I look ahead up the white road	 &amp;lt;br&amp;gt;&lt;br /&gt;
There is always another one walking beside you &amp;lt;br&amp;gt;	 &lt;br /&gt;
Gliding wrapt in a brown mantle, hooded	 &amp;lt;br&amp;gt;&lt;br /&gt;
I do not know whether a man or a woman	&amp;lt;br&amp;gt; &lt;br /&gt;
—But who is that on the other side of you?&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In his &amp;quot;Notes,&amp;quot; Eliot says: &amp;lt;br&amp;gt; &lt;br /&gt;
&amp;quot;The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton&#039;s): it was related that the party of explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
If there is otherwise an &amp;quot;Arctic myth,&amp;quot; this citation is probably irrelevant.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{ATD_Alpha_Nav}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2964</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2964"/>
		<updated>2006-12-01T22:29:38Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Front flap: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo should be followed by single quote&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	dueling transliterations: &amp;quot;Izmeren[i]ye&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2963</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2963"/>
		<updated>2006-12-01T22:24:03Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing (Nov. 2006), first US edition ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Front flap: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo should be followed by single quote&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	two transliterations of &amp;quot;Izm...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	&amp;quot;Tallis Fantasia&amp;quot; [of Vaughan Williams]: misleading italics&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere] &lt;br /&gt;
&lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Campanile&amp;diff=2961</id>
		<title>Campanile</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Campanile&amp;diff=2961"/>
		<updated>2006-12-01T22:14:57Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== The &amp;quot;Collapse&amp;quot; of St. Mark&#039;s Campanile, July 14, 1902 ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[image:campanile.jpg|thumb|200px|Collapsing Campanile|right]]St Mark&#039;s Campanile is the bell tower of St Mark&#039;s Basilica in Venice, located in the square (piazza) of the same name.&lt;br /&gt;
&lt;br /&gt;
On the morning of 14 July 1902 the Venetians woke up without their bell tower. A sudden collapse had forever destroyed one of the iconic images of the city. On the evening of the same day, the City Council gathered out of urgency and decided that the bell tower should be reconstructed &amp;quot;how it was and where it was.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Venice&#039;s famous brick bell tower (325 feet tall, plus the angel) had been standing nearly 1,000 years when, practically without warning, it collapsed, taking with it Jacopo Sansovino&#039;s 16th-century marble loggia at the base. The crushed loggia was promptly restored and the new tower, rebuilt to the old plan, reopened in 1912. In the 15th century, clerics found guilty of immoral behavior were suspended in wooden cages from the tower. Some were forced to subsist on bread and water for as long as a year, while others were left to starve. The stunning view from the tower on a clear day includes the Lido, the lagoon, and the mainland as far as the Alps but, strangely enough, none of the myriad canals that snake through the city.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What stood for a thousand years,&amp;quot; Randolph pronounced, &amp;quot;what neither tempest nor earthquake, nor even the catastrophic Napoleon Bonaparte could touch, we have bumblingly brought down in an instant. What shall be the next target of our ineptitude? Notre Dame? the Pyramids?&amp;quot;&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2960</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2960"/>
		<updated>2006-12-01T22:10:10Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;= The &amp;quot;Collapse&amp;quot; of St. Mark&#039;s Campanile, July 14, 1902==&lt;br /&gt;
			&lt;br /&gt;
[[image:campanile.jpg|thumb|200px|Collapsing Campanile|right]]St Mark&#039;s Campanile is the bell tower of St Mark&#039;s Basilica in Venice, located in the square (piazza) of the same name.&lt;br /&gt;
			&lt;br /&gt;
On the morning of 14 July 1902 the Venetians woke up without their bell tower. A sudden collapse had forever destroyed one of the iconic images of the city. On the evening of the same day, the City Council gathered out of urgency and decided that the bell tower should be reconstructed &amp;quot;how it was and where it was.&amp;quot;&lt;br /&gt;
			&lt;br /&gt;
Venice&#039;s famous brick bell tower (325 feet tall, plus the angel) had been standing nearly 1,000 years when, practically without warning, it collapsed, taking with it Jacopo Sansovino&#039;s 16th-century marble loggia at the base. The crushed loggia was promptly restored and the new tower, rebuilt to the old plan, reopened in 1912. In the 15th century, clerics found guilty of immoral behavior were suspended in wooden cages from the tower. Some were forced to subsist on bread and water for as long as a year, while others were left to starve. The stunning view from the tower on a clear day includes the Lido, the lagoon, and the mainland as far as the Alps but, strangely enough, none of the myriad canals that snake through the city.&lt;br /&gt;
			&lt;br /&gt;
&amp;quot;What stood for a thousand years,&amp;quot; Randolph pronounced, &amp;quot;what neither tempest nor earthquake, nor even the catastrophic Napoleon Bonaparte could touch, we have bumblingly brought down in an instant. What shall be the next target of our ineptitude? Notre Dame? the Pyramids?&amp;quot;&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Campanile&amp;diff=2959</id>
		<title>Campanile</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Campanile&amp;diff=2959"/>
		<updated>2006-12-01T22:06:36Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: Campanile moved to Errata&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[Errata]]&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2958</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2958"/>
		<updated>2006-12-01T22:06:36Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: Campanile moved to Errata&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing, first US edition==&lt;br /&gt;
&lt;br /&gt;
Front flap: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo should be followed by single quote&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	two transliterations of &amp;quot;Izm...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	reverse italics on &amp;quot;Tallis Fantasia&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere]&lt;br /&gt;
 &lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2957</id>
		<title>Errata</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=Errata&amp;diff=2957"/>
		<updated>2006-12-01T22:05:06Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: Errata article (how to change main title, Tim -- or is that your job?&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Errata in first printing, first US edition==&lt;br /&gt;
&lt;br /&gt;
Front flap: 		&amp;quot;Nikolai&amp;quot; Tesla, elsewhere (and conventionally) &amp;quot;Nikola&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 82 line 1 	&amp;quot;richochets&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 87 line 2 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 87 line 32 	&amp;quot;ridegrunning&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 92 line 15 	&amp;quot;what&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 116 line 39 	&amp;quot;de[c]lared&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 236 line 38: 	&amp;quot;exhiliration&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 240 line 8 	&amp;quot;Re[n]frew&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 248 line 18: 	Culo should be followed by single quote&lt;br /&gt;
&lt;br /&gt;
Page 254 line 31 	&amp;quot;recon[n]aissance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 334 line 19 	&amp;quot;of&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 420 line 28 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 427 line 7 	&amp;quot;esssential&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 440 line 33 	&amp;quot;sib[i]lance&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 505 line 1 	&amp;quot;momument&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 513 line 11 	&amp;quot;smlled&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 515 line 32 	&amp;quot;th[r]oughout&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 524 line 10 	&amp;quot;exhilirated&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 552 line 22 	&amp;quot;be&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 616 line 21 	two transliterations of &amp;quot;Izm...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 636 line 4 	&amp;quot;f[r]om&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 652 line 12 	&amp;quot;opportunit[i]es&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 680 line 10 	&amp;quot;Colonnel&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 782 line 16 	&amp;quot;when&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 790 line 5-6	&amp;quot;interrested&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 790 line 24 	&amp;quot;a[r]rival&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 799 line 4 	&amp;quot;st[r]eet&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 801 line 12 	&amp;quot;susceptib[i]lity&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 831 line 5 	&amp;quot;ar[t]ificial&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 880 line 38 	&amp;quot;Gradengio&amp;quot; for Gradenigo&lt;br /&gt;
&lt;br /&gt;
Page 896 line 37 	reverse italics on &amp;quot;Tallis Fantasia&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 900 line 19  	&amp;quot;the&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 915 line 16 	&amp;quot;perfo[r]ming&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 4 	&amp;quot;Ou[t]side&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 943 line 36 	&amp;quot;unfor[e]seen [variant, &#039;fore&#039; used elsewhere]&lt;br /&gt;
 &lt;br /&gt;
Page 968 line 27 	&amp;quot;every[b]ody&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Page 971 line 4 	&amp;quot;were&amp;quot; doubled&lt;br /&gt;
&lt;br /&gt;
Page 1000 line 14 	final period omitted from L.A.H.D.I.H.D.A[]&lt;br /&gt;
&lt;br /&gt;
Page 1037 line 29 	&amp;quot;tran[s]parencies&amp;quot;&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
	<entry>
		<id>https://against-the-day.pynchonwiki.com/wiki/index.php?title=G&amp;diff=2657</id>
		<title>G</title>
		<link rel="alternate" type="text/html" href="https://against-the-day.pynchonwiki.com/wiki/index.php?title=G&amp;diff=2657"/>
		<updated>2006-11-28T22:49:29Z</updated>

		<summary type="html">&lt;p&gt;Monte.davis@verizon.net: expansion on JW Gibbs&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Gage, Lyman Judson (1836-1927)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
307; &amp;quot;that old Gold Standard hand and bank president&amp;quot;; Gage was president of the First National Bank of Chicago; in 1892, he was chosen president of the board of directors of the World&#039;s Columbian Exposition, the successful financing of which was due more to him than to any other man. As Secretary of the Treasury under President Grover Cleveland, Gage was influential in securing passage of the Gold Standard Act of March 14, 1900, which reestablished a currency backed solely by gold; [http://en.wikipedia.org/wiki/Lyman_J._Gage Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galandronome&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
374; a type of bassoon developed by French instrument maker Galander in the mid-19th century;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Galois, Evariste&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
601; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gallows Frame Saloon&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
302; in Telluride; the Gallows Frame is the structural frame, usually made of steel or timber, at the top of an underground mine shaft. These frames hold the hoisting equipment which raise and lower equipment and miners into the underground mine. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gamomania&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
432; &amp;quot;the abnormal desire to be married&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Garçons de &#039;71&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
19;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gas Office&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
607&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gaspereaux, Stilton&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
436; civilian passenger on &#039;&#039;Saksaul&#039;&#039;; in London, 445;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gatlin, Reverend Moss&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
49; Anarchist preacher; &amp;quot;we are Stripes and Solids on the pool table of earthly existence&amp;quot; 87; The New York Times, commenting on the Haymarket Square riots in Chicago in 1886, offered the following solution to the anarchist threat, “In the early stages of an acute outbreak of anarchy a Gatling gun, or if the case be severe, two, is the sovereign remedy&amp;quot;; in Denver with his &amp;quot;Anarchist Heaven&amp;quot; car, 465;&lt;br /&gt;
&lt;br /&gt;
[[image:Gauss-Weber_Statue.jpg|thumb|Gauss &amp;amp; Weber Statue]]&#039;&#039;&#039;Gauss&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
498; 588; statue of Gauss and Weber, 594;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Geheimrat&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
603; title of the highest officials of a German royal or principal court. It has its roots in 17th century Europe when governmental administration was established. The English language equivalent is Privy Councillor. The title disappeared after the destruction of the German Empire in 1918, when the various royal courts in Germany were replaced by the Weimar Republic.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gentleman Bomber of Headingly&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
236; cricket-ball bombs; 241; 605; 690; spotted at Fenner&#039;s crickett ground, 691;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gerasimoff, Dr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
258; Chick Counterfly&#039;s &amp;quot;opposite number&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gerhardt&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
517; Austrian Chief Stoker aboard &#039;&#039;Stupendica&#039;&#039;, &#039;&#039;Herr Hauptheitzer&#039;&#039;; in Swiss Alps, drilling, 655;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;German Sea, The&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
489; 504;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Geronimo&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
195;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gevaert, Edouard&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
558; sells Q-98 to Woevre; &amp;quot;unworldly go-between&amp;quot; 559;&lt;br /&gt;
&lt;br /&gt;
[[image:dirhan.jpg|thumb|Afghani dirham|right]]&#039;&#039;&#039;Ghaznivid Empire&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
596; Sunni Muslim state in Khorasan in modern day Afghanistan that existed from 962 to 1187. It was created by Alp Tigin, a former Turkic slave general, with the city Ghazna (Ghazni) as capital, replacing the ruling Samanids; [http://en.wikipedia.org/wiki/Ghaznavid_Empire Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ghloix, Dr. Otto&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
132; &amp;quot;Expedition alienist&amp;quot;; &amp;quot;psychomedical officer&amp;quot; 143; visiting alienist from Switzerland, 686;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Giant-Wheel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
699; The Giant Wheel in the Prater is an important Viennese landmark, providing a view over the city. The wheel was the brain child of Gabor Steiner (1858-1944) and was built in 1896 by the English engineer Walter B. Basset, who produced similar designs in London and Paris. It was erected in the record time of eight months and was operated for the first time on June 21 1897; [http://www.technologystudent.com/culture1/ferris1.htm More on this website]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gibbs, Professor Willard&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
29; 158; 318-19; 532-3; 793; Gibbsian, 526; 532; Josiah Willard Gibbs was arguably the greatest American scientist of the 19th century, bringing the power of thermodynamics and statistical mechanics to what had been cookbook and rule-of-thumb chemistry. He demonstrated and extended the value of modeling in &amp;quot;phase space,&amp;quot; a graph in which each physical state of a system is represented by a point representing pressure, volume, temperature, etc. (&amp;quot;water in all its phases,&amp;quot; 368)&lt;br /&gt;
[http://en.wikipedia.org/wiki/Willard_Gibbs Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gibson Girls&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
409; The Gibson Girl was the personification of the feminine ideal as portrayed in the satirical pen and ink illustrated stories created by illustrator Charles Dana Gibson during over 15 years spanning the late nineteenth and early twentieth century; 512; [http://en.wikipedia.org/wiki/Gibson_Girl Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gigg, Jack&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
99; Kit Traverse&#039;s sidekick&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gilmore, Mr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
187; conductor in New Mexico&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Ginnungagap&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
127; &amp;quot;the lightless abyss&amp;quot;; Ginnungagap (&amp;quot;seeming emptiness&amp;quot;), in the cosmology of Norse mythology, is the primordial void separating Niflheim and Muspell, the land of eternal ice and snow and the land of eternal heat and flame; [http://en.wikipedia.org/wiki/Ginnungagap Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Girtonian&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
492; 498;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Giuseppina&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
246; waitress at &#039;&#039;Osteria&#039;&#039; in San Polo&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Glagolitic&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
252; The Glagolitic alphabet was invented during the 9th century by the missionaries St Cyril (827-869 AD) and St Methodius (826-885 AD) in order to translate the bible and other religious works into the language of the Great Moravia region. They probably modelled Glagolitic on a cursive form of the Greek alphabet, and based their translations on a Slavic dialect of the Thessalonika area, which formed the basis of the literary standard known as Old Church Slavonic; [http://www.omniglot.com/writing/glagolitic.htm More from this website]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;GOD&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
87; &amp;quot;God&#039;s ledger; 131; rocks as &amp;quot;post-godhead&amp;quot; 209; under God&#039;s wing, 211; &#039;&#039;shin&#039;&#039;, 237; 534;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gold Standard&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
89; The &amp;quot;gold standard&amp;quot; is a monetary system in which the standard economic unit of account is a fixed weight of gold; [http://en.wikipedia.org/wiki/Gold_standard Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Golden Age&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
561;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gomez, Eusebio&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
640; &amp;quot;acting as a subagent&amp;quot; in Mexico; aka Wolfe Tone O&#039;Reilly, 641;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gordon, Charles George (1833-1885)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
240; known as Chinese Gordon, Gordon Pasha, and Gordon of Khartoum, was a British army officer and administrator. He is remembered for his exploits in China and northern Africa. Gordon was killed in Khartoum while defending it against the uprising led by Mahdi Mohammed Ahmed who decapitated Gordon and displayed his head on a spear; [http://en.wikipedia.org/wiki/Charles_George_Gordon Wikipedia entry]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;G&amp;amp;ouml;ttingen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
594; during war with Prussia&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gottlob&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
588; at G&amp;amp;ouml;ttingen;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grace, Angela&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
399-400; songstress at Lollypop Lounge who&#039;s &amp;quot;ten summers old&amp;quot;;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grace, Dr.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
577; appeared to Hunter in a dream, &amp;quot;the mass-grave-to-be of Europe&amp;quot;;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gradenigo, Doge Pietro&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
247&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Cohen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
499;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grand Hotel de la Nouvelle Digue&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
526; in Ostend, Belgium; 531;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Granitza&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
326; small town &amp;quot;above Adriatic Coast in the Velebit range&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;grapnel&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
13; a tool consisting of several hooks for grasping and holding; often thrown with a rope&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grassmann, Hermann (1809-1877)&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
324; German polymath, renowned in his day as a linguist and now admired as a mathematician. He was also a physicist, neohumanist, all-round scholar, and publisher; [http://en.wikipedia.org/wiki/Hermann_grassmann Wikipedia entry];  Grassmann&#039;s 1862 &#039;&#039;Ausdehnungslehre&#039;&#039; (literally, &amp;quot;Theory of Extension&amp;quot;) is one of the great mathematical works of the nineteenth century. In it the foundations of linear and multilinear algebra are laid and much of the superstructure too is constructed. It is regrettable that such a book on such a subject should, from the moment of publication, have been not much read. Indeed, Grassmann&#039;s reputation for impenetrability has persisted to this day; 535; [http://www.maths.utas.edu.au/People/dfs/Papers/GrassmannTranslation/node3.html More about &#039;&#039;Ausdehnungslehre&#039;&#039; here] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Great Airships of 1896 and &#039;7&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
454; On November 17, 1896 in Sacramento, California, there appeared, on a rainy night, a bright light. It moved slowly west appearing to be about a thousand feet above the rooftops. Hundreds of people saw the light including George Scott, an assistant to the Secretary of State of California. Scott persuaded some friends to join him on the observation deck above the capitol dome and from there they thought they could see three lights, not one. Above the lights was a dark, oblong shape. In 1897 there were many sightings of great airships from California to&lt;br /&gt;
Texas. However the airplane would not be invented for another 6 years,&lt;br /&gt;
and neither had large dirigibles or blimps yet been flown. In Aurora,&lt;br /&gt;
Texas one such ship crashed into a windmill or tower and exploded. [http://ufocasebook.com/Aurora.html Read more about the 1897 incident] and [http://www.unmuseum.org/airship.htm the Mysterious Airship of 1896]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Great Wife Bazaar of the World-Island&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
432;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Gretchen&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
640; G&amp;amp;uuml;nther&#039;s date at Steve/Ram&amp;amp;oacute;n&#039;s (&amp;quot;the restless Valkyrie&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grimsford, Wes&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
211; marshal of Jeshimon&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Griswold, Uncle&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
497; Cyprian&#039;s corrupting sodomite uncle&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grossmith, George&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
494; at Cambridge&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Groznyi&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
441; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grundy, Mrs.&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
400; Mrs Grundy is the personification of the tyranny of conventional propriety (from Thomas Morton&#039;s play &#039;&#039;Speed the Plough&#039;&#039;, which appeared in 1798), a person who is too much concerned with being proper, modest, or righteous; 427;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guanajuato&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
376; Frank Traverse and Ewball in;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;guncotton&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
27; guncotton is Nitrocellulose (Cellulose nitrate) is a highly flammable compound formed by nitrating cellulose (e.g. through exposure to nitric acid or powerful nitrating agent), used in explosives&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;gutta-percha&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
603; Gutta-percha (Palaquium) is genus of tropical trees native to southeast Asia and northern Australasia, from Taiwan south to Malaya and east to the Solomon Islands. It is also an inelastic natural latex produced from the sap of these trees, particularly from the species Palaquium gutta. Chemically, gutta-percha is a polyterpene, a polymer of isoprene (trans-1,4-polyisoprene); 611;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;gynecophobia&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
501; fear of women&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{ATD_Alpha_Nav}}&lt;/div&gt;</summary>
		<author><name>Monte.davis@verizon.net</name></author>
	</entry>
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